Politics, family and friends – This seemingly innocuous combination has of late been the epicenter of social breakdown in our country.

When one’s brother turns on him because he doesn’t like Donald Trump, something has to be wrong. Did he bother to ask how his own brother was doing with stage 4 cancer? No! He instead chose to attach more importance to politics than his own dwindling family. This infantile behavior is now epidemic! The cruel fantasy has become reality.
A life-long friend of over 60 years now refuses to return phone calls. The reason? His politics don’t align! What a shame that six decades of friendship, cherished memories and shared compassion for the sport of surfing don’t collectively outweigh the politics of the moment.
Both of these cases illustrate not only the friction that exists in our society today but also the immaturity with which half or more of our population deals with their frustration at not getting their way. Much like a baby who tosses his rattle out of the crib because he can’t have more pudding, a good chunk of the people around us are just complete self-absorbed to the point of no return. Like the baby in his crib, they need a swift kick in the ass!
It is oddly comforting that those of us on the right in politics did not spend the Biden years tossing rattles and pouting. Rather, we worked hard to bring about political change through communication and activism. While we certainly did not like our prior president, we did not cut-off communication and love with our family and friends over politics.
Outside of family and friends, the baby rattle syndrome is just the same, especially in the world of entitled celebrities. In one great pout, many have announced that they are leaving the United States over Trumps re-election. Of course most of us don’t have private islands to run to in a temper tantrum. But private islands aside, what purpose does “leaving accomplish? Why not stay like we did during the disastrous Biden years and strive for change. But of course, just like friends and family it is much easier and requires no guts at all just to simply excommunicate from your life those you don’t agree with. How sad!
Nothing is forever. Certainly politics and politicians will come and go. But what about the people around you in the here and now? Do you really want to chuck them out of your life just because they don’t think exactly like you?
While this old dude certainly has his opinions, I have always allowed for others to have theirs as well. Many of my friends have views 180 degrees opposite of mine, yet we still cherish our relationship with mutual respect and the knowledge that politics of the moment pale in comparison to the friends and family that make life worth living. Something to think about the next time you are about to make your world much small and your life less richer…
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Whenever I’m out fishing I try to find a little humor in life, whether it’s on the water or on its shores. A couple of weeks ago, I fished the North Mills River with moderate success. When I left the stream to have a picnic lunch with my wife, I put my rod down on a wooden table and lo and behold, look what was staring back at me!
I thought the carving effort showed a fine hand. Perhaps Jessica will become an artist some day. Will she become an English teacher or writer? I tend to doubt it. I forwarded this photo to our state’s department of education…. no reply.
Whenever I’m out fishing I try to find a little humor in life. Thank you Jessica and thank you Norman wherever thou art.
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There is a saying here in the Val di Non: “attenti parenti serpenti” which means beware of your slithery relatives. It’s a cute saying that has some merit, however I have found this adage not to be true in my own case.
My relatives here in Italy are genuinely interested in me, my wife and our life in the USA. While I have seen situations both here and in the USA where relatives are in fact more like vultures than snakes, I must say my family are all gems for the most part.
This old proverb comes from the fact that families here in Italy often feel they have an absolute right to everything that belongs to their extended families. The mentality is “what is mine is mine and what is yours is also mine.” This is dominant thinking here. However, my personal experience has been the opposite. My 98 year old great-aunt wanted nothing of me aside from my love and respect. She got both in huge amounts. Sadly, she passed away a couple of years ago. This is how it ought to be; treating those around us with love and respect. Unfortunately this is seen as thinking from “una volta” (the past). Maybe the old days were in fact better. I’ll be wary of the snakes but always look better qualities from my family.
I have learned but one thing of family: Treat them well and they will do the same. Tell them you love them today; don’t wait for funerals. A little John Lennon goes a long way!
Photo: Zita on her 96th birthday.
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When I was a child of ten living in Southern California during the late 1950s, I was very typical for the times. Together with my friends, I would maraud our little middle class neighborhood looking for simple things to do, from catching butterflies to skateboarding. Most of our neighbors forgave our minor trespasses of property and calm because we were all living in the land of Ozzie and Harriet. We did no real damage as we were just kids being kids.
Sometime in 1959, a new neighbor moved in two doors up from our house. His name was Mr. Bruce and he was immediately completely intolerant of me and all children on our block. He would scrub and then hose off the sidewalk in front of his house daily and yell at us if we dared transverse the section of the public right of way in front of his property. Of course, we thought he was nuts. As we went over this piece of concrete daily with our skateboards, he would come roaring out of his front door to confront us. This cycle continued for years.
One day we heard that Mr. Bruce had died of a brain tumor. His untimely end aside, I swore that I would never let myself become him. Mr. Bruce was a loathsome and feared phrase in my vocabulary.
Years later I became a father and then a single parent but always with a deep tolerance for children of all ages. I was a Cub Scout leader, I coached T-Ball and often had my home full of my son’s hyperactive friends. But as the years advanced and my patience did not, slowly I became less of a fan of screaming children and mamby-pamby parents who refused to to discipline their broods. I’ve heard that this phenomenon is called “getting old.”
This process continued throughout my latter adult life. I am now way retired and living in the Italian Alps where things are normally very peaceful. However parents here set no boundaries at all for their children; it’s a European thing that ultimately manifests itself with sons living with their mothers until they are 50 or older. These parents turn their little wretches upon the general public instead of perhaps teaching them T-Ball.
Today, after a five hour onslaught of screaming in Italian and German, I finally lost it. I leapt to my balcony and bellowed, “Basta, halt deine klapper!” (Enough, shut up!) As I went back into my house, I gasped aloud, ” Oh crap, I’ve become Mr. Bruce!” I then began checking my skull for any noticeable bulges.
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Indovina dove! Guess where!
Foto © Allen E. Rizzi

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So what’s a bass man anyway? A bass man was a byproduct of the 1950’s and 1960’s; a singer who sang the bass doo wop lines and deep bass lines in those classic songs. We have all heard these gems (well, some of us older ones anyway). When I was in junior high school in Sylmar, California, I became intrigued with the whole bass man notion. At the time I had a girlfriend whose father owned a jukebox supply business and I had free reign to his inventory of oldies. Actually, they were newies at the time. In 1963, I decided I was going to be a bass man; seriously, I thought this would be my life’s work. The songs of the late 1950s and early 1960s had convinced me that I would find success with my newly discovered deep voice.
I spent the years from 1962 to 1965 perfecting the art of the bass man. I sang all the bass parts to all of the records of the day despite the fact that at the time I naturally sang alto in the church choir. The final clincher was the release of Mr. Bass Man by Johnny Cymbal in 1963 (Kapp Records). I was totally convinced this was my ticket to the future. I did the Blue Moon parts perfectly and learned all the classic bass man scats. I felt the longing rhythms calling to me at night as I lay awake late in the night in San Fernando, California during the long march of the early 1960s. It was a divine voice that called: boppa, bop bop; ramalama ding dong. I was confident as I combed my butch-waxed hair back each morning to explore a new day and learn new bass man parts to sing. I was on my way to the top.
In 1964, I showed-up at my brand new high school in Sylmar, California full of anticipation to be the next teenage sensation bound for Dick Clark’s American Bandstand. In 1964, I regularly performed acapella to the amusement of my little band of surfer friends. and even did the street corner scene similar to Dion and the Belmonts sans New York, thank God. The year 1964 was a good one but something changed abruptly. So what happened? Did I grow up overnight, get wise in my new found old age? No, American popular music simply changed dramatically. Before I could get a toehold in the bass man business, there were no more bass men. The prospect of becoming a bass man was overrun by change. The phenomena is called timing. I’ve never been particularly good at timing; it is an illusive skill.
So what does a man do with the talent of singing bass scats for the rest of his life? That’s a very good question indeed. Not being one to give up on an idea, I pursued the bass man notion, not as a money making vocation, but as a hobby of sorts. Actually, it was more like a spiritual hobby. For the last 50 years I have been, you guessed it, a bass man. When I performed publicly in the 1970s, I would always throw an old piece into my act to see if I still had the right stuff; I did. Later, I even incorporated some of the old bass man formulas into my own music writing. I still do the familiar bass scats for my wife, much to her chagrin. (I’m sorry honey, it’s in the blood.) I amuse myself by keeping perfect time with the old recordings and doing for pure joy what I once was sure was to be my thing. And if I ever find myself at the button in Double Jeopardy, I will surely not miss any answer regarding 1950s and 1960s music, specifically regarding bass men and their contribution to American popular music.
However, I never actually got to be a bass man. A big deal? Yeah, kind of a big deal with me, but one of the many little disappointments in life that I have grown to live with. A big deal with my friends and acquaintances? Absolutely not. But if you are reading this and have any sense of rhythm, you must know where I’m coming from.
For those of you with a good memory and a heart of gold, here’s a link to Johnny Cymbal’s Mr. Bass Man. I would love to hear from anyone who actually remembers this song. Did you want to be a bass man too?
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Once upon a time, there was a lot of teenage angst and melancholy in this country. Out of the 1960s were born several teen tragedy songs, the most famous being what I call the teen tragedy trilogy: Teen Angel, Tell Laura I Love Her and Patches. These songs may be called corny or just a sign of the times. Each was delivered with convincing lyrics and sad music. Some of us strangely found a sort of redemption by listening to these three songs. You decide!
Teen Angel is a song by Mark Dinning that was released in 1960.
Here are the lyrics:
Teen angel, teen angel, teen angel, ooh, ooh
That fateful night the car was stalled
upon the railroad track
I pulled you out and we were safe
but you went running back
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
What was it you were looking for
that took your life that night
They said they found my high school ring
clutched in your fingers tight
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
Just sweet sixteen, and now you’re gone
They’ve taken you away.
I’ll never kiss your lips again
They buried you today
Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
Teen angel, teen angel, answer me, please
Tell Laura I Love Her was also released in 1960 by Ray Peterson.
Here are the lyrics:
Laura and Tommy were lovers
He wanted to give her everything
Flowers, presents and most of all, a wedding ring
He saw a sign for a stock car race
A thousand dollar prize it read
He couldn’t get Laura on the phone
So to her mother, Tommy said
Tell Laura I love her, tell Laura I need her
Tell Laura I may be late
I’ve something to do, that cannot wait
He drove his car to the racing grounds
He was the youngest driver there
And the crowed roared as they started the race
‘Round the track they drove at a deadly pace
No one knows what happened that day
How his car overturned in flames
But as they pulled him from the twisted wreck
With his dying breath, they heard him say
Tell Laura I love her, tell Laura I need her
Tell Laura not to cry
My love for her will never die
And in the chapel where Laura prays
For Tommy who passed away
It was just for Laura he lived and died
Alone in the chapel she can hear him cry
Tell Laura I love her, tell Laura I need her
Tell Laura not to cry
My love for her will never die
Tell Laura I love her
Tell Laura I love her
Tell Laura I love her
Patches was recorded by Dickie Lee in 1962. It was written by Barry Mann and Larry Kolber.
Here are the lyrics:
Down by the river that flows by the coal yards.
Stands wooden houses with shutters torn down
There lives a girl everybody calls Patches
Patches my darling of Old Shanty town
We’d plan to marry when June brought the summer
I couldn’t wait to make Patches my bride
Now I don’t see how that ever can happen
My folks say No, and my heart breaks inside
Patches oh what can I do
I swear I’ll always love you
But a girl from that place would just bring me disgrace
So my folks won’t let me love you
Each night I cry as I think of that shanty
And pretty Patches there watching the door
She dosn’t know that I can’t come to see her
Patches must think that I love her no more
I hear a neighbor tellin my father
He said a girl name of Patches was found
Floating face down in that dirty old river
That flows by the coal yards in Old Shanty Town
Patches oh what can I do
I swear I’ll always love you
It may not be right But I’ll join you tonight
Patches I’m coming to you.
Do you have some thoughts about these three songs? I would love to hear them so please comment.
Okay, I had to throw in a fourth song of the same genre: Last Kiss (Where Can My Baby Be?) The song was recorded by J. Frank Wilson & The Cavaliers and written by Wayne Cochran in 1961.
Here are the lyrics for this last song:
Well, where oh where can my baby be?
The Lord took her away from me.
She’s gone to heaven, so I got to be good,
So I can see my baby when I leave this world.
We were out on a date in my daddy’s car.
We hadn’t driven very far.
There in the road, straight ahead …
The car was stalled, the engine was dead.
I couldn’t stop, so I swerved to the right.
Never forget the sound that night …
The cryin’ tires, the bustin’ glass.
The painful scream that I heard last.
Well, where oh where can my baby be?
The Lord took her away from me.
She’s gone to heaven, so I got to be good,
So I can see my baby when I leave this world.
Well, when I woke up, the rain was pourin’ down.
There were people standing all around.
Something warm running in my eyes,
But I found my baby somehow that night.
I raised her head, and when she smiled, and said,
“Hold me darling for a little while.”
I held her close. I kissed her our last kiss.
I found the love that I knew I would miss.
But now she’s gone, even though I hold her tight.
I lost my love … my life, that night.
Well, where oh where can my baby be?
The Lord took her away from me.
She’s gone to heaven, so I got to be good,
So I can see my baby when I leave this world.
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🎵 There is a house in a town called Tret
That needs all seven keys…
I’d gladly trade all those locks
For some wine and cheese! 🎵
So would open the first verse about our house in Italy: It requires many keys on a daily basis. Let’s start with the obvious: The front door key. That’s number one. The rest follow in quick succession.
- Front door key.
- Garage key.
- Cantina key #1
- Cantina key #2
- Interior room keys (3)
- Armadio keys (2)
- Mail Box key.
That’s a good chunk of weight to carry around every day and yet all these keys are needed. The ultimate irony is that in these parts most people don’t lock anything including their front doors.
Just another chapter in the book called Living in Italy!
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If you’re my age or any age for that matter, you probably have heard the song “Angel Baby.” If you have never heard this song, you need to get to a doctor quickly – you may be missing a frontal lobe or two!
Although “Angel Baby” was a 1961 one-hit wonder, its author and singer was an enduring personality for decades. Rosie Hamlin was the front-woman of the group Rosie and the Originals. The song became a Top 40 hit when Hamlin was only 15 years old. Hamlin’s “Angel Baby” was later covered by several artists, including Linda Ronstadt and John Lennon, who cited Hamlin as one of his favorite singers. She was the first Latina to be honored by the Rock and Roll Hall of Fame, as well as the first Latina to appear on Dick Clark’s American Bandstand in 1961.
At age fifteen, Hamlin and some friends rented the only recording studio they could find within 100 miles of San Diego located in San Marcos, California, to record the song. The studio was owned by an airplane mechanic who had taken part of his hangar to make it. A little aside here: Many musicians, including me, contend that you can hear a car outside this hanger at approximately 1:35 into the song.
After taking the master to a Kresge’s department store in downtown San Diego, they convinced the manager to play it in the listening booth of the store’s music department. The song received rave reactions from teenage listeners, and a scout from Highland Records offered the group a recording contract, under the condition that the company take possession of the master recording, and that David Ponce be named as the author of the song, as he was the eldest member of the group. Hamlin along with her band performed six shows with Jackie Wilson at the Brooklyn Paramount Theater in New York City in late 1960.
Rosalie “Rosie” Hamlin was born in Klamath Falls, Oregon, on July 21, 1945, to Ofelia Juana Méndez and Harry Hamlin. She got her Latina good looks from her mother. She spent part of her childhood between Anchorage, Alaska and California, before her family moved to National City, California. Her father and grandfather were both musicians who had backgrounds in vaudeville, so she grew up in a music oriented household. During her childhood, Hamlin was trained to play piano.
Hamlin began singing with a band at thirteen. She wrote the lyrics for “Angel Baby” as a poem for her first boyfriend when she was 14 years old, while attending Mission Bay High School in San Diego, California.
“Angel Baby”, which featured Hamlin’s noted soprano vocals, made its radio debut in November 1960, before the group had even received their contract; the track was also played on K-Day Radio by the to be famous disc jockey Alan Freed. When the group formally established a contract, Hamlin found that she was ineligible to collect record royalties from the song because she was not listed as the songwriter. This led to the group’s break-up, and although Hamlin secured the copyright to her music in 1961, decades of battles over royalties followed. “Angel Baby” charted at number 5 on the Billboard Singles Chart. On March 30, 1961, Hamlin appeared with Rosie and the Originals on Dick Clark’s American Bandstand, performing “Lonely Blue Nights”, making her the first Latina to appear on the show.
Rosie Hamlin formally retired from the music industry in 1963 after starting a family with her husband and guitarist, Noah Tafolla. The couple had two children. Joey , and Deborah. Hamlin performed several revival concerts until 2002, before retiring from live performances due to advanced fibromyalgia.
Hamlin died in her sleep of undisclosed causes on March 30, 2017 at her home in New Mexico.
For so many of us who grew up in the 1960s as teenagers, Rosie Hamlin was just the sweetest, smoking hot little girl that had ever come onto the music scene. As a teen I learned to sing this song in full falsetto and I still sing it occasionally with both a pain in my heart and a tear in my eye. We all miss you Rosie! You certainly were an original.
Here’s the original recording of “Angel Baby:”
https://www.youtube.com/watch?v=bu2dAQ3xb8s
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To be sure, there are few places on earth that rival the Italian Alps for pure beauty and wonder. These ancient mountains were once a limestone seabed before they were thrust upwards millions of years ago. Today their picturesque peaks beckon to tourists from all parts of the world. This magical place was also for many years my home.
My wife and I moved to the tiny village of Tret in the Val di Non of northern Italy’s Trento Province in the fall of 2002. Being a lifelong fly fisherman, one of my first tasks was to sort out the question of whether or not my new home would equal my old home in Eugene, Oregon in terms of the quality of available fishing. The short answer, I soon found out, was no. However as with every no or yes, there are always qualifiers. To be sure, my old home in Oregon had provided every possible type of quality fishing experience combined with an enormous variety of species, from Chinook Salmon to tiny mountain Cutthroat Trout. There probably isn’t a better place for a fly fisherman to live. However, the Italian Alps have their own special fishing qualities that might rank the spot pretty high on most anglers’ lists.
When fly fishing is looked at as a harmonious experience with the natural beauty around you, the Italian Alps probably outrank most spots on the planet. And as I soon found out, the fishing is very good there as well. However, a large learning curve needed negotiating at the very beginning. First, fishing in Europe is considered a privilege not a right. I had to first obtain a freshwater fishing license. In Italy, one doesn’t just pop into the local Walmart and buy a license. No, in fact I was required to take a weekend course to prove that I had practica (experience). Once the license was issued, it became valid for my lifetime. However, a permesso (permit) is also required for each piece of each body of water and for every day that it is to be fished. For instance, I immediately found that to fish the Adige River from the Austrian border to the town of Meran, I needed three separate permits each day I fished. At 14 Euros apiece (about $20), this could soon turn into a very expensive pastime. It’s true that I could buy a yearly permit at 120 Euros but it was only valid in my valley and did not apply to other areas. Therefore, the first thing I learned about fishing in the Italian Alps is that it is awfully expensive. Fishing here has to be a planned experience.
The offset to the expense was that there were practically no other fishermen. In the 12 years I lived there full-time, I saw but 6 other fly fishermen and perhaps another 20 bait fishermen. Simply put, you’re going to have most water pretty much to yourself. The water itself is evenly divided between fairly steep streams, large valley rivers and hundreds of alpine lakes. Fish species are similar to the United States with a few odd species (like Marmorata) thrown in for good measure. There are many Rainbow Trout, Brown Trout and variations of Brook Trout. Like the United States, most streams are hatchery supported. The fish are small to large. At one time, the world record for a Brown Trout was from the Adige River that flows from the Austrian border to Verona and on to the Po River. I soon found my favorite lakes were Lake Tret (just above my house) and Lago dei Caprioli (Deer Lake) in the neighboring Val di Sole above the town of Pellizano. My favorite river was not the Novella or the Noce in my valley but rather the Avisio in the nearby Val di Fassa. The Avisio starts as a trickle high in the Dolomites near the famous Marmolada Glacier. At the base of the Val di Fassa, it flows into a manmade lake, Lago Soraga. Just above the lake is where some of Northern Italy’s best fly fishing is located.
Many large Rainbow Trout come up from the lake in the fall to spawn and offer the patient angler lots of opportunities. These are both hatchery fish and a few holdovers and natives. The water is almost always chalky in color owing to the high concentration of calcium and lime in the Dolomite Mountains. I immediately found that nymphs, especially a Hare’s Ear (#10 or #12, work very well when the water is flowing high. For dry flies, I had the best luck with a Bob’s Green Caddis (#12 or #14). For a rod, I almost always went with a Sage 9 foot, 4 weight or a Sage 8 ½ foot, 3 weight). The section from the wooden bridge to the lake offers about a mile of diverse fishing.
Author Working The Avsio River, Val di Fassa ©2010 Rachel Rizzi
On one of my many visits to the Val di Fassa in 2010, I stopped to see a distant cousin in the village of Pera di Fassa. Augusto Rizzi is a fisherman as well with a great nose as to where the fish are located. As we stood alongside the state highway that runs in front of his hotel, he motioned to the opposite side of the road. “Give that ditch a try!” he bluntly exclaimed. I walked across the street and looked at the ditch. “Sai pazzo (you’re crazy)” I shouted back. The ditch was a roadside drainage affair about a foot wide. Augusto insisted, so I obliged. I dropped a number 14 Hare’s Ear into the water with my 3-weight Sage and bam! A Salmonata Brook Trout took the fly and headed up into an 8-inch concrete pipe that carried water into the ditch. There I was in the middle of a busy state highway trying to play the fish out of the pipe with cars honking at me and others stopping to watch the crazy American fisherman. Once I landed the fish, Augusto insisted that he include it in his hotel’s menu for the night as trotta Americana. I am a staunch catch and release angler but I acquiesced after a brief protest and some lucky tourist was treated to a dinner with an unusual story.
Salmonata Brook Trout From A Drainage At Pera di Fassa ©2010 Rachel Rizzi
There are many great little spots to fish in the Italian Alps but finding them is a bit tricky. A pre-fishing internet exploration is a must along with any information you can gin up from local residents and sporting goods stores. If you happen to be heading to Northern Italy, pack a rod, vest and a few basic flies with you. You’ll be glad you did. But remember a couple of Italian phrases: Guardia di Pesca (fishing warden) and rispetto della ambiente (respect for the environment). These two go hand in hand in Northern Italy as they do throughout the world.
Author’s Note: Allen E. Rizzi is a fly fisherman and resident of both Northern Italy and the USA. He has fished waters around the world for over 60 years and is author of several books, including The Blackest of Canyons and Other Micro Tales of Fly Fishing, which examines fishing, family and fidelity.
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