Welcome to the Grand Comics Database!
The Grand Comics Database (GCD) is a nonprofit, internet-based organization of international volunteers dedicated to building an open database covering all printed comics throughout the world.
Give our search a try, use my.comics.org to track and manage your comic collection, or look how you can contribute.
Francisco Ibáñez (1936-2023) was one of Spain's greatest comic artists, renowned for his humor. Born in Barcelona, he started drawing as a child, publishing his first work at just 7 years old. After a brief stint in banking, he fully committed to comics, working for Editorial Bruguera. There, he created hit series such as Mortadelo y Filemón (1958), a parody of the world of espionage, as well as others like Rompetechos and 13, rue del Percebe.
His stories, marked by a fluid style and sharp humor, captivated readers of all ages during Francoist Spain. Despite the grueling work pace imposed by his publishers, Ibáñez achieved international fame. After leaving Bruguera in 1985 due to contractual disputes, he worked with other publishers, creating new series and later resuming Mortadelo y Filemón under Ediciones B.
Throughout his career, he received numerous awards, including the Grand Prize of the Barcelona International Comic Fair (1994) and the Gold Medal for Merit in Fine Arts (2002). He remained active into his later years, leaving an indelible mark on the world of comics.
[Sources: https://www.tebeosfera.com/autores/ibanez_talavera_francisco.html ; https://mortadelo-filemon.es/content?q=Y2NvZGU9SEVNRVJPJmN0Z19pZD0xMDgmcG09YmxvZw%3D%3D]
Lee Moder was an American comic book artist. He is best remembered as co-creator of Stargirl [Courtney Whitmore] and as penciller of Legion of Super-Heroes (DC, 1989 series) for more than three years beginning in 1994.
Drew comics in collaboration with Enrico Bagnoli in the 1950s.
Swedish editor, translator, graphic designer and author. Works mostly with translating and digitally subtitling French-Belgian comics as well as translating and laying out children's books and illustrated fact books.
Keiji Nakazawa (中沢啓治) is the mangaka best known for his semi-autobiographical comic about surviving the atomic bomb at Hiroshima, Barefoot Gen.
Koji Inada (稲田浩司) is the artist on the manga series Dragon Quest: The Adventure of Dai (DRAGON QUEST –ダイの大冒険–) as well as Bōken Ō Bīto (冒険王ビィト / Beet the Vandel Buster).
George F. Kerr was an American illustrator who worked for the American Weekly for 30 years. He was also known for illustrating children's books, and in the 1920s he began doing syndicated strips for King Features Syndicate.
By 1940 he was working as a comic book artist for Dell while also working on staff for the New York Journal.
By the mid-1940s his eyesight had declined and by 1950 he was blind. He died at home in 1953.
Born in Toulon, Farid Boudjellal is of Algerian origin but also Armenian origin.
After a few tries in the SF and humour, he created in 1978, the character of Abdulah in which he finds his Algerian origins. The publication of "L’Oud" by Futuropolis in 1982 marked an important turning point in his career. This album, which appeared at the time of the struggle of French immigrants – mainly Maghrebin called “beurs” – (The march for equality and against racism, nicknamed “marche des beurs” in 1983), was a great success.
The quadrilogy “Juif – Arabe” (“Jewish – Arab”) was released between 1990 and 1992: these albums are in line with current events: "Fundamentalist" appeared before the events of Carpentras (desecration of the Jewish cemetery of Carpentras by neo-Nazis in 1992) and "International Conference" before the Madrid Peace Conference (October 1991 to start a peace process in the Middle East).
This series will also be a great success with the public and the press: Prix Actualité 91 for the volume 3 "Conférence Internationale" at the BD festival of the cities of Hyères and Brignais.
In addition to his comic book production, Farid is also a poster artist and advertising illustrator, participating in all anti-racist movements in France.
[Né à Toulon, Farid Boudjellal est d’origine algérienne mais aussi arménienne.
Après quelques essais dans la SF et l’humour, il crée en 1978, le personnage d’Abdulah dans lequel il retrouve ses origines algériennes. La parution de "L’Oud" chez Futuropolis en 1982 marque un tournant important dans sa carrière. Cet album, qui paraît au moment de la lutte des immigrés français – principalement maghrébins appelés « beurs » – (La marche pour l’égalité et contre le racisme, surnommée « marche des beurs », a lieu en 1983), connaît un grand succès.
La quadrilogie “Juif – Arabe” sort entre 1990 et 1992 : ces albums sont en phase avec l’actualité : "Intégriste" paraît avant les événements de Carpentras (profanation du cimetière juif de Carpentras par des néo nazis en 1992) et "Conférence Internationale" avant la Conférence de Paix de Madrid (octobre 1991 pour engager un processus de paix au Proche-Orient).
Cette série remportera elle aussi un vif succès auprès du public et de la presse : Prix Actualité 91 pour le tome 3 "Conférence Internationale" au festival BD des villes de Hyères et de Brignais.
Outre sa production BD, Farid est également affichiste et illustrateur publicitaire, participant à tous les mouvements anti-raciste en France.]
Buzz moved to the United States at the age of 13. He began as a penciler at the age of 15 at Blackthorne Publications. Later, at the age of 17, he worked with Neal Adams' Continuity Studios. He has worked on such titles as Justice League Quarterly, Justice League International, JSA, Vampirella, Shi, X-Factor, Impulse, Dragonlance and Forgotten Realms.
Famoso scrittore di romanzi polizieschi e sceneggiatore.
Claudio Sanchez is the creator and writer of the Amory Wars series. Sanchez also started the comic company Evil Ink Comics, circa 2004.
Sanchez is the lead singer and guitarist for the alternative rock band Coheed and Cambria and other rock bands during his music career.
The milestone cover was the cover by Mathieu Lampron for the issue Le démon du hockey published by Glénat Québec.
We changed our handling of brand emblems for an issue. One now can select more than one brand emblem.
There will be cleanup of the existing combined brand emblems needed.
We also updated the list per brand emblem and its usages.
We recently added story arcs to our database. This is to group stories associated by some sort of title, which includes traditional story arcs, crossovers and events, whether identified by story titles, trade dress or other emblems. Will take some to populate the database, and we have not finally decided what all is considered a story arc. Click for current list of story arcs.
As a form of companion functionality, we added reading orders to our collection subsite my.comics.org. Any registered user can now create individual reading orders for any purpose. These can be made public for anyone to see, we might add search capabilities for reading orders at some point.
The milestone issue was Tex Willer Gigantbok #13 - Den siste opprøreren from Norwegian publisher Egmont.
Besides updating and renovating our page designs, in particular making it useable on small screens, we made a couple of changes on the behaviour of the site.
The result tables and lists are now more consistent throughout the site. On many pages you now fill find these two symbols . By clicking on them one can switch with a list view and an image view, e.g. using covers or creator faces.
Filtering of search results or lists is now usually available.
To avoid visual information overload in case of many variants or reprints, we show the full list only if their number is below a threshold. Logged-in users can set the thresholds in their profile to allow user-defined display.
The functionality for adding issues to a collection, or editing their collection status, is now accessible on the main site.
Most data objects now support markdown in the notes for visual structure. Notes now also support internal links, these are generated automatically and shown with the object name, e.g. [gcd_link_issue](442), or generally [gcd_link_'object_type'](id)
We changed the colors on the series status tables for a more consistent appearance. For issues, we added another layer to indicate that some sequence data is present.
Keywords are now generally clickable troughout the site.
This is good news for all our users, but we are now fully dependent on donations to cover our costs in the future.
If you wish to donate you can simply click , where for US donors this is tax deductable. Thank you for your use and support.Turning off these measures is not an option for us. Our site would be regularly unresponsive due to the bots (which are often AI-related bots).
If you are getting blocked, this is almost always temporarily for a few minutes. If this persists, these are recommendations one can find for those who have issues with Cloudflare:
There are several ways in which you can help us to improve our site and its content.
More information is at our github page.
Further development of the API depends on user feedback and contributions.An import of issue and story data in JSON/YAML-format is now available, independent of the API.
Each week, a small number of GCD volunteers add listings to our database for the new comics released that week in North America. These are just the basic listings, not full indexes. This makes it easier for other volunteers who upload covers and for indexers, as well as for people using my.comics.org.
Each volunteer covers one publisher or a small group of publishers ("D publishers except DC", for example). From public sources such as ComicsList and Diamond Previews online, they add the issues and make note of the prices and a few other details. We are looking for additional volunteers for this weekly task.
Follow this link for a description of the process and a list of which publishers are currently covered.