On November 7, 2014 I posted an article titled “The Twerking Boobs of Sara X.” (https://eroticpink.wordpress.com/2014/11/07/twerking-boobs-of-sara-x/) In it, I included a video that showed Sara X Mills, the extraordinary tattooed 27-year-old woman twerking her boobs to the rendering of Mozart’s “Eine kleine Nachtmusik” by the Vienna Philharmonic Orchestra.
Two weeks ago Homme Poisson JusticierDuNet posted on YouTube a video featuring Sara X Mills twerking her breasts to a medley of Christmas songs. Here is the video. Hope you like it.
Gustave Courbet, L’Origine du monde (Origin of the World) (1866)
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In 1866, the French artist Gustave Courbet created the erotic oil-on-canvas painting L’Origine du monde (“The Origin of the World”). It features a close-up view of the genitals and abdomen of a faceless woman lying on a bed with her legs spread apart. The Ottoman diplomat Halil Şerif Pasha commissioned this artistic work. This work of art is now considered a masterpiece.
Courbet’s favourite model at the time was a young woman named Joanna Hiffernan. She was the lover of the American painter a friend of Courbet. In all, Courbet did four portraits of Joanna. She was perhaps the model for L’Origine du monde.
On May 29, 2014 Deborah de Robertis, a Luxembourgian performance artist wearing a gold sequined dress, came to the Musée d’Orsay in Paris. She walked up to Gustav Courbet’s painting “The Origin of the World,” and plopped down in front of the painting. She raised her dress, spread her thighs, and publicly exposed her vaginal lips.
Deborah’s intention was to re-enact the famous painting of Gustav Courbet, but with an open, exposed vagina in contrast to the closed vaginal lips presented in Courbet’s piece. She called her performance “Mirror of Origin.”
Eventually, police officers escorted Deborah from the premises. After the incident, two museum guards filed complaints of sexual exhibitionism against her.
The administrators of the Musée d’Orsay in a statement said it was a typical case of disrespecting the museum’s rules.
Deborah de de Robertis disagreed with the museum administration’s accusations. She explained to the German language Luxembourgish daily newspaper Luxemburger Wort:
“If you ignore the context, you could construe this performance as an act of exhibitionism, but what I did was not an impulsive act. There is a gap in art history, the absent point of view of the object of the gaze. In his realist painting, the painter shows the open legs, but the vagina remains closed. He does not reveal the hole, that is to say, the eye. I am not showing my vagina, but I am revealing what we do not see in the painting, the eye of the vagina, the black hole, this concealed eye, this chasm, which, beyond the flesh, refers to infinity, to the origin of the origin.”
Deborah says she had performed this piece, “Mirror of Origin,” more than once in the same museum without causing any hysterical scene.
Most men derive erotic pleasure when they see women display their ample bosoms. In the following video, the woman examiner exposes her cleavage in a seductive manner. If you are attending this erotic exam how would you react?
A woman of worth is the crown of her husband, but a disgraceful one is like rot in his bones. – Proverbs 12:4
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The presence of near and dear ones, reception parties – large or small, and honeymoons, etc., most certainly enhance the pleasures of the occasion and the joy of a wedding.
But what is the ultimate goal of a marriage from a man’s viewpoint?
Universally, all men wish for a perfect wife. But what does one mean by a “perfect wife”? What are the qualities needed to be an ideal spouse? Many women do not know about it though most of the qualities of a perfect wife are already built into them and develops as she grows up.
In India, Neeti Saara or Neeti Sastra is a popular collection of morals written by Baddena, a 13th century Telugu poet, believed to be a Chola prince named Bhadra Bhupalan.
Baddena sums the six noble virtues an ideal wife should have in a verse as:
‘కార్యేషు దాసి, కరణేషు మంత్రి, భోజ్యేషు మాతా, రూపేచ లక్ష్మీ, శయనేషు రంభ, క్షమయా ధరిత్రీ… and so on.
Counsel her husband like a minister to deal with various problems that confront him.
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3.Bhojeshu Mata: Feed like a mother.
Cook his food and feed him like a mother.
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4.Shayaneshu Ramba: Please in bed likeRambha.
Satisfy her husband in bed like the heavenly courtesan Rambha, unrivalled in the art of seduction and making love.
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5.Roopeshu Lakshmi: Beautiful like Goddess Lakshmi.
Maintain her beauty like Goddess Lakshmi (and show it to him only and not to other males).
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6.Kshmayeshu Dharitri: Be patient like Earth.
Endure all stress and pain and be patient like Mother Earth.
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Shat dharma yuktah Kula dharma Patni: A woman who has these six virtues is a good housewife.
This is a tall order! I do not think any woman in the 21st century would qualify as a perfect wife by meeting these six criteria.
In this age of sex equality, the women argue that these verses written by a man are chauvinistic. What will happen if a woman expects the following six qualities in a man?
1.Bhogeshu Raja: Be rich like a king.
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2. Vachaneshu Rama: Honest like Lord Rama.
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3.Chaturasya Krishna: Intellectually smart like Lord Krishna.
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4.Dhairyeshu Karna: Courageous like Karna.
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5.Roopecha Indra: Handsome like Lord Indra.
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6.KaameshuMadana: Romantic like Madana Kamarajan.
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Shatdharmayuktha manadharma Ramana: A man who has these six virtues is the dear husband.
If you are a man, do you think you can qualify as a perfect husband possessing these six qualities?
If the man gaping at a woman’s cleavage is handsome, she will coyly say: “He is audacious!,” if not she would retort: “He is a pervert!”
If the woman with an eyeful cleavage pays attention to a man, he will chuckle and say: “She is sexy!,” if not he would riposte: “She is a whore!”
Cleavage of a woman (Source: Wikimedia Commons)
Cleavage, anatomically known as the intermammary cleft or the intermammary sulcus, is the space between a woman’s breasts lying over the sternum.
From time immemorial, women’s breasts are synonymous with feminineness. Invariably, well-endowed women often use cleavage to physically attract and sexually lure others (mainly men). They accentuate their cleavage by wearing garments with low necklines, alluring evening attire, flimsy lingerie and revealing swimwear. Thus, they find sadistic pleasure in kindling jealousy in other less-endowed women.
Midhuna Waliya in Transparent Saree (Source: zimbio.com)
Most men derive erotic pleasure when their female companions display their cleavage with aesthetic effect. However, a few envious men, mainly companions of slim flat-chested women, resort to branding the copious women as flirts and seductresses.
Bartholomeus van der Helst. Anna du Pire as Granida. 1660. Oil on canvas. National Gallery, Prague.
In western societies, opinions differ about how much cleavage exposure is acceptable in public. In many cases, though displaying cleavage is permissible, it may be prohibited by dress codes set by churches, schools, and workplaces, where flagrant exposure of any part of the female breast might be considered inappropriate, and a woman who dares to show her nipples or areolae is almost always considered immodest, lewd, and indecent.
When it comes to cleavages, former British Home Secretary Jacqui Smith, former US Senator Hillary Clinton, German Chancellor Angela Merkel and Vera Lengsfeld, the Conservative Christian Democratic Union candidate for Berlin’s Friedrichshain-Kreuzberg district gained attention on the international political front for wearing low-cut blouses revealing just the slightest hint of cleavage.
Former British Home Secretary Jacqui Smith
Revealing: Jacqui Smith in the Commons (Source: dailymail.co.uk)
Jacqui Smith, a member of the British Labour Party was appointed Home Secretary in Gordon Brown’s first Cabinet reshuffle of June 28, 2007. Just one day into her new job bombs were found in London and a terrorist attack took place in Glasgow the following day.
Jacqui Smith drew attention for wearing a revealing black top under her tightly fitting white jacket. It caused a stir as other MPs struggled to concentrate on the security threat under discussion.
Her attire prompted the House of Commons wags to wisecrack as “Weapons of mass distraction.”
Former US Senator Hillary Clinton
On July 20, 2007, Washington Post published an article written by Pulitzer Prize winner Robin Givhan in its Fashion section titled “Hillary Clinton’s Tentative Dip Into New Neckline Territory.” Givhan wrote:
There was cleavage on display Wednesday afternoon on C-SPAN2. It belonged to Sen. Hillary Clinton.
She was talking on the Senate floor about the burdensome cost of higher education. She was wearing a rose-colored blazer over a black top. The neckline sat low on her chest and had a subtle V-shape. The cleavage registered after only a quick glance. No scrunch-faced scrutiny was necessary. There wasn’t an unseemly amount of cleavage showing, but there it was. Undeniable.
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The Washington Post’s editorial writer, Ruth Marcus, criticized Robin Givhan’s article. She wrote that Robin Givhan “dissected” Hillary Clinton “for showing cleavage.” Marcus added, “Might I suggest that sometimes a V-neck top is only a V-neck top? As a person of cleavage, I’d guess that Clinton’s low-cut shirt simply reflected a few centimeters of sartorial miscalculation, not a deliberate Fashion statement.”
Another Washington Post columnist, Dana Milbank, also seemed to distance himself from the Givhan article during a July 26 appearance on MSNBC News Live.
German Chancellor Angela Merkel
Don’t look down: Angela Merkel with Mr Stoltenberg last night (Source: dailymail.co.uk)
German Chancellor Angela Merkel wore a glamorous and impressive blue décolletage with a blue bolero shawl designed by Anna von Griesham while chatting with Jens Stoltenberg, prime minister of Norway, at the opening of the Olso Opera House on April 12, 2008. Mr Stoltenberg maintained crucial, and diplomatic, eye contact with his guest at the inauguration of the cultural landmark.
On April 14, 2008, Gawker, a media gossip website published a page titled “German Chancellor Angela Merkel not Afraid to Show Her Breastesses” written by Shea. The writer wrote:
“For my upcoming vacation in Germany, I decided to study up on some of its elected leaders. What was discovered about Chancellor Angela Merkel? She’s not afraid to show a little cleavage during a night out at the Opera! Click for it… if you dare.
Gawker welcomed commentators to make light of the German leader’s outfit with quips ranging from the flippant: “Deutschland booberalles” to the politically slanted: “Imagine. A female head of state okay with being a woman.“
This photo of Chancellor Angela Merkel provided enough fodder for the media around the world. The media focused on the German leader’s appearance. Unflattering photos of the chancellor wearing a peach-colored dress with sweat stains under her arms at the 2005 Bayreuth festival were widely circulated.
“I’m Big in the Bumdestag”
In 2006, the British tabloid The Sun published photos of Merkel changing into a bathing suit while on vacation in Italy, giving its article the headline “I’M BIG IN THE BUMDESTAG,” in a reference to the Bundestag, home of the German federal parliament. The article and photos solicited an indignant response from a number of German publications, which felt the country’s leader deserved more respect.
Vera Lengsfeld
An election campaign poster for the 2009 general election with the words ‘ We have more to offer’ shows German Chancellor Angela Merkel (R) and Vera Lengsfeld (Photo – REUTERS)
During a tough political campaign for the 2009 general election, Vera Lengsfeld (61), the Conservative Christian Democratic Union candidate for Berlin’s Friedrichshain-Kreuzberg district, used pictures of German Chancellor Angela Merkel and herself in low-cut dresses. To draw attention to serious election issues she put up 750 provocative campaign posters accompanied by the slogan “Wir haben mehr zu bieten” (“We Have More to Offer”). Lengsfield bought the rights to use the picture of Merkel but did not seek the Chancellor’s permission. However, the posters had a positive impact.
To her critics Lengsfield said: “It is ridiculous to suggest that I am being sexist or antifeminist. I am a woman and I am proud of that.”
A mother breast-feeding her baby by sculptor Aryanad Rajendran conveys the message of love.
It is said that a child’s fascination with breasts starts from the moment it isbreastfed as a baby. The odor of milk emanating from a mother’s breast draws her infant towards her. The basic instinct in any living being is to seek safety from the surrounding environment. Hence, the child too finds comfort by nestling on its mother’s breasts. It finds not only nourishment while suckling the mother’s breast, but also the mother’s unconditional love.
If this assumption is true, then what about the children who were notbreastfed?
Many bottle-fed children, especially those whose mothers were buxom are just as fascinated with breasts as those who were breast-fed.
When children, whether breastfed or bottle-fed grow up the embedded image on their brain of their mother’s breast surfaces sporadically as sexual fantasies. They eye women with large breasts and quite often become obsessed with them.
Women, whether breastfed or bottle-fed, do not react the same way as men because breasts naturally grow on their own in women. However, studies show that breastfed women have a healthier opinion of their own breasts in their adulthood.
Sigmund Freud, a firm supporter of the nature argument, believed that sexual drives are instinctive. He viewed sexuality as the central source of human personality. He said that a child’s first erotic object is the mother’s breast.
. By Peker O’ Tool ©
Shades of Pink 
