Biblical Witness 1 Samuel 16:1, 4, 5b-13
God said to Samuel, “How long will you grieve over Saul? I have rejected him from being king over Israel. Fill your horn with oil and set out; I will send you to Jesse the Bethlehemite, for I have provided for myself a king among his sons.” Samuel did what God commanded, and came to Bethlehem. He sanctified Jesse and his sons and invited them to the sacrifice. When they came, he looked on Eliab, Jesse’s oldest son, and thought, “Surely the Lord’s anointed is now before the Lord.” But God said to Samuel, “Do not look on his appearance or on the height of his stature, because I have rejected him; for I do not see as mortals see; they look on the outward appearance, but I look on the heart.” Then Jesse called Abinadab, and made him pass before Samuel. God said, “Neither have I chosen this one.” Then Jesse made Shammah pass by. And God said, “Neither have I chosen this one.” Jesse made seven of his sons pass before Samuel, and Samuel said to Jesse, “God has not chosen any of these.” Samuel said to Jesse, “Are all your sons here?” And he said, “There remains yet the youngest, but he is keeping the sheep.” And Samuel said to Jesse, “Send and bring him; for we will not sit down until he comes here.” Jesse sent and brought him in. Now David was ruddy, and had beautiful eyes, and was handsome. God said, “Rise and anoint him; for this is the one.” Then Samuel took the horn of oil and anointed him in the presence of his brothers; and the spirit of the Lord came mightily upon David from that day forward. Samuel then set out and went to Ramah.
Contemporary Witness
Before I begin the contemporary witness, I’d like to tell you a bit about the author of the poem I’m going to read. Her name is Ofelia Zepeda. She is a Regents’ Professor at Arizona University in the Department of Linguistics and American Indian Studies. She has a long list of credentials as an academic. Amoung them is the text book she wrote: “A Tohono O’odham Grammar” (first printing, 1983). It is one of the first grammar books on the O’odham language, which is the language of her people.
An article about her in American Indian Magazine says this, “Zepeda is a co-founder and longtime director of the American Indian Language Development Institute (AILDI), whose annual summer programs train American Indian teachers in language instruction and developing materials for children and adults. Zepeda has worked with more than 2,000 students, most of whom return to their tribal communities.
As an activist, she played a key role in getting Congress to enact the Native American Languages Act of 1990 (a year after Congress established the National Museum of the American Indian). The Act also gave Native languages official status in tribal government business.
Zepeda’s poems provide all of humanity with evidence of the need for linguistic diversity to fully understand the human experience and the world we inhabit.” These were all quotes from the online article from American Indiana Magazine.
This is whose voice we are listening to today. And here is her poem,
“Birth Witness” by Ofelia Zepeda
My mother gave birth to me
in an old wooden row house
in the cotton fields.
She remembers it was windy.
Around one in the afternoon.
The tin roof rattled, a piece uplifted
from the wooden frame, quivered and flapped
as she gave birth.
She knew it was March.
A windy afternoon in the cotton fields of Arizona.
She also used to say I was baptized standing up.
“It doesn’t count,” the woman behind the glass window tells me,
“if you were not baptized the same year you were born
the baptismal certificate cannot be used to verify your birth.”
“You need affidavits,” she said.
“Your older siblings, you have some don’t you?
They have to be old enough to have a memory of your birth.
Can they vouch for you?”
Who was there to witness my birth?
Who was there with my mother?
Was it my big sister?
Would my mother have let a teenager watch her giving birth?
Was it my father?
I can imagine my father assisting her with her babies.
My aunts?
Who was there when I breathed my first breath?
Took in those dry particles from the cotton fields.
Who knew then that I would need witnesses of my birth?
The stars were there in the sky.
The wind was there.
The sun was there.
The pollen of spring was floating and sensed me being born.
They are silent witnesses.
They do not know of affidavits, they simply know.
“You need records,” she said.
“Are there doctor’s receipts from when you were a baby?
Didn’t your parents have a family Bible, you know,
where births were recorded?
Were there letters?
Announcements of your birth?”
I don’t bother to explain my parents are illiterate in the English language.
What I really want to tell her is they speak a language much too civil for writing.
It is a language useful for pulling memory from the depths of the earth.
It is useful for praying with the earth and sky.
It is useful for singing songs that pull down the clouds.
It is useful for calling rain.
It is useful for speeches and incantations
that pull sickness from the minds and bodies of believers.
It is a language too civil for writing.
It is too civil for writing minor things like my birth.
This is what I really want to tell her.
But I don’t.
Instead I take the forms she hands me.
I begin to account for myself.
Reflection “Artificial Legitimacy”
There’s a whole lot about life that is just made up. Who gets to be important and why. The value of money. What jobs are deemed essential. Humans create boundaries around land as if the land itself is going to obey. We create documentation about those boundaries and money and birth and death and jobs. We argue about what needs to be documented and controlled and what doesn’t.
In her poem, Birth Witness, Ofelia Zepeda reveals the ridiculousness about requirements to document and prove the obvious – her existence. We can get so caught up in the system of requirements that we lose the point of what we’re trying to keep track of and why.
As a Christian, why do we care about these things? There are some things about life which are just the systems we create and we go along with them because it’s a way for things to get organized. It doesn’t matter. There’s a story about Jesus being confronted about paying taxes. In a part of that story we hear Jesus say, Give to Caesar what belongs to Caesar and give to God what belongs to God. Jesus had a practical nature. For him, life was bigger than the systems that we create. Unless … the systems interfered with life.
Some systems are designed to do just that. They are meant to get in the way of the life of some people so that they can’t participate. Gerrymandering does this with voting. The requirements of many different kinds of public assistance get in the way of people being able to get off of assistance in a meaningful way. I could easily get in the weeds about intrusive rules and documentations which stop people from moving forward, but I bet I’ve said enough to bring to mind the ones which cause you aggravation already. Not just petty annoyances, but real life-stoppers.
Jesus was ridiculed for healing on the Sabbath. His opponents deemed his miracle a kind of work that was forbidden on the Sabbath. There were hand washing rules. Rules about who he should and shouldn’t be talking to. He pushed against the rules that were there to be stumbling blocks and taught that setting up stumbling blocks for others was a great offense against God and people.
This is why, as Christians, things like what gets documented and for whom should matter to us. It isn’t that there shouldn’t be systems. Organization can be very helpful. But systems for the purpose of controlling others is grievous to God because it reduces the value of life itself.
I included the Biblical story about Samuel’s job to find the new king as a way to talk about expectations about people. Samuel knew God’s anointed was going to be one of the children of Jesse, but he didn’t know which one. As he looked over the ones presented to him he had expectations that it would be the oldest son. If not the oldest, then the strongest or the best looking. God told him, he was using his human systems to make his determination. We use our human systems of determining things all the time and most often, it works. That’s okay when the systems are benign. But when they’re designed to be stumbling blocks, we have to take notice. David was the youngest. He wasn’t even called in to be considered. We don’t know exactly why, but there was an expectation that it couldn’t possibly be him. David was the archetype of the underdog. It’s a classic trope in hero stories. It’s a way to remind us to get out of our expectations, to get out of our ruts of thinking and doing. It’s a reminder to re-prioritize.
Tropes of stories are one thing. Real life is another. Ofelia Zepeda’s poem is about real life. The expectations put on her to validate her existence did not match with her lived experience. What was normative to the clerk behind the counter with her forms was not normative to Ofelia Zepeda’s life. Furthermore, the lack of compassion or even the inability to hear from another’s experience creates an even greater stumbling block. Going deeper, I see not only the resistance to listen and understand, but also an expectation that the person the clerk is meant to serve should be regarded with suspicion.
As Christians, why should we care about things like this? Because whole groups of people are being invalidated and treated with suspicion. These are stumbling blocks to living. Jesus cared about that. Our faith teaches us to take notice of the forgotten child in the field or the adult who is given a requirement for validation that over burdens their life.
Today, with Ofelia Zepeda’s guidance, let’s look beyond the human structures which give credence to our existence. She lists the real witnesses to her birth. Not just the humans who might have been there, but creation itself. She celebrates these deeper witnesses which have memories and futures far beyond ours. She talks about the language of her family being much too civil for writing and documenting. Instead, the language she knew and used was meant for deeper meanings.
Who or what are the real witness which celebrate your life and being? What season was it when you were born? Where was the sun and the moon situated? Who held you, smiled at you, breathed on you with kisses and sighs when you were first experiencing the world?
In what way do you use language that holds deeper meanings? What non-words help you express your deeper truths. How do you connect with the mystery that is creation?
Stripping off the veneer of artificial validations, how do you authenticate yourself? What I mean is, what do you know in your knower about the truth of you? Of your goodness? What can no one take away, even if they tried?
One thing that I have learned in my friendships with those who walk a faith path based on their indigenous heritage is that everything is connected. We are connected to each to each other and to creation. All that we see and experience is woven together and sacred. When we forget this simple truth, and begin to think that the systems we’ve set up are the truths to be followed, we lose out on the deeper meaning of what it means to be alive.
I am grateful for the teachings of people like Ofelia Zepeda who point us toward real life. While we live our lives within a system, it isn’t the system that validates or authenticates us. We are already centered and grounded in that truth. When we know that for ourselves, the next level we can go is to experience each other in the same way. To remove the expectations of who we think each other should or could be, just as we have removed those expectations from ourselves. In this way, we remove the weights that keep us from life. I think that if there’s anything that makes God smile, it’s when we remove the weights that hold us down from experiencing the amazingness of life that has been created for us. When we remove the stumbling blocks that have been set up to limit not just ourselves, but the abundant life meant for others, we are truly doing the ministry that Jesus taught. We are then the bearers of good news and agents of liberty for those in bondage.
The systems we have are only tools. They’re useful when they help to enliven us and connect us. They’re weapons when they limit our connection and make us suspicious of each other. Our faith decides how we design our religion, and it’s usefulness to us. This is our higher calling. It draws us to connect our souls and hearts. We become each other’s witnesses to this life, celebrating each other and learning how to share a language that draws the sacred to us, grounding us and making us whole together.











Written by pastormak
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