When I did stand-up comedy, one of the jokes I had that I really liked (the audience was marginally less receptive) went something like this:
“I want to have a TV commercial where I wonder if people have had the IRS hounding them for back taxes, and have people give testimonials about the IRS hounding them for back taxes, and I dress up like a lawyer and say ‘If the IRS has hounded you for back taxes … pay your damn taxes, dipwad!’”
Those ads love to make the people seem sympathetic, when most of the time, it’s just some person who didn’t want to pay the taxes they owe. Making a bad guy sympathetic is in fact one of our most tried-and-true literary techniques, from MacBeth to Citizen Kane to Breaking Bad.
And also Rent.
Listen, I love Rent. I listen to the soundtrack more times than I care to count, and picture myself playing the role of Tom or Roger all the time, despite the fact that I can neither sing nor dance nor act. It’s wonderful.
It’s also a story about the worst people in the entire world.
Let’s start with the entire premise: Rent. You know what? I want to make a career out of being creative and being an artist and all that too. But you don’t get to live for free because you’re an ar-teest. Pay your damn rent. I don’t need to feel bad for you for this. Pay your rent. If your films and songs aren’t taking care of it, well, that’s a shame. But too dang bad.
So let’s look at the definitive ranking of the awfulness of the Rent main characters, least-worst to worst-worst. Because let’s face it, they’re all the worst. And you know how I know they’re the worst? When they go to the Life Café after the protest, the manager practically begs them to not rearrange the tables and then they do. Like, if there’s one class of people you think these Bohemian lifers could sympathize with, it’d be restaurant folks, and they’re even assholes to them.
