In my occasional wanderings on YouTube, which I go to mostly for music of interest, I’ve encountered a new way of enjoying music.
At least for me. And it’s not new in other contexts of course, when friends of like mind and tastes get together to play music that means something to them. Although this in-person activity probably doesn’t happen that much anymore, sadly.
I’m not sure of the most concise way to describe these YouTube offerings, but they’re about enjoying watching the video presenter enjoy music that I also like.
Most often, these are tunes in the “classic rock” realm. The presenter may be a classically trained musician or just someone born too late to experience the music back in the day. They often claim they are listening to the particular rock music for the first time.
As a person who grew up with all that music, it can be hard to believe that the music I love from that time is not ubiquitous, or that it may not even be remembered at all.
The most recent videos of this kind that I’ve enjoyed are those from Amy Shafer, a harpist and classical pianist who calls herself Virgin Rock. She does present in her musical reaction videos an image like a restrained music teacher or librarian. But she breaks into enthusiasm at different aspects of the rock music she is, apparently, discovering for the first time. All while wearing pearls.
She has an entire series of these videos. The first I came across was her take on A Whiter Shade of Pale, by Procol Harum. (I have written about this song before.) She gives background and then gets into listening to the piece. In this case there is added interest for her due to the Bach influence.
Then with the first majestic melancholic notes of the organ, you get to join with her in appreciation of the music and how it’s performed. Her background gives a different angle of insight.
Another I recently watched is her appreciation of White Rabbit by Jefferson Airplane. That is about as far removed from classical music as I can imagine, but she genuinely appears to find it appealing. Of course, the vocal by Grace Slick is magnificent.
Her other reaction videos cover music by the Beatles, Pink Floyd, the Doors, Tom Petty and many more.
One of my favorite songs as a teenager listening to late night rock radio from a northern BC log cabin was The Time Has Come by the Chambers Brothers. Classical composer Doug Helvering reacts to this psychedelic soul track which broke big during the Vietnam War.
Helvering analyzes the musical structure and gives his thoughts as we listen. And it’s amusing when he brings out a pipe for a couple of tokes. Getting into the spirit of it.
The best presenters to me are not making squeals of delight or putting on exaggerated expressions, but it is the quality of the listening that comes through, even if they don’t make a big deal of their reaction.
Another reaction video that appeals is from Morenikeji Taiwo who listens to Crosby, Stills and Nash’s Suite: Judy Blue Eyes.
For a final one, there’s Three Dog Nights Never Been to Spain as reacted to by a duo at Rob Squad Reactions.
Part of the charm of watching people listening to music I like is that it makes me listen to the music, almost as for the first time. I appreciate anew in “classic rock” the confluence of the desire to leave the Fifties behind, the cultural eruption of psychedelics, the technical progress in recording music for all, the civil rights movement, the tragedy of the Vietnam war, and the amazing amassing of so many unusually musical young people. The young were open and hungry for change, and music allowed so many different expressions of that.
As I looked around more while writing this, there is a real YouTube industry about these reaction videos. I don’t know how sincere in their appreciation some of the presenters are. It may be for some a way to break into being an influencer or for pumping views on a YouTube channel. But it does makes me happy to see so many delving into the music I grew up with.
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Miller set up a company with her husband to publish these books in Winnetka, Illinois and the first one, In The Nursery, was issued in 1920. The first six-volume sets were often, as a promotion, enclosed in a small wooden house. The six were eventually split into 12 thinner books for the benefit of small hands. An interesting aspect of her publishing company was its staffing predominantly by women, including the sales force. This was most unusual at a time when women were deemed best suited to staying at home.
Volume 8, Flying Sails, featured for me “Gulliver’s Travels to Lilliput” adapted from Jonathan Swift. The accompanying illustrations are marvelous, of Gulliver tied down by many tiny figures. This volume also included a couple of stories from the Arabian Nights, “The Adventures of General Tom Thumb,” and Shakespeare’s “The Tempest.”
In this last, retold from the Chanson de Roland, Roland heroically blows his horn, Oliphant, at the end of a great battle to call for relief for his men and himself, only to finally die.
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