I’ve grown old enough to see a lot of things I used to love either die out or get turned into a shadow of themselves. It comes with the territory of being a fan of something. Fans and creators, often the companies themselves, don’t really meet eye to eye on a lot of things. Even more rarely when there’s forty years of history and someone new comes into the scene thinking they can take the material and revitalize it by leaning on the cultural history of the thing rather than what the thing really was.
This’ll be a frontloaded post, but do hang with me a little bit.
Masters of the Universe, or MOTU for short, was about He-Man, strongest of his tribe, wandering out into the larger world and finding himself amidst battle against a demon from another dimension wanting to claim the power of Castle Grayskull to bring more like him into Eternia. He-Man would find alliance with the Goddess, who would give him powerful equipment that would give him a force field, making him even more powerful. Different harnesses and other equipment were scattered around Eternia after a great war in the past, which both the Heroic Warriors and Evil Warriors have access to. In the middle of this battle over Castle Grayskull is the Power Sword, which is split into two. When the two halves are brought together, the holder has the literal key to the Castle and thus to the power it holds within.
In the toy comics, Teela also represented the Goddess, if she put her snake armour on. Two characters at the price of one
This is a descriptor of the original toyline, told within the three original minicomics that came with the toys themselves, written by Donald Glut and illustrated by Alfredo Alcala (who is a master of his craft). The setting would be revised a few times over.
First, there is the unpublished Whitman origin story, where “He-Man” is a shepherd’s son of no notable attribute other than his love for Shalda, and a nickname others pity him with. Skeletor would attack in search of a missing half of the Power Sword, kill Shalda, and gravely wound He-Man. He refuses to give in to the demon even when dying. Man-At-Arms finds the dying He-Man just before wolves make him their meal, taking him to the capital of Eternia, Monarch. Moonspinner, an old healer, thinks He-Man might be the one told in a prophecy about “a king who wields the key.” The two take the dying young man into ancient catacombs, where he is set into Lifemold, a machine that Moonspinner fails to operate properly. It goes haywire and truly remolds He-Man into his namesake, the most powerful man in the universe.
The origin of Adam-He-Man transformation
These are the more obscure origin stories for He-Man, even if the first one is straight from the minicomics. DC would release their own take on the setting later in 1982, where we see the first introduction of He-Man being an alter ego of the crown prince, Adam. Adam would not transform with a sword, though, but with a Batman-like motif: Adam would transform into He-Man by entering a magical cave. Other notable changes would be Man-At-Arms gaining the name Duncan and being in the service of the King and Queen. Cringer was introduced as a scaredy cat, while Zoar was a messenger of the Goddess.
As DC would produce the minicomics after the initial three, they’d be somewhat removed from the original setting and incorporate DC’s own elements. From 1984 onward, the minicomics would mirror the Filmation series.
Filmation would finally remove the Power Sword being halved into two, but otherwise take much of DC’s world building and mold it into something that’d fit 1980s Saturday morning cartoons. The cartoon would, for better or worse, enter popular culture as the de facto presentation of what Masters of the Universe, or rather He-Man and the Masters of the Universe, would be. Throughout the years, that He-Man portion would take over, and in many countries that’s what the IP was known as among kids and adults.
Stout’s Skeletor is a personal favourite out of all the designs the character has
I have a fond spot for the 1987 MOTU movie. I never minded that it was so different from the Filmation series, because I could accept it to be something else, something that stemmed from the same source. Cannon may have produced it cheaply and saved everywhere they could, but the designs on the costumes and props are still my favourite out of the entire franchise.
Unlike all these, I don’t have any real connection with The New Adventures of He-Man, which has now completely dropped the MOTU naming. I think it had a good thing going on in terms of design, where Adam wore something like an updated toga from Ancient Rome or Greece. Transforming into He-Man gave him more bulk and an appropriate updated design, which doesn’t really do it for me. The show didn’t keep the series as relevant into the 1990s. Teenage Mutant Ninja Turtles had already been kicking its butt for a good few years, and home video games were taking over the center of kids’ main form of play slowly but surely.
The 2002 reboot series was great, but it had significant flaws. It trying to be anime, according to the series creators, was the first misstep. This led to harsh visual opposites banging against each other. Mainly these big sword and sorcery characters jumping around and fighting like stereotypical ninjas, swirling their swords and posing like it was a cheap Korean knock-off cartoon. However, the series lifted elements from the later minicomics and expanded what was found in the Filmation series with a more mature tone. The series was cut off before its third season, leaving many plotlines dangling and open.
I agree with many fans that the 2002 series is probably the best animated entry in the franchise, but I also agree that the Filmation series is superior in some ways. I can’t really describe it properly other than the 2002 series wasn’t as sincere as the Filmation series was. As a third significant update to the setting, it does its job well, but the whole wannabe-anime thing is very heavy on it. It suffocates the show in places where it should’ve been a fully American cartoon, and sadly the toys also suffer from this. Massive, oversized weapons everywhere, beautifully sculpted and masterfully realized, but just so damn unfitting for the Planet and Magic setting MOTU is.
The Ghost of King Grayskull without his cape, standing in front of the vintage 1982 Castle Grayskull
It made some new additions. The most notable I’d cite is the creation of King Grayskull, the namesake of the Castle. I’ve had some fan discussions about whether the Power of Grayskull taps into the power that dwells inside the Castle, or if it taps into the power of King Grayskull. Riveting stuff, I know. Nevertheless, this is one example where the 2002 series expanded the existing lore in a manner some call Shakespearean. That’s fitting, as Shakespeare also made plays for the masses to enjoy, but it seems like the only lasting thing of He-Man is memes from the Filmation series. The 2002 series has become a reboot fans love, but mainstream culture puts aside.
The MOTU Classics toyline would effectively continue the 2002 series in story, but goddamn it would’ve been expensive to collect. I recall making some calculations that each figure would’ve cost me around 150€ back in the day, if not more. It was… a thing I don’t really want to talk about if I’m honest, because there’s a lot of drama I really don’t care about. Toys were great, but sadly online- and event-only.
Then you got another silent period. Another MOTU had been in production hell for a long-ass time by the time Netflix rolled their Revelation abomination onto the scene. Yet another sequel to the Filmation series, banking on nostalgia. I say yet another, because the 2002 series was intended to be a sequel but got turned into a reboot (for the better). Much like so many sequelboots we’ve seen in the last decade and a half, Revelation split opinions while pissing on the characters and franchise in general. I wish it to be a single entry that can be shoved into obscurity.
However, I will say that the other Netflix take on the IP, He-Man and the Masters of the Universe (2021), was pretty good. I don’t want IPs to retell the same story with every new series. While we do have more duds than hits, the 2021 series gets a good rap from me by taking the different core elements across the franchise and making a new whole. I consider MOTU to be a children’s franchise first and foremost. That doesn’t exclude it from being quality entertainment adults could enjoy as well. However, the kind of entertainment made for kids has changed, and certain kinds of harsh reality are lacking nowadays. All the main characters are kids rather than adults the kid audience could look up to and perhaps one day become. It’s the Batman dilemma; Robin exists for kids to identify with, but kids often want to see role models they could become. Not other snotty brats.
Didn’t really hit my taste, but man there were some enjoyable parts here. Unlike with Revelation
And so, we get to the new movie. If you’re a fan of MOTU and have read thus far, you probably disagree with me on some of the points I’ve made. Some of you probably wonder why I haven’t mentioned some of the other comics, like DC’s miniseries where they had a crossover with the Justice League (in which Superman gets stabbed by the Power Sword). I don’t give a damn about She-Ra or her shows, not even as part of the franchise whole. I thought it was a misstep as a lad; I think it was a gross misstep as an old man.
The reason for all this, in relation to the upcoming movie, is that there is no one fan consensus about what the future of Masters of the Universe should be. As a fan from the early days, I’d like to see something that follows the Alcala visuals closely, something that’d take the unrealized potential of the unpublished Whitman origin and mold it into something new and original.
I don’t want a grim and serious take on MOTU. The DC miniseries was that, and while there is certainly room for a fully adult take on the material, it should be something on the side. The main piece should always be family friendly. The 1987 movie may not have been the best adaptation of the source material to the silver screen, but goddamn it nails how to be somewhere between children and adults. The 1980s in general had great children’s action and adventure movies, whose making is now a lost art.
Similarly, an early cassette drama had an absolutely terrifying Skeletor voice compared to the Filmation one, with a setting more adhering to the toys’ minicomics or the DC original. Absolutely terrific stuff.
There also exists a sect of fans that would like to have all the adult elements removed and consider the 2002 series too edgy, considering the Filmation series the peak example of the franchise being at its best.
That seems to be the mind of general popular culture as well. The 2026 movie has the glam and glitter, visual cues, and theming taken from the Filmation cartoon. It saves money by setting itself on Earth in parts once again. If we go by the trailer, the story is how Adam was sent to Earth to protect him from evil forces, dreaming his whole life about getting back with the lost Power Sword, finally arriving on Eternia and reclaiming his position there.
I’d like to give the director and scriptwriters some credit and think they didn’t make Adam an expy of the adult fans. Sitting at a dull job, thinking about the fantastic creatures and marvelous technology this other world has to offer, only to be reminded Kate from HR wants a meeting.
No, thank you.
You can feel the development hell the movie had gone through, and the scar of He-Man vs. Barbie is visible. Sony ex-exec Amy Pascal believed the only way a modern He-Man product could be made was through parody and mockery, which I honestly think has coloured how Hollywood and Mattel view the franchise’s visual media side. Pascal couldn’t see past her own hubris and what Masters of the Universe is: a product basing itself on the sword and sorcery books from earlier decades and combining existing concepts for bust toy lines. Thus, MOTU becomes this amalgamation of all kinds of sources put together where all these abandoned and unused concepts meet, creating a world of high technology combined with arcade sorcery.
It’s a very frugal way of reusing resources, common in the toy industry. However, the tone of MOTU was never what we see in Revelation and the 2026 movie. It always took itself seriously, mature but not adult, so even children could enjoy it. The tone was akin to Star Wars, where this fantastical world of space travel and aliens, galaxy-spanning empires, and swords and guns of light were taken seriously and at face value. There was no winking or nudging. He-Man being the strongest man in the universe was bound to be a muscular hero, much like the big stars of the 1980s and the gym boom that was going on. You too could become strong and big as He-Man if you ate well and exercised. Nobody was winking at the steroid bodies the toys had, because it was sincere and honest about itself. Those dinky, lanky Star Wars toys were nothing next to big and robust Masters of the Universe!
Much like Star Wars, MOTU took its sources and made a new whole, something that could stand apart from them as a unique entry in the pantheon of legendary toys and cartoons.
It’s only with time and new generations that MOTU began to be seen as camp. After the emo generation gave way to the hipsters and ironic enjoyment of media, these kitsch-souled poor bastards could never see He-Man and the Masters of the Universe in any other light but their own context and view. Thus, sincerity and honesty turn into camp. The morality lessons the Filmation series has get turned into jokes and get complained about as hamfisted, and in doing that they lose the whole point of why these exist. Corporate reasons aside for why these exist, I can testify from seeing firsthand how parents discussed whether or not He-Man and the Masters of the Universe was a harmful children’s show and decided it wasn’t, because it was a traditional story about good fighting against evil and the moral dilemmas any person can face in their lives, set in a fantastical world we can relate to.
In a movie like this, this should be earned and not given. It lacks oomph, its to blue, it… it’s just the same but not in any original or new way. It’s directly lifting from the Filmation series and making it worse
Setting your movie on Earth, to any extent, is an absolutely moronic decision. Playing for nostalgia, and to the memetic culture that first mocked, and then mocked lovingly, the show that aimed to be wholesome Saturday morning television is something I want to kick the balls of everyone who was involved in making the 2026 movie. That’s a hyperbolic way of me saying Hollywood probably thinks I’m the target audience, but as a deep fan of many iterations of MOTU, I abhor nearly everything the trailer is showing. It’s not building anything new or original; it’s the same shit in glitterier pants Hollywood wants you to take off and prepare yourself without any lube.
I have a Masters of the Universe Origins diorama on my shelf. I have the Classics Ghost of King Grayskull posing on an original Castle Grayskull. I’ve kept the few original MOTU toys that survived from my brothers selling them on a flea market (they were bought second hand to begin with). I’ve still got a tape from the original local run of the Filmation series, with ads and all in between. I’ve got the 1987 movie on a cassette tape, recorded from an airing in the early 1990s. I’ve had the 2002 show on tape before the cassettes were thrown out. I’ve got both DC and Marvel comics as well as newer hardcover collections. I’m not a hardcore fan by any means; I’ve got too many rods of steel in the fire to concentrate on one thing wholesale. The fire is not too hot; it’s just at the right temperature for me to slowly hammer each one of them, one at a time. The heat’s just right; the forge won’t burn through the rods I am shaping into new wonderful shapes as I explore each of the things I am a fan of.
However, much like with so many other things I love, I must finish hammering this rod and admire what it has become. The rod is an old thing already. Masters of the Universe was something truly special, and here I am letting it go because it hasn’t been for me for a good while now. It has been turned into its own parody. I can always pick up the old rod, polish it up here and there, and give it a new groove, but much like with Star Wars and Star Trek, it’ll never be in the forge again.
When I started this blog ten years ago I was very much a different person. By design, I haven’t removed any posts. Revised some, but never really removed anything that had content to it. This hasn’t been a personal blog as it was never intended to be. Back when I launched this I was a far more naive person very much in the cumulus of things. The economy was just recovering from the financial crisis and the world seemed to be full of promise. I don’t particularly like to go back and read my old posts, mostly because I genuinely don’t consider anything I’ve done to be worth much anything. It’s an opinion I hold over myself, but rather the lack of success that’s the story of this blog. That too has been by intention, I must admit. From the get-go, I promised not to advertise myself or the blog itself. Linking to Twitter has been the sole exception to this, but that’s another story. Twitter has become more of a dumping ground for pictures and some archival over personal use. If you’ve been reading this blog or followed me on that bluebird site, I’d say you’re hardpressed to say much about the person behind the text. That too has been because of a choice I made early on. The blog in itself was not to be dumping ground of personal ideas, but rather from a point of view. Through the decade the tone and intention have shifted unintentionally as the two personae have made an amalgam. While you’d be hardpressed to find fanboyish reactions from the latter posts, earlier posts are full of those, I’d bet.
In reality, I don’t think I never found a tone for myself or for the blog. I’ve gone from one project to another aimlessly without any feedback from anyone, ultimately having to consider this blog a dead-end hobby that I have kept for no real reason, if we’re honest here. You can find better reading material out there. Hell, the fact that you have required to read makes the whole blogging thing rather archaic in the days when Youtube and podcasts are reigning supreme. I’m a non-Native English speaker, I can’t do either in place of this blog, I’ve tried. My enunciation is terrible, I have a semi-hard accent and I really don’t care about grammar when speaking. That’s something that is also very apparent from the texts I write. I was taught that grammar matters less than the content. If people are getting stuck to the grammar you’re using, they don’t care about the content in the first place. It’s easy to play a grammar Nazi, I do it too. I guess one of the few reasons I’ve kept this blog is that I am slightly dyslexic, and writing has kept me relatively straight when it comes to both reading and writing. I still miss the occasional word or letter here and there while swearing I typed it down, but that’s how it works for me. I skip words.
Few post types have been popular over the years, but I’ve never capitalised on them. There never was any point, as I never intended to make money on blogging. I never had the talent or skill for it. That’s one of the reasons I call this blog worthless for all to see, as there’s not one post that anyone would have paid for me to write or someone to read. Certainly, there are few posts that might be of worth. The Virtual-On retrospective is perhaps the single series of posts that I can honestly admit to adding value even when it’s largely useless and has terrible structure. I’m not sure if people are coming more for the rare image over the content the image is attached to, but I guess if I can make at least one person happy in a week with thousand plus posts I have up, maybe it has been worth it.
To meet with reality, it really hasn’t. What’s the end result of this decade? The rise of healthy macro-economics ended up people being able to drive agendas and products that ultimately were anti-consumer, attacking the market and its consumers with products that would have never been made otherwise. It appears that a healthy economy enables the production of trash products, like the Disney Star Wars movies and they’d still sell. The falling sales of each new entry in that series shows that you can trick the customer only so many times until they are fed up, and with the Wu Flu hammering the economy all of 2020, so many of these corporations pedalling with trash products found themselves in deep shit and in need of kicking people out and subsidising everything they were doing. However, the one thing this blog said from the beginning kept some of the companies in better condition; providers are there to serve the customer.
The core message of this blog, in the end, has to be as follows; If you are in a field of making something that is to be sold, it is your job to make sure it is the best it can be to satisfy the customer. Sometimes this means compromising with your own vision or integrity, sometimes it means the exact opposite. Nobody has to buy your product just as you don’t need to cater to anyone’s whims. You are, ultimately, in a business of customer service. It’s stupidly complicated and with so many opinions and tastes out there, sometimes its the best to be faithful to the product itself, though sometimes that’s a detriment towards the sales. None of this excludes creativity, it’s just the opposite. The best results are yielded when there are competition and limitations. The sheer drive to make something better drives variety and quality, something we don’t see much in modern gaming nowadays due to how much automation is used. This side tangent will make me mention how nobody really makes their own game engines anymore, making all these modern games feel and play very similarly. Nevertheless, a person with true creativity can always find a way to deliver not only what he intended, but also what the customer would want. More often than not, selfish creativity yields little profit.
Electronic gaming, of course, has been the main topic of this blog. Well, perhaps humanity’s play culture would be more fitting, as I made it a sort of passion to cover all sorts of historical curiosities from that Breakdown trilogy of posts to touching upon girls’ games early one. In hindsight, it’s interesting to note that girls’ adventure games have a lot in common with visual novels, with the major difference being that VNs are far heavier on story than play and interaction with the world. Ultimately, I have come to a conclusion that despite the play cultural differences between boys and girls, and by that extension men and women, in video games the difference is far smaller. Competitive gaming attracts a competitive person, and statistics I covered in one of the posts I had statistics on how games like Super Mario Bros. are very much sex-neutral in their userbase. I haven’t seen much modern statistics or analysations on the current trends but with new generations the gap between what sort of games are being consumed and by whom is growing narrower.
I’ll have to say Thank You to people I got to know through Muv-Luv. While I’m terrible at keeping in contact, practically all of the posts when it comes to Visual Novels, especially âge ones, would not have existed without the influence of Gabgrave, Chris, Evan, Jason and the rest of the romp. Yes, even the friendships that got cut because of differences in worldviews. I cherish you all still, despite all of you haven’t heard from me for some time. In the same breath, sorry to Froggy AKA A9 for pestering him to cover my ass with those Trek posts. Go check his stuff out.
I have asked this from myself for a few years now; What’s the point? Do I want to keep writing this blog still? It has become a habit, a chore of sorts. I’d like to think I’m doing this out of altruism and there’s some worth in there, hidden in plain sight for someone to take notice and appreciate it, but I’m realistic enough to admit that’s a childish, utopian thought. You can only go so far without getting anything back, and I stopped gaining anything from blogging a long time ago. I don’t mean that in any monetary manner or valuables. It depresses me to say this, but I’d like to quit. However, at the same time, I have found writing something, even something worthless like this blog, to be a rather nice pastime. As much as it has become a chore, it’s also become a habit. To reconcile between the two opposing wants, I’ve decided to ditch the notion of having any sort of schedules. This has, if anything, lead me kicking the dead horse over and over.
I’ve been wanting to give a shot at writing fiction for some time now. That needs its own blog though, I won’t start mixing here. Perhaps with this, I can disregard that knacking feeling of letting nonexistent readers down. Ten years of mostly consistent posting of text nobody really reads amounts to nothing, doesn’t it? Have I ever shown you new ideas or approaches as I intended? Has any of my retrospectives added to the overall wealth of knowledge on the Internet? The topics themselves surely haven’t helped any. Have any of my reviews given any information for someone deciding on a purchase? I don’t know. The lack of any kind of feedback, while never bothered me, ultimately showcased how insignificant this blog is. Sure, I never made big numbers in readers, I never intended to, but again, deep down I wished there was something of worth in there.
Perhaps, ultimately, all this has been a useless exercise despite all the good it has done to me personally. It sounds so pitiful, but that’s how it works. Some of us are just so small no matter how hard we try, no matter how much we pour our hearts into something, it’ll never be good enough for the people out there. I should have been more ambitious, should have made more connections, spread the word around far more and advertised that this little corner of the Internet exists. It’s not admirable to admit that all the things I’ve missed are of my own fault. It’s just the reality of things. All that said, I should not look for validation outside to any significant extent. That’s the child mindset I keep battling against, as well as the whole not having any self-confidence. I should not give one penny how things go or look to others if I’m having a blast myself and entertaining myself. This was supposed to be a hobby, not something that’d stress or undermine.
Things have to change, and rather than pressing for posts twice a week without no heart in them, I’ll be putting more heart in those posts and returning to topics and posts that I’ve left in the backburner for far too long. Maybe I’ll get to spend a Saturday or Sunday without having to stress over what to write about for once. I’ll get some time to get some drawing commission done and that eleven kilos of books on the scanner. No more Monhtly Music posts, those were a bad idea to begin with and haven’t served a purpose with less time on my hands to plan anything properly. I don’t want to be hampered by the word count limits anymore either, so that goes out of the window. Still, I’d like to practice some level of control over how bloated these posts end up being.
Nevertheless, I truly am grateful for all of you who have read any of the posts during this last decade. Maybe, just maybe, there’s a kernel or a spark of something you found interesting. Maybe that’s all for the time being.
Let’s dedicate this post to the changes that I need to make things viable again and what that means for my own time use and this blog. First, I won’t be dropping the two posts per week pace, that’s something I won’t back out on, unless something significant keeps me from doing it. The reason for this is that realistically I can’t make a living in my current profession. Craftsmen are not valued to any significant extent and their craft or skills are face the same end. The same tends to go towards designers across the board, and if you can’t make the right connections, there’s not much you can do. As such, I’ve taken a drastic decision to re-educate myself for a profession where I can utilise my previous experiences. To what exactly is something I will leave for the time being.
This means I don’t have much time in my hands. The aim is to go through three to four years of studies in one. That is stupidly fast pace, which requests me to concentrate my efforts and resources elsewhere. However, the nature of this blog won’t change too much if any because of this. Rather, I expect it to add further depth as I get more familiar with certain aspects of… well, that’s the open bit for you.
This is also the reason why there has been no new podcast for some time now. Not only the translator staff is busy at their own with both Muv-Luv related matters but also with their personal stuff. Juggling the schedules together has become exponentially more difficult, and sudden changes in what happens and when will become a daily thing to yours truly, at least. ARG is not killed, it’s just biding its time. The same thing really applies to the idea of my voice blogs, as I noticed that producing those in the way I’d like them to takes about four times longer than just writing. Maybe I should just do a stream of thought without a script, but how that would come together nobody knows.
Winter’s arrived here, meaning that while snow is still a scarce, cold weather has arrived and things slow down to take things with certain sure and safe pace. It also means Schwarzesmarken‘s second VN has been released, which means I can read both VNs in one go and watch the animated series. I’ve pushed the whole review thing back for almost a year now because I want to have a proper perspective on both of them without being influenced by hype or other views. Needless to say, both the VN and animation needs to stand on their own two feet, and comparisons between the two can be made. However, it should be noted that the two were made based on the Light Novels, which essentially served as a base script more than anything else. The animation changes things around to fit in the allotted time, while the VN has a lot more time and space just to dwell into things. That’s just the nature of the mediums.
There was no Monthly Three last month as those take a lot of reading and planning. It may not seem like that, but they really take their sweet time to come together, and I usually plan all three parts in one go. Exceptions happen, of course. The same applies to the whole mecha design things. I do intend to write a TSF comparison this month, which will also serve as the month’s mecha design post. I haven’t decided which one, I need to check what images I have in stash and what I can get. However, for the time being, I do not intend to force myself to do a Monthly Three, unless a subject pops up towards me. Of course, I could use that for the mecha design stuff. Speaking of mecha posts, the post Three Different Approaches in mecha design will get a complete rewrite at some point in the future, and the old one will be replaced with that. However, I will archive that older version for future.
I will most likely insert few personal posts about games on smart phones. This is because my old Nokia finally went bust and I had to purchase a new one. This post, or posts if I end up making multiple, will be observations about mobile gaming in contrast to e.g. handheld console gaming.
I admit that lately this blog has not been up to the standard I’d like to think it has stayed at for a long time now. A lot of news and events that I wanted to write about have come and gone, but my time and simple stamina have been used to a more pressing matters. As said, if I were paid to write, I’d take this more seriously. This is more or less a hobby. Sometimes it stresses, sometimes it feel almost cathartic.
For now, I’ll have to leave you with this, despite it leaving me with a lacklustre feeling. I need to fix my tyres, somebody had slashed them the other night along with seven other’s.
It’s that time of the year again. Things are kicking into higher gear, people are getting steadily busier with their work without them noticing and the festival seasons are creeping upon us without a notice. As such, many things, like the long promised new entry into ARG podcast, is sitting in the backburner, slowly taking its time and waiting a good spot to be recorded. International team-ups don’t tend to work well with timings, when such things are not a high priority.
Castlevania turned 30 years this week as well, so here’s for a classic franchise that will stay evergreen and the games of its origin will never be tainted. Should get around finishing Castelvania III one of these days. Should probably play Super Castlevania IV this Halloween like I did last year, intending to make it a tradition.
There are no plans for this month. I’ve yet to decide any of the themes, thou I do intend to give a proper Monthly Three this time. I did not intend to do one last month, but the three previous posts should really count as one as they do have a carrying theme across them. It’s also a theme that I’m not done with and most likely I will return to soon enough. Branding can be tied easily into disruption, and I’ve got just the thing in my notes to bring it together.
Regarding mecha designs, last month’s Artisanal mecha honestly was something I felt good about. That’s a rarity, but I’m not intending to do a follow-up on it any time soon. Instead, I may do a case study on Gundams’ designs, as one of the frequent search term for the blog is How to design Gundam. It really shouldn’t be anything special, there are set rules of sorts, just like with Muv-Luv‘s TSFs, which sort of is a series wide case study. A TSF comparison should be done this month as well, thou depending how busy I get it will be either one of the two aforementioned. If we’re honest, I would prefer to be busy.
While I try to keep personal affairs away from this blog, I do feel that recent events do make a good addition to this themeless monthly post. Recently I lost a person whom I considered a good friend, not because of death or the like, but because she regarded our world view to be incompatible and that she could not be associated with someone with certain views. It doesn’t matter which they were, the core was the she allowed few things to define me and the whole friendship as a whole. This also means it wasn’t much of a friendship, in the end. I find that immature, at best. A child may throw a temper tantrum when their way is not accepted, but an adult should be able to amuse opposite views and thoughts without accepting them as their own, but also allowing those views to exist.
Similarly, my niece was recently given a name in a naming ceremony, something that bugged the hell out of my parents as religious people. My mother could accept it as difference in values, while my old man most likely will get completely pissed and down the bottle. It’d make an interesting case study where one of them just doesn’t seem to handle his world view being challenged at such a base level, while the other simply deals with it properly.
Humans are not defined by one or two things. We are multifaceted beings with immense depth. Not necessarily complex as such, but we are a collection of multiple things that create a unique whole. To know such a being is not simple and takes time, and the more we become familiar with a person, the more we know of their personal motives and views. I do call that a friendship, but on the Internet that is rather hard to do to its full extent simply because there is no physical presence. Friendship challenges us in many ways, and the more we can be friends with people with opposing views in things without pushing them to change it, the wider view we have on the world and its issues. This is, of course, in perfect world only, as we there are a lot of people who would be willing to push their own views into others or even hurt them to fit their neighbours in their own world view. Live and let live, and all that jazz.
Perhaps it’s just me thinking that one of the things that show maturity is the idea of being able to see things from more than one point of view and consider all of them equally valid. This blog promotes this to a certain extent, as I it does stand from a certain perspective, but I still aim to amuse two or three different arguments for a thing from a time to time. Not to cover my ass or anything like that, but simply because of that multifaceted nature of man.
I may also put up a new page of scans, if my lil’ side project to collect numerous issues of Comic Lemon People comes to fruition. While I doubt I will ever get a full collection of the magazine, I do find value in the thought of scanning the covers for posterity and historical record keeping as well as list out their contents. A niche project at best with limited use or audience, but for the sake of data and history, these sort of niche projects should be enacted anyway.
There’s a hashtag named #inktober going on in Twitter. I recommend checking that out just for the sake of cool inked stuff it may produce.
Oh, we’re closing up on 700th post, so that’ll be a new Different take on customer again.
I tend to have music selected few weeks beforehand for these, but this time I had none. You could call it a rut or something similar, but it’s not really that. Let’s boot the ol’ ‘tube and see what we come across.
I don’t put much personal stuff on this blog. Here or there you might pick up something or I mention situations making typing things down somewhat erratic. I don’t have a release schedule, I never had. A post early in the week and one later has been the standard for few years now. Things have become more or less a routine in this sense, and while that is not a bad thing, I find myself wanting to touch upon subject after subject beyond the scope I want to explore them. However, As this is a hobby, there would be no sense for me to write an entry every other day about every single thing that I want to. You’re not reading this blog for stuff like that.
For example, I had planned the failure that is the Themes in Godzilla for some time now, and despite it getting the summer special slot, it’s something that should’ve been more meatier rather than few sentences per movie. I had planned much more for the entry, it to be more grandiose and in-depth than what it ended up being, but I’m guessing it was also a topic nobody cared about. Godzilla is passé, despite Shin Godzilla gaining positive reviews in Japan.
Another example would be the latest brouhaha about the Nintendo NX design, it possibly being a portable and a home console hybrid of sorts, something that I would personally embrace fully. Ever since the DS and PSP were launched, I questioned the point of designing, developing and producing two separates consoles when the hand held consoles could muster good enough graphics, gameplay and controls as is. I am a broken record with this, but it is about the software. Seeing population is moving towards portable solutions with each technological iteration, it would make sense to emphasize that to a certain degree. Traditional desktop computers have made way for laptops and pads for a time now, and while I still am headstrong in my decision to stick with a more traditional wired Internet connection and a desktop computer, I can’t argue with reality around me. Full portability is where we’re going, it’s just a matter of when.
Perhaps the third and most pressing example of my conscious aversion of not writing âge related. This is not a blog just for Muv-Luv and Kimi ga Nozomu Eien. They certainly are a part of it and most likely the topics that have attracted most readers on the long run, but perhaps some of the 1990′ ideology of not-selling-out sticks to me at this point. The whole point of giving what the consumer wants fights against this, and I probably should start writing more about Muv-Luv in general not only for blog content, but for the simple raw reason to gain more views. I do intend to do a TSF comparison this month, as long as I can find good enough pictures of some TSF, F-16 Fighting Falcon being probably the strongest contender. This may be my own hubris, but I do see that there are topics and subjects that I am more equipped to discuss when it comes to Muv-Luv as a whole than others. Of course it’s my own hubris, both Type-94 (link on the right) and Chris Adamson do it better as is.
The only obstacle is that I don’t care about the views as much as I should. Perhaps an argument could be made that I am not as passionate as I should be about the topics, that I don’t care what makes people read the most or that I lack ambition. It doesn’t help that my current situation is still in the gutters, but you won’t see me explaining how dire my situation is or how in the gutters I am professionally speaking. It has no other relevancy for the blog outside whether or not I am able to write.
I’m not sure how successful the Monthly Three series has been. I expected last month’s theme of Video game culture and history to go well, but it seems that it was something very few cared about, despite it being one of the core themes of this blog. I deemed those and Dizzy’s design comparison posts as one of the best examples of what I could write about and felt oddly good, almost proud, about them. Of course, reality sets in and none of them were really successful even in a limited fashion. The Guilty Gear design comparisons have been yet another views collecting topic, so I’ll most likely I’ll have to give those more weight in the future.
Usually I set some goals for the of the month in these opening rants, but this time all I’m going to say that bets are off for now. Despite being able to keep up reviews for a time now, I’d rather call off my reviews than resort on making a video game review nobody reads. Screw that, here’s a first impression review of Star Trek Beyond I wrote after I was asked how I felt about it via Twitter. That’ll serve well enough.
Perhaps, just perhaps I am at a burnout of sorts. I don’t feel that I am getting the best quality stuff I could, despite the aforementioned being something I feel good about. There are a lot of subjects that I want to touch upon, but there are no driving reasons for me to invest the time in them. Well, there are, but I have to reason on how I spend my time, and to be completely honest, I am not using my time well at the moment. I should either be polishing up what I know and what I can do rather than spent time on writing. Maybe the thing I need to do is to take some time off and get shit sorted out. Maybe try out a voiced version of this blog, discuss topics out loud rather than in text. You can vote here, if you’d care about a thing like that.
Maybe I need a break, but if I take one, it’s not this month. But I do need food, and because my kitchen equipment is unusable at the time, I guess I’m going to eat out today.
This one’s from a personal point of view, screw the writer persona. Mighty Number 9 is a microcosm of everything that’s wrong with modern video games and their fans. It’s a Kickstarter product headed by a well-known game developer, who used his status with Mega Man fandom to drive through a new title that was seemingly supposed to be a middle finger to CAPCOM. Inafune used Mega Man‘s legacy as his most main tool for advertising. The sad thing is, the cult that had elevated him and those who just wanted to throw shit at CAPCOM bought this, and all they can do is blame themselves.
I did not back Mighty Number 9 because at the time I didn’t buy into idol worship any more. If you want to roll years back on the blog, you can see that I had some remains of it, but I recognize that each and every person making any product is just as dick gobbling as anyone. None of these people are nothing special, their works are works of hundreds if not thousands of people, all contributing to one piece. Screw the creators, they don’t matter. Only their product does.
And to quote all the critics, Mighty Number 9 sucks. It’s boring, mundane, by the books, slow, unchallenging, stages are awfully designed with equally awfully designed gameplay and it’s predictable game in every possible way. I pity my friend who backed it, but at least I got a go with his copy. Currently, the game sits at the bottom 12% at OpenCritic. There are reports of Windows 10 refusing to run the game or its installer, DRM free versions crashing for no reason, proofreading is non-existent (just like on this blog!), the Wii U version seems to brick your system, framerate issues, fucked up colours, DLC installer not installing anything, and then autodeleting itself, backers getting wrong DLC codes and God only knows what else will pop up in the long run.
Outside all the shit that went down during the Kickstarter, from Dina being a community manager to the fact that they cut a selling feature from the game, you saw even before the Kickstarter was finished how the game would end up being.
The first one was that there was no conceptual gameplay in video form or the like. Just an illustration roughly showing what they wanted to do, but barely did any of ’em. The Kickstarter page still reads using weapons and abilities stolen from your enemies to take down your fellow Mighty Number robots, a gameplay function that was dropped during the development. You don’t have the advertised body morphing either. Only Boss battle weapons stayed true, to some extent.
They didn’t learn from this, and resorted to show even less with Red Ash, which had even campaign promises and was saved by a Chinese company.
The second was the fact that Comcept chose to collect people from the original Mega Man. Let’s be fair here and remember that the original Mega Man is rather lacklustre and sits in the same position as the first Street Fighter when it comes to memorable titles. It’s there, but nobody gives a fuck. Mega Man 2 and Street Fighter 2 both are games that made the franchise. Shinsuke Komaki was a decent addition, but the illustrations and designs in Mighty Number 9 are lacklustre in largely every regard, so his history with Mega Man added absolutely nothing to the table.
The third bit is that they already had secured the funding to produce the game alongside Inti-Creates, meaning whatever money they’d get from the Kickstarter would go to polishing the game and none of that shows. I liked the first two Mega Man Zero games when they came out, but in hindsight the series reminds me of more polished Game Gear Mega Man, emphasizing all of its flaws. The camera is still the worst offender in those games, and the ZX series was just lacklustre every which way. Mega Man 9 was a fun little throwback, but Mega Man 10 is just mediocre. It should’ve moved forwards and be something much more than just another 8-bit revival. Before anyone says Mega Man is only good in 8-bit are wrong. Just look at Mega Man X series and their genre relatives.
The fourth bit is that Inafune is a terrible developer on his own. He shines when he is paired with good support, which his cast at Comcept don’t seem to be. He essentially shines when he has someone to answer to. He allows strange ideas to flourish and bloom if they seem great, and later in the game development he was on the higher ladder rather in the grass root developing. Minakuchi Engineering’s Mega Man VI/ Rockman World 4 and Mega Man V/Rockman World 5 are shining examples a company that knew what to do with Mega Man through experience based on previous GB titles (outside 2) and managed to essentially make one of the best Mega Man games out there. All this came together because they were a small but competent team that had a good overseer. Minakuchi also did Mega Man X3, which is why it is so different from the rest of the franchise. Go play those instead of Mighty Number 9. Or Rosenkreuzstilette and Megamari if you want to see how Mega Man-esque gameplay should be copied. Notice how the camera functions as it should and doesn’t twerk around with every action the player does.
Comcept spend 3.8 million dollars of Marvelous’ money to develop Kaio: King of Pirates. Nobody knows what happened, but I’m sure they’re going to push more Senran Kagura and never work with Comcept again. I can live with that, Senran Kagura turned to be surprisingly entertaining franchise after the first game. Marvelous’ statement about their doubts which the developers had in mind regarding this project is quite telling.
I don’t even feel bad for people who backed this game. It was their choice just as any, and they choose to buy into the hype and PR. Or to spite CAPCOM, I know some of you did that. Whatever CAPCOM’s doing with Mega Man next year is an open question, we’ll just have to sit tight and see what happens. You can be certain that they have been following Inafune’s misadventures, and you can be certain they’ve taken into notice all the things he fucked up.
To be completely honest, I have no clear recollection why I started this blog. Much like everything, this blog has been allowed to change with time, and if you go back to page 61, you will see the posts have been made in a very different tone. This tone shift has not been a conscious one, but more or less organic. Just like how people change. I still try to employ a style that’s more how I speak, rather than completely correct English. I have dropped joking about issues, because it’s clear I am not the best comedy writer out there, as many times I’ve seen readers taking a shitty joke as face value serious business.
Currently, excluding this post, there are 610 posts under 23 categories spread widely across 1 572 tags. Without a doubt, the most popular subjects does revolve around âge’s Muv-Luv franchise, with the most popular post being about… Guilty gear Xrd character redesigns. That’s surprising ever for me. Anyway, the blog has touched everything from certain personal issues to social media interactions, from culture to local events, so there’s something for everyone.
From day 1 I have had the rule that I do not advertise myself, the only two exceptions being two social media sites due to specific requests. This has kept the site relatively unknown and small-scale in size, but admittedly I have considered to put up the site up for more public circulation few times over, but never acted. This blog has been, and will always be, a hobby and I am not getting paid by anyone to do anything. I intend to keep it that way, and if in some freak accident I would ever be to employed to write something, it would most likely not be on this site, or I would explicitly state it so.
I have been the only writer for these five years, except for one post that my editor-still-in-break did about Lifeforce’s theme music. While I employ a writer-persona, it’s no secret how my real personality has been influenced by it and vice versa. Sometimes, keeping my two-posts per week rhythm is a bitch to keep up, sometimes it feels like every day could see a new post. It does take an effort in the end, but as this is a hobby, most graphs, images and the like I make and take for the blog are not as good as they could be. I am offering free content in many ways, and with this reality I do cut the time and effort I put into, e.g. charts. I haven’t purchased any domains or the like, simply because I would need a way to get that money back as well, and that would mean doing something that would go against the initial free set I based this blog on.
Will I keep writing this blog for another five years? If the Lord wills it, I don’t see myself stopping. It’s not like any publication would hire me anyway, so I might as well do whatever the fuck I want and the Internet just needs to tolerate that.
But, in the end, I do write to my readers (whoever they are) and for their enjoyment, whatever it is they get out from my incoherent ramblings. I may be an insignificant piece on the grand scheme of the Internet, but if I have managed to bring any enjoyment or information to anyone out there, then this has been worth it. I’m satisfied with less in that way.
Here’s to you, and here’s for five more years. Let’s hope I don’t fuck it up too badly. Cheers.
While I was asleep, the President of Nintendo, Satoru Iwata, died. Death is always a rather heavy thing, and whatever stance I usually have towards him will be set aside for now, as he did a lot of good as well.
Iwata was a person who was behind the gamers. He had integrity when it came to gaming, as he understood that the coders could not say what the designers could not do, but also that the only person who has any rights to be selfish in the industry was the customers. Iwata well understood the dynamics between provider and customer, and this understanding without a doubt helped him to drive through the Nintendo DS and Nintendo Wii, two of the most successful consoles in the company’s history.
I hope you will some of you will read Iwata’s speech from GDC 2005. There you can see the little things that shine through, and those little shiny things are the reason why Yamauchi himself chose Iwata to be his successor over Miyamoto. He could understand both the customer and the provider. That is a rarity.
“On my business card, I am a corporate president. In my mind, I am a game developer. But in my heart, I am a gamer.”
Whatever this means for Nintendo is an open question. At the end of their official statement, there are two names we can take as candidates who could take Iwata’s spot; Genyo Takeda and Shigeru Miyamoto. Out of the two, I have to admit I personally wish for Takeda’s entry, but it’s more likely that Miyamoto will be chosen due to his rockstar nature.
Whatever NX will be is already set in stone and Nintendo will follow with that plan for the rest of the decade, and the NX could be seen has his final egacy, but his true legacy is how he expanded gaming and defied boundaries to do so. Now, there will be sadness in the company, but also emergency meetings. Iwata was the CEO of both NoJ and NoA, and these seats need to be filled fast during this transitional phase. Perhaps Miyamoto would be a good CEO until someone who could truly inherent the position.
I have to end this post by saying that he passed away a bit too early. Even if none of his family well ever know, I must state my condolences.
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I think Satoru Iwata, while face of the company, truly cared for the customers and wanted to be regarded more a friend than a businessman
These last two weeks have gone in a flash. I’ve been pressing long as hell days, forgetting upcoming schedules and meetings. Hell, there’s something special for me next week and I only remembered that because other people reminded me. Thanks people.
Even forgetting that I had a post in the works, which was put out late yesterday. Managed to keep my monthly productions up, but sadly the project that will be finished next week saw a small setback with the damn motor dropping from a metal bandsaw. That is falling off, dangling from the wires. I can’t tell you how mortifying it is to know that because of stupid things like this a whole day’s work can basically be put off. Well, it’s not like I can’t saw everything by hand in the right angles in a straight line, it just takes slightly longer when you have to cut 5mm thick flat iron into four pieces.
Why was this month’s music selected again from NikumanGuitar’s collection? Well, first of all I enjoy her guitar covers, and secondly I’ve been listening to a lot of fast paced rock while working.
I’ll cut this post short and say that I have an intention to review the Shiranui 2nd Phase 3 TSF by the end of the month if I have the time to build the model and see it in three dimensional form. It’s not going to be a review of the model due it being a quick-build, but about the mecha itself and how it holds itself against other TSFs. I intended to do it last month, but I had to fall back on what I was supposed to this month. To be honest, I’m wholly dissatisfied on the cartridge review. It lacks so damn much content I wanted to convey, but I hope at least few people find some worth in it.
Anyways, this post is cut short. I still have some work to do for tomorrow. See you next week.
This post was know as To step from eternity to the future prior to editing and slight reworking
This post is dedicated to one friend faraway in another land, to a friend who used to download everythinghe could get his hands on, to all friends I haven’t seen in ages, and to all those who have survived âge’s PTSD train. Thank you to all of you, and sorry for the grammar errors and all that.
When I started reading Muv-Luv a little less than a yearago, I didn’t know what I was getting myselfinto. Yes, I had previous experience with âge’s stories and yet it struck me like lighting. The story didn’t just speak to me, it changed something within meme on a fundamental level, just like their previous story. It was something unexpected, something inspiring that just rushed in, kissed me and said that she would never leave me. Well, that’s a way to describe a story.
But âge’s previous work, Kimi ga Nozomu Eien, was something completely different. I’m going to say something personal, and something with a strong basis here; Kimi ga Nozomu Eien is âge’s masterpiece sofar. Has Muv-Luv become more popular? I… can’t really say. I haven’t been a part of the visual novel community at large oneither side of the sea, so I can’t tell. Perhaps quick Googling would yield some results, but that’s unimportant now.
Yes, it’s time for a personal post once more, but in similar spirit as my most popular post in the blog. Actually, no. This isn’t a personal post even thou it might seem like it. This is story about a story which affected one person’s life to an extended degree. That person just happens to be me. This time I will discuss only a little about Muv-Luv, and more about KimiNozo. Just remember our agreement on Muv-Luv; whenever I’m mentioning of it, or making asome sort of reference to it, take a drink. You might be wasted by the end of this post.
I had immense difficulties with this post in general, as I tried to trim down the pictorial content and leave outas many Youtube linksas possible. That, and I had horrible pains of consciencefor spending a whole week working on one post that I know goes against majority of the posts in this blog. However, it’s something that I need to get offmy chest. Still, you can see this post as a sort of review and overview, much like majority of Muv-Luv’s are. There’s just a personal story included. I’ve been meaning to make a sort of post about Kimi ga Nozomu Eien anyway, and now it’s finally time to blow the bank vaults open.
Let’s have some personal history out of the way. You can read how I met with KimiNozo from the Muv-Luv post, but I think that’s far too condensed. Let’s say that a person nicknamed Daironeri can be faulted forthis initially. He introduced the series to me, and told something along the lines ofCheck the first two episodes, and then decide whether or not you want me to get more for you. Sure, I did check the first episode and I was rather impressed,to be honest. It was like I was watching, to quote another friend, some little girls’ princess shit. Yeah, the first episode can be called that, but I really can’t do it. This is partially because I know the story, but mostly because I’ve started to learn to see those little things that are left in, hinting something beneath the surface and foreshadowing elements that exist in the scene. Back in ’03 I was a child, I don’t deny it. I didn’t know what to look at. A year later I did, but I didn’t come back to KimiNozo for a reason, but I did visit it once, and then once more, until I finally managed to properly rewatch it last year after reading Muv-Luv.
The second episode of the animation adaptation ends where the first “chapter” of the Kimi ga Nozomu Eien visual novel ends; the story defining theturn that sends the main character into a spiral of a mental breakdown. I began to love these characters without noticing it, calling it a girlish story, a fairy tale for children. Because of this love towards these characters the second episode struck mehard.
At this moment I am sitting opposite to you, dear reader, and telling how I finally closed a matter that has haunted me for a long time, a matter that has been there in my head and calling me back.
I’m here, at this moment, to tell you how a manspendssix years being afraid of his own emotions, and whichstory made him to intowhat he is today and how the same story has managed to change him yet again.
Dear reader, take a sip from your glass and let this old lonely man tell about the eternity he wished for. Allow me to tell you a story so you can experience it through me.
With Muv-Luv I’ve seen a lot of people telling that You will never experience Muv-Luv for the first time again and I wish I could reread it completely fresh again. They are all good hopes and ideas in a way, as Muv-Luv really is an unique piece with no real competition to match it. The again, Kimi ga Nozomu Eien wrestles in a completely different series. While I’d love to experience it completely anew, I’m afraid that it would be a completely different experience, as pretty much every major experience I’ve had, even in my personal life, can be traced to influences from KimiNozo. The experience I had with the series is completely and utterly unique. Especially with Muv-Luv; it would not have been as a strong experience without KimiNozo and what influence it had over me.
This point is important; Kimi ga Nozomu Eien did not make me, it did not transform me nor did it suddenly change me; I allowed it to influence me. I’m not even that easy to influence, thou I willfully give a different kind of image to some. I can’t call it a positive choice, but it wasn’t negative either. It was a choice of subconscious, as the series just spoke to me.
How KimiNozo exactly influenced me is an open question. Did it wakemy suppressed emotions? Did it make me realize somesort of fragility of life? Did it tell me to value my friends and make choices before it was too late?
Honestly, I need a bit more time to answer questions, but perhaps I do not need answers in words. I have no doubt that you, my dear reader, can read between the lines I never typed in.
Eight years ago years ago I started reading the original Kimi ga Nozomu Eien visual novel on Dreamcast. It still sits on my shelf. I remember getting my hands on it, seeing the calendar and thinking that this is pretty sweet, I can finally see the original story.
Only some weeks prior… It’s history now, so I may as well tell youthe whole story. I met my girlfriend of that time around those times as well, and after only a month or so I broke up with her after having a high fever for a week. On Friday she came to meet me, and I broke my wishes and reasons to her face to face. A month went by between us under rather harsh conditions, during which few weeks and I was running KimiNozo from my Dreamcast when she came to visit me as usual. She saw the VN, knew what it was and broke down into tears. She had misunderstood a song I had put up when I broke upwith her, Precious Memories, and I felt horrible even whenwas just a silly misunderstanding.
After that day I never could put Kimi ga Nozomu Eien into my Dreamcast again. I never managed to finish the that particular version. I don’t think I never took the disc out of the jewel case after that.
I searched the PC version from the Internet some yearslater and ploughed it through, stopping mostly with the naughty bits, and for most important story bits. I gleamed it through once with thought, but I recall nothing of that time. Nothing. While I technically did finish the visual novel, I never thoughtI did. I remember nothing of it as I most likely blocked all the memories and all the emotions. I felt that this series, which was so important to me, had hurt the person I loved even when it had been nothing but a misunderstanding.
Some six monthsago I noticed that there was this thing called Latest Edition of Kimi ga Nozomu Eien visual novel, mostlybecause a kind anonymous person on that image board of the fourth kind pointed out to me, as I had been trying to stay away from the VN. I got my hands on it mostly by pure luck (and some money). I held inmy hands, feeling the guilt seeping back into my consciousnessand I put the case on my shelf. During the next weeks I looked over the box many times, seeing the main heroines Haruka and Hayase there. It was somehow too much for me.
A month later I popped the disc in. When the opening video, the same as above started playing I quickly reacted to it by pressing Ctrl+F4. It was something new I wasn’t expecting. I didn’t really want to see it either. An hour later I booted the VN again, and managed to watch it all the way through, and broke down in tears on my keyboard. Ctrl+F4 was my friend at that time once more.
I remember staring at the Menu screen for a long time and listening to the gentle yet somehow ominous music.
Then I took the dive; I clicked to start the story once more and… I was amazed. Latest Edition adopted a lot from Muv-Luv Alternative in its system, refined the sprites and graphics, renewed them and generally made everything look more sleek, shinier and polished. It was a bit of a shock at first to be honest, seeing their mouths move as the characters spoke and the spritesmove so dynamically. I still seem to regard Visual Novels as arather static genre, thou they can be insanely dynamic as well, in a wayMuv-Luv Alternative showed me. It’s a small wonder what rUGP can do. Now creating something like this iscraftsmen’s work, not artists’.
And the characters there. It always begins and it always ends on That Hill. Seeing it all again like this was… I was there again, but at the same time for the first time. Not because of the upgraded system, but because I knew more about the language spoken, and because of many other reasons. I was there. Nostalgia had nothing to do with it.
When I heard Taira Shinji’s voice for the first time in a long, long time I chocked a bit. I have a lot of respect towards this fictional… OK, let’s make this clear; these characters might as well exist for me, in my mind. I have a lot of respect towards this man, who is the best friend of the main character of the story; Narumi Takayuki.
But I couldn’t take it a much more, when Hayase Mitsuki stepped into the scene with her carefree attitude and small banter she always makes with Takayuki. I gazed at her like I gaze at old friends after meeting them after long time, with greeted her with a smile. Then I just noticed that I could barely see. I was lucky I had a tissue box next to me, so I could take these weird salty drops away from my eyes. I wonder how this kind of water could get near my eyes, you don’t cry because of fictional characters, right? Your crush towards a fictional character can’t be rekindled with just one sentence from her, right? Yeah, sometimes it seems I take these things a bit too far, but remember; I’m a romanticist. Loving something fictional isn’t out of my books, but everything has to have it’s limits and extensions. But still, those blue eyes, that voice and that stature… it’s something that a man can drown into. Not to mention that her long, flowing hair is quite a sight as well, thou I prefer her… older self with that somewhat shorter hair.
There’s few things that Hayase’s younger self does in this first chapter that she drops. One of her most prevailing catchphrase is 三二一はい! as in Three Two One Go! whenever she’s asking something even slightly important from Takayuki or similar. The anime version downplays this way too much, basically using it once for the fans’ sake and then dropping it altogether. It’s pretty sad because it’s really endearing. I like it, and I’d love to steal it, but I just know people would think I’m some kind of freakish guy of I just go and start spouting moonlanguage in the middle if conversation.
Ah, the feeling that wallowed inside of me was like lemon with honey. The first chapter before the accident is nothing but sweet life at its best. Some would compare it as like watching a trainwreck or the like, but that’s inaccurate as hell. The more proper comparison would be that the first chapter is like watching four best friends spending their days without a worry, but seeing small hints from every character of their (ulterior)motives, of their true feelings and difficulties that were to be, but before anything could truly become a fruit it all suddenly ends with a tragic crash.
People should really start learning that few minutes might make all the difference in the world.
OK, let’s get you with the program anyway. The first chapter lays the groundwork on which the whole story stands on. We see the three people we’ve already met, Takayuki, Hayase and Shinji, spending grand time together and trying to survive the horrible twists that school may present. Hayase shows some hints of having certain emotion towards Takayuki, but still she and Shinji set up Takayuki with another girl; Suzumiya Haruka. She is the hardest character to read from the cast for certain reasons to which we will return later on. There’s a reason her Character Song is called Nemuri Hime, the Sleeping Princess. Now that I think of it, there’s a lot elements in the storytelling, and in her character, which deliberately leaves out a lot of small but intricate details that are vital to her character. She is not only stronger than she looks, but also far more… how should I put it? Well, perhaps I can find the proper word when the time comes to discuss more about her.
So, the boy meets with the girl in a book store. The girl starts to look towards the boy. The normal stuff, right? Yeah, you could say that. During Takayuki’s and Haruka’s first meeting he just tries to help her to give her a book she couldn’t get from the top shelf. She just gets a bit scared, the book gets dropped and she runs. Takayuki’s left there standing and wondering just what the hell was with her. Well, not with those exact words, but still. Still, the good man he is, he doesn’t let it weight on him and pretty much forgets about the incident.
Some time later on the previously discussed set-up takes place during a festival. Hayase brings Haruka along and basically tags Takayuki to look after her. Takayuki remembers the small incident with her, but Haruka’s encouraged enough to come out of Hayase’s shadow.
That’s some bullshit right there Haruka. Sorry, this just… I think she did it intentionally, kind of. It’s not against her, it’s just how she is.
During the festival Takayuki and Haruka get separated from Hayase and Shinji. This has to be on purpose from Hayase’s part, and I can’t fault her choice. No, yes I can. Hayase is a bit stupid in her own way, but she really wishes the best for Haruka, and she really wishes her to become a proper item with Takayki. They’re all just bunch of kids anyway, and none of them have enough experience with these emotions and the way some things just go in life.
Wanting the best for your friend is a good thing indeed, one of the best things you can do. However, if you can’t think your own best when time demands so is stupid. If you can’t support yourself then, how are you going to support your friend in any situation when you falter in your own?
I should know the answer. Sometimes we just learn things far too late, and that we call experience. Some times we gain experience with heavy cost. Experience asks time, and there are situations where we have no time at all, or too much of it.
Still, Takayuki’s and Haruka’s “date” goes pretty well, even if Haruka is a bit afraid of the fireworks. Well, she has a reliable man at his side, so she takes cover behind him and clings to his shirt. I can hear some of you laughing at that. Takayuki, reliable? Don’t fuck with me Aalt, we know it ain’t so. to which I answer with a sip from my whiskey and answer; yes, the man is reliable and wait for you to see my determination. With your laughter silenced, I take another sip and tell you that yes, Takayuki might not seem reliable, but he is. You ask why and I answer you; because he is Takayuki.
The two finally meet with Hayase and Shinji, and the quartet walk to the train station, where Shinji and Haruka say goodbye and take their leave towards home. Takayuki is left with Hayase, who inquires a bit on their time, but her getta seems to be malfunctioning a bit and she falls, but Takayuki manages to grab her. The two share a small, but somewhat intense and important moment, as Hayase gets flustered and quickly gets away from him. This is the second point in the story we see clear cut nudge to Hayase’s real feelings on the whole deal. It’s not really subtle, but I could see my younger self… no, I wasn’t that dense back then. And boy, was I dense.
Well, the next day comes and it’s raining like hell. No, not like that. Why do I mention this? There a scene that still shows Hayase’s feeling, but in a far more subtle way. Takayuki manages to lose his wallet, and Hayse loans her cellphone (cellphones in ’98? Hayase’s parents [at least mom] must’ve been stacked wit money), but it ends up being found by none else than mothercocking Homura Manami, the craziest bitch in the whole series who ends up being a nurse. Christ, I’ve never see anything worse than what Homura did to Takayuki on her route.
Oh yeah, that… and that and that and that…
So OK, Homura isn’t the worst thing I’ve ever seen, but she’s the worst thing Takayuki can ever face. Oh, you want to know what she does? Well, imagine Takayuki in an insanely fragile state, in which she steps in, breaks him into even smaller pieces, shattering his psyche and rebuilding him to be her very own sex toy. And by rebuilding I do mean something along the lines of involuntary gender reassignment surgery followed by rape, both mental and physical. And that’s just wrong, man. Just… holy shit that’s just WRONG.
And this same bitch is the nurse who takes care of Takeru in Alternative after Marimo’s head gets eaten!
Ahem, let’s forget her for now. For all time if it was up to me, but I just know some of you will go and search down the CGs or the VN just to see how the hell she does that. Enjoy your NO JUST NO. AT least Latest Edition seems to have more happier ending between Takayuki and Homura but by God I’m not that desperate for complete CGs to wander her route. Yet.
Ok, let’s get back to the main story and not the sidetracks.
After the whole wallet fiasco Hayase shows something Sumika has in common with her; the ability to strike her man with force of thousand suns. Well, not really, but her Zero Range Snipe can be directly compared to Sumika’s Milky Drill Punch.
The discussion between Takayuki and Hayase afterwards shows further her feelings, but you wouldn’t really give it a much thought, as the subject doesn’t really give much leeway to that direction. That, or I’m just seeing every blush she makes as an indication. Good thing I don’t think a girl has a crush towards me when I get their faces red.
Well, fast forward a bit again. Takayuki for once is going early to school and meets with Hayase and Haruka on his way. Hayase has a proper reaction to it with What the hell are you doing here?! It’s pretty clear what they were talking about, and Hayase does really bad job at covering it. I love this kind of thing in KimiNozo’s first chapter. It’s well written and… serves a certain sinister agenda. In Muv-Luv EXTRA serves as a way to introduce the characters properly in a normal setting until it makes 90-degree turn. KimiNozo’s first chapter kinda does the same thing, but it doesn’t make a 90-degree turn; it takes the line, picks it off and throws it somewhere in the horizon. It doesn’t just introduce the characters and make us know them pretty damn well, but almost love them already. It represents none of the characters in negative light, but you are sure to pick up your favourite from the bunch.
The shit hits the fan a bit later.
Normal school day continues, and Takayuki bumps into Haruka, who’s carrying a load of cardboard boxes. At this point Takayuki offers his help (if the reader so chooses,) but the right (wrong?) options just lead to more Homura on the screen. Later on The Trio are signing at karaoke to spend some quality time between friends, until Hayase’s cellphone rings and she needs to out a bit. Shinji knows what’s going on, and only moments later Haruka enters the karaoke box. So, the Trio has been officially made into a Quartet. I know, I used the word before but that was with a small q.
Haruka sings when Takayuki’s out for a while, and when he enters her song starts to falter. Even her bangs jump in the air. She’s clearly pretty flustered and awkward with Takayuki but oh god does she like him. Well… More every time she spends with him.
On their way home by train, Haruka falters a bit due to the train’s movements and she bumps into Takayuki. The usual, but I can’t ignore that she looks pretty damn cute when she’s clumsy.
Hayase’s attempts to bump Takayuki more and more into Haruka’s direction seem to pay off, and ultimately Haruka wants to meet with him alone. So, Hayase tells him to go to that hill. Takayuki does as instructed, and meets Haruka there. She managed to say that she was one What follows is a somewhat awkward, but honest love confession.
And Takayuki’s reaction to it as honest What? in his head, but he accepts her feelings.
And the following morning Hayase’s there to inquire about how things went. Her reaction is… less than excited. Perhaps worried could be called the right description, which it is, but as with most scenes with her and Takayuki alone something just shines through.
Cue for rather happy days with this dense bastard who doesn’t really know anything about dating a woman, especially with as timid as Haruka. Good thing Haruka has Hayse, who is constantly kicking Takayuki to a more appropriate direction for the two and making sure that the damn man really pays his attention to her. And then there’s Shinji, who doesn’t really kick him to any direction, but stands next to him like a good friend should. She doesn’t provoke anything, but makes the right questions to make Takayuki think his position as a boyfriend. Shinji’s character doesn’t really change during the story, but it grows and becomes more mature. He is perhaps the most mature character of the series next to Haruka’s parents, but even he can falter in a given situation. Shinji’s kind of man I wouldn’t mind hugging and calling him an awesome man, even he does few things that makes me want to punch him in the nuts. Between the two, Hayase is far more forceful for her own reasons, and for Haruka.
Well, things seem to go well with Haruka and Takayuki to a point, but because of Takayuki’s own denseness he is made to properly solidify his relationship with Haruka, and take her as his first priority in many things. (Christ, saying that makes feel rather bad) So, Takayuki takes her on that hill and makes a stance; they’re and item, and he needs to start treating her as his own precious girlfriend she is. They share their first kiss. Makes me a bit teary eyed every time, but that’s mostly because I know far too well what’s coming. So might you. Mostly because I already told you but that’s beside the point.
We’re introduced the fifth and last major player of the main group of the characters; Haruka’s little sister, Akane.
Akane’s pretty interesting character whose main drive for the first part of the story is to cheer on her more timid big sister and get them share a bed proper. She’s far more aggressive than Haruka, far more energetic and some of her stuff are just dirty as hell. Well, at this younger age she is basically Hayase 2.0 with the power of Duracel battery bunny. Akane even uses Hayase’s 321 Go! catchphrase as her own! She idolizes Hayase to an extent and pretty much continues Hayase’s original life dream later on. Still, the only one who can properly stand against her is Takayuki on his own weird way, and Haruka with her directness. Something that really never changes is that she always listens to Hayase and takes her word into consideration, even is she refuses to listen. She’s an interesting character who really would need an extravagant character to balancer her out. Someone really out there, someone who could just turn into a knight to fight against an evil alien invasion. But that kind of character would need to be almost a parody, right? It’s not like âge’s just going to throw their characters into a giant robot and fight against alien invaders.
Oh, right…
Well, when we meet Akane we have a small arc of her, Hayase, Haruka and Takayuki at swimming pool. We don’t really get anything special out of it, except that Takayuki does value the sight of women in their bikinis and he manages to learn some pool safety rules as well.
I never liked meatpies before. I don’t really like the idea of having certain kind of meat inside a bread. On top I don’t have problems with, but inside? That’s just nasty, but that’s how I used to think. Meatpie’s Takayuki’s favourite of sorts, and Haruka offers him her very own handmade meatpie on a date. This arc is really nothing special, but it’s there further to show how the two fit together quite well even thou some things do exist to… I can’t say that it doesn’t matter, but I can say those things are there. They’re not explicit, but they are there, having an effect or two on all of our characters. Nevertheless, the two have a grand time.
However, the following part of the story has a bit larger part, and Akane’s playing the cupid of sorts in this one, basically dragging Takayuki to her family’s residence to make him meet with her. Well, this of course leads into a Haruka getting a bit flustered and she falls down the stairs on her little butt. Haruka soon introduced her room for him and here we truly see Haruka’s love for picture books. Sure, she was looking at a picture book exhibition ad earlier on, but here Haruka tells us her dream; to become a children’s picture book writer and artist. The way her words are conveyed by the voice actor is… it just tells us that this is something that she will be doing as soon as it is possible for her. It’s not just a dream, it’s… it’s something she feels that she is meant to do.
With this Haruka has opened up a bit more to Takayuki, and they share a soft, intimate kiss that is separated and interrupted by a certain little sister. Akane, I like you but goddamn your interest in other people’s sexual matters are not your concern, so stop interrupting Takayuki’s seduction of this fair maiden in front of him! Well, Haruka’s strong opinion of Akane-get-the-hell-out works well here. Haruka then escorts Takayuki out into the night outside her home, and they share a quick lover’s parting kiss, and Takayuki heads home.
These picture books that Haruka speak of are one of the motifs of the whole story. Kimi ga Nozomu Eien’s first chapter is indeed a almost a complete fairy tale when you first see or read it. Haruka’s favourite books is called Mayauru’s Gift. She doesn’t own the book yet, as it’s kinda rare. This might be a good chance Takayuki to score some points if he would manage to get his paws in the book.
Mayauru’s Gift was sold with the first Kimi ga Nozomu Eien DVD as a gift set in Japan in a rather limited fashion. You can deduce how much it all matters to me to own this book plus the first DVD
Mayauru’s Gift is a story that tells about a fairy who had lost all of her memories and lives alone in a forest. One day a girl to meet with Mayauru, and the two become friends. The next day the girl comes with friends, and they all played together. However, as Mayauru didn’t age like humans, the children gradually grew older and played less with Mayauru, until they finally forgot about her. The girl who first met with Mayauru was the last one to meet with her, but even she grew into adulthood and couldn’t play with the fairy any more. Nevertheless, she never forgot about Mayauru, she refused to forget about the fairy in the forest.
One day the girl went back to the forest. Mayauru was very happy, like nothing had changed and the girl went to meet with Mayauru every day. The grown up girl became very lonely because of this, but she couldn’t leave Mayauru alone. One day the girl burst into tears, and Mayauru smiled at her, and gave her a present as her gratitude towards her;
“The words of farewell“
The time the two had spent together was a good, but what if the time they would spend together would become sad? For these sad events, remember those words of farewell. The girl cried more and tried her best to laugh. Mayauru laughed with a bright smile and taught the girl the words of farewell.
Until this no one knew the words of farewell. With this word, the girl became the happiest person of all people.
“Let’s say farewell with a smile”
Mayuru’s Gift is close to Haruka’s heart, and in a way it is a mirror of her as of now. She is, without a doubt, a kind of fairy herself. Mayauru’s Gift is a kind of pillar which is hidden in the first chapter, but as the story continues the pillar becomes more and more visible, until another pillar shows itself. That we will leave for a a bit later.
There’s a small story arc in the VN, which further expands on the characters. As Haruka and Takayuki are dating a rumour starts spreading; Hayase’s seeing someone. When Takayuki decides to confront her on the subject she’s very evasive. Of course she is, she wouldn’t want to have him and Haruka worrying over her, but goddammit Takayuki, the nicest guy in the town, sees her at the town with a some weird looking ace and starts tailing them.
Well there’s a new type of character
Yeah, Hayase’s feeling a bit awkward with her, but the guy just keeps pushing on like a rocket. I kinda feel for the guy, as he is asking to know Hayase’s friends as well. He really seems like a cool guy, thou he might a bit out there at first, but I trust my instincts on this one. It’s either that, or this guy just ends up being an idiot and humps a damn chair during important situations. Well, Takayuki faces her about him indirectly after the guy has left. She naturally feels a bit offended by his concerns as his head should be filled with care for Haruka, not her. Still, she seems relieved that he is here, and I guess it can be said that without Takayuki’s kind stalking she might’ve done something stupid on the long run. Spending your lovetime with a person you don’t care for is unhealthy as hell, and I can testify this, my dear reader.
Akane’s cupid role is cute and all that, but it’s not really clear at all why she’s so out there to basically push the two lovers together so closely. She even goes to the point that she calls Takayuki to tell her that something bad is going on and there’s a need for him. Of course, the gullible idiot he is Takayuki takes runs like North wind to the Suzumiya residence and finds out that Akane tricked him there just to ask him to play with her as Haruka and parents are out shopping. However, this ultimately ends Takayuki meeting with the Parents Suzumiya and have a dinner with the whole family.
I’ve got to say that I love Dad Suzumiya’s moustache and his attitude towards things. His like a role model I never had, but goddamn if I manage to half as good father some day as he is, I can say that job well done. He is the kind of dad who sits down, talks pretty calmly and friendly with his daughter’s boyfriend whom of he just has heard stories from Akane. Well, mostly from Akane, I’m sure Hayase has said a word or two about Takayki. I’m not sure about Haruka, but it’s safe to say the Haruka has given her two cents as well. Dad Suzumiya takes it all well, sits down and smokes some pipe. Damn, pipes are awesome. I should abandon cigars and start smoking pipe very rarely.
Mom Suzumiya is more like your typical Japanese mother, or a good image of such. She’s what you’d expect from such archetype, and she does it well. There’s nothing much said about her at this point, but that she makes good food and looks a bit like Kagami Sumika.
Just take a look at that dear lord that looks so HNNGGG
Dear God, what if Sumika grows up to be this kind of hot mother character later on? No, I mustn’t think so, both characters are saints in my head and nothing good comes out of that anyway. Well, at least Mom Suzumiya is, Sumika’s just far too close to me to properly to tell anything properly without resorting to dry (read; bad) humour and pulling my punches the wrong way.
Aalt, you’ve described these characters and events for five thousand words worth now and then some. Are we almost done yet? you ask. I order another bottle of the same drink you’re having and sip a little bit of mine and tell, that we’re almost done with the constitution that needs to padded down. So this is padding? No, this is what I initially regarded as just a minor part of the story, an introduction. No, this is a sort of introduction to the characters and to the situations that we need to discuss before we hit the big stuff. But it’s also important, so highly important. So I can take a break now? You might, you’re the one listening, but if you will allow me to tell you a bit more, then we’ll have that break.
On evening Takayuki finally faces Hayase while she’s training at the school’s pool. They end up speaking their minds to each other loud and clear beside the pool so long that the sunset eventually turns into night. I have to admit that how âge did the changing sky in here is subtle, until it’s almost dark. It’s eerie in a way, but it gives an impact that very few things can do. Hayase tries to run away by going to the lockers and changing her clothes, and makes Takayuki wait nearly twenty minutes. Then the two then walk to that hill behind the school with the tree.
This is kind of conversation only very close friends could go on, about love, life and friendship. They’re both a bit down, a bit distracted. Hayase tells that a lot boys have come up to her, but she’s turned them all down. With a smile and gentle voice she says she’s going to punch Takayuki because of his amazement that she’s that popular. The hair she has, the long swaying hair, is a kind of burden to her. Everybody tells her that it looks good, but for her it really is nothing but a burden. However, she refuses to cut it down for a reason; there was a person who once said that it looked good on her, and so she has kept her hair long just for this person, even thou this person has forgotten all about it. Even so, she’s still very happy to know, that this person said it. She then turns the table around, and asks what’s matter with him.
Takayuki’s problems aren’t that big, mostly concerning Haruka and his situation with her, the dinner and all that. Not really a problem, but the man needs to vent it to somebody, and Hayase is his closest friend next to Shinji, but it’s pretty clear that Hayse’s closer to Takayuki that Shinji. Well, Takayuki’s dense as always.
It’s kinda bad to see that Hayase speaks of this one guy, and Takayuki has no clue of whom she is talking about. Well, men need to do these always to grow a bit. But damn if women are not as dense when spoken similarly. Still, the two keep talking, and it turns more into the every day banter they’re having.
That is until Shinji comes with Haruka to the tree. Shinji’s pissed off, seeing Takayuki spending some night-time with Hayase under this tree, and then there’s the fact that Takayuki had a date with Haruka to which he never appeared. Shinji has a case on Takayuki’s ass, but Hayase steps in to say that it was her fault to cause this, but Haruka resorts countering that she was worried about her as well. And if Haruka isn’t mad, Shinji drops his case. Dammit man, stand on your ground more! What if you had forced everybody to say their feelings at that moment in all complete honesty at this moment? Bah, let’s not get to that. Still, the four stand under the hill, and take a picture to commemorate their friendship with no hatred in sight. They’re all happy, all so happy.
Takayuki walks Haruka home at that night, and Haruka asks Takayuki to make a vow between the two.
“ Like the stars that twinkle in the night sky
Hearts that have melted together will never come apart.
Even though these hands let go
As long as neither of us forget “
Later, the two take date to the park, and Haruka has an incident with pigeons. After their rather successful date, they end up in the Suzumiya residence alone. They talk this and that, every day stuff, read a picture book, until Takayuki leans over her for a kiss that she too yearns for. It’s a passionate kiss, more intimate than what they’ve done before. It leads them to Haruka’s bed and Are you really going to describe me who the two have sex? Have you no dignity Aalt? No, no I’m not. The thing is that they both want to share their bodies with each other, dwell into each other’s emotions and open themselves on most physical level and connect to each other. They do manage to get their clothes off, but it never really goes anywhere else, as Haruka’s having doubts and some performance anxiety, Takayuki less so. There’s a tender moment in this scene he tells Haruka that they have all the time in the world, that there’s no reason to hurry.
Later on Akane confronts him and tells that his shirt smells bad. She just came from the pool where Hayase had been training her to become a swimmer like her due to Akane’s own request. Akane goes on small details, on how the lovers’ are having a date on the picture book exposition and how Takayuki has to look his best for Haruka there.
And then she just blabbers it out; Akane asks if her sister was a tasty one, she asks in which way he ate her sister, how many times and what orifice on her body he defiled with his manhood and how long it took. And yes, that directly. She goes all out on him. Takayuki evades this by acting completely and utterly ignorant on what she’s speaking of, and he does admit kissing but he doesn’t know what the hell Akane’s talking about. Her reaction to this is just pure adorable comedy, as she turn completely red with proper sound effects and distances herself from Takayuki, only to slap him multiple times. She gets completely pissed off and say that he better marry her sister, otherwise she’ll never forgive him. Their banter reminds me of Takayuki’s and Hayase’s banter, but in a more direct manner. Akane even goes as far as using Hayases 321Go! phrase to fetch an answer from him, to which he does answer honestly; he’ll make tomorrow’s date a good one. Akane also says something that Takayuki doesn’t really get, but the reader can read between the lines and see that her face is now blushing in a different manner now. She goes inside, leaving Takayuki to walk home. I’m sure she had read it all from some magazines she herself got her hands on. That, or from very late 90’s Internet.
I woke my neighbours that night and another knocked my window to ask if I was all right. I had laughed at this scene so loudly that even the dogs two stairs up had gotten restless, and this building is pretty well soundproofed for a 60’s Finnish building. It makes me feel more for Akane than previously. Do I feel more for her because I know what’s going to happen, or did I sincerely take her as she was now, at that moment? I’d love to think it’s the latter.
Now can I take the break? One more part dear reader, just one more part.
It’s the fated day of picture book exhibition, and Takayuki meets with Shinji on that morning to give the picture from earlier. A bit later on the main man meets with Hayase and gives her piece of the picture, which gets less than warm response, but it was taken with the moment. You can’t expect the best picture of your life with throw shots. Still, that kind of pictures do capture the best of people. Posing for a picture is something that you do when you’re going to be in a picture that’s going to be official or the like. The best pictures always come when the objects are in their natural state. I never understood why people want to pose completely fake in pictures, even thou it might have memories beneath. Oh, don’t get me wrong, I do understand memento pictures, but making them fake on purpose just doesn’t sit well with me.
Well, the next thing Takayuki hears from Hayase that she’s going home, as she had turned the man she was loosely dating. Well, it’s also Hayase’s birthday, so she’s got to have plans, right? She does seem a bit down at one point, but soon drags Takayuki to buy her a small present. Because dammit, if your best friend has a birthday, a date with your woman shouldn’t stop you from buying something from the nearby stand. Well, Takayuki’s a man enough to stand his side on the business and won’t purchase anything that’s far too expensive. Hayase slips “perhaps a ring isn’t a good idea after all…” and is calling the whole deal off. Damnit Hayase, stop being so blushed about the idea. I think Takayuki had the same idea, and buys her a ring just as she’s about the leave. Instead of 1500yen ring he selects a 4000yen silver ring in which the rings are interlocked together.
As of this writing I have made a proof of concept, and skill, of this ring from steel. I can make. I will make it.
After this Hayse promptly asks Takeru if he is getting for his date. And the man just jumps and realizes that of he doesn’t hurry he is going to be late. Just before he takes off like a Nato missile, Hayse gives her parting words
“Thank you for the present… I’ll cherish it, always.“
And so the man runs for his train. On his way Takayuki curses that he’s late and Haruka’s gonna be mad at him. Well, he just needs to apologize properly and make this the best date ever. After all, he wouldn’t want to face Akane’s wrath as well.
At this point of the Visual Novel I can feel my tension rising, my blood pressure getting a bit higher. Stress creeps in and I notice my breath getting heavier, louder. It could be compared to the similar tense feelings that I had just before Muv-Luv Alternative’s fights started. This however was a tension to make me ready for action.
As Takeru steps out from the train, he notices that a lot of people are flocking to certain direction. An accident had taken place, so the station is a bit more chaotic than normal. Takayuki doesn’t really concern himself with it and concentrates on finding Haruka. He hears people talking to each other about how bad it looks. A car had hit somebody, and that can’t really end well. But something catches his eye, something that makes him wish that the person in that accident is all right. People can’t really see who was in that accident, until someone says that it was a girl, that she looks dead.
Takayuki’s heart beats. Haruka’s nowhere to be seen, and he panics a little bit. He pushes through the crowd, calling for Haruka. The ambulance takes off. It’s my heart that now beats louder than the one from the speakers. As Haruka’s nowhere to be seen, she must’ve gone home already. He was too late it seems. Then he hears a policeman radioing information.
Aalt, surely you expected this from the start? I mean, this is kind of apparent from the get go, right? Especially after you told me this in the beginning. Dear reader, it’s time for that break now. I need a new tissue box anyway.
Go on, take that break. I’ll be here when you get back.
I never expected it. The series makes no indication on what would occur, and I expected it to be just another slice of life romance series. It’s not unheard of to have very low key series series that doesn’t tell anything special, and I was really expecting nothing more. To be completely honest, I expected far less from the story. I followed the first episodes with innocence only a child could have. I’m afraid Kimi ga Nozomu Eien has a lot of to do with me analysing TV-shows and movies even before they have properly began. I don’t really like it. It takes so much away from their existence if the first thing I do is rip them apart on structural level.
I’ve shared my first experience with Muv-Luv a few times over with friends, but I’ve never told you whole real deal. Back in early 00’s I used to watch any series Daironeri burned for me on CD discs. It was a sort of ritual for us at the time. Of course, it cost me shitloads of money to buy new CDs, so it didn’t last that long, even with RW discs. I used to watch these discs and whatever was on them on my dad’s laptop computer, which served as his work computer as well. At the time the security systems weren’t that good on work laptops, so I could install pretty much whatever I wanted. I don’t remember the date or anything like that, but it was already dark outside during evenings, so it must’ve been autumn or winter at this point.
And there I was, sitting on my bed in a room meant for two, and watching KimiNozo with headphones borrowed from my brother. At that evening my brother was out as usual, and my dad was drinking at local bar, as usual. Not the nicest way to spend an evening /night alone, but it had to do. I rewatched the first episode, and then jumped into the second episode. It was the story and the characters that caught me, and never loosened their grip. And the ending of the second episode just echoed in my head. At that exact moment, when the title screen hits the screen I noticed something weird; there was tears. It shook me, as I never before had cried because of something fictional. Hell, the only times I had cried before was when I was a little kid and had hurt myself. I loved my grandfather, and I didn’t cry at his funeral. But this… this just struck somewhere deep within my psyche.
I remember sitting on that bed after the end scene for a long time. I just couldn’t get that bloody bow out of my head. I just stared. I was woken from my state when my intoxicated dad came home. He never checked if I was sleeping or not, so he just fell asleep in the kitchen in a sitting position. I remember this because I shut the lights and left a note on his shirt to remember to eat a bit before going to bed.
When I got back to my room, the laptop’s screen was still showing the same scene. I rewatched the scene again and again. I listened to the song, trying to understand what it said without the subtitles. I slept lousy that night. I couldn’t get it from my head and I couldn’t understand why.
Aalt, are you really crying because of bunch of fictional characters? Yes. I can cry for fiction, but it seems that I can’t cry for real people for reason or other, not until lately. You can’t blame Daironeri either, as I was the one who made the call for more. Perhaps it drew something deep within from me, something long ignored. I’d like to think so, even thou the reality may be something different and far less romantic.
With the Latest Edition version of the VN I kind of new what was going to happen. After all, I had seen the series and started the Dreamcast port. It’s almost ten years later and I still wasn’t ready for it. Kind of. There’s so much more what the VN has what the animation doesn’t, thou the animation does some things far better in audiovisual department.
It was hard, but I enjoyed the first chapter insanely. And then I took almost half a year break, because I couldn’t make myself read it any further. Just after this, there’s a scene of nothing but rain from the sky and Takayuki’s own inner monologue. That, and a woman’s moaning faintly resonates with the falling rain drops. I saved my progress there, and couldn’t look at it.
Many times I tried to boot up the visual novel. The disc just sat there inside my drive, waiting for me. Whenever I booted it I skipped the introduction video, but always froze in the Menu screen, unable to continue. Sometimes I even managed to open the Save Load screen. I still ended up pressing Ctrl+F4, or close the window.
I’ve got no excuses outside “I couldn’t force myself.” I knew roundabout events that would going to take place, I knew there would be differences and a lot of things from the original VN. I knew it would a roller coaster of emotions on more than on level, that it would break me down. Still, every single time I booted the VN I had gathered a bit more courage to face whatever emotions might come against me. I think that I was more afraid of myself in the end, rather than the story itself.
I finished the visual novel a week ago. I’ve told you hows and whys I kept going on even thou it didn’t seem like my kind of story. Dear reader, please hang on a bit longer with me during this evening and pour yourself another glass. We have yet to discuss how it all ends, but before that we must go through the rest of the story (hopefully not a painstakingly detailed this time) and introduce few new characters that do not perhaps serve a great purpose in the grand scheme of things at first, but I think you’ll see things a bit differently after this.
So, is this another long story? I’d say we’re about the halfway through now.
Let’s rewind few weeks back, somewhere around August 20th I said ‘fuck it’ and continued reading. I was expecting soul crushing scenes from the get go, but what I got was daily banter in a family restaurant.
Think of the silver ring for a moment. I have referenced it earlier and pretty much everywhere. Those who know, and have been able to read between the lines know that I have one dream that I’m not backing from; to make that silver ring, and give it to someone I love. That ring is the reason I’m in design at this very moment. I wanted to learn to make silver rings, so I could make that same ring by my own hands. I wanted to cut the silver, bend it, hammer it, solder the seams and polish it by these very two hands. I wonder if it was that moment when the decision was made in my unconscious or not. Shit, I’ve made handful of silver rings, but I’ve yet to make the one ring I want, as I have no trust in my own skills to pull it off.
I’m going to try to make it this year. I need to make it at least once for practise. I need to have it in my hands, as my own creation. It’s still an open matter to me.
So, it all bogs down on something you had not experienced before, and to a one silver ring? Seems like it, doesn’t it? Your call is just as valid as mine, I guess.
Let’s get on with the program. I still need to introduce few side characters. While they’re just side characters, they do offer a lot of importance to the story from the sidelines, as they’re the ones giving Takayuki what we could call a normal daily life at one point.
It’s three years since the accident. Haruka has been in coma ever since. Takayuki didn’t really take it well, and suffers of Post Traumatic Stress Disorder, and blames himself on the accident. During these three years he has been standing next to suicide and he would’ve most likely killed himself if it wasn’t for Mitsuki.
The first scene we start here is with a view of Takeru’s unchanged room, and Mitsuki’s voice, and there we see her, laying next him, talking with a soft voice. She’s grown, her hair is shorter and… well, she speaks of moving somewhere else, as ‘this place is a bit far away.’ The ring is on her hand, as ever.
In the morning she has fixed some breakfast, and then Takayuki takes off to his work; the family restaurant Sky Temple. It’s a bit different day from all others, as they’re getting a new manager. Still, he tries to creep in to the work, as the man seems to be late once more. Still, he bumps to his co-worker, Daikuuji Ayu.
So yeah, this girl divides opinions like Moses divides the Red Sea. Ayu, by all means, is the first character to be called tsundere as âge pretty coined the term. She acts cold, aggressive and looks Takayuki by her nose. It’s not evident from the start, but Ayu’s from a high-status family. She shows her affection towards Takayuki few times over, but never directly. She is able to speak very, very politely to whomever she chooses so, which is the manager and her family.
I find it Visual Novel version of Ayu far more attractive than her animation counterpart, as she’s a bit more reserved and less of a loudmouth, plus she has mannerism that I haven’t really seen anywhere else. She has her own way of speaking which is somewhat between very polite and offensively arrogant, and still a combination of both. She’s a unique character, and lot of characters sharing her archetype just blow everything into stratosphere how much of an insane bitch they are. Sure, the animation Ayu does that a bit, but the VN is much more reserved in a very good way.
Still, she has a love/hate friendship with Takayuki. They fight, they bicker, sometimes the help each other without the other noticing and play tricks at each other. It’s just their nature. In other kind of situation they could’ve been more.
Well, the manager is introduced after this. While not really the largest side character to grace the story, the manager is still important in a sense that he plays role of Takayuki’s own reflection and anchor in few moments where the man needs some reality banged into him with direct and careful words. The manager isn’t a father character, but he is someone who can help Takayuki to realize points in situation where he really can’t talk to anyone else. For example, a discussion about perverts kind of confuses the manager, but Takayuki has to come to his level and explain things. Afterwards, the manager asks that the discussion is left between them, as it’s a bit embarrassing. I wish I had this level of reservation sometimes. There’s just something in this man that you just have to admire.
Nevertheless, he tells that another waiter will be joining their ranks, and he wishes them both to show her the ways of Skytemple.
After long good day of work Takayuki goes home and we witness rather infamous shower scene, that was referenced in the animation version as well. They spend the evening together, with and without clothes, until Mitsuki has to go. Cue for next day and the last major supporting character that has a route.
There we have them; the whole staff of Skytemple.
Mayu is a soft spoken klutz, who does mean well but always bumbles down and breaks plates and gets dizzy because there’s some blood spouting from her finger. In comparison with Ayu, who is more like friendly rival or badmouthing sister, Mayu is like that little sister you always have to take care of even if she was supposed to manage something by herself.
Well, she’s a bit bland person in the VN, as she speaks v e r y s l o w l y at times. Her animation counterpart is far more energetic, even if she’s more like Ayu’s sidekick there. Here she has her own show going on next to her. Takayuki mostly treats her as his co-worker, but in more softer way than she does with Ayu. As such, Mayu offers a nice balance with her more reserved and innocent nature than Ayu, who knows a thing or two about men that Mayu doesn’t.
These three know Takayuki as he is now, not from the first chapter. At least Ayu has been there for some time, knowing him and seen him grow a little bit. Ayu must’ve been his first friend he made after the accident and all that came after it, and I always got the feeling that Ayu pissed Takayuki on purpose give him more boost in everything he needed next to Mitsuki. Hate or love Ayu, she’s rather important background figure (unless you decide to aim for her, but we’re not doing that.) They’re the counterbalance for all that Takayuki will go through, and they’re the ones that give him a helping hand when his feeling down at work… in their own way.
Well, Mitsuki visits the restaurant in the middle of the day, and Takayuki’s a bit hesitant to waiter her first, until she puts on her disappointed face. He makes her order a sandwich. You can make your own joke here about that. They talk this and that and banter a little bit. Mitsuki has changed and not just by appearance. She’s not as flamboyant and forthcoming, thou her words still carry certain high amounts of weight in meaning.
I just have to love VN Ayu’s siren like quotes, like she was playing as the police car siren but with words. Here she goes on Kanojo~ Kanojo~ Kanojo~ for girlfriend. Then Mayu asks whose girlfriend and the situation just explodes in Takayuki’s face in a small manner. Chichikuri~ Chichikuri~
Well, the man gets her woman the sandwich she ordered, and basically she says that Takayuki needs to eat today as she can’t be there making him his dinner tonight, and then Mitsuki’s off. Mayu creeps beneath Takayuki to mention that he has a gentle girlfriend.
Sigh.
And that Mayu’s a bit jealous of him. Ayu steps in with a frown, repeating Chichikere pretty breathless. Has she been repeating that all this time? Well, seems like she doesn’t mind it all, but really she just seems to be on his level now. Perhaps for the better.
When Takayuki gets home, he sees that there’s two messages left to his phone. One is from Shinji, who asks for him and Mitsuki to join for a drink. The second message is from Father Suzumiya, who tells that Haruka has woken up. He flashes to the day of the accident, momentarily freezing in time.
I’ll break how the VN tells the story at this point. We know that Mitsuki and Takayuki have been… well, you could call that they are dating, but it has never really been said aloud, not before one point and even then it’s left to the reader to decide whether or not it’s said out loud. During these three years he has gone through very harsh times with his Post Traumatic Stress Disorder, and there’s strong hints that there were multiple points where he was ready to kill himself. He has managed to get a life that resembles normal on the outside, but he still lapses. His relationship with Mitsuki is clearly the one that has kept him from stepping over the edge, as he hasn’t really been in contact with Shinji either. In all regards, he is pretty well prior to the message.
What sets him off here is that he most likely couldn’t give any proper through to Haruka any more. Takayuki blames himself on that fact, and he visited her bedside every day, setting next to her bed, talking to her and crying. One day he stopped visiting. The reason to this is because Father Suzumiya stood stern on his ground and told him not to visit his daughter any more, as he was damaging himself both mentally and physically by the guilt. However, this wasn’t just because he saw Takayuki’s slow ruination, but because he too put some blame on him in his anger. What parent wouldn’t? Same can be said of Mother Suzumiya, who didn’t directly agree or disagree but saw it as a good thing as well. As such, it can’t be blamed on Takayuki that he wasn’t by her side. In the end, he also had his own life to live. If he had stopped to that time for all eternity, what would have come of him?
Shit. I think I just got why the story is called Eternity You Desire. Well that didn’t took long, just eight years.
So, Takayuki has been robbed his life meaning to an extend. You can see what’s his first solution to an empty life is. However, for him there was Mitsuki. Perhaps it was because Haruka wasn’t there any more, perhaps it was because Takayuki needed someone, or perhaps it was that Mitsuki saw all of his misery and loved him too much to see him destroy himself. There’s no clear line anywhere between those, as it was just how the situation was. For Takayuki Mitsuki was ready to give on her dream to become an Olympic level swimmer and quit school to take care of him. In the end, they grew closer to each other on every level and ended up having a relationship. Whether or not it was healthy is a bit moot point, as it clearly wasn’t. Healthy or not, it’s thanks to Mitsuki that Takayuki has been able to live. She made him food and made him eat, and even dragged him out. It wasn’t just love or dedication, not mere friendship. She had to deal with her own feelings towards him, and with her guilt. She blames herself on Haruka’s accident as well, as she was the one who wanted Takayuki to buy her that ring. However, she never came forth with her guilt to anyone except to one later on. Mitsuki had told herself at one point that she had to take care of Takayuki for Haruka’s sake, but this reasoning is also behind her insecurity.
Mitsuki’s insecurity towards Takayuki is because of Haruka and the stand-still situation they live in. While they all lived their life onwards despite Haruka’s coma, only Shinji really advanced in his life. Mitsuki might lose him any moment now with Haruka’s awakening, and has a need to connect with Takayuki physically to keep him close, and to reassure herself that he indeed loves and wants her. I have no doubts that Takayuki only used Mitsuki at first, but at some point after becoming much more healthier, his member got inserted with love rather than lust. As said, their relationship isn’t what you’d call healthy. Still, if Haruka hadn’t been there, these two would’ve started dating with each other, at least I believe so. They both show feelings towards each other prior Haruka asks Mitsuki to introduce her. Without Haruka, they both can be more honest to their feelings, even if it’s in this somewhat twisted way. That does not mean that Takayuki didn’t love Haruka, but rather that Mitsuki never was really in his grasp before as neither of them stepped over the line of friendship towards romance. However, Haruka was brave enough to do so.
Takayuki as a person is one who never had a real reason to live, he just went day by day without thinking things too much. He did things on his own way, had fun with his friends and did as people expected of his to an extent. With Haruka he slowly had a reason to actually start to live and do more than he already had. A dreamless guy who gets confessed by a lovely girl; a fairy tale come true for him. He had a base on his life to stand on, perhaps a proper structure he ever had next to school and all that. With the accident, everything fell apart. During those three years he most likely rebuild his basis back together; he starts stitches himself back together piece by piece because there’s someone there. Ultimately, he begins to learn how to live for himself once more, and not for the Sleeping Princess or for the Silver Ring. Still, he has questions to answer and choices to make to truly rise from the stagnation he still voluntarily lives in.
“Your place is the same as three years ago”
Takayuki is a gentle person, a kind person. He does things out if good nature without thinking it any further. Both Haruka and Mitsuki fell into this side, and one things that never goes away from his character is this kindness. He had his first choice when Haruka confessed her love to him; he chose to accept her feeling mostly out of kindness. He stopped to buy Mitsuki’s present because he felt that it was the right thing to do, as it is in his nature. He never made the hard choice over Haruka or Mitsuki, because it would’ve gone against his nature. If the accident never had took place, would he had been able to live with Haruka to the fullest extent? I believe he had, and Kimi ga Nozomu Eien Special Fandisc agrees with me.
Takayuki’s just too kind for his own good. He has spine, he has will, he does right things for the right reasons. Never doubt that. Much like with Muv-Luv it’s very easy to say I wouldn’t be that wimpy in that situation, but in reality I think a lot of us would be. Same with Takayuki; if we were in the same situation, we’d do think in another manner, but never necessarily any better. His personality wasn’t equipped to handle what happened. Then again, when was the last time you managed to be completely stern and make rational decision when your most precious person has been in a life threatening situation?
Now, let’s visit the hospital where Haruka eagerly waits for Takayuki. The first person he meets there is a green haired nurse NO HOMURA GO AWAY NOBODY WANTS YOU JUST LEAVE ME ALONE GODDAMMIT.
Luckily, Kouzuki Motoko steps in and takes the lead. Takayuki’s clearly not in best of shapes, and we need somebody who understands people’s hearts and minds.
Thankfully, Motoko seems to know how insane Homura is and drives her away. Unlike her younger sister, she treats people like human beings rather than something to experiment with. She shows loving care for everybody, even if its with tough words. She’s the last person we meet who give her support to Takayuki, and the one who tells him straight how the matters are and how his actions are to influence others. She’s the voice of reason when there is none. Her presence is highly appreciated. It doesn’t really matter whether or not her attitude towards people is just because of her occupation. It feels that Motoko truly cares about people she meets.
Dammit, when she works with her sister, things got to get completely insane. The things they could together. I wouldn’t be surprised at all if Motoko’s BETA-verse counterpart was the one responsible on Haruka’s artificial legs, or majority of 00-Unit’s body.
Motoko inquires if Takayuki heard of Haruka from Father Suzumiya, and he tells her that he got contacted yesterday. She condemns his haste with the matter. She notes that he then now have a different face. Mentioning past seems to make him lapse back a bit, but he holds together well.
Motoko asks about what he does now, and he answers, until she asks him about the new girlfriend. This causes him to lash out a bit, asking her to stop, and wondering if she knows about Mitsuki. It’s a hint that they’re not really on public on their relationship, but it must be hard to keep such thing a secret. Takayuki is loved by many, and there are numerous people who know him. Rumours do start from the smallest thing, and this isn’t really a small situation they’re having. Things have changed since three years ago. Nothing stands still in time. Still, Motoko has to calm him down a bit as they walk towards Haruka’s room.
There’s no reason that she woke now. It’s nothing short of miravle. Three months or three years, it makes no matter. However, for Haruka, there has been no three years. For her it’s like a yesterday when the accident happened, and these three years have been nothing but a dream.
Takayuki’s allowed to meet with Haruka mostly because she herself has asked so, but also because Takayuki can be the key for her well being, and encourage her to get better faster. As it is now, Haruka can’t walk, and her body is rather fragile. For example, she tires herself quite fast, and has other problems as well. That’s why Motoko asks Takayuki to protect her from time, to act like he was three years ago. This is a lot to ask, and Motoko knows it. To ask Takayuki to return as he was may not be the best choice for him, but at the moment her highest priority is Haruka.
Comatose patients lose their conscious of time rather often, so as such this is not a rare case. Losing that time is not the problem at hand, rather her fragile state. Physically, too large of a shock might bring her system down to a point of death. There are other points as well; Haruka has lost memories of herself, and others as well in detail. For example, she does not remember how her hair was before the accident, thus she accepts her own physical self as it was back then. During these three years she has grown as well, but it’s a question if her mind can accept this body she has now? From her fingertips to her hair, to her voice and her whole body, nothing is the same any more. Time does not wait, not even those who sleep.
With these things in mind, they step inside the Haruka’s room to meet familiar faces; Father and Mother Suzumiya, and Akane. They’re all grown with visible changes. Akane the most, and her smiling serene face soon takes turn to a more shocked and despising, as they all slide away.
And there she sits, on top of the bed.
And he flashes back to all those times with her, ever since the festival. Without words his tears begin to fall down, as he himself. Father Suzumiya retreats from the room, taking Mother and Akane with him.
Neither of them can speak, but they both cry. The only words he can bring forth from his throat is I’m sorry. He finally can let it out to her, all of his regrets and tears he couldn’t give before. With this Haruka manages to say, that it was her fault, because she couldn’t make it to the promised date. She asks her to come closer, and he does. They’re close to each other again. He doesn’t really believe that’s she all right, and even Motoko resorts asking whether or not she’s feeling well. Nevertheless, Haruka convinces both of them that she’s feeling fine.
And then Haruka asks why Takayuki is here. Motoko intervenes and tells that he has to go now, to which Haruka seems to be displeased a bit. She would like to be with him a bit more. In a way, she’s acting like a little kid, to which Motoko treats her like. Perhaps against his will, Motoko removes Takayuki from the room with words he has to go home now and they step out.
Anyone would be confused and angered. Takayuki seems to be both, but more there’s more than just those. Parents Suzumiya were waiting for them. Father greets Takayuki with a bow, as does his wife. Father admits, that he didn’t think that Takayuki would grant his wish and visit the hospital after what the two had asked him before. Mother asks how her daughter was, and Motoko allows Takayuki to describe what had taken place. Things are as they are; this is the start.
Mother Suzumiya steps a bit forth, and with motherly worry she asks Takayuki to visit Haruka again. Father quickly responds to this, but she continues begging of him; now that she has finally opened her eyes after all this time, not knowing anything. Here is where Father gets second of the three points of respect from me; he acknowledges that it has been three years, that Takayuki has his own life to live now. Even after his wife tear up, he can only give his regrets, but Mother asks whether or not this sits right with Takayuki; that it’s OK to him to leave things as they are in his memories. Father sternly asks her wife stop, which she does. They both know in which position they are, unable to make such bold request to a boy they drove away not just from their family, but from his loved one as well to a world where nothing mattered.
Takayuki thinks. Can he act like he was back then? Motoko will allow him to visit her, if he can do so. She wishes him to think this not as her boyfriend, but as an individual person.
There are two options given to the reader and to Takayuki. We will choose to see her, because here Father will ask whether or not Takayuki will be able to think more himself at this point. Takayuki says that he can. Three years ago before this man stood a boy, crushed by his own guilt who barely ate enough to live. Now, this man looks into the eyes of a person who has overcome those times, and who wants not to falter back the way he once was. With those words, Father Suzumiya once more gives part of his daughters care into Takayuki’s hands.
As Motoko walks Takayuki out, she inquires of his friends, of Mitsuki and Shinji. Motoko would like them to visit Haruka as well, as it may yield yet another change, perhaps for the better. As walks out, Takayuki confronts Akane.
It’s been a long time between these two as well, and Akane’s less than ecstatic to meet him. With a sharp tongue she directly tells him that Good for you for having fun life my sister slept, Mr. Narumi. It has been long time. With a smile Akane insults both him and Mitsuki, and won’t forgive is the two appear the way they are now in front of her sister. With steady and low pace she brings forth the worst kind of guilty trip on him. Takayuki clearly seems to think that Akane didn’t know about Mitsuki, to which she imply resorts that whole town knows about them. Akane is not just angry, she’s also despising him and makes her best to have Takayuki feel even worse. Takayuki mostly stands there, letting her lash out words that she must’ve bottled inside for a long time now. Of course you come here to see my sister because she needs you.
“But you, Narumi, don’t need my sister any more, is that right?”
This makes Takayuki answer with thoughtless word, which only makes her lash out more on him, and requests of him never to talk to her that friendly, unless in front of her sister. With yet another request to think what he can do for Haruka, Akane leaves with tears.
Akane seems to know more than most other people. After the accident she must’ve searched high and low for him after Takayuki stopped seeing Haruka. It’s most likely that her parents never told that it was their decision to stop him coming to the hospital. Akane’s world must’ve collapsed bit by bit without Haruka and Mitsuki, and then she finds out that Mitsuki has abandoned her everything just to take Haruka’s place next to Takayuki. In the animation Akane walks on them while they’re in bed. It’s a good scene and serves its purpose for the story quite well, but here Akane only hears people talk, sees the consequences of Mitsuki’s choices, but never really sees what hell Takayuki had to go through. She feels nothing but contempt towards person whose words were filled nothing but empty promises, and shed crocodile tears. In her eyes, they both are traitors and back stabbers of worse kind. Akane can barely see how things are from anywhere else but from her own point of view, and out of all characters she is the one who is most stuck and obsessed with returning with the way things were. For her it was too much, and she still lives Mitsuki’s shadow so to speak. Before she truly can find herself, and her own way in life, she’s always be second to Mitsuki, and to her sister. While her fate in this story is the most saddest, she does not go through the worst. That place is for Mitsuki.
Just before Takayuki is leaving she bumps in holy shit Homura why the hell are you following me like this? Did I make wrong choices in the first chapter this time because goddammit if I did. Well, Homura asks Takayuki to cheer up, and perhaps he does. Well done Homura, you made his day a bit better. You’re still my Life’s End Boss.
At home Takayuki calls to Skytemple. Ayu answers with her usual flavour, but soon changes to a more low level voice. She gives the phone to the manager, who inquires of Takayuki’s current situation a bit, and he answers to it bit absent minded. They rearrange his works schedule a bit, and the manager changes back to Ayu. She tells him to go step on cat shit. Then he calls Shinji, who complains that if the man has a phone, then the man should call! His a bit silent, until Shinji asks if something has happened, and he drops the bomb on him as well. They’ll go together to meet her next day, but he can’t answer whether or not he’ll tell to Mitsuki. Shinji mentions, that he sees courage in Takayuki, and that he shouldn’t rely too much on him; otherwise Mitsuki’ll get mad. Like a real friend, he recommends Takayuki to think things through.
So he does, again and again, until his doorbell rings. It’s Mitsuki. She was coming to his place to see his face, but on the way her reason changed; Shinji had called her about Haruka. She’s naturally a bit mad, as Takayuki seemed to have little intentions of calling her, but he also feels a bit offended by her at the moment. Her reasons were worry and care, and they both lay low in front of each other, until Mitsuki breaks the atmosphere and begins to talk about good smelling yakitori at the local Super Tama De. She just mentions some market, so it just might Super Tama De. She bought bunch of them, thinking that Takayuki might want to eat some. With that, Takayuki drives his suggestion to drink through her, even thou tomorrow’s a work day (hell, if you don’t have a flask of whiskey with you, how the hell you do think you’ll manage those design workdays?)
With Takayuki almost plastered, Mitsuki gets Takayuki to sleep in the bed. In the twilight between dream and awake, he flashes to Haruka and call her. Mitsuki takes him, and tells him to look at her, and only her. With a kiss, the two spend the night intimately. Party due to Takayuki’s drunkness, partly due to Mitsuki’s own faltering confidence.
This is the setting we have now. Sounds like shit might get real any time they meet. So it does, my dear reader. Every time these people meet, one of them ends up involuntarily hurting somebody. Things can’t stay stable for a long time like that. You can guess that there will be dark feelings thrown around, and that only few will come out with clean slate to continue with. Haruka’s situation is pretty bad, but is seems that she’s got the short end of the stick. I wouldn’t say so. They all got the short end of the stick. We’ll need to skip a lot of details from now on, because none of those have high significance where the story leads us. I want to describe and discuss those that matter the most. To quote KimiNozo’s Special fandisc’s MuvNozo, Takayuki has to “choose in the name of true love.” Bartender, bring another bottle of Hibiki! We need another break.
So, the reunited friends are going to go to see Haruka the following day. Takayuki has a little bit of problems to wake up due to slight hangover, but Mitsuki pulls him up nevertheless. Before meeting with Haruka they need to visit the doctor HomuragetoutIdon’twanttoseeyou. Kouzuki remembers both Mitsuki and Shinji, even thou they really don’t, and mentions that they all have changed during these three years. Especially Mitsuki, who has become more beautiful as the time has moved, and her hair. It might be a problem, but on the other hand it just might be a blessing in disguise. Nevertheless, next to Takayuki Mitsuki is the person Haruka has been wanting to see the most. After this small meeting, they go to meet with Haruka.
Akane’s there, and her her greeting towards the doc is stopped in the middle as she notices the three of them. Her face flashes through slew of emotions, until she takes her evasive stand once more. Haruka notices Takayuki first, until the other two visitors step behind him to greet her. Haruka’s a little bot more than surprised.
Mitsuki breaks the ice and silence that had fell upon them, until Haruka realizes, or rather remembers, who they are. Shinji gives Haruka the flower they have brought, to which Akane puts her best fake smile on. Akane does things well, and reacts as she meets Shinji for the first time. Shinji slips a bit by telling that they have met once before, but of course she wouldn’t remember it. Still, they manage to pull everything through by introducing themselves. Haruka seems to enjoy all this. After this Akane takes off, perhaps because she just doesn’t want to be there, next to the person she despises the most.
Haruka asks them all shit down, and she asks with a puzzled expression if Mitsuki has cut her hair. With a quick reply she tells that she had it cut yesterday and inquires if it looks good. Haruka just asks why she did it. Mitsuki resorts to a white lie about upcoming tournament, but Haruka presses in with a stern face if she had cut it already during the festival. Takayuki steps in here before Haruka asks something to which none of them could answer. However, Haruka won’t let go, and asks in what grade they are, to which Takayuki answers promptly and accurately 3rd year students. Haruka seems to remember that she and Mitsuki were in different classes. Akane comes back with better attitude and wider smile.
Takayuki is lost in his thoughts, and thinks how everything’s just strange. Haruka clearly has some memories, an almost complete schema of Mitsuki, and of times and places. Shinji awakes him, just as Haruka shows signs of tiredness. Indeed, they must have discussed matters at least for an hour now. Haruka again complains about them going, but Shinji and Mitsuki do say that they’ll come visit soon again. Just as they are leaving, Takayuki asks Akane with them, which makes her lose her stance and guard, and even her voice reverts to normal.
Outside Akane waits no empty moments. She inquires what is that Takayuki wanted of her. The moment he manages to ask what was that in Haruka’s room with her, Akane begins to lash out about him and Mitsuki. She even asks Mitsuki to stop calling her by her first name the second Mitsuki opens her mouth. Before Takayuki manages to step in and actually show some damn spine, Mitsuki stops him. But still continues, and Mitsuki resorts asking her permission on seeing Haruka. She says without hesitation a direct no, but she can’t stop it as Mitsuki is her sisters friend, but asks her to do it when she’s not around. Mitsuki basically drags Takayuki out before he can go ballistic on her sorry ass. Akane, I do like you, but goddammit you’re a childish bitch a this moment. Yes; you feel anger and betrayed, and that you have no other way to vent it out, but…. I can’ tell her to grow up, as she’s just a child, just as they all were three years ago, much like I was in her age.
On the train Takayuki is deep in his thoughts, until Shinji tells that he is right and Akane’s wrong. They discuss the matter, and at their stop they all split up. Takayuki ends up in work.
In a way, things go like this for the time being. Takayuki juggles between going to work and seeing Haruka at the hospital, and the rest of the time is divided between Mitsuki and whatever he feels like doing. In a way, his work is the least stressing time he spends in his everyday life at the moment. What about the time he spends with Hayase? Mitsuki’s an extremely good question, to which we’ll come a bit later on. How late? You’re over 15k words in already. Eh, not too late. We’re getting to the speedzone now.
One day Takayuki is alone with Haruka in the hospital room, as Akane basically kicked herself out to buy them ice-cream. Haruka, with shy expression, asks for a kiss.
Well, nothing in the work really goes well as Mayu breaks Wait, did he kiss her? Does it matter? YES. Ok, it’s a choice question to or not to. However, you have to ask yourself whether or not Takayuki will still grasp on those feelings he had three years ago that are resurfacing, or will he keep his sight on the future just Father Suzumiya had requested. This is important, as during this time, and the third chapter, Takayuki will constantly have flashbacks to the day of the accident at the hospital. It’s up to you as a reader to decide on it, but you may also decide it on the character of Takayuki. Throughout the story thus far Takayuki has shown spine and will to continue onwards. He does waver, as he does in the animation, but the question is does he waver enough, and to what direction.
There’s a time when Haruka asks him to recite the vow they had made. Will he remember, or will he not? It’s once again up to the reader, but this time I’m certain that he would, albeit with slight difficulties. For him it has been three years, but even I with my infamously bad memory can cite certain words I’ve told to the most important person I’ve had. If I can remember those words, he can remember the vow.
I have to mention one night Takayuki and Mitsuki go out and drink. She gets pretty plastered, and I can’t fault her… much. Mitsuki asks him into a love hotel, and as they kiss Takayuki has a flash of Haruka, but this time it’s him who presses on, and they spend the night with embracing each other. The following morning Mitsuki decides to visit Haruka after all, as she believes that she’ll be fine if Takayuki’s there. I believe that this here is the first time Mitsuki has said anything like that; she’ll be fine as long as he is there. If he wouldn’t be, what would come of her?
Haruka’s sleeping when they are at the hospital, but the two have a discussion with Mother Suzumiya, who still regards Mitsuki as her daughter’s best friend, and mentor for the younger one. Mother asks her to walk more with her face up, and in all essence, to be more happy.
This sort of juggling with visiting Haruka, going to work and doing whatever Takayuki wishes during evenings finally take their toll; she asks how long is he going to continue with this charade? How long will he spend time with her? Will he play the role of Haruka’s boyfriend for all time it takes her to properly recover? That alone can be anywhere between one to ten years, and even more. Their argument over Haruka’s condition and Takayuki’s position in it soon leads to a question of whom he thinks of these days. For Mitsuki he is her greatest concern, and nowadays the man’s face is more and more tired every day. He convinces that whatever he is doing is temporary. And she agrees to watch over him. Mitsuki is allowing him to act to his own accordance, even if she’s the one getting hurt because of it.
Some time later, Takayuki buys Haruka a present called Mayauru’s Gift. He spends one evening looking for it, and by Haruka’s side they read it together. He still remembers the first time they met at the bookstore, as Haruka was eyeing the very same book, but couldn’t never reach to it but wanting it so badly, like a fruit in a tree just out of reach. It’s late, after visiting hours, and doc Kouzuki catches them red handed. She understands his worry over Haruka, but firmly places him where needs to be; this is a hospital, and hospital is no place for fooling around.
The very same evening Mitsuki has been waiting for him. Takayuki couldn’t leave the book to Haruka yet (most likely because it was re-printed after the accident) and Mitsuki notices it. She remembers that the day of the accident he had this same book with him, and she still remembers his smiling face. She remembers it, because that one copy got destroyed, and realizes that Takayuki had to go and buy a new one.
Takayuki’s kind, but thoughtless. No, not thoughtless, but lost. He doesn’t know what’s the right thing to do, or how to do those right things. To this Mitsuki quotes Father Suzumiya and Takayuki’s promise to live his life for himself. She just wants to know if she exists in those thoughts of his life… and why he can’t get mad at him, even thou she has hurt him many times this evening. Is she so worthless in his eyes now?
Why did you go to see Haruka? is her question. Why he went there? There’s no answer, but she knows how he feels.
Mitsuki will go home, until he can give her the answer.
With this, Mitsuki has given the choice of two he had to make one day; her or Haruka. He can always choose to run away, but even then misery would follow him, either by just one night stand, by losing a loved one or losing himself for one bastard nurse.
What if he had made the choice three years ago? Good question. At then there was just three friends, and later one lover. Mitsuki never was an option, she never made herself as one, even is she wanted. These two shared a common feeling towards each other, but never confronted each other.
She could’ve said few simple but hard words to achieve a different future. The same goes for Takayuki. However there was Haruka.
Mitsuki tells Takayuki to call her when he can give him the answer, and closes the door.
On the following day Takayuki finds feverish Akane sitting on the bench outside the hospital, and basically drags her out and escorts her safely to the Suzumiya residence. She wanted to see Haruka, but honestly Akane, your sister might die because of a shock. Do you WANT to give her weak system a goddamn fever bug? Takayuki leaves before Mother Suzumiya can properly thank him or change words. Perhaps it was for the best not to meet with Haruka on that day, as he got more time to think while getting Akane home. Still, he goes to meet Haruka the next day, and she’s a bit miffed that they couldn’t read more of the book.
Last night she had a dream, that she had been sleeping here for ever and that Takayuki came next to her, crying. Day after day he had came and cried, and whatever he said and told to her went to deaf ears; she didn’t wake up. She too in her sleep was crying, but no tears would ever come out. Her hands would not rise, not her mouth would allow a word to be spoken. One day, he stopped coming, never to return. Because of this dream, she’s really happy to see him. If he had not come, there’s no telling what she’d thought or done.
Haruka asks where she has changed.
Her face, her body and these hands of her, where has she changed? Takayuki dances around the question, but Haruka presses the matter. She questions if her hand really is her own, and once more asks; has she changed? With each small realization that something has changed, Haruka cries, and nobody can give her answer, not directly. Takayuki assures Haruka, that nothing is wrong, that her hand is her very own hand, that her body belongs to no one else and never has but to her.
As Takayuki steps out, Father Suzumiya is there. Here, he gets the last part of my respect; while he hears her daughter’s distress through the door, he does not back from their promise, but further asks Takayuki to stay true to himself; whatever he would do will never bring back these cruel three years Haruka has already lost. Takayuki has already lived a life without her, and he still continues to do so.
And for him, to Takayuki alone, that is a victory over many hardships.
Father Suzumiya deeply appreciates Takayuki for cherishing her, but at this moment which feelings and emotions have given risen to it? He wishes nothing more than Takayuki ponder this question not just for his own sake, but for their all. For him, Takayuki is nothing short of family. He will now say anything, as long as Takayuki stays true to himself, and through that to everybody else around him.
Damnit Father, you’re an awesome man.
Takayuki steps inside Haruka’s room for a moment, where doc Kouzuki is checking on her. With a gentle voice, Haruka requests to see the one picture they took on that hill. She wonders what had happened to it. With stronger voice she maker her case heard, until she stops… to ask that if it really is Takayuki standing there. Kouzuki kicks him out soon enough as Haruka’s having a seizure. The two nurses rush in…. as does the green haired one.
Takayuki waits, and loses sense of time, until doc Kouzuki startles him. For now Haruka is sleeping soundly. She asks if he has the picture with him, and if he is going to be carrying it in the future as well. With this, the doc recommends him to go home and settle down a bit.
That evening Takayuki sees Mitsuki in a pinch, as she’s been drinking with her coworkers, and her boss it totally drunk and feeling up on her. The man he is, he just hits her boss and snatchers her away. They run a bit further away.
For some reason Takayuki’s not feeling quite right, and Mitsuki notices this. His face is red, as the man’s having pretty bad fever. Mitsuki’s reaction is as expected; a bit angered, but more worried. He must’ve caught it from Akane. Mitsuki basically drags his sorry ass to home, makes him change clothes and get into bed. She goes out to get some medicine and food, during which Takayuki is able to reflect matters, before he falls into sleep. He wakes up as Mitsuki sits by his side, and offers some food and strong medicine.
For today, Mitsuki’s going to be next to him. The only thing he can say is a lousy apology, to which she just replies with her worried face, and asks him to not think of bad thoughts. With her gentle voice, Mitsuki lulls miserable Takayuki into sleep.
In the mornig he wakes up still sick. He feels a warm hand holding his. She never went away, she stayed by his side the whole night. Now that he is awake, Mitsuki offers some medicine and call to Skytemple. Soon, he falls into sleep again, but Mitsuki never leaves his sides, except when she goes out buying necessities because Takayuki asks her.
Takayuki takes this chance and goes out to see Haruka in the hospital. Doc and Akane are there. Akane seems genuinely smiling this time, as if she had resolved something. Somebody must have done something good for her. He gives Haruka rose he picked up on his way, but doc Kouzuki soon sees that our main man isn’t feeling quite right at the moment. Mitsuki’s voice is soon heard from the door, and with stern voice she asks what the hell is he doing?
Well, aren’t we all? Yes dear reader, we are. I can’t really get over this small arc for two reasons; it signs the end of chapter two, and that I hate my decisions and thoughts when I’m in a fever. How so? Once I came to a conclusion which I still kind of hate myself for. But I already told you about that as the reason why I never finished Dreamcast KimiNozo.
Mitsuki shows more stern concern and genuine pissed-off attitude and even cuts Akane’s words in a one swift sentence. The man’s having 39°C fever, which sends everybody into a spiral of visible concern. In the first case he could die. I should know, I regularly have 41°C fever if I ever have one. At this point Mitsuki is slipping, but manages to tell it all in a simple but covered words; if you care of her, take care of yourself first.
Mitsuki tells him to give the rose to Haruka. Then it’s go time. As he gives the rose, he calls Hayase as Mitsuki. Haruka notices this straight, as does everybody else, and the picture slips out of his pocket.
The picture has date for 2001. Three years after the accident.
After looking at the picture for a moment, Haruka asks who are these people in her room. She goes into a fit, asking what has happened to everyone, what’s going on, and what the hell is 2001? She pushes Takayuki away and finally realizes it all and finally asks what time it is. Doc Kouzuki’s words do not really help on panicked Haruka, and Takayuki comes out straight, telling her that she has been in coma for three years. In a way, this calms her down, and she asks whether or not Mitsuki and Takayuki are… together I suppose.
And then he collpases straight down. This here starts the ‘third chapter.’
During his fever sleep he remembers the first time Haruka came to visit his house, and found his badly hidden men’s magazine. As always, it’s just for research. Not just only that, but also to a time when he and Mitsuki were friends, before Haruka was in the picture. In this memory Takayuki remembers Mitsuki asking of him if he would like to have a girlfriend, to which he asks if she would like to have a boyfriend.
Takayuki wakes up in the hospital. He hears Mitsuki and doc Kouzuki speaking outside his room, and the doc requests Mitsuki not to mention what has happened to Haruka, as the shock might be too much for him. Mitsuki steps into his room, and the first question after asking how long he has slept is about Haruka, to which Mitsuki is a bit more than reluctant to answer, and he won’t get any answers out of her. His only option seems to be to get up and see Haruka by himself, even if Mitsuki asks him to drop the matter for the time with a gentle voice.
Takayuki finds an empty bed in Haruka’s room. Even the loli nurse acts completely oblivious, or as oblivious as her nature allows her to. She’s saved from Takayuki’s clutches when her co-worker calls for her. Doc Kouzuki manages to find him, and makes an exception; she’ll allow Takayuki to see Haruka, but only after preparing him with antiseptics and all other preparations. Haruka has slipped back into coma. She evens his burden with kind words, but also agrees that she is not perhaps completely guilt free either, as it was her idea to begin with to allow Haruka to live in a lie.
That’s one motif in the story, sort of. People tell lies to protect their loved ones, and ultimately they tend to hurt the most. Then there’s simple part of not telling certain things at all, even thou these small thing might mean a world for someone else. Because of these two there’s also responsibility of your actions, and Takayuki has evaded that most of the time, even if Mitsuki has confronted him on this.
But now, Kouzuki once more kicks Takayuki home, and tells that the only thing that could help Haruka is a miracle. His deeds, or anyone else’s, will not be enough. After the doc leaves, Mitsuki approaches him only to be target of his frustration. Realizing that he is being an immense asshat at the moment, he apologises. The two go together as far as the train station, and Takayuki goes home alone. He begins to shatter once more in the empty room with nothing but drink. In his sleep, he goes back to the past again.
Takayuki remembers how there were rumours if him and Mitsuki dating, which they deny, but in their words there’s something that tells a different story. Mitsuki manages to slip away, and Takayuki later finds her on that hill. The young bastards they both are, Mitsuki puts up a deal that they both try to find a companion for the other. If I were Takayuki in that situation, regardless of my age, I would have asked “Would you like to be my girlfriend?” Dammit Mitsuki, why couldn’t you just say it then?
The following day Takayuki goes to the hospital to see Haruka’s empty room, and meets with Akane. Akane seems to be a bit relieved and having found new faith in him, but the more important part is this.
In the animation there is a similar scene which plays after Mitsuki has broken down and lost all of hope to be with Takayuki again. It’s well played and shows the worst situation she could find herself. No, there’s worse situation she could be in, but let’s not got to those. In the animation Shinji has taken advantage of drunk Mitsuki and has taken her to a love hotel. He seems to be regretting it afterwards, and we see completely shattered Mitsuki trying to fix her high heel in nigh catatonic state, until she begins to cry. Later on, he drags Takayuki out from Skytemple, and basically beats his PTSDing ass with crying eyes yelling at him that for Mitsuki there can be no one else; it has to be him. With this, he realizes something that has always been there.
In the VN things are not as explosive. Shinji meets Takayuki in front of a market (might as well Super Tama De again.) Shinji is worried, and sees straight through him. He tells Takayuki directly that he can’t do anything to change things as they are. With a worried face he asks of Takayuki not to return to the way he was. No, with a voice of man to another, he tells not to slip back the way he was. Shinji knows that Takayuki has the strength to stand on his own two feet now, and tells that he needs to think Mitsuki as well; he needs to hold her closer to himself than he has before. For now, Shinji will only watch, and say no word, but if Takayuki will hit the limit he will step in. With this, the two go to their separate ways, and Takayuki has a lot to think again.
In the morning doc Kouzuki calls him. It’s about Haruka’s condition. She has opened he eyes again, and it seems that she has returned to a more normal condition, remembering more than she did before. Haruka wishes to see him. With the doc’s helping word, he decides to meet with her, even though it’s not just her emotions that must be in shambles, but his as well.
Wait wait wait, why would his feelings be in shambles? Takayuki has given responsibility to major decisions. First, he needs to decide what is best for him alone. Second, this decision will affect both Haruka and Mitsuki regardless of anything else. And thirdly… he has to think of Mitsuki as well. And yet, he feels that Haruka needs him, that it is his duty to be there for her and support her the best he can. As such, it’s not just his emotion are not the only thing that’s in shambles, but his very self as well as he is ripped apart by guilt, responsibility and love, not to mention his ever looming PTSD that wishes to drag him back to the ditch he barely managed to climb out and live almost a normal life.
When he arrives at the hospital, doc Kouzuki takes him to her room. Haruka is sleeping, but wakes up as he gets closer. She recognizes him, but with a sad face which is soon coloured by tears. She can’t really believe that it has been three years already, but she recognizes that Takayuki has grown into a man. She remembers her dream of him crying next to her, but in a way for her it’s a relief that he has stayed true to himself. She acknowledges that Akane has changed a lot. Still, for her the day of the accident is like yesterday. She inquires more on what has taken place during those years, what have her friends been doing and they’ve lived. Naturally she’s surprised to hear that Mitsuki quit swimming. She make a note on Takayuki calling Mitsuki by her first name.
Haruka knows that emotions and feelings have changed during that time.
Akane steps in, and to be honest, she’s the most honest she’s ever been now that moment, even though she excuses herself soon to get doc Kouzuki. She makes her usual checkup on Haruka with a gentle smile (thou she might want to discard the cigarette there) and notes how Takayuki really hasn’t changed at all and still walks around with the same face when he is around Haruka. Still, Takayuki has to go, and he departs from melancholic Haruka.
The next time Takayuki visits Haruka, they talk about those three years. How he quit school and is working. Haruka has been thinking of why Takayuki still is here, as those three years must’ve seen a lot of change, but he is still here like nothing had happened. She meant nothing bad with those words, but it’s a point made. Things have moved on, but he hasn’t.
Next time he goes to meet with Haruka, Mitsuki is there. Haruka wishes to speak with the two alone. Somehow, Haruka is less than excited to see her visitors. She wishes to know something to which only these two can answer… or rather only the other can answer.
You two are… dating, right?
I broke down at this question. Even thou Haruka says that there’s nothing wrong in it, that it’s something she herself has noticed, that she just wants to confirm it, it hurts. Personally, it hurts to answer, because I know what it does. Lies have hurt people enough, and it’s finally time to choose. Whatever has happened during these three years does not make them any less friends, she proclaims to Takayuki and Mitsuki.
For her honesty one can only answer with honesty, but also for Mitsuki. It might not been the most healthy relationship the world has known, but there is no denying it. The answer is left up to the reader, but truly there’s only one option. Regardless how the animation portrayed Takayuki, he still almost a different person now. For him alone, returning is not an option. He has an unknown future. There’s a person who truly needs him for a while longer, and there’s a person who will need him for the rest of her life.
With honesty, Takayuki simply says Yeah, we are.
It’s a shock to Mitsuki. For a moment Haruka is speechless, but with a smile she responds that it can’t be helped, it has been three years after all. She puts her best face on, wondering why they kept it as a secret and we’re acting like nothing was between them, but she saw through both of them. Especially Mitsuki, who is lousy at lying overall. In her way, Haruka gives Takayuki to Mitsuki’s care, bit in exchange she wants to be friends once more, with all four of them. She’s honest; she thinks that it might be impossible, but she still believes the four of them can be friends once more. To this Takayuki once more shows his spine and basically tells Haruka that nobody cares what she has thought would be impossible, because the four of them will always be friends. With this, Haruka is assured, and that she wishes to see them all. With air filled with mixed feelings, Mitsuki and Takayuki leave saddened Haruka, promising to come see her again.
We’re always be friends, right?
Yes…
Outside the hospital Mitsuki breaks down.
For the first time during her time with Takayuki he has said this. For him it was not a matter of anything else but say how things are, and to stay true to his own self just as he had promised. Perhaps for the first time in a long time he has been honest to himself, but this is just a first step. A large one, but still just the first one.
But for Mitsuki that one sentence is nothing short of absolute relief, a thing she has looked after and wished to hear for all this time she has spend with him. She falls to embrace him, and they stand there, in the night.
At the station, Mitsuki is going home, even thou now she wants to be with Takayuki. Her chest is bursting with happiness, but she has a lot to do. She’s high in the clouds, still thanking him for those words. Still, she manages to a grip of herself and she just might burst open with happiness if she was to be too much with him, kinda.Still, there’s a looming dark cloud in their words; she asks him to go see Haruka, as he has thus far and then leaves.
That night he sees a dream from his past, one of those days when he buys Mitsuki a pair of mugs. Those play much more important part in the animation, and the way they were handled there was really well done, as they reminded the two of their bond, and the first day Takayuki managed to be dragged out from his near-death slumber.
Next time Takayuki meets with Haruka is with Shinji, and they both reminisce how well Takayuki and Mitsuki went together. Haruka also tells Takayuki that she has gotten a lot better, so he needn’t to worry so much about her any more. He has more important matters with Mitsuki, and she wishes him to spend more time with her, the time he spends when he visits seeing her. Haruka also has a request for Shinji; she wishes him to watch over Takayuki, because he tends to be too kind. Takayuki’s getting a bit nervous at this, and the Two Nurses step in, as well as Akane. It’s time for rehab baby! No, that just sounds wrong…
From this day on, Haruka will begin to try and walk. It’s not just Mitsuki and Takayuki who are doing their best, but Haruka as well. This is a good place for the guys to leave. Outside the two have a discussion on Haruka, and about seeing her, in an uplifted spirit. Everything seems to be going all right, but Takayuki seems to be lost still. With Shinji’s friendly words of Takayuki’s own courage to walk the path he has chosen (has he?) Shinji can give it all.
At that evening Shinji brings Mitsuki to Takayki’s place and at least a bagful of alcohol. I’ve seen enough alcohol bags here to know where this is going. No doubt it’ll end up someone dancing on the table without a shirt while one of them is hurling over the balcony’s railing. That, or they all end up smoking cigars and talking about Laserdiscs and how good plots the 70’s porn movies had.
Well, not really. There’s a small awkward moment with Takayuki and Mitsuki, but on that evening it’s Takayuki’s turn to let it all out. Still, they all spend rather nice evening, and the loosen a bit.
But Takayuki’s still torn apart. Even when he has faced something that he has kept bottled inside, Haruka invades her mind. There are people who need him, but one of them needs him less and less every day…
Well a good day work at Skytemple should clear his mind, but he still goes to see Haruka afterwards. WHY? Good question my dear reader, and the only thing that really brings him back is the memories and feelings he had; he isn’t on the clear yet, and hasn’t done the most important decision he has to make.
Still, Haruka seems to be bit down when she sees him, but soon she finds her smile when they begin to discuss how the world has changed, what the outside world beyond these hospital windows look like nowadays. Haruka also wishes to hear more about him as he is now, and the days he has lived without her next him. The two also speak of Akane, how she must’ve gone through hard times, and not just because of her world being lost due to Takayuki’s and Mitsuki’s relationship.
One rainy night Takayuki goes alone to see Haruka. After changing few words with doc Kouzuki, he arrives at her slightly open door and hears her silent wailing. With anger Haruka tells her legs to move time after time, cursing the time she has lost; she can’t be happy the way she is now. What has she done to deserve this? The way she is, she can’t be beside him.
Even if Takayuki tries to be silent, Haruka notices a presence, asking if someone’s there. Whether or not the reader wants to stay unnoticed or not, Takayuki enters the room. For a moment the two speak of Haruka’s rehab, but ultimately she asks whether or not Takayuki’s properly playing attention to Mitsuki, if he has called her, taken her to date and all that. Haruka’s worried about Mitsuki, not just because of the rain, but also because of her work. Takayuki’s awkward mumbling (that someone could call an answer) Haruka hurries him to worry about Mitsuki more; during days like these it would be better if he didn’t come and would stay next to Mitsuki. Even if he protests that he is here because the man’s just worried about his friend, Haruka tells him that the face he makes is not the face of a worried friend. She’s truly glad that he comes to visit her, but for his own good, it would be better if he wouldn’t come again. If he were to come to see her, Haruka asks him to come with Mitsuki. With this, he leaves.
What makes Haruka say these things? Alone she’s angered, feels betrayed and yet pushes the one man away who would wish there for her. So, does she not love Takayuki? No, she loves him far too much, and it’s evident that he does love him, but is his love an obligation he feels to have? After all, Haruka is pushing him away for his own good. No, there’s another reason as well. The man doesn’t realize it yet, but he has made his choice already, but he can’t act on it. He never has been able, but soon after he will.
That night Mitsuki comes to see Takayuki, mostly because she was worried about him. Seems like he had drank a bit more than usual, as in a lot more. She can’t help it, through rain, wind and ice she’ll come to see him if she feels worried. Even thou he has come clean to Haruka, he is still having awkward time with Mitsuki, but she puts on her best. Perhaps this “silence” between them triggers Mitsuki’s wish to reassure herself once more with him. On that night, she breaks into tears next him, but won’t tell the reason. She just thanks him. It’s like she has distanced herself from Takayuki a bit. His words back in the hospital seems to have closed something, but with this he has also opened a path he never thought of; What if Mitsuki would be willingly let him to be beside Haruka, and disappear? But why would she do that? Guilt and friendship are a company of two, sort of.
The next time Takayuki visits Haruka, she is in the middle of rehab training. Akane’s there with doc Kouzuki, and they follow Haruka’s steps from afar.
She falls down only to get up. Her instructor, a strict lady person, tells her to rise and walk if she has time to sit down. She does again, and again. It’s just been two days, but it’s sort of miracle that she can stand this well already. Just as Takayuki is to enter the room proper, doc Kouzuki stop him and asks what is his intentions. With stern voice she tells him to get out if he is to offer a helping hand; Haruka won’t be able to walk by herself, if there is someone holding her. Her place is not in this hospital for all time, nor in wheelchair. She can do it as long as she has the drive, as long as she finds a need to take one step at a time. This moment for her is the most cruel, and not because of the rehab; she has lost all the good times, all the bad times, and she can’t run after the lost time. Haruka’s only wish is catch that lost time, and denies herself the possibility to lose any more precious time. If she was to lose, it would end everything.
Haruka’s strong. With each taken step, her body as well as her mind becomes stronger, until she finally walks under her very own strength.
Before she enters the room, the doc tells few selected words to Takayuki; what Haruka needs now is the cruel truth, not reality coloured by lies. She is strong enough to face whatever this world is to throw at her, even if she looks alone, frightened and fragile.
“You’re all young and all of your lives are just starting.”
Kouzuki hopes, that no person in this world would be alone, that there would always be a person beside one other. With these words, she enters the room, leaving Takayuki to stand there. He reflects all that Haruka has said in these past days for him, all that has taken place. And then, his thoughts turn to Mitsuki. He has made his decision. Akane has stood there for moment midst his silence, and finally asks what has he been thinking. With a newfound resolution he tells Akane that he’ll go now, leaving Akane there.
The next day Shinji comes to see Takayuki at the Skytemple as he has something to discuss with him. Takayuki seems to have drink quite a bit the other night if even Shinji comes to see him this late. I mean, nobody ever asks about my hangover two/three days after getting boozed up (thou that’s very rare event anyway.) Just as Shinji’s allowing him to decide on his small order, Akane steps in the restaurant. Goddammit, Skytemple was his last escape from the whole deal, and now it’s been finally brought in here as well. She wishes to see Takayuki after his work is over. Seems like Akane has something to discuss with him, and she wishes Shinji to come along as well.
Ayu’s reaction is proper; Why the hell are you bringing your trouble here? She manages to bring him a bit about with her usual means of insults and getting Mayu backs her up. Chichikuri~ Of course, Takayuki manages to insult her back just as much. I hope this little event managed to lift some pressure off him, but it sure didn’t from me.
The three of them find a quiet place near the harbour.
Here, Akane comes out with it all; she requests him to return to her sister. She knew what Takayuki had been thinking the day before, and asks if he is fine with his decision, if he truly wishes to choose that one person over her sister. It’s not like her sister wished to sleep for the three years, she has done nothing wrong nor she knew nothing. Yet still she woke up into a lonely world without him there. This is how Akane sees things, never admitting herself that those three years have changed things and people. As much as Takayuki has stayed the way he has, she has grown much to see things from larger view. She has never stopped thinking what her sister’s true feelings are.
Akane argues through her sister’s feelings and through Takayuki’s love towards her from three years ago. She can’t convince him to turn his decision, and finally resorts to tell him the real reason why Mitsuki had stopped swimming. Shinji steps in, only to be scolded by Akane before another word is said. It’s not that Mitsuki couldn’t go with her chosen path, but she choose not to. Mitsuki has allowed Takayuki to blame himself on Haruka’s accident even thou she herself carries part of that blame, and that it was she who kept Takayuki from going to that date, that she knew that would happen. Mitsuki never said a thing about this, and allowed Takayuki to carry the blame. She only wished to be there for him. Thus Akane asks; would he had allowed her to be there is he had known Mitsuki’s thoughts and deeds? Even during time when Haruka and Takayuki dated, Mitsuki had loved him. Now that Haruka was not there, he was hers to take away and do as she pleased.
This stops Takayuki out cold, and draws a sad look from all of them. He snaps out the moment Shinji asks if he too thinks that Mitsuki is this kind of person who allows other to live in a detrimental lie only to nab them away from the person whom they love? No, he does not. Even thou things look like that on the outside, was it not also Takayuki who had feelings towards Mitsuki at that time? Was he not the one who needed Mitsuki by his side the most?
Even Akane knows this. She has lost him completely. If he had stayed as her sister’s lover, she could’ve lived near him, always calling him big bro. She has always stayed silenced, looking over him, losing his heart to another. And he tells with words of affection, not just towards Mitsuki but towards Akane as well, that he is truly sorry to cause so much pain and grief to her.
With kind words, Akane’s heart is gently shattered piece by piece. He can’t return to Haruka’s side any more, and thus, he’ll never be at her side either. Takayuki thanks her for coming out to confront him properly for the first time after all this time. With eyes full of tears Akane tells him not to thank her, runs away.
Shinji tells him one last bit of Mitsuki that Akane couldn’t know. As Mitsuki saw into what state Takayuki had fallen in, she herself fell into a shock. She had said to herself that This person loved Haruka this much… At that time Shinji wanted to do something for her, but couldn’t. Shinji had tried to take her away from Takayuki, but with that Takayuki says that it doesn’t matter any more. What now, Shinji asks. Haruka will be feeling alone, and Akane will feel responsible. Takayuki has stood on his ground, and has not wavered.
Later that evening Shinji still calls him, and tells that he has managed to get time to see Haruka with him and Mitsuki. With slight precaution, he agrees to go. After all, Shinji knows that the man has courage to pull things through.
So the following day Takayuki slips out from work a bit early with Ayu’s protest echoing behind him. He meets with Mitsuki, who just had a call from Shinji. He can’t make it, and that raises a few questions. Mitsuki grabs his arm, and on their way they are. Takayuki’ lost in his thoughts to the point he doesn’t notice the train.
Haruka’s happy to see the two. Haruka and Mitsuki soon find their pace just as they used to. Haruka admits that he was pushing Takayuki to spend more time with Mitsuki, which draws a certain surprise. She still sees through both of them, and is a bit worried about the two. There’ still an awkward atmosphere, which Haruka tries to brake it off by saying, that it can’t really be helped, and that Mitsuki has nothing to apologise for. Haruka tells that she remembers how good the two looked together when they were at school, to which both Mitsuki and Takayuki answer with a surprised face. Haruka reminisces how the two of them always smiled, laughed and seemed to have good times together; that she thinks this is for the best.
This causes Mitsuki to stop her with a serious face, and she asks of Haruka if she’s serious. Haruka’s clearly confused as Mitsuki seems to be angry. Her answer is almost a simple so what. This pisses Mitsuki ever further, asking if she realizes how much shit Takayuki has gone through after all this time. She knows, and knows it’s because Takayuki is too kind for his own well being. But the same thing can be said of Mitsuki’s behaviour. Takayuki steps in and tries to settle things, but he only receives Mitsuki’s harsh words about it all. And Haruka just asks what is it that she wants her to say? That she hasn’t forgotten about him yet? How can she say something like that when Mitsuki is the one who loves Takayuki the most? Why can’t she show more happiness that she was chosen over the two? Oh much fun the two must’ve had during those three years when she was sleeping, how Mitsuki must’ve joyed herself that Haruka had that accident. Perhaps all this time Mitsuki had thought that it would’ve been better if Haruka had died, that even Takayuki must’ve thought so –
With wavering words and a scared face Mitsuki runs out from the room. Takayuki yells after her for nothing, and as he helps Haruka up she asks why isn’t he running after her. If he were to stay there, Mitsuki won’t come back. Without Mitsuki, Takayuki can’t be long longer. With bitter words, Haruka tells him that she will be alright by herself. She asks if he will regret. No, it’s almost as she asks him to regret.
“Aren’t you going to go to Mitsuki?”
And he flashes to all the hard times he has seen Haruka pulling through. And he runs. First on the roof, taking his phone out and calling, and call he does as he continues to run after her. Finally, she answers with no voice. Not only he speaks and she answers with a wavering voice. She doesn’t answer where she is, but he hears familiar bell ringing somewhere in the background. So he runs once more.
And so, there she stands. On that hill that has started so many things.
“I was … always waiting. For me … that was happiness.”
This time she can’t do so any more. She was scared to answer his call, to hear his words. She has done a horrible thing to Haruka, but she just couldn’t stand it any further. Not until Takayuki tells her directly of his wishes and decisions, as well as Haruka’s, she realizes the true shape of things. Even after all this time, she can only think of how she must’ve hurt a Haruka’s feelings; how in the end she came to point with it all came out in one burst. After Takayuki has calmed her down, Mitsuki tells that she wishes she could go back those three years, so that nobody would have these cruel memories, and he would still have a happy future. So that they all could laugh as friends.
“And that would be alright!?”
Takayuki makes Mitsuki listen; is she willing to forget these three years? Does she want to forget all these days the two have spend together? All the good times, all the bad times, is she willing to just let go of those feelings they have now?
No, she does not want to forget these feelings, she does not wish to let his love away. She has always loved him.
But as she is now, she can’t be next to him, because she has lied to him; he has fallen into the fake her. She begins to tell the true reasons she stopped swimming and is about to come out with it all, but Takayuki just embraces her. There’s no meaning what she has done, because she was always there, and the reasons she has had were always true to herself; she has not done anything wrong.
Two to get to Takayuki’s place, but Mitsuki’s still in an emotional state, still apologising. Takayuki needs to have her promise not to to do so any further. For the first time in a long time they can be with each other without anything holding either of them back, even bantering with each other properly for the first time after Haruka’s awakening. They allow their emotions take control, and spend the night together in passion.
During that night Takayuki wakes up as Hayase’s leaving. She can’t really go to the work with the same set of clothes. Takayuki’s about to pull Mitsuki back, but allows her to leave after that.
Takayuki still goes to see Haruka the following day and is met by one of the nurses. Haruka’s gone missing from her room. They search high and low, until Takayuki sees her at the beach from the hospital room. He sprints there, seeing her standing on her two feet. Haruka just wanted to see the ocean. As Takayuki gets closer, Haruka tells him that there’s nothing to worry about, that she’s alright; she can do it by herself. She even makes him watch as she walks around a bit, but as she gets closer to Takayuki, she falls on him. In that moment she kisses him. She apologises fast with a tearful voice.
“Let’s say… Farewell”
She wished that all of them could see each other as friends like they used to, but now what happened yesterday would just repeat itself. Haruka herself does not know what would happen to her if she was to be near him again. That’s why they can’t see each other any more. Takayuki agrees with regrets, but Takayuki says that one day things will be different, that one day they’ll still be able to be friends.
As they sit on the beach, Haruka tells Takayuki that she always knew Mitsuki’s feelings towards him, but she was afraid. So, Haruka through that she could become something more to him than just friends. Haruka admits that things are different, that those three years have changed Takayuki to a person whom she doesn’t know. The person she has chased, the person she loves, is no more. For her that one month with him is a dream. That dream for her was most fun and happy. She thanks him for it, and tells him farewell.
farewell. The book that brought these two together shall now separate them, as Haruka gives Takayuki the gift that Mayuru gave for humanity; the happy words of farewell.
With a smile they say that word to each other, and Takayuki walks away.
Mitsuki is waiting for Takayuki. She knows it must’ve been hard for him, and he allows himself to fall into her arms, crying. With this, their life can truly start.
And so, we close the third chapter. One heckuva story, gotta admit. Then let me tell you the last part, the epilogue. Awwshit man. This won’t take long, I promise.
Later on Takayuki and Mitsuki are looking for a new apartment and they’re flipping through magazines to find a good one. Takayuki answer a phone and after some silence Akane’s voice tells him that Haruka has been dispatched from the hospital, and she asks if he can and come see her. Akane’s response to Takayuki’s is to close the phone. Akane needs someone else to help her, someone with a passion for life. Mitsuki’s face shows that she’s still a bit wry of the past, but soon they continue on their task at hand, and for the last time leave this place that has stayed the same for more than three years now. Finally, they can step from this still time to a future.
Some unspecified time later Takayuki’s rushing home from work. She decides to go by a bookstore and flip through their selection if he was to find something of interest. He remembers there the time when he met Haruka, and walks by the children’s book department. There, a name hits the corner of his eye, and he picks it up. And he reads the pages one after another.
He buys and rans home to Mitsuki. She has been waiting for him with tears and as soon as he comes home Mitsuki makes him read a letter. It’s from Akane, in which she tells of her and Haruka, that she herself has finally been able to move on with her life. It’s more than enough to make them both cry of happiness. Then, Takayuki gives the book to Mitsuki to read.
The book is named True Treasure, written by Murakami Haruka. Mitsuki reads it, and much like me, she falls into tears.
Alrighty, I think I can! Today, once again, Haru the Ferret Is climbing the great big hill with all her might She has in her tiny body. Today, once again, the four friends will take a nap together. Alrighty, I think I can!
When Haru arrives at the top of the hill The sun has also arrived, to the very top of the sky. To take a nap on top of the hill is a joy to Haru. But today, something is different.
On top of the hill three ferrets have gathered. Gathered here, what are they doing? “Wow, this is a wonderful place. Would it be all right for us to nap here with you?” Haru responds, brimming with happiness, “Yes. Let’s all nap together.”
Alrighty, I think I can! Today, once again, Haru the Ferret Is climbing the great big hill with all her might She has in her tiny body. Today, once again, the four friends will nap together. Alrighty, I think I can!
“Let’s plant a giant tree here!” Says Aki the Ferret. “If we do, this place will become even better!” Everyone agrees.
This tree is their treasure. It is a treasure planted with all their hard work.
Alrighty, I think I can! Today, once again, she will nap together with her four friends, Gathered beneath the tree at the peak of the hill. What’s this? The tree has given a fruit. Upon the tree one teeny, tiny, lonely fruit has sprung forth. A new treasure has been borne.
“What a delicious-looking fruit! I’d like to eat it,” Says Haru the Ferret.
“No way! It was I who found it! I’ll eat it,” Says Nattsu the Ferret.
“Idiots! If the tree has borne this fruit, Many more are sure to follow,” Says Aki the Ferret.
“I don’t think so. No, definitely not. This fruit has come forth only with great difficulty,” Says Fuyuyu the Ferret.
Oh no! Oh no! Things have degenerated into a quarrel. Because there is just one fruit these quarrels have arisen. Soon, everyone will no longer nap and play together
“Goodbye.” “Goodbye.” “Goodbye.”
At the peak of the hill, only Haru remains. Before, everyone took soothing naps together. Now, only Haru remains.
The next day, Haru naps at home. And the next day. And the next day. She naps alone. “I’m lonely. I’m so lonely. I want to see my friends. I want to see everyone!”
… Alrighty, I think I can!
The following day, Haru is once again
Climbing the hill with all the might in her little body.
I think I can! I think I can! I think I can!
On the top of the hill is a tree that has become a giant. It’s massive branches have borne much fruit. But Haru remains sad. Even though these are the treasures she pined for, She no longer wants them.
“I’m so lonely! It’s so miserable to be alone! I miss my friends! I want to see them again.”
So saying, Haru has found the true treasure.
I think I can! I think I can! I think I can! Haru has found the true treasure. She believes. She believes with all her heart that the day will come When once again everyone will be able to sleep peacefully together.
With this hope in her heart, Today, once again, Haru the Ferret Is climbing the great big hill with all the might In her little body. Alrighty, I think I can!
And so, I got my closure with Kimi ga Nozomu Eien. I believe I don’t need to say much about the ending, except it made me cry like bitch. Eight years ago I saw a story that touched me, and it has taken me this long to finally finish it. With those last words in the story, I reached a catharsis. I’m not really a person who believes into destiny, but I managed to bring this Visual Novel to an end pretty much the same day it ends within the story.
Few years ago the KimiNozo was a hurtful thing. I couldn’t make jokes about it and I hot mad at people for the pettiest of reasons. I’ve managed to come far from that time, as I can make and laugh at jokes about getting hit by a car and falling into coma for three years. Hell, whenever I see Daironeri either of us is bound to make the joke. I can value all the stupid things the story has, all the idiotic things I’ve said and done because of it, like this post. It’s been hell to write this within a week, but it’s something that needed to be said.
Are you OK? Your eyes seem a bit red. Yeah, I’m fine. Dear reader, I hope you have been given a glimpse of this story through my eyes. There’s so much I could tell you about it, so much to show, but I think I’ve overshot everything that I was aiming at. It’s been rough to write this on both physical and emotional level. Even now as I’m finishing this I’m having a massive headache through two Panadols.
So many things have been hanging there in the air, in the imaginary space. Now, I can finally take them down.
It’s a sad story filled with happy and cruel moments. Without it I would never had so many experiences, so many different things to laugh at and to cry for. Even Muv-Luv would’ve had been a completely different story Kimi ga Nozomu Eien had not been there before. I wouldn’t have my life thus far any other way. It may sound stupid, but I truly believe that friendship does last like this, even though we need to say farewells to get our own time, we can always meet again and be friends. There are those times when we might not be able to see each other, there might be times when we fight, and there might be times when we willingly become separate. And yet, the next time we meet, we’ll still be friends.
While time is a cruel mistress, it’s also the one who heals our wounds.
Afterwords 27.8.2013
It’s been now a year. Today is Hayase’s birthday, and I saw it fit that the this post should get updated on this day. Looking back at my own text makes me feel uneasy. Not just because the horrible grammar and typos that exited for all this time, but… we all know it. This is a hard story that will draw emotions from you. There are few clear things Kimi ga Nozomu Eien is saying; we all are victims in life we triumph in. Road to hell is pawed with good intentions. We can only blame ourselves for hurting others and ourselves. Inaction leads to the same position. In human relations, we must be bold and take that step to say I love you. At the same time we have to be just as bold to say I do not love you. Then, we have to stand our grounds and act the best way we can. The world moves and time passes on, neither waits for anyone. Even when we say goodbye, we can always say hello again.
In Haruka’s case, she went all out even when she knew she’d hurt her best, and perhaps only friend. The accident is something we can’t expect to see in our daily lives, whatever it may be for you. Things change, and we change with them. When and if it happens, we must continue living on. Stopping in your place only does disservice to you. If a person like Takayuki learned to be honest with himself and take responsibility of his actions and to a tight grip on his own life, what keeps us from doing the same? In the end, they had to say goodbye only so that they could say hello again.
I had no title for this post, just a placeholder. I made peace with my past while I wrote this a year ago, and now I have found the title for it. The name is for all those who I call me their friend, for all those who love me back as much as it is to describe the friendship between the characters in Kimi ga Nozomu Eien. We have the unyielding strength and will to be happy, together as friends. This is what I choose to believe.
This is follow-up post to previous MuvLuv posts. You might want to check “This is a very small, very large, very precious story about love and courage” first.
Kimi ga Nozomu Eien. That name echoes in my head. Rumbling Hearts. It echoes again. I began to hear a wind blowing grass under that tree. Familiar music plays somewhere far away, and I wonder why this all feels so… nostalgic. I hear steps near, but I do not take notice of them. Something’s wrong. The steps stop near me head and I hear far too familiar voice calling me. I gaze from my laying position upwards towards a young lady I knew far too well.
I wake up. Few drops of tears are running down my cheek. I feel the coolness outside. I forgot to shut the window, thou it’s just minus five degrees celsius. I check my phone for time; 4:48. Still a bit too early to wake up properly. I tug one of my pillows next to me. I lay there for few minutes until I grab my phone again to search for a certain picture. I look at them. I look at her. I tell myself to stop being pathetic in the ever-sarvastic tone I always do and close my eyes for few more hours.
Friendship
Sometimes I really do wonder how much I got screwed over because of this one thing. It has been an influence over me for a long time, and with every passing year I find something new from it without ever really visiting it. That will come to an end soon, as I intend to sit down and meet these old friends and wonder the same paths I once took.
Kimi ga Nozomu Eien is a dividing love story. It doesn’t hold back its punches. It gives everything it has to the reader. It’s not a fairytale where the princess will be saved by his white knight. None of its characters are perfect beings or complete clichés. It doesn’t pull any easy strings or set up characters doing pointless things. It doesn’t try to create stupid drama with devices like rape. Perhaps because it is too grounded to reality people get divided. There are those who love it due to its bitterness, and then there are those who deeply hate because the romance isn’t what they hoped for.
To paraphrase a friend, he “wanted to have the princess girl ending,” meaning that the main characters Takayuki would’ve end up together with the other main heroine Haruka, who got into a car accident that sent her into a three year coma. My other friend on the other hand can’t really understand why anyone would want Takayuki end up with Haruka, as Hayase’s ending the least damaging to everybody. I understand them both.
Kimi ga Nozomu Eien is a rather realistic love story. Whereas MuvLuv is a sort of fairytale I would tell my children as a bedtime story, KimiNozo is something I’d discuss with few selected friends over a pint. MuvLuv may hurt you, but it always gives something it return. KimiNozo shows you the raw reality.
Let’s talk about the three main characters for a while.
Suzumiya Haruka, the girl who lost time. She is no the most tragic character of the three, but she is the one with most bad luck. She fells in love with a young man who has a good nature, but is dense and aimless. Her love is unrequited. She’s lacking in some self-confidence, and thus hooks up with her friend Hayase to hang around a bit more around Takayuki. One evening, she finally let’s it all out, and then trembles in fear of the words she does not want to hear. Takayuki says that he’ll start dating her. Haruka stands there with a smile and tears of happiness.
Haruka and Takayuki date for a while even with all the small problems they have. They share a meat pie during a picnic and spend a night together. They’re living their lives like any highschool kid would. One day, Takayuki is little bit late for their meeting… and he’d be late for the following three years.
I avoided meat pies like plague for a while after this
She woke up one day when Akane, her sister, was visiting her. To her time had been frozen. She didn’t know that world had forgot about her and moved on. Nothing revolves around one person in this world, and if you were to disappear for three years, the world would move on. Everybody has their own lives to live, as did Takayuki and Hayase.
After a while Haruka starts to notice these little details that are kept from her. Akane has grown, she has grown, her hair has grown, Takayuki has changed and so has Hayase. The world is merciless, and the shock is rather high. She survives it all. She’s a strong woman at heart, but in a frail body. No matter how much rehab she’s going to go through, her most difficult obstacle time has brought is her love to Takayuki. She is strong. She will survive. She always has.
Hayase Mitsuki, girl in the blue. Hayase has been Haruka’s best friend for a long time. Her happy-go-lucky attitude with that cheerful smile has conquered many hearts as she has broken. She’s the upcoming hope and star of the Japanese Olympic swimming team, a place she’s been striving for a long time now. She’s in good relations with Takayuki and they occasionally tease each other or hit each other with bags. They’re friends, and even the stupidest person could see that there was tension between them, even if neither of the two would admit it.
She introduced Haruka and Takayuki to each other, and ultimately admits that if she did that she wished to get closer to Takayuki. While Haruka is strong at heart, Hayase isn’t. Her outgoing appearance hides a frightened soul. One day before her birthday she drags Takayuki to a street vendor to get him buy her a present. She chooses a silver ring, and slides it to her finger. When Takayuki rushes to her late date, Hayase watches after him.
Two rings bind together, embracing each other in a neverending arc
Hayase is the one who will take care of Takayuki for the following three years. Her love soon takes a new devotion to see Takayuki out of his barren shell, to breath new life into him and allow him step outside his room once more… with a smile. After what has to be uncountable tries and situations, she finally convinces him to move on, that he is not only slowly killing himself, but her too. The two mugs from the aquarium are the testament of her willingness to give herself completely to Takayuki, even if would degrade herself to nothingness.
When Haruka wakes up, Hayase’s world becomes fractured, and bit by bit shards are dropping off. She becomes more unstable has Haruka becomes better and spends more time with Takayuki. She feels guilt and hatred, love end detest. She has nothing to stand next to, nothing to embrace. As her world, she becomes broken, shattered by the reality of the situation. Hayase has no one any more, as much as she tries to offer herself.
Narumi Takayuki, the one we all are. Takayuki is a nice person. He lives his everyday normal life with his friends, joking about stuff and hanging around. He has no real wishes or goals in life, he enjoys the way things are. Change is something he seems to fear a little bit… and his grand flaw is his undecicive nature. He goes meddles with Hayase at times, has fun times with this mate Shinji, and ultimately starts to date Haruka. He isn’t loud, but voiceful enough. He can handle people well, like when he is eating with the Suzumiya family for the first time. However, every time Takayuki has to make a decision that changes the status quo he becomes silent, almost catatonic for a moment before telling his decision.
Takayuki couldn’t have foreseen Haruka’s accident. Nobody could have. Yet he blames himself for it. It broke him down, forcing him to face something that he never had faced before; total and complete loss of a person near you. If he had been there few minutes earlier, all of this could’ve been avoided. Haruka and Takayuki would have lived happily together without a moment of grief. His life was changed, and he lost control over it. He became possessed of Haruka, until he as forced away from her for his own good. He would’ve died without Hayase. If not of hunger, then by his own hands. He lived over and over again those moments, the same pains of decision he made.
When Hayase finally managed to drag him out and show the world again, he began his slow recovery. At a later date he got a job from Sky Temple, a family restaurant. He was in a good start after three long years. He was even going to take a step towards Hayase,but then Haruka woke up. He almost fell back into his mind’s abyss, but kept himself afloat. He recognizes that he has moved on with his life, but only a little. His friend has grown much more than he, and Hayase has become a fine woman on her own rights. What he has to decide whether or not he will become one with Haruka again, like he was three years ago, or will he keeping moving forwards as he finally managed to do.
Takayuki is someone who is deeply flawed. The good points he has are his defining traits, but they are overshadowed by his lack of confidence and decision making. These two ultimately cause more pain to the two he cares the most. When he realizes his feelings, it just might be too late for anyone of them. The world moves on. It doesn’t wait you for three years, nor it waits you to say those important words you want to utter. Once you are there, on that moment, tell her that you love her. Tell him, that you wish to be his.
“I want to repay her what she did for me, even if takes the rest of my life.”
Takayuki isn’t a stupid person. He is fearful and lack the insight to understand the people around him to an extent, unlike me who is very understanding of the people around me but I decide to ignore them unless they’re said out loud. I have no excuses for being this kind of asshole. All of what he lacks is humane, and every reader/viewer has seen themselves in his shoes. This is why he is so hated as a main character, as we all see from the outside his situation and scream at him, but when we’re in same situation we wish somebody would be there to tell us what to do. We all know there is none. Some decisions are made in split seconds, and some decisions are lost forever because they’ve never been made.
Ultimately, the ending I regard as the one true ending is with Hayase. The only true bad endings come with the side characters, where Takayuki may be broken down to a child’s level. Him ending up with Haruka would mean that he would become her support, and she would grow as she always has, but Takayuki’s reasons to stay with her would’ve been more about devotion and duty rather than of love. Hayase would become a lonely and broken person anyone to use.
With Hayase’s ending Takayuki and Hayase would grow more together, supporting each other while staying true to their feelings. Haruka would’ve been devastated, but she is strong and understanding. She will find someone to lover her some day, and she will always have her friends.
That is important. Outside Hayase’s endings, the three won’t stay together as friends. The image of the four small animals are from Haruka’s book she would write and illustrate without Takayuki. It tells a story of four friends, of which one of them is left behind. This one small creature strives to catch her friends on top of the hill, and when she finally gets there, her friends greet her with happy faces and open arms.
They all strived to be friends, and to live their lives with their true feelings. The world moved on, and all four had their own lives to go by. Haruka was never left behind; she had her friends waiting for her on top of that hill.
I admit that I am a hopeless romantic. I share fare amount of traits with both Hayase and Takayuki, which coincidentally form an entity that resembles MuvLuv’s Shirogane Takeru quite a lot. I wonder about things too much and never take enough actions, but then again I would be willing to throw my whole life for someone I love. I am rather colourful on the outside, but there is one person who knows, that deep inside I am smaller than I appear to be, that perhaps I am lacking that self-confidence and respect I should have towards myself. It’s almost ten years since Kimi ga Nozomu Eien was released, and back then I was too young to properly learn from it, just as I have learned things from MuvLuv. Learn is actually the wrong word. Replace that with realize and we’re good.
It’s a betrayal to say that you have to think KimiNozo with reason rather than with heart, but if one takes a step outside and looks the picture as a whole one might find that it’s a gut punching story, with few good ways to end. It took me eight years to do that, and I doubt some people are ever willing to think things through from any other perspective other than their own and properly ponder matters at hand.
My place is rather similar to what it was three years ago, and lately I’ve been thinking what to do about it. Perhaps I’ll say something the next weekend, something that I might regret. However, decisions have to be made in a split second, or there are times when they’re going to be lost forever.
Next time I begin to read Kimi ga Nozomu Eien visual novel, it will be the first time in a sense. I’ll walk down the routes as Takayuki, as myself; the bastard who can’t decide soon enough what he wants.
We’ll see how it ends.
I’m going to go on a full fanboy rage mode here, so it’s parental discretion is advised. Ok, deep breath and go…
What the fucking hell CAPCOM? Do you want piss every goddamm Mega Man fan out there by adding the motherfucking BAD BOXART MEGA MAN to a game that’s called STREET FIGHTER X TEKKEN? RENAME this piece of shit if you’re going to use character outside the Street Fighters franchise for the love of that is all good! This game should be called CAPCOM X NAMCO THE FIGHTING or the like. To those who are uninitiated, Namco X Capcom was a cross-over role playing game from Monolith, who worked on Xenosaga and Super Robot Wars Original Generation Saga Endless Frontier. SFxT clearly continues the same trend, THEN why, oh why they just can’t name it properly!?
OK, we’re getting Mega Man. And PacMan. And both are going to be fucking joke characters if all signs are correct. The joke about Bad Boxart Mega Man is quite literally over decade old. Internet made into a meme and only recently the Japanese got it. Jesus Christ CAPCOM, we’re asking you to give us proper Mega Man in a fighting game (WHY THE HELL HE ISN’T IN MARVEL VS CAPCOM 3 IF HE IS YOUR UNOFFICIAL MASCOT?) rather than Zero or any other red side character. We’d take Mega Man or Mega Man X. Either one is fine. Christ CAPCOM, Mega Man X was the most requested character by a poll in your own site. Sure, the poll was put up by a fan, but why the hell every other character in the poll got in? Now you put Mega Man in as a goddam joke. Either this is extremely elaborate way to stir up the audience, or whoever is has the final word on the cast is a fucking idiot who needs to be neutered and all of his seeds cleansed off from the world.
I understand CAPCOM. You wan to kill Mega Man off completely. You want to lose shitloads of money from one of the most devoted fandom there is.
Do yourself a favour, and to the fanbase, and do not put Bad Boxart Mega Man into SFxT. Put Mega Man X into it and make him a high tier character. Then, stop. Don’t say anything about Mega Man, don’t hint anything about him, just let it die. You’ve already killed him. Just let Mega Man rest in his grave.
While you’re at it, leave Darkstalkers be. Never look back at Rival Schools or any of the actually pretty fucking good games and franchises you’ve forgotten.
I’ve had enough with this shit. Fuck you CAPCOM.
This, dear readers, is an example of companies a) not getting their audience b) dicking around with their audience c) both previously mentioned. It’s not good service. CAPCOM is NOT the ones deciding whether or not this is a good cast. It’s the audience that will tell them either fuck their asses with a steel pole, or that it could be better. CAPCOM doesn’t decide whether or not their game is good, the goddamn audience does because we’re the one with the money you want.
And if you want my money, stop circlejerking in the fucking office and start making games that we want to buy.
I’m actually expecting the day when CPACOM’s in financial troubles because of underselling games. Perhaps then they might change a little…
In other news, HUDSON’s going to finally die. It sad thing to see a great, great company dying like this. Hudson, rest in peace. I will miss you.
I need to take a shower and punch some walls. Perhaps stab me a dinner. Crack open a bear and drink it. Then dispose of the bear because it’s illegal without a license.
And in a long fucking time I have the feeling that I could jug shitloads of alcohol into my system and scream at the Moon.
Metapost time. Next time an actual post with content.
Talking about this blog now that it’s almost a year since I began writing. To be specific, the anniversary is still more than a month away, but there’s things that I can’t really put that far off.
I never claimed to be a good writer to anybody or that I particularly enjoy it. I don’t even remember the original meaning of this blog. I guess it was to clarify different matters to myself most of all, to take a look at video games from completely another angle, as well as anything else I might write. Perhaps I should be sorry that this has become a personal blog in an increasing numbers, but as I’ve noticed, things tend to change. During these last six months a lot has changed, and I’m afraid the pace of change is going to affect the blog as well.
I never claimed to be good writer. I love making stories and relive them just before I fall in sleep. It’s something I’ve done since I was a child. Imagination is a wonderful thing to have, but I’ve been in trouble because of that many times around since grade school.
When I started writing this blog I didn’t care if people read this or not. Things didn’t pick until after the summer, when I started actually writing almost weekly. I was happy if my blog got three hits a day, or ten in a week. There’s around 15 hits with every new post. Sometimes nearly 30 and that kinda makes me smile the big way. It seems that my aim of 1000 words per post is serving its purpose quite well.
I do like writing even thou I’m horrible at it. No, not horrible, but lazy as hell. Missing word here and there, a lot of jumble and mumble overall and all that. I should read these posts every time before posting to ensure that there is minimal amount of errors. Well, yeah. I believe that content is more important than the proper form so sue me. (That’s no excuse and I know it.) I’ve come a long way thou, and I would argue that my writing in general is getting somewhat better. I’ve got some nuances I’d like to get rid off, but they serve a purpose I… most likely.
Hardest part in writing is two pronged; the subjects and the time. I’d really like to write more about general design and culture, but recently (read; three months ago) I fell into trap of video games I haven’t really climbed out yet. Video games are an easy subject for me, and while I have three or five different drafts going on, it takes time to post them because of the research for them takes so fucking long. It doesn’t help that I should be working at the moment, and that I run every other day thanks to a legless girl.
So what I’m trying to convey here that this blog has changed during the past eleven months from barely updated to frequently updated to whatever it is now. Most likely I’ll try to make a post once or twice a week from next week on. This weekend I should finish a draft that I’ve trashed few times around, so keep looking for that. Things are changing, and I want to see how it keeps changing. Not just inside this blog, but out there where I can cough my lungs out and sing about space battleships to crows in the harbour. While I’m conscious of my English in general, I’m letting it go as I am letting go of other similar things.
A dear friend of mine once said that I’m slow to warm up. I wonder what she’d say to me if I she were to see and hear me now face-to-face. I just might actually take matters at hand and just say “yes” to a person. But before that I need to fetch a package from post and sort out loads of images without proper guidance.
I want to thank all of my readers at this point, even thou it’s not the anniversary yet. Perhaps I’ll cook something special when it comes. What was the point of this post again?
Also, notice I gave in and added visual novel category. Next time a hardware review perhaps?
I always listen to her advices. I must attack more nowadays anyway
Actually I might start living in a clean apartment for once.
Why do you remind yourself of your traumas? asked a friend of mine this week. I couldn’t answer him them, as I had no answer. I never thought why I keep writing about Muv-Luv. This lead me to ponder one of the underlying themes Muv-Luv has; memories.
MuvLuv begins with one of the main heroines reading her diary entries. She goes over an incident that had happened in her childhood, where she broke a fossil, which Takeru tried to hide with a snail. Then she moves on telling how shocked she was when Takeru reveals that his going to get into Hakuryo High, and Sumika’s distressed as her grades and everything isn’t as good as Takeru’s. Then she reads an entry where she and Takeru checking if they got in Hakuryo. Sumika’s too scared to check whether or not she got in and Takeru (the asshole he is) jokes that she didn’t, which prompts Sumika to look at the boards with teary eyes. She got in.
The final Sumika’s memory here is one time she and Takeru were in a pool. She complains how Takeru kept leering at other women, and how she spent a lot of time choosing her piece. The she asks something weird from Takeru.
How Muv-Luv starts with these memories is a two way start; it’s really a heart warming introduction to the novel, and those who are rereading can find echoes of later events in the words and expressions Sumika puts out.
Memories are important plot devices in Muv-Luv. EXTRA has that childhood promise Takeru once made to Meiya and his later promise to Sumika. In Unlimited it’s Takeru’s own memories of his own world and how he feels alienated in BETA-verse. The most (de)pressing and heaviest use of memories is in Alternative thou, as it is Sumika’s memories and raw subconscious wish to see Takeru which makes Takeru the causal conductor. As Takeru travels between worlds, the world removes memories of Shirogane Takeru as they have no reference point; the memories are displaced into imaginary space between dimensions. However, when Takeru has memories of certain people dying and travels to another world, these memories cause the world reorganize so that they will take place. Reliving the death of a loved person twice in a lifetime will shatter a person. This is extremely evident when Meiya loses all of her memories of Takeru as he pursues her to remember something he remembers, but something that has not yet taken place in this world, and thus never takes place, and when Sumika loses all of her memories when she and Takery finally confesses their love, and the world tries to “erase” Sumika’s existence as Sumika did not exist in BETA-verse.
The only one that can sustain her memories of Takeru while his travelling away is Yashiro Kasumi, the Russian Psychic girl, and even she can remember him only when concentrating all of her will into pictures she draws while Takeru is away. This way doctor Kouzuki Yuuko retains some memories of Takeru as well.
Takeru’s existence in the Unlimited/Alternative world changes the status quo a lot. His presence has caused worlds to go from their course and caused the extinction of mankind indirectly. However, it is his presence that also saves the world the same way, and the very reason why he keeps looping back to 23th October. It is implied that Takeru never realizes that he looping to the 23th until one particular time. When he starts to remember memories from other loops (as he has a frame of reference of the same people in the same world), these memories also flood into other’s minds as well, but as they do not have proper frame of reference they only seem like a flickering photo, a faded memory of a dream. These memories are the most intimate ones Takeru and his companies comrades shared in every loop as the women fall deeper into Takeru.
Of course, there are events in Alternative that are changed drastically because of Takeru’s own interventions due to his memories
The above image has a dual meaning for this post.
Nobody in the BETA-verse will ever remember their names, except those closest to them. On the first day of January 2002 the assault on the Original Hive, the main Hive of BETA on world, is attacked, infiltrated, it’s Reactor destroyed and Main Objective achieved. Here all of the above soldiers gave their lives for humanity, for their loved ones and believes. They gave their life, as they could not give their love to the one man they loved. AF-A01 “Isumi’s Valkyries” is lost in exchange for the survival of all mankind… and the Valkyries never thought any different of their mission.
The part that hits the reader is that the mission is classified beyond anything else because of Takeru, 00 Unit and the status of the Valkyries. Nobody shall ever know their names, except two members of the military; Yuuko and Kasumi. Nobody will ever remember Takeru’s existence par these two either, as all of these memories have no frame of reference any more, and with the cause that turned Takeru into causal conductor removed, the worlds that were damaged because of this regained their original form.
Cue Final Extra, where the world has “returned” to its rightful course, and Takeru has no memories of what has taken place in the other world. There is a hint that the feels somewhat nostalgic towards the girls in his class on that particular morning, especially when Kasumi enters the class.
It is heavily implied that she is the same Kasumi that Takeru met in the other world. With this, she is the only one knowing of their sacrifice, and I believe that this is the first real time Kasumi can cry honest, happy tears. With the full ride down Muv-Luv, this was the point where I can say that I allowed myself to completely crack. During Alternative’s latter half I tried to clench my teeth, but here everything that had piled up just overflew.
Whatever became of them in this new world after the cooking battle is unknown. There is an alternate telling named Before the Shimmering Ends in Muv-Luv Altered Fable disc. This story takes place in another world very close to the original one but isn’t really a continuation of the story. I love this story, even if its not really part of anything. It’s still a great story using the same characters in far happier setting and its a great way to lift one’s spirit from Alternative as a whole… until you start checking the Total Eclipse’s first chapter in VN form and Faraway Dawn strategy game on the same disc. Yours truly couldn’t even start Total Eclipse properly without getting insane tensions in the shoulders.
This is why I keep reminding myself of this story; because nobody else really can remember. I take this story to my heart. I loved the characters as real people, especially one particularly. I myself can’t really celebrate new year (and I never really liked to celebrate it anyway) when it’s the date when brave souls wandered into the devil’s den and faced the evil that lied within. On this date the Valkyries flew their last flight for all of us.
I can’t bring myself to reread the final chapter of Alternative this night even if I want to. Perhaps next year I can, when I have enough objective thinking on the matter.
Then again, I COULD take more of this good medicine…
Yashiro’s excited about Christmas if you coudn’t tell
Happy holidays. Don’t let the BETA bite you.
It’s quite hard to celebrate Christmas today. The only thing I can really think about is that on 25th of Decemeber Operation Ouka went underway and made the first real blow against the BETA. MuvLuv is a wonderful thing, but perhaps it’s affecting this blogger a bit too much.
Next year I’ll time MuvLuv Alternative reread so, that I’ll correspond with the real world time.
It’s not that rare to find a person who has had his life changed by a story. Look at that one Finnish Macross fan for example told a friend of mine few weeks back. How was I changed, and why? I’ve been asking myself this for some time, and perhaps now I can answer these questions…but only with an answer that still leaves a lot open.
Let’s get into the spoiler heavy territory here. If you ever had the smallest intent to read Muv-Luv (which I strongly recommend) stop here. Really, there’s no reason you to NOT read Muv-Luv. Ask yourself when was the last time I actually recommended you to read something with a straight face without joking and tell you that it’s that good? Just don’t give up in the lacrosse arc, I know its tedious…
In a world where no war against BETA there is joy…
…but then there’s the world that is in constant war.
It’s been about a month since I read Muv-Luv, or so it at least feels. How did this story actually change me?
Well, physically I’ve been far more happier, smiling a lot more and generally I’ve felt more energetic. This can be attributed that I found hope in the story, even when it’s one of the most bleak, hopeless and… desperate story I’ve ever read. Yes, desperate. That’s the word that comes to my mind when describing Muv-Luv as a whole, more specifically Alternative. The first two parts, Extra and Unlimited, are quite light in mood and read, even if Unlimited’s ending is one of the most heart wrenching things. Either the one you love lives on another planet while you keep fighting, or both of you keep on fighting together to the bitter end.
I chose her to go. To love, to let go, no matter how much I get hurt in the process.
Daddy, see you again!
Muv-Luv Unlimited ends with this scene. That one star where I’m fighting for those two to return…
There is a side story to Muv-Luv known as Muv-Luv Unlimited The Day After. It continues from this point on, telling the tale of soldiers fighting against the BETA on Earth mostly scorn of war, vast salt seas fill the planet surface and most of Europe has been flooded. People live in crowded cities in conditions no human should ever live. Lack of any kind of food or water, crime, extreme control over everything and the simple desperate fight for survival is common. Those who are in army are in luck, but they’re not fairing any better, as BETA still keeps attacking the last remnants of humanity. Riots are common, and as are the casualties in said riots. Satellite communication, or electronic communication in general at long range, is impossible due to the G-Bombs used to decimate the BETA Hives in Eurasian continent.
Yes, the G-Bombings. At the end of Unlimited, plan known as Alternative V was set in motion on Christmas day. It consisted of two things; migrating selected humans to the closest suitable planet, and bombing the BETA Hives with the strongest weapon in mankind… with the results you read above. The bombing of the Hives is then dubbed as “The Day.”
Not my video, but gets the message across
It’s clear that in this world, humanity is doomed. Even the humans that migrated are basically doomed, as they have no viable defence against the BETA, if they ever were to land on that planet.
The world is beyond desperation, and one Shirogane Takeru witnesses all this. Multiple times. He dies in this world of Day After many times over… until an alternative sets in.
The world of Unlimited (and The World After) is bleak. During Unlimited itself you only have hints of the situation, of the war going on. Everywhere else you don’t only see it, but you feel it. It’s the desperation of the people simply trying to survive, when it’s more than clear that the the end has come.
Still, there are people smiling, laughing and continuing their everyday life… The Day After is well written and shows the much darker side of Muv-Luv.
That is, until one reads the end of Alternative.
This was, and most likely will always be, the face of those who lived with the story of Muv-Luv.
The end of Alternative doesn’t just grab your heart, but it shatters whatever you had left. It breaks the reader completely.
It’s the last eight to twelve hours of Muv-Luv Alternative that showcase what lengths one has to go in order to make a significant difference. From the RED to Sadogashima, to the defence battle of Yokohama base, to the very core of the Original Hive, the reader can’t let go, the reader isn’t allowed to let go. It shows war in a raw light that you wouldn’t expect from a story filled with giant robots and aliens. Anyone can die in a single moment, no one has a possibility to avoid death completely. One by one, the reader is thrown deeper and deeper into the abyss from where he is unable to escape. At one point there is light, a dim light of hope that keeps shining, and the reader tries to grasp it.
I don’t presume that these images have any kind of impact to you without context, so I shall provide you one, crude as it may be
Here you see the last stand of Ayamine Kei. She is here because no one else could be. She is here to live long enough that the man she loves could save the world. She knows that she is dying, that she is going to die right here, right now, surrounded with her best friends and comrades in arms. The last thing she can do is to make sure that her will doesn’t give in too soon, that her arms do not give in too soon. Her life has not been an easy one, and neither shall be her end. She is here not because of love, but because of pride and the duty she has.
Ayamine Kei chosen to give her life here, as she could not give her love.
Invoke the motto of the Isumi’s Valkyries.
“ Complete your mission with all your might
Despair not ’till your last breath
Do not die in vain “
Nobody but two people in the world shall remember her, or even know her.
Writing the paragraph above was something hard to do. Simply picking up those two images brought memories to the surface; the voices, the sounds, the music and the motions. I relived the whole scene. Muv-Luv didn’t only make me far more happier, and healed me of Kimi ga Nozomu Eien, but left me with something… precious would be the best word to be honest. It’s a wound that I do not want to heal, as it reminds reminds me how I realized a lot of myself, and values that have always been there, hidden and neglected. It wasn’t only her, but all the characters that stood proudly with the Valkyrie’s motto, that I found something special.
It took deaths of fictional characters to get me realize how much I truly care for those around me, and how I want to serve them in arms. I can listen to you, I can help you and be there for you, but I want to be able to protect you in the face of something larger if it ever were to come.
While I’d like to say that I want to live according to the Valkyrie’s motto, I’m afraid that it’s impossible in this world. That is a good thing. Still, the very core that it encompasses is something that I can try to strife for, as it closely resembles that of my own ideology.
Her name Mitsurugi Meiya. She was the sword of her nation, her Emperor and her own devotions. Mitsurugi Meiya is the character I fell in love in the beginning. However, much in like in the story itself, I already had something beneath that I did not want to admit. As with Takeru himself, the One Person gone I went with Meiya’s route in Unlimited. Looking it back now, choosing so hurt me even when I didn’t notice it. It was a natural change, but yet…
Mitsurugi’s final fate is something that I wouldn’t want to go in here. Her fate is one of the most beautiful scenes in fiction, as inevitable as it is. She dies with a smile that only her loved one, and her sister, could ever understand.
You’ve might have listened to song before. The Flame of Life, 生命の炎, Jinsei no Honou (if I’m not completely incorrect), stirs me. It’s the song I don’t listen to much simply because for the time being it’s far too strong for me. As Storm Vanguard is the song that makes go, The Flame of Life is the song that makes me stop. This one song, to me, is about sacrifice, beliefs, hope, pride, duty and perhaps most importantly love one can have for another.
At this point of the Alternative story the reader has witnessed what it takes from one man to stand next to his believes. Takeru’s hands are stained in the blood of many innocent people, blood that he with his actions has caused to bleed. With either his indirect or direct actions he has taken many lives of his fellow men and women for the sake of saving the world they’re losing. Whatever has stood in his way he has swept back, clenching his teeth. He has been a soldier… no, an Eishi to the highest degree, never letting his emotions get in the way again, never letting the deaths of those he cared so much go in vain.
And when all that comes to a closure in one important second, the world is saved… and one more sword in this world is lost, he only he, and the reader, knows the significance of her smile.
After that, it all comes to a point: Shirogane Takeru of this world had died before the events of Muv-Luv ever took place in the hands of the BETA. This Takeru we know are, as the readers, is an amalgamation of countless Shirogane Takeru’s from various possible worlds. The memories he has are all of his own, he has lived through them an every time he has died in the world of Day After, he has been brought back to 22nd of October, his body still remembering, but his memories lacking without proper place to go. He has been the causal conductor, the one with ability to travel beyond boundaries of probability, able to cause pain and suffering where he goes, but also save countless lives and worlds.
Takeru’s mission in Alternative, after realizing this “time loop,” is to save the world and find whatever made him the causal conductor.
What caused him to become the causal conductor is a result of physical and mental rape, the raw power of human subconscious and he elements mankind has yet to understand.
The Kagami Sumika of the Unlimited/Alternative world had ceased to exist. Sumika was ultimately the one I truly fell in love as a reader… and as a person. Her attitude, character, language, everything about her was something special. I found myself steering off from Meiya and closer to Sumika, unable to choose between the two until I was in front of decision to either be with Sumika, or go after Meiya. I stayed under That Tree next to Sumika.
But in this world, there was the war with BETA. She was taken into a BETA Hive for studies and for recycle with her townspeople and this world’s Takeru. People dwindled down, until only she and Takery were left, and when this world’s Takeru stood to defend her, the BETA simply disposed of him… and proceeded to study Sumika by raping her, giving her the pleasure beyond any man could ever give, and dissecting her while she felt the pleasure shocking her body over and over again until what was left of her was only the very last essence; her brain in a BETA column. She wasn’t alive, but she was conscious in eternal darkness, trapped inside her own mind. There she wished only one thing more and more; I want to see Takeru. In her subconscious she called forth memories of Takeru, no matter who this Takeru was. Her pure, selfish wish to keep on loving made Shirogane Takeru the causal conductor on that day when humanity reclaimed the Yokohama Hive, and built the base on top of it. Why? The elements known as G-Elements and G-bombs caused, alongside with Sumika’s raw form of subconscious as the catalyst, broke the causal barriers and brought him in to the world of BETA… every time he wasn’t there, even after Takeru died he returned to the 22nd of October anew.
The one I wanted to destroy as Takeru was the thing I loved the most… as did Takeru.
However, how Sumika was made again from the 00 Unit, from her brain again, made her dependent on BETA reactor lying beneath Yokohama base, which was destroyed as a last resort prior to the final mission. Her new life was to be short, filled with regret, hatred, love and passion, with tears and laughter with the one she has always loved.
She had caused great sadness to the person she had loved over and over, and now, she could let him be free again by letting herself fade from this world. She was made human when she and Takeru became one, and at that moment she ceased to be the thing that kept Takeru as the causal conductor. However, Sumika could not exist as the 00 Unit for the sake of humanity.
For the next five minutes let me be myself, let me cry for all of them. After that I’ll be hero they’ve been waiting for. Then I’ll smile at those men and women outside and be the Eishi they look up to. The door was shut after Kasumi, and there was no distinction of me or Takeru. We both cried and stood there, holding the last love in our arms. The world was saved, and the names and memories of those who had saved the world will never be known. Isumi’s Valkyries are a squadron that the world will never know about.
This last bit of Alternative story is a painful one. At this point, if the reader lived in the world of Alternative, is allowed to cry. Before that, the reader could only clench his teeth and march forwards, never letting deaths go in vain.
How could I describe it all with enough integrity and make some justice to the story? There is no way I ever could without being face to face with you, telling every single detail I felt and remember with these gleaming eyes, with these trembling lips and with these passionate feelings I have. Mentally Muv-Luv might have had me realize the value of life again, the value of friends and nation, but physically it left me memories that I can’t describe. I relive every moment of the story just by seeing the images above, hearing everything like it was just now. I get dizzy just by seeing a glimpse of the chomp scene, my adrenaline levels and muscle tension rises quickly simply by hearing the CODE 911 alarm sound, I do work more productively while hearing the Storm Vanguard and halt in my place whole listening to The Flame of Life.
But Muv-Luv doesn’t end just Takeru fading away from BETA world now that Sumika isn’t there any more. His power, as well as everybody’s memories of him par few people, are fading away. Takeru, fades away back to the 22nd of October of his own world, now fixed from the damage he caused earlier. In this world, where there is no BETA, he would not remember anything.
Ahahahahahaa, it’s a wonderful morning, isn’t it, Sumika?
Muv-Luv ends as it has began; with a morning you find yourself next to a blue haired girls while your childhood friend (who loves you but you’re just too dense to notice it) comes to wake you up.
It’s confusing at first, seeing these people again this way since… since the story began. There also is something extra, if you will, in form of Mitsurugi Yuuhi, Meiya’s twin sister. There is also a certain russian girl with psychic powers, and unlike everybody else, she remembers all that had taken place in the world where humanity wages war against BETA.
And with this, a world could continue living on its rightful course, while another would still fight the BETA remnants on their planet, and countless of others in the sea of stars…
Muv-Luv’s story isn’t just about the endings. If you remember my other long post, you might recall the amount of build that went into Muv-Luv. It’s the interaction of it all, and how it all ties together to form one larger than life story that deserves more than it has got. Sure, it’s one of the most hailed visual novels out there, but it’s still unknown the vast majority of people who read anything that even slightly veer to its direction. I’ve said it before and I will say it again; Muv-Luv is the best fiction I’ve read. While it’s more like watching a play rather than reading a book… well, that doesn’t matter in the end. What matters is that Muv-Luv, as a story, could become a classic on its own rights. If I could, I’d love to see it becoming one.
These images are more than mere pictures to me. Much like my video games carry my memories, these images carry more weight than any photo I have. They remind me that there are emotions and feelings in me that I’ve yet to show anyone. They’re there, but I just need to find a way to show them. Perhaps I was immature at one point, perhaps I neglected them or something like that. As with Kimi ga Nozomu Eien, Muv-Luv didn’t just touch my heart, they opened the doors to my heart for a time and showed me something that was there.
Muv-Luv is strong piece of fiction. I went in expecting halfassed story about giant robots and aliens, and got a life changing story about love and courage. Muv-Luv allowed me to take the final step over some larger things in my past regarding my own feeling of duty, doubts and past love. With The Flame of Life playing in the background I can walk down a street in a blizzard and smile, as within this chest burns a heart so hot, that it melts anything getting on its way. It’s a courageous and loving heart, that one day will be opened to someone once more.
Before I finish this post for the night, I want to leave one certain image here.
This post is dedicated to my brothers, friends and family
The game to get the fifth hundred place in my collection is…
Watch the video. Just watch it now. The text’s not going to go anywhere
Fifth Stage begins with an ascend to the heavens. The Booster Parts are attached all the while Steel of Destiny, one of the top five video game tracks, starts playing in the background. It’s a majestic feeling, that turns into a rush of adrenaline when you realize how much firepower the Booster Parts give you. You might fly through the stage without a hit, but when the Vasteel Original appears on the screen, the player freezes for a moment; it’s the ship you controlled in the previous game, and this one is much stronger, and you’re the one going all out against it.
Dear readers, this is the memory that defined Thunder Force V for me. The way it’s designed in nothing short of brilliant. I’m willingly disregarding the fact that none of you have played Thunder Force IV to fully understand the impact Vasteel Original. When I first heard Steel of Destiny kicking in with those few hits of drumsticks, I knew that this is where the ride begins. To put it simply; the game just went ten to eleven on the awesome scale.
The Thunder Force series was never known for its originality or “innovative” gameplay. No, the series was known for it’s extremely well polished gameplay, for the awesome synth music it had, extremely well balanced stages and weapon selection and impressive graphics. By all means, this level of polish makes Thunder Force look like something extremely special even in the STG genre.
I say this as a compliment; Thunder Force games are the most well polished standard STG games you can find. They’re worth your every dime. Well, you can always argue about the first two, but let’s not get into that one.
The design world of Thunder Force V is nothing short of excellent. Gauntlet’s design is simple but it captivates the eye. It’s unique in a sense that there’s not really anything like it outside the Thunder Force games. The balanced mix of simple blue and white are accented with the green canopy, red markings and golden details. Most of nozzle and engine blocks are almost completely black with a hint of smoke grey.
Quite honestly, the guy who designed this knows what he works.
When the Booster Parts are attached, the Gauntlet takes the form of Vambrace for space use. Much of the bulk is lost; the side wings are replaced with two power long ranged guns, the underside gains a cannon, the one intake nozzle is changed for two. The Gauntlet becomes much more compact and faster looking bird of prey, but with the Booster Parts it becomes a massive strike unit. In the stage you see it ravaging its path with an enormous one directional beam, and how it has the power to break the atmosphere under its own thrust power thanks to the large rocket behind. Despite of its increased mass and size, I believe this version of the Gauntlet is extremely fast made for deep space hit-and-run missions, the likes Stage 5. However, as seen in the game, it can be discarded for more agile and manoeuvreable dog fighting, the like of Stage 6.
I may be overanalysing it a bit, but it all makes good sense in the context of the game.
To put it simply; Thunder Force V is an excellent game that I’d recommend anybody in a heartbeat. It’s without a doubt one of the top five STG games alongside R-Type DELTA, Gradius GAIDEN, G DARIUS and ZANAC X ZANAC. I do have a strong bias towards it, but with a good reason. For every bad point the game has, it has two good points.
It’s a piano song. Play it
In these countdown posts I’ve been talking about memories. These games I own are not just a form of entertainment for me, they’re a library of memories. Every game holds a specific memory for me, whether it be when my brothers showed me how to cheat with a Game Genie, or kicking the NES in Battletoads and suddenly transporting to another stage.
There’s a memory where me and my friend were playing Super Mario 3 and having more fun than ever on Sunday’s in upper secondary-school.
There’s a memory in Guilty Gear X2 from one of my celebrations where Daironeri alongside many of my friends, including a very dear person to me, were playing and I lost almost all of my matches even if I was using an arcade controller.
I remember looking at Shenmue when I bought my Dreamcast with Karhumies, a man I have a lot of respect for.
I remember purchasing Makeruna Makendo with my Daironeri and Terorrist from Osaka’s Hot Potato after some searching and finding out that it had a drama CD included.
I can still feel the excitement of fighting the upgraded version of Bass in Mega Man Battle Network 3 just before going to school with GameBoy Player on TV screen; the sweat, the pulse I had going through, the feeling of utter edge when I had 1HP left and Bass was in 200HP out of 2000HP.
I remember my father beating Dr. Mario on the most difficult setting. That’s the only game he ever beat. I remember trying to figure out X-COM 2 on his laptop as well with my brothers with horrible consequences, or that time when we were playing Tecmo Cup Soccer Game with my brothers and we had that strange old floppy disc computer and I almost broke it…
I remember my past with these games. They tell a tale of my life, every one of the holds one drop of my tears and spirit. They’re important to me for this sole reason and for these memories I can’t part with them. All of them are a part of who I am. I could go through every single game and tell you about my dearest memories with them, with the people whom with I’ve played it and what kind of fun we had. It brings tears to my eyes to think that there are memories I can never quite relive, be with my brothers, father, friends or those whom I’ve shared my deepest feelings with. I can always invoke those feelings and words, and create something new from that single game.
I can replay a game as many times I want. I can jump on Goombas again and fight against Epyon with Wing Zero in Gundam W Endless Duel again and again…
Yes, every game in these five hundred holds more than five hundred memories. One single moment in a game might hold more memories than a photo album for me. Kimi Ga Nozomu Eien will always be a painful visual novel to read for me for one memory in one selected scene, whereas I can’t help myself but to smile whenever I replay Mega Man X4. (Marco, let’s do that some day again, let’s rip a new hole for this game.)
A new game always brings new memories. KoFXIII and Penta Dragon will remind me of this countdown, and they will stack memories in the future. I bet when Penta Dragon will get stacked with some weird memories, as I’m intending it to become my full-time travel companion. There’s so many memories on Super Mario Bros. that it’s not even possible me to remember all of them. (Dying on the first enemy on the first stage, and you’ve been playing this game for what, TWENTY years now!?)
Some day I’ll write my most prevailing memories of these games into a booklet for myself. It won’t be a diary or a biography. It will be a collection of memories, both good and bad.
Thank you for sharing all these game with me. Sit down with me once more, and let’s fire up that one game again and let’s make some new memories, shall we?
It be might filled with Engrish, but still, it’s the perfect ending for Thunder Force V, and shows the duality of it all…
Edited and tweaked on 25th of December 2012 to honour the yearly Sadohashima Day, also known as the Christmas Day
There exist two stories that I keep close to my heart. One story is from nine years ago, and the other is as recent as from few weeks ago. These two stories are what I reflect much of myself against, and how I will grow in the upcoming years. This is something that I want to tell and share with those who are willing to listen. I want to share the tears I’ve shed and the sorrow I’ve felt for these stories. However, I afraid this post will be spoiler heavy. If you want to enjoy both Kimi ga Nozomu Eien and Muv-Luv to the fullest, please go through them before reading this. Otherwise, do continue onwards.
Some years ago a friend of mind burned me a disc called Blue People Special. The Disc contained the first episodes of then-new series of Sonic X, Kimi ga Nozomu Eien and some series I can’t recall. While Sonic X was fun to watch, Kimi ga Nozomu Eien was the one that, without a doubt, changed my life. The title of Visual Novel and the series translates something along the lines of The Eternity You Wish and is commonly abbreviated as KimiNozo. It is a small story of three friends, love and tragedy. Before we get to the core of this post, Muv-Luv, we need to go through some of the KimiNozo’s plot, and I’ll abbreviate the first three episodes of the series here. They can be skipped, but I’d recommend you either watch the series or read the VN.
“ Like the stars that twinkle in the night sky
Hearts that have melted together will never come apart.
Even though these hands let go
As long as neither of us forget “
Kimi ga Nozomu Eien is a story of your normal life, a story of a love triangle of harshest caliber. Suzumiya Haruka, quite timid girl is in love with Narumi Takayuki and asks her friend Hayase Mitsuki to introduce them to each other. They hand out for some time together, untilOn That Hill Haruka finally manages to confess her love to Takayuki. Takayuki decides to answer to her feelings and they start to date. Takayuki is dense and oblivious to dating and barely can understand Haruka’s feelings, but tries his best nevertheless. Mitsuki feels jealous at times, and even though she doesn’t admit or show it anybody, it’s clear. After some time Takayuki and Haruka become closer to each other to the point that they show their love in physical form. At one day, Takayuki’s late for their date, due to him buying Haruka a book she has been looking for, and for the fact that Mitsuki steals more of his time and makes Takayuki to buy her a present; a silver ring. However, life can be cruel, as even those five minutes or so Takayuki is late decides the fate of all of them for the next three years; Haruka is hit by a car and falls into coma, Takayuki has a complete mental breakdown and suffers from Post Traumatic Stress Disorder. Mitsuki is the one and only line keeping Takayuki from killing himself, even if it costs her most of her life.
Rumbling Hearts, the opening of the Visual Novel, is the ending song of the second episode of the series
Three years have gone past. Takayuki is a part-timer in local restaurant Sky Temple, and seemingly is doing fine. He meets Mitsuki and Shinji, a long time friend since forever. They spend some time drinking and changing news from each other. Later, Mitsuki and Takayuki spend a night together, where Mitsuki asks him whether or not he would like to live with her. Takayuki leaves the answer open, but asks her in the morning whether she would like to move in with him.
” …Your place is the same as three years ago… “
In all reality, neither Takayuki or Mitsuki are doing fine. Mitsuki is tortured by her love to him and the guilt she feels towards Haruka. Takayuki phases out every time accidents are brought up, and is rather anti-social to other people outside his job and closest friends. However, Mitsuki manages to make things clear with Takayuki and they both manage to agree that they’ll be sharing their lives together. While they’re walking back home, they meet with Haruka’s younger sister, Akane, who is furious at them both, even more so at Takayuki who hasn’t visited Haruka’s bedside in years… due to her parents forbidding him, for her and his own sanity. At one point in the past, Takayuki took comatose Haruka to a date, denying everything that had happened.
Ultimately, Mitsuki decides not to move in with Takayuki, and admits that their relationship is stretched thin to her senior member of the company she works in. At the time, Takayuki phones her to arrange them to meet later that day. Much to Mitsuki’s surprise Takayuki has decided to continue living on and starts to search for a place they both can live together.
” I don’t think this is wrong. It’s not as though we’re trying to forget about Haruka. It’s just that right now, we have our own lives to live. Your’s and mine’s… “
Mitsuki falls into tears (as did I), Takayuki has seemingly taken a step forwards in his life and seemingly admits many things about himself. Months pass on as they search for a place and keep living their life quite happily, eating curry rice. One day Akane makes a phonecall.
Takayuki jumps to the phone, spilling his drink. Haruka wants to see Takayuki, she wants to see him more than anything else in the world. Both of them are startled to the point of Takayuki falling back into his mental breakdown, Mitsuki falling into desperation. They decide to visit Haruka the day together, even if Takayuki doesn’t really want to initially.
Haruka does not know that it has been three years since the accident happened.
And thus, Dr. Kouzuki decides to protect Haruka’s fragile mind and body in form of charade; no one is to tell Haruka that three years have passed, no one is to act that way for her safety. When he sees Haruka, it all floods back to Takayuki, he can barely watch at Haruka, until Mitsuki pushes him a bit forwards next to her, breaking him down to tears due to all the guilt he has beared to that moment.
Akane dumps all her hatred towards Takayuki and Mitsuki, burdening them with more guilt for the love they feel.
From here on, everything changes for the third time and the rawness and cruelness of life lifts its head.
This is essentially the first four episodes of the series in a tight package. What drives the series is the story and characters. The Visual Novel might have those numerous scenes of sex as per genre, and Kimi ga Nozomu Eien uses them to depict how fragile, or strong, the human nature is. KimiNozo is about the feeling of the heart rather than feelings of the flesh. âge’s main writer Yoshimune Kouki researched Post Traumatic Stress Disorder (PTSD) in-depth with rest of the staff in order to convey most realistic depiction they could’ve muster. Kouki managed in this so well, that there is numerous readers/ watchers that have told to have PTSD themselves to an extent. The story is strong, cruel, unhappy, filled with emotions and tears. There is nothing that is supernatural or over the top. It’s the tragedy of it all, how people cope with difficult situations, breakdowns, lies and love.
I wouldn’t say that I enjoy KimiNozo, I doubt very few people actually enjoy it. KimiNozo is a story that mangled my own feelings up and down, punched me to guts more than I can remember, made me cry my eyes out… and made me realize that love is a cruel and selfish thing.
Humans by their nature are cruel and selfish, and this is core of KimiNozo. Because of KimiNozo, I began to wonder what it really means to love somebody. Before that I’ve never thought of loving anyone; I always saw myself as the one guy who every one can depend on, but no one really cares deeply for. It made me wonder whether or not I was the kind of person who deserves to be loved to the point where I shunned people away from me just to keep me from hurting them. I acted like a fool, teased a lot of people and acted like I never understood other people’s feelings and wants just to keep that away by a touch, but close enough so I wouldn’t be left alone. KimiNozo changed me somewhat; to this day I still look how I act and wonder why is it so hard to stop being this kind of idiot. Surely, I act less foolishly than before, but the fact that I still act obliviously about other people’s feelings is a pain.
Ultimately I am a selfish person who wants to be of use for all around me.
You could say that I still have an open wound from KimiNozo, and that wound most likely will stay there until the end of my days. It’s a wound I can’t really heal myself from alone. KimiNozo thus carries huge amount of memories for me just from watching it, but there’s a one particular memory that still hurts me, because KimiNozo once hurt a person close to me. Thou that person is still close to my heart, she’s only a friend nowadays, a good friend at that I would not want to lose.
Just hearing the music of the series make me teary eyed, and sqeamish. A friend of mine remembers me being a total ruin for a half year or so. We’ve both agreed that without KimiNozo I wouldn’t be the person I am today. The story had something that struck me down and struck me hard. It’s a love story, and story that I regard high in value. Without a question, Kimi ga Nozomu Eien is my favouite series.
There’s one more thing I learned in Kimi ga Nozomu Eien; sometimes, to love is to let go.
First time when I saw KimiNozo I was divided by the ending in two. It basically broke me down and it took me a long time to think through whether or not the ending was good. To put it more clearly, only few years ago I decided that the ending was the one I wanted. I rewatched the series while writing this post, and this was the first time I could watch it completely without much trouble. That would be thanks to Muv-Luv.
The ending wasn’t as melancholic as I remembered; it was not as crushing as I remembered. Watching it all again made me realize that the ending, after it all, is a happy ending; Haruka realizes her dreams, fights to make it atop the hill, and meets her friends for the first time in years. After all this time I had somehow managed to miss this small and yet the most important detail in the whole story. A weight of nine years was lifted from my shoulders.
Still, this is the first story to ever make me crumble to pieces. I love the characters, flawed as they may, I love the sombreness of it all and the feeling when it all ends. Loving it would be a wrong word, but there is no real way to convey what I feel properly. To me, Kimi ga Nozomu Eien is important. It’s something I want to keep remembering and mirroring my past and current self unto.
And it has a sequel of sorts. With giant robots. and aliens.
You may imagine the FURY I had. I couldn’t understand why would âge create a story with goddamn aliens and giant robots in the same world as KimiNozo. It was like a sledgehammer had fallen to my head. I denied the very existence of it completely. For years I dropped following âge completely. I wanted to stay true to KimiNozo, and I did. I’m a stubborn man if you hadn’t noticed yet.
Two years ago the sequel was translated. People jumped the ship and read the Visual Novels. Back then I passed it off as bunch raving loonatics who couldn’t understand a good story even if stepped unto them like Godzilla.
But before that, let’s talk about a side story known as Akane Maniax, which serves as the bridge between KimiNozo and Muv-Luv. It’s a tale about Gohda Jouji, a man with a soul of fire. He became âge’s gag character practically in every title he is in and at times transforms into Tekkuman Blade. The OVA based on the Visual Novel is three episodes long and tells the story pretty well. The thing that really irks me is the fact that how I loathe it. Well, more accurately I loathed it. I rewatched it after reading Muv-Luv and watching KimiNozo, and found it highly amusing mix of KimiNozo’s strong, serious feelings and the over the top comedy of Muv-Luv Extra. It soon begins at the end of KimiNozo, and ends at 22nd of October 2001, where Mitsurugi Meiya forcibly takes Jouji’s seat next to one named Shirogane Takeru. Jouji either becomes Tekkuman Blade, or gets transferred to another school.
Passing the torch
As stated, I hated the idea of aliens, giant robots or even comedy in my KimiNozo, thus swept everything under the rug that I didn’t want to see and told myself that they were shit and never could stand to the quality that is KimiNozo.
Jesus Christ I’m glad I was wrong as anyone can ever be anywhere in this existence or in any other.
SUMIKAAAAAAAAAAAAAAAAAAAAA!
About three weeks ago the kind bunch of anonymous at an image board of a fourth kind with mechanical tendencies convinced me to give a go with Muv-Luv, explaining that there is a thing that keeps so-called Extra-verse where KimiNozo and Extra-part of Muv-Luv separate from the world of aliens and robots. With this, I ventured in with only two or three spoilers. Oh god I was not preraped to go it all through again, not like this.
All rights to original owners, and thanks to the anon who made this
Muv-Luv is not really a sequel to Kimi ga Nozomu Eien. It takes place in the same world, in the same city but few years later after Haruka’s accident. Muv-Luv is separated in three parts; Extra, Unlimited and Alternative. There is an epilogue, but I’ll get into it much later. Some characters appear in Muv-Luv’s Extra, mainly Akane. Thanks to an imbecile named Jouji Gouda, she got over the events of KimiNozo and doing pretty well. Later, some other KimiNozo characters are to appear… but differently.
From now on you’ll excuse me. I will most likely sound a raving fanboy and all that. What I want to through here isn’t a synopsis of the novel or a review, but my own personal experience with Muv-Luv. It was something that I couldn’t stop, it’s something that almost tortured me, something that broke me down, made me question my own believes and ultimately gave me realizations and a resolution I’ve been seeking for.
For my own sake, I’ll be going through each of the three episodes one by one.
Welcome to Extra; enjoy your stay. You’ll want to come back soon
Muv-Luv Extra begins with a slice of life comedy, contrasting directly to the somber tone of KimiNozo in pretty much every way. The main character, Shirogane Takeru, has a childhood friend and girl-next-door Kagami Sumika. Sumika has a habbit to run through the Shirogane household and wake Takeru up. Otherwise he’d be late for school. Sumika could be described as your-of-the-mill energetic high-school girl with small violent tendencies and strong wish to be with Takeru ’til the end of times. The reader can clearly see where this is all going from this, but then it was the 22nd of October 2001 one morning.
It’s my dream as well to wake up next to a woman with GP02 head. Wait no it isn’t. Not that I wouldn’t mind…
During that morning, Sumika finds Takeru waking next to a mysterious blue haired woman named Mitsurugi Meiya, the sole daughter of Mitsurugi and the one who shall inhert the most powerful corporation in Japan. NOW you can see where this is going.
Muv-Luv Extra does not only begin with a high and fun note, but keeps it up all the time. Meiya’s personality is very dignified and she thinks everything can be solved with money and power. Her status is very and so is her attitude towards everything. Meiya’s is noble to the heart and bears strong believes and convictions. There are slew of other characters as well that are close to Takeru, either romantically or just as friends. As per Visual Novel standard, you can take pretty much any of these characters to bed. How the story goes, the reader is encouraged to read all the routes through for better understanding of events and characters. However, the two main heroines are the main focus, and finishing both Meiya’s and Sumika’s routes open the next part of Muv-Luv; Unlimited.
Extra continues on with high-school shenigans all around with overblown comedy scenes here and there. Takeru’s a gamer-extraordinaire in an arcade game called Valgern-ON, which is by all intents and purposes a Virtual-On expy of the series. The arcade machine has a cockpit where the player sits in and plays the game like he was really piloting it. Takeru always keeps rivaling with his friend, Mikoto Yoroi. Mikoto’s gender is open for question for now and we might never know if Mikoto’s a boy or a girl. In one scene Meiya’s wishes to learn to play Valgern-ON in order to get closer to Takeru, and they play 2-on-2 game which both sides find rather entertaining. Then there’s a sports arc where Takeru has to maintain a team of lacrosse players mainly consisting of newbies. Tensions are even more tight, words are thrown around and people are getting mad at each other… and Sumika’s a klutz.
The class rep. is Sakaki Chizuru, a little uptight girl who has had a hard life, and who’s small light in life is soon going to be taken away as the lacrosse club in the school is going to be shut down due to disinterest. Even then she’s a strong person who cares for people, even is she doesn’t show it. Her direct opposite in the story is Ayamine Kei, a Rei Ayanami clone. She’s silent, direct, playful and incredebly good at close combat in every part of the story.
Then there’s always the classic “mascot” of the bunch, Tamase Miki. She’s an upbeat, short and pink-haired girl who looks and acts like a cat most of the times, but excels greatly in archery. She’s always bringing something happier to everyone’s lives. They all have their own routes in the story if the reader wants to advance romantically with them as per Visual Novel standards. It would be a good idea to walk through these for more insight they give for each character and to their nature. Muv-Luv has one thing that will make you come back to them later on.
From 6 onwards clockwise, it’s Sakaki Chizuru, Kashiwagi Haruko (a true fembro), Yoroi Mikoto of unknown gender, Ayamine Kei the sly Rei clone done right, Mitsurugi Meiya and the one I fell on love, Kagami Sumika
There’s also these two teachers, Kouzuki Yuuko and Jinguuji Marimo. Yuuko makes Marimo wear Morrigan-like cosplay at times and emotionally tortures her as best friends should. Whereas Yuuko is an insane genious with theories about quantum causality theories she got from a PS2 game while Marimo’s kind and sofhearted teacher. She’s actually a good teacher, but her constitution isn’t really that up to her. They both support Takeru in their own way, and Yuuko even has a route of her own.
Just remembering how it all went down makes me feel a bit uneasy, knowing what’s coming after.
Towards the ending there’s the ‘compulsory’ hot spring / onsen arc, where Sumika shows her feelings towards Takeru. The scene is soft and romantic and delivers Sumika’s feelings to the reader quite well, and makes one wonder his selected options again.
Up until this scene my main choice was Meiya. Sumika’s a strong girl, the one who knows to survive anything that’s thrown at her. Meiya felt like a person who would need someone to love her. This scene is where Sumika threw her feelings at Takeru, at the reader, at me. This was the point where I stopped thinking in a manner “who would need me most” and started to think “who I really love.”
Extra might be rather generic at points, but it’s well written and conveys all the characters well. All of its intentions is to make the reader get into the core personality of the characters, to care what happens to them and basically fall in love with them. I couldn’t let myself go for Meiya after all, and decided to stick true to my own feelings and chose to follow the road that lead to Sumika.
And how it did with it all. Extra’s an integral part of Muv-Luv as it sets everything that is going to come afterwards. It’s a happy slice of life that captivates the reader long enough.
Extra leaves a warm feeling after it has ended.
If you have any intentions of reading Muv-Luv, then stop here right now. I think spoiling Extra even to this extend has an impact, but for any further spoiling will be fatal.
Then, one morning Takeru wakes up and wonders why isn’t Sumika barging in and taking names again. School’s going to start soon. When he goes out, the only thing he sees is devastation, empty and crumbled houses… with a giant robot on top of what’s left of Sumika’s house next door.
Welcome to Unlimited.
Muv-Luv Unlimited comes in the same package as Muv-Luv Extra, simply branded as Muv-Luv. However, they’re treated as two separate entities most of the time.
Takeru decides that’s his dreaming; after all, giant robots are obsession of all healthy teenage boys. He promptly walks towards Hakuryo school, which seems to have changed into a military base. At this time he’s strained and detained, and then thrown into detention cell block. There he slowly starts to realize that something’s wrong, really wrong. Then, Professor Kouzuki Yuuko comes to him, releases from his cell and discusses the possibilities from where Takeru has come from. By all logic, they come to an conclusion that Takeru’s from another world.
In this world history has taken another path, and final straw was the extra-terrestrial enemy known as the BETA, or Being of Extraterrestrial origin which are Adversary to humanity. The BETA have decimated the human population to mere one billion from six and ravage the lands so that not even grass grows where they live. Unlimited portrays the desperate struggle against the BETA in most effective way; you do not see the conflicts or the enemy, but you will feel the effects. The strongest weapon the BETA has to them is their sheer insane amount of numbers behind them. The BETA… well, we’ll get to them later on. Unlimited in the end is the second part of Muv-Luv. Here begins Takeru’s growth, and to what he has to be.
Unlimited brings back most of characters you met in Extra, in a whole different world. Here they have grown in a world of war and destruction; serving in the military for their nation and mankind itself is crystal clear. To defeat the BETA is to save mankind. There is no middle line. All the core personalities are there, but they have small changes all around. Meiya for example doesn’t act all that high anymore, and is far more rooted to the ground, understanding “the commoner.” Her ideals and believes are even stronger, and that’s not just because the world is going even more bonkers. Or rather, the world has no hope, literally.
You wouldn’t notice it right away, as Takeru’s very existence contradicts a lot about the world around him. He’s sloppy, talks in a strange manner, has interests that nobody knows about, and generally being one of the few men around.
The one thing I would (not) want to see when waking up for school
Takeru wants to join the cadets of the Hakuryo Military base in order to pilot some goddamn giant robots. Who wouldn’t!? Well, knowing what the world is like…
Personally I got some nice flashbacks and memories from those five days in army. While Extra didn’t really bring up any memories or the like at first, Unlimited did; the schedules, the strict rules, all of it. It was fun and I felt that it mattered to an extent that I was there, even though I acknowledged that there’s not much that I can do just as a soldier; I need to be higher and be used by the higher people in order to become their equel and use them to complete my own goals. However, there’s no need for that in this world yet, we aren’t in war with anybody at the moment, and I hope from my heart that it will stay so.
But Unlimited. Compared to the Extra’s wacky high-school comedy shenigans, Unlimited is more akin to “cadets in high-school with militaristic overtones” setting. There’s a huge change in the atmosphere in between Extra and Unlimited, and it keeps pressing the reader the further one reads Unlimited.
There’s an island arc where the cadet team is sent to their final test whether or not they can become one of the Eishi, pilots of the Tactical Surface Fighter, or TSF for short. Actually, this is the second time this particular cadet team is taking it. The first time around they failed it. Without much of Takeru’s assistance, they somehow manage to survive the ordeal and began their TSF training with simulators in full fledged pilot suits.
I know what you’re all thinking about, but I assure you that it’s not. The suits are form of powered armour that gives greater resistance, protect from external physical traumas. The they’re like that is to get rid of personal shame and all that, as in the frontlines there’s no room for privacy; men and women are to share are places without a second thought. In design and by use this is one of the nicest looking pilot suit out there. Function follows a form a bit, but it doesn’t let it lack. Ultimately it fills the in-universe needs completely.
And yes, the men get exact same suits. The transparent membrane is also cheaper to produce than coloured one. Cuttings costs in a world where the only real economy is in war machines this kind of thing is expected. All the food is artificial in the world. While some things are stil lacking when compared to Extra-verse, Unlimited has some really neat technology, mostly thanks to BETA and the war against them.
As I said, Unlimited brings most of the characters from Extra to this other world. A certain human called Kagami Sumika does not exist in this world. However, there exists a girl named Yashiro Kasumi, a Russian ESP user from Alternative III. The Alternative projects are a plans to understand and go against the BETA. All Alternative Plans from I to III are failures, and Alternative IV is what’s left of III. Russian albino psychic loli girls, anyone?
Whereas Sumika is love incarnate, Kasumi’s cute incarnate
Yuuko worked on Alternative IV with Kasumi, and Takeru wanted to become an awesome pilot to stop the destruction of mankind. 24th of Decemember, the colonel of Yokohama base told the new Eishi that Alternative IV was cancelled, and Alternative V was to step into action; to choose handful of surviving human and send them to space for an interstellar travel towards another planet, which may or may not exist.
In all regards, Unlimited’s Meiya route ends in two ways, and only the other one is slightly more happier. To me, the ending was about Takeru and Meiya switching each other places in one of those space vessels, until they decide that it is Meiya who should go. In the end, Meiya gives Takeru a child in that faraway planet, telling her tales of her courageous father fighting the BETA in a world that used to be her home. Howeber, the second part of Alternative V is to bombard the Earth with G-Bombs, making it practically a dead rock with salt seas instead of oceans in most places. People living in close contact to each other, riots, murders and everything that could ever go wrong when the world in ending happens. Then there’s the remnant BETA forces that keep destroying the last of humanity’s homes, and there’s very little what UN or anyone can do at this point.
To say the least, Unlimited ends in a desperate note. There’s very little that gives actual hope for survival, just the small glimpse of humanity’s life on another planet, on another world. Takeru is willing to defend alone this planet for the true love he has found.
Unlimited asked me to think what I think my position in life, and to an even more extend what I can do, what I’m capable of. It begged me to ask again Who am I? The answer I gave was “A man who can cry.”
In the end, there’s always Alternative
The second you see that, you realize that Alternative is something not to take lightly. Long has gone the pink logo, high-school antics and bubbly music. Extra and Unlimited laid down the base that is Alternative. The name itself should tell you what to expect, and I’d say forget it all. This episode is where the nature of the world steps towards you without a second thought, looks at you and punches you in the gut while grinning. It is raw, grotesque, violent, realistic, warm, loving, brave and proud.
Alternative begins on October 22nd 2001 when Takeru wakes up in his home for school, noting that Sumika’s not there to wake him up. He enjoys thae fact that all of Unlimited has been a dream… until he steps outside to the vasteland that is his hometown.
Naturally, Takeru feels that something’s strange. He walks to the military base again, and the guards once more start ti pin him down. However, this time Takeru isn’t the weak himself, he has served in the militray past three years according to his memories and seen the devastation the world will see because of Alternative V, and thus puts up a nice fight against the guards to the point they draw their gun at him. They call for Yuuko, and Takeru manages to convince her to listen. During their talk Takeru tells what kind of world he comes from… from what two kind of worlds he comes from; one that he was born in, the world of peace, and the world ravaged by BETA and G-Bombs in the future. He wants to save the mankind and he needs Yuuko’s help in order to complete Alternative IV so that Alternative V never takes off.
This is where Alternative begins, where the second core of Muv-Luv lies; in the desperate struggle against time, humanity, BETA and life itself. Takeru is adamant about saving the world from its destined future, but first of all he has to make sure that he and the other cadets graduate before they did last time. Takeru has to meet everyone again; Shizuru, Kei, Meiya, Mikoto, Miki, Marimo and Meiya. Takeru’s training makes it all worth it this time and he is cadet-extraordinaire, successing in everything he does. While he thinks this might damage the morale of the group, his competence and will inspires people around him to think why they are there, and to push themselves to their limits and beyond.
At one point Takeru travels to his original world with Yuuko’s help in order to fetch a theory that helps in the completion of Alternative IV’s most important component; the 00 Unit. Takeru being the causality conductor he can do that. He is the one that connects the worlds together. With Yuuko, Takeru’s going to save the world and destroy whatever made him the causality conductor in order to return to his world.
Takeru manages to make them all graduate earlier than before, and his aptitude test to become an Eishi is top in the whole world history… just like last time. Here starts what he can; Takeru’s an excellent pilot, but an Eishi, not yet. At one point he wants Yuuko to modify the OS (Operating System, like Windows and so on) to make it far more effective and more like the Valgern-ON arcade game. In other words; to make piloting a giant robot easy.
There is an event where the squad is equipped with the experimental OS against live enemies, rebels of sorts. Here, the Grand Shogun appears and Takeru is the one who is trusted with her health. Becauce of Takeru’s manouvers and the TSF’s movements she soon looses her consciusness. This prompts his superior to give him a direct order to administer a drug that could take the Grand Shogun’s life. He is hesitant, even if he has made his decree to save the world no matter what. Takeru questions his convictions if he can’t sacrifice even one person for the good of all humanity.
Theories that he and Yuuko with bunch of engineers in use are proved against real-life aces that have survived in the frontlines against the BETA. Even the ace’s are impressed about the new OS, and one even offers some sexual action, that Takeru refuses.
At this point, Takeru is filled with hope, filled with courage and want to save all those around him. With this new OS and better machines, he can do it, he save them all!
In the middle of the training exercise, the BETA attack the battlefield. None of the soldiers in their TSF’s have real weapons, only paintballs and such. Takeru looses it completely and starts shooting the BETA with with peaguns of paint. He is struck down and almost dies if it was not for Captain Isumi.
Afterwards, Takeru is devistated; all of his work, all of his talent and will couldn’t be of any use. He shattered before the real enemy for the first time, he lost it just by seeing a BETA. Marimo comes to talk to him, tells him about her past and what an Eishi should strife for. Takeru feels a lot better when talking to her.
Even if I knew of this scene beforehand to an extent, I wasn’t prepared for it. It struck me deep and hard. Without a doubt I trembled, I vividly remember my hands shaking and I couldn’t stop them. This, if anything, is a turning point in Alternative that assured the reader that from now on nothing will be easy, no goal is achived without a sacrifice and stained blood. The reader at this point acts like Takeru does; he runs away. There was few morning when I woke up to Sumika waking me in my dream, then another morning where Kasumi woke up, and morning where I woke up in cold sweat to bone gnawing sound and deep stretching and cracking of flesh. Alongside with the sound CODE 991 alarm sound. It’s a sound I do not wish to hear anywhere in this real world ever again. Even during the week I was startled by a sound of an alarm clock and associated it with BETA. Even the sound of people scuttling around made me uneasy.
Takeru is collapses completely, becomes catatonic for a while due to psychosis, drugs and trauma. After he wakes up in his quarters, Meiya comes to concolate him, but Takeru in all of his anger almost rapes him. Meiya offers her body to him if it were to help, but Takeru manages to pull himself together a bit and runs away.
He wants to go home, to the peaceful world he came from and forget everything that has ever happened. Yuuko agrees and sends him to the place where he wants to escape. From this moment a world known as Extra Branch is born, where Takeru’s own selfish nature and him running away from his problems kills a person close to him and… hurts the person she loves the most in far more ways than one.
Takeru hears from Teacher Yuuko that it is because he is the causality conductor, and the only way to revert everything that has happened is to find what made him the causality conductor and destroy it. As long as Takeru would live in this world he would allow memories of other world flow into this one and cause events to happen that would never occur otherwise. In essence, Takeru is the BETA of his own home world, bringing pain and suffering from the other world he has lived in. There are two ways; to end his life there, or to return to the other world, save the mankind and find whatever made him the causality conductor.
Takeru has no choice. He returns to the other world and begs this world’s Yuuko to let him help to finish the Alternative IV and save whatever he can. Seeing the person he loved most hurt opened his eyes and he found a resolution to finish it all, even if was to stain his hands in blood. Lucky for him, during the week he was absent the 00 Unit was completed.
In this world a girl named Kagami Sumika did not exist. Only her remains, a brain in a glass case that Takeru had always seen when visiting Kasumi. Sumika’s part is a painful and traumatic one, filled with hatred towards the BETA and what they did to her and this world’s real Takeru. 00 Unit is essentially a quantum computer in a body that resembles human… with a quatified human persona in it. The theory Takeru brought back earlier let Yuuko to kill of what was left of Kagami Sumika and create 00 Unit. In essence, Takeru’s hands are stained in the blood of the one he never wished to hurt, the one he always truly loved… and he never realized that she was this close, even if it is some other world’s Sumika, she’s always Sumika.
00 Unit is almost catatonic, and only few times react to anything, but with Takeru she becomes unstable and replies with strong intent of killing of BETA. It is up to Takeru to bring out the humanity in her, to bring forth all that is Kagami Sumika. In few days Takeru manages to draw Sumika more and more out of her shell, making the 00 Unit more human. She acknowledges that she is not what you would call human; body of artificial origin, brain of silicon and inner structure of BETA materials. She may have the softness and warmth of a human, but she’s far more than that. Takeru manages to stabilize Sumika to the point she recognizes the world and him. 00 Unit is ready for her first mission in XG-70 ‘Susano’o.’
Takeru and his squadmates are joined the Isumi’s Valkyries far before any of this happen. Well, just before Takeru runs away. Captain Isumi is a woman who I admire in every respect. Without her help Takeru would’ve stayed as an innocent brat. Captain made him realize few facts about what he needs to do. The motto of Valkyries is not to be understated, especially in this world.
“ Complete your mission with all your might
Despair not ’till your last breath
Do not die in vain “
This motto is something I believe in. These words are strong, and hold a meaning of what it means to be one of the Valkyries. I can’t help myself but to think of those five days where I found part of the resolution I came to have during Alternative.
Enter Sadogashima. Welcome to place where hell reigns. Begin mission to eradicate a BETA Hive that has threatened Japan to this day.
Sadogashima is a cruel arc that shows all that has come up to this point in Takeru’s life. He has to use all of his experience and might to overcome the BETA here. The enemy is in tens of thousands, literally. Even when this mission officially is co-operation between the UN, Japanese Army and American forces, the true reason is to test the Alternative IV’s 00 Unit in the field.
When the 00 Unit and Susano’o enter the battlefield, there’s little hope around. In one miraclous flash Susano’o wipes out massive amounts of BETA and decimates the upper structure of the Hive in one blast. Susano’o is the trump card humanity is relying on alongside 00 Unit. Here, Takeru has a flashback from Unlimited where he and Meiya shared their bodies in love. One of Sumika’s powers as 00 Unit is ESP much like Kasumi’s. She tries to be conscious of Takeru all the time on the battlefield and reads every thought and emotion he has. Seeing him having sex with another woman makes her collapse, Susano’o along with her.
The battle turns for the worst. Immense amount of BETA are attacking the human forces from underground tunnels. Takeru has to retrieve Sumika from Susano’o, and the Captain has to make the machine self-destruct. Things turn for the worse, when one of the Valkyries get damaged and stays behind to support Captain, who can’t engage the self-destruct sequence. This Valkyrie, Kashiwagi, dies in the hands and teeth of the BETA. Isumi makes the Susano’o self-destruct by force.
Without a doubt, Captain and her words to the Valkyries during her final moments were carved into my mind. Just as Takeru clenches his teeth, I realized that I would do anything to protect those who I love. I had gained a resolution to protect smiles of those whom I don’t know, the laughs of that I can’t hear. It sounds idealistic, but in this world there’s few deeds that anyone can do to protect those people he loves most. I’ve decided to join the army no matter the condition I am in, to guard over the freedom my friends may enjoy if it ever were threatened. Freedom is a fragile thing that can be lost so easily. In this current world there are people who would like to lose their freedom in order to live a secure and controlled life. Perhaps I’m one of those people to an extent, but I admit it. I want to see how far I can take myself in the service, how long I can make it.
After the mission Sumika is introduced rest of the crew. By all means she is now Kagami Sumika rather than just 00 Unit. She seems a bit uneasy with all these people she is with now, but that’s understandable due to the situation at hand. During the introductions Takeru gets flashbacks from his past, multiple of his past. At this point it comes clear that this isn’t the first time Takeru has looped back in time, but he has indeed looped numerous times, and these flashbacks of the other girls are from those different timelines, and due to him being the causality conductor these memories also flood to his squadmates memories.
In the end, Takeru mans up and confesses his feelings to distressed Sumika. Finally, the very thing Takeru has been fighting for and this world’s Sumika can achieve… and Sumika turns Takeru down. Ultimately, she tells hims that he bother her, his a distraction from her mission and that Takeru isn’t needed anymore. Sumika has already finished making preparations for Takeru’s transfer out of Yokohama base somewhere where he should stay safe. Sumika leaves broken Takeru On That Hill, until Meiya comes up there. Takeru tells her everything, and Meiya tells him that Sumika was runnin past her with a face filled with tears. At that moment, with Meiya’s help, Takeru realizes that Sumika’s Sumika; she always does and says differently what she really wants. The following day he confronts Sumika again and makes everything clear; after that they’re through. Whatever it is Sumika’s hiding won’t make him stop loving her, nothing could.
What Sumika tells and shows Takeru in this scene was shocking. The BETA had caught hundreds of humans and slowly took them away, until only this world’s Takeru was to defend Sumika… and he was killed in the most gruesome way he could see. And what they did to Sumika made me feel sick. It’s something that I never wanted her to experience. Just like Takeru, I felt my stomache turn, but after the scene I wanted to hold her in my arms and loved her even more.
Whatever she said, whatever they did to her didn’t matter. She’s here and now, that’s all what matters.
The following night is the night Sumika becomes one with the man she has always loved, the one she has always longed for.
The happiness did not last long, as the remnant BETA from the destroyed Sadogashima Hive are attacking the base with full force. The fight is long and hard, and things get worse when the military realizes that the BETA are using human tactics against them, something that they have never done before. This proves that the BETA can think tacticfully, but have never shown this before. The Valkyries are the final line of defence against th BETA, as they ram their way inside the bottom of the base where a BETA reactor still fucntion for various purposes, least of which is keeping Sumika alive. At this time, two of the Valkyries sacrifice their lives for other to live; Suzumiya Haruka and Hayase Mitsuki.
To see them in this world at first was a nostalgic scene, but to see them die in the hands of enemies like this struck me hard. Haruka is killed violently by a BETA warrior while she was trying to shut down the BETA reactor. Hayase sacrifices herself to destroy the reactor. Since Takeru’s return, and even before that, death and sorrow has been a constant partner to the reader. âge has been punching my buttons before, but this time they’re using a sledgehammer to break me down. It’s not just the deaths, it’s the absolute despair of it all.
Soon after Hayase’s noble deed he is put into sleep. All of his squadron has been fighting almost a day straight, and with that one pill they can get rest.
Upon Takeru’s awakening, he is now Storm Vanguard 01, the leader of Isumi’s Valkyries. While there’s little they can do, they check their TSF’s condition and stand-by for orders, but they can’t just stand there doing nothing. By Takeru’s command, the Valkyries are to help with food distribution for the wounded. Takeru takes it all as the one who has the responsibility and he knows it.
Because of the recent attack one thing has become devastatingly clear; the BETA reactor was not only the thing powering part of the Yokohama base, but also a BETA computer that spread information onwards to the Original Hive. This means that less than in three days the Original Hive will have all knowledge of mankind’s strategies and tactics due to Sumika’s “blood” being purified by it. Soon BETA would know everything and more. Yuuko starts to prepare fast launch of the Operation Ouka; an all-out assault to the Original Hive with almost-completed XG-40d Susano’o 4 spearheading the attack against the Main Objective with Valkyries serving their role as the protectors.
âge made put a day of comedy and love here. It’s something every reader needs before the ascencion to the Original Hive.
Yuuko’s plan is to send the Valkyries in the core of the Hive alone. All other forces that are to join would only slow them down. The Royal Guard that has been looking over Meiya and the Grand Shogun decide to give their own TSF’s for the Valkyries use, as their own machines are completely bust after the BETA attack. These machines are from the very top of the line, specifically made for those who are one of the Royal House; the Takemikazuchi.
With these, the probability of achieving the object and destroying it rises, as does their chance of survival.
Takeru is to pilot the Susano’o with Kasumi and Sumika is serve as the the main computer for it. All other Valkyrie’s main and only objective is to protect them.
The Original Hive infiltration is a success thanks to the sacrifice of all soldiers send to their deaths alongside the Valkyries. Death takes its tolls inside and outside the Original Hive, and the Valkyries soon find their Main Objective; the Main Hall. They just need to pass two doors and be doen with it. However, the amount of BETA is something they didn’t expect, even if this was the Original Hive where all BETA on Earth originally came from. Chizuru and Ayamine are the first one to admit their feelings towards Takeru between each other, and sacrifice their lives to stop part of BETA invasion by triggering a cave-in with their selfdestruct devices.
They are followed by Miki, who has a damaged Takemikazuchi from earlier fight, and she stays put, sniping them one by one, until her unit is run over. Mikoto engages shut procedure of the first door after the Susano’o has passed it at the cost of her own life.
With Meiya’s help Takeru is face to face against the Main Objective, the which calls itself as Superior Existence. BETA do not see anything carbon based as a lifeform as per their creators’ programming, and see humanity as something to be recycled, a raw material. The Superior’s attacks halt the Susano’o, causes Sumika to regress back to her previous state and Kasumi to lose control of her own self. The Superior speaks to Takeru through both of them, learning of humanity and of him, as does Takeru. One of the most staggering thing he hears is taht the Creators are a silicon based species, and that there are 10^37 Superior Existances in the this Universe. Meiya soon arrives to help Takeru, but struck down and forced to be become shield against Susano’o’s Particle Cannon. The Superior begins to probe Meiya’s body as BETA did with Sumika, forcing her hand and mind into regions she never wished to go. She pleades Takeru to shoot, to end it all in one shot. The catatonic Sumika slowly awakens as Takeru’s own mind is starting to crumble a bit, until Sumika pulls everything she can into one moment where all powers are restored only to Takeru to pull the trigger, ending a life she valued so highly of… and saving the mankind.
” I could not give you my love, thus I give you my life “
This song, the Flame of Life, is my the song I stand by. It’s a sad song, a sad march for all those who have died and potrays the ultimate sacrifice one can give for others to live on. All of the Valkyries stood by their believes to protect those they loved the most, to protect the one person closes to their hearts.
The Original Hive is destroyed, the Superior Existence no longer exists on Earth and Takeru with Kasumi and Sumika are the only ones that managed to escape with Susano’o’s escape shuttle.
Upon waking inside the shuttle Kasumi informs of Takeru that the mission was successful. The Superior Existence is dead. She tells that Takeru can now return his own world that the thing that made him the causality conductor no longer exists. She tells Takeru that Sumika, the 00 Unit, is no longer with him. Sumika had given her all for Takeru to survive, so that he could go back to his world. Sumika shown Kasumi that it was her own will that made Takeru the causality conductor. The very core of her when she was just brain only longed to see Takeru. The purest form of subconscious and the will to trigger causality pulled Takeru’s of various realities to this world in 22nd of October 2001, and she was the one that caused Takeru to loop every time he had died. It was Sumika’s will to see him alive and hold him in her arms again. All this ceased to be when Sumika finally became one with Takeru that one night, the night where 00 Unit was not more and Kagami Sumika was born again in this world.
Takeru asks Kasumi to lock the shuttle doors for five minutes, he asks five minutes where he can be Shirogane Takeru and cry not just for Sumika, but all of that have lost their lives today for him, the Valkyries. In those five minutes he lets himself to be human once more rather than the saviour of all mankind. After that he will greet every person outside with a smile of an Eishi, proudly carrying the weight of the Valkyries and everything he has done to achieve this moment.
Even if Takeru wants to stay in his world and fight the remaining BETAs, there is nothing to keep him in this world anymore. The memory of Shirogane Takeru will be lost from all men in this world, except from the memories of Kasumi and Yuuko, who both will take these secrets to their graves. Nobody will ever remember the name of Shirogane Takeru or the members of the Valkyries, there will never be a person to know what has taken place and what was done in order to humanity to survive.
As Takeru starts to fade back to his own world, Kasumi tells her feelings over the whiteness that overcomes.
The story of Muv-Luv is about love and courage, to the point where one has to stain his hands in order to save something larger than oneself. It’s about a love that could be never given. It’s about untold sacrifices made for us and about those brave souls that did them. With this the story of Muv-Luv comes to an end. A sad end with a bright future filled with tears.
After Alternative there starts a small epilogue called Final Extra. This is the world where Takeru returned to. He holds no memories what has come to pass. As the cause of causality conductor has ceased to exist, all the damage he has done are reverted in all the worlds.
Final Extra begins on 22nd of October 2001, where Takeru wakes next to an unknown blue haired girl, and Sumika rushes to wake him up. Everything seems to play like in Extra, but here Mikoto is clearly a girl… and Mitsurugi Yuuhi, Meiya’s older twin sister, is alive.
There is also one person who did not exist in Extra, and that one person is Yashiro Kasumi.
She comes up to Takeru and Sumika, thanking them both of all what they have done and bursts in tears. With this, all those who have died in the war against BETA will always live on in another world, if only in the memories of two people. From this moment on, the bratty saviour and all of his Valkyries may live in this world peacefully until the end of their days.
As you might’ve noticed, KimiNozo had a great influence on my emotions and view of life’s cruelty. It woke me from my state of sort of self-pity and made me realize that even to me there is love and closeness by. Even if during the last year I’ve returned to the mind-setting of “there’s nobody for me, I’m good as a servant to all” it’s far different from what I was like ten years ago. With Muv-Luv I realized that if I want to become servant to all, I mustn’t be afraid of what lies ahead. Indeed army service might not be the ideal solution for that, but it is something that I want to go through. It is something that I feel I can do for those I want to protect, and that ultimately whatever the future holds it will serve me as well. Takeru’s conviction to make it through spoke to my own loyalty towards my loved ones, my friends and my country. I found matters that I want to defend, matters that I see in the films and books of Winter War. Perhaps it could be said that after Muv-Luv I’ve become a bit more patriotic. I found a sense of duty that I can do.
Indeed, the other thing I found in Muv-Luv is that I can do things with these two hands.
I discussion with during the Alternative arc with a teacher prompted me ask myself whether or not I realize that these hands of mine as skilled. For the first time in my life I was willing to admit that I am good at something, and the feeling has been growing steadily since that.
As I went through a journal of threads I kept as I travelled through Muv-Luv I noticed that few people mentioned me becoming and sounding more like Shirogane Takeru as time went by. Looking it back now I find myself having some of the same elements that build up Takeru. We both are joking assholes most of the time, always dense with other people’s feelings and passing important things by. However, when time calls it we both become serious and do what needs to be done. Some of the words and mindsets are the same. No doubt I become Shirogane Takeru in the story itself, and it affected me greatly. Now, outside the story, I wish something of him won’t ever leave my soul and mind, that I can always carry the burden he did with me so that it may drive me forwards. Is the love I feel towards Sumika real? Whether or not it’s real, it doesn’t matter that much. What matters the most is that I can say that I can love again.
There is something that I can do, there is something I must do. There is something that I want to do, even if it would mean to give my life for all those I love.
While writing this post during these last days I have gone through everything again in my mind from the beginning to the very end. Muv-Luv is my favourite piece of fiction with Kimi ga Nozomu Eien, and 生命の炎 / The Flame of Life has become me favourite piece of music, somber as it is. Every time I listen to this song I find myself become serious and my eyesight becomes less with the tears pushing through. There was times when I wanted to quit and tell myself “Muv-Luv’s too much work, quit here and pretend that the story had a happy end,” but I kept pushing myself forwards, bracing for the impacts that âge would deliver. Whatever I did I never was prepared. The story is well written and extremely well presented, and the passion from both original writers and from the translation team seeps through. Muv-Luv, much like KimiNozo, is an end-product that has been crafted will great care and love. The emotions it dugged up from deep within me will last long, of not until I die. It’s not nothing new that a fictional story affects one’s life so greatly, but to me Muv-Luv is something far larger than just a story. It’s a tale that I want to pass on to the future generations in some form, a story worth retelling to those that come after me.
I’m sure I’ve missed tons of details I wanted to go through and there’s bound to be countless of typing errors and grammar is bonkers. That doesn’t matter as long I managed to tell my own experience with this.
“What’s next?” I’ve been asking from myself. In the future I see nothing as usual, but now it glimmers and shines with hope. Slowly I’m overcoming matters of love that have been pressing me down during the last year. Perhaps somewhere in the days of tomorrow I can let myself fall in love again. Perhaps I can tackle my own skills and use them to create new things and sharpen these eyes even further. Perhaps I will one day stand in the line with fellow soldiers and vow to protect the nation I love so much; a country is nothing without its people, and people are the country. If it ever were to take place, I want to protect these people whom with I live.
We’re human and we hurt each other daily. We are human and we heal these wounds after every day. In the end, I want to see every person smiling and laughing. That is my selfish wish. It’s my own desire to let others go first, leaving me behind so I can support them. However, this wish denies my the chance to protect them. If I have to lose my own smile and laughter over others, I’d be glad to give them away. I believe that there is something good in all of us that wishes the same thing, something that makes us ‘human.’
The ground I stand by is my own principles and believes. These things keep me pushing on after every harship I face… and I was losing them before I read Muv-Luv. I can now stand again with sort of pride in my hands, and clearly say for once who I am. Idealistic view? Yes, very much so, but that’s who I am, and will always be.
There is a flame that burns inside of me brightly. I won’t let it die out ever again.
To end this post with a little brighter end, let’s listen to one more song, the song that serves both as the opening of Muv-Luv, and as the ending.
It’s been about two weeks when I started reading MuvLuv. Now it feels that everything’s just starting.
8.9.2012 Edit. if you enjoyed this post, be sure to read this as well.