Early in my career, in the age of typewriters and the emergence of word processors, I thought I was a pretty good writer. Having written a few user manuals and newsletter articles and coming out of a four-year degree curriculum, I had writing down pat.
My employer sent me to a couple of community college courses to develop my skills: accounting and business writing. In the latter, our first assignment was an essay on some topic, which I proudly wrote and turned in. I was in shock when it was returned to me, with a “C” and red marks all over it—too many words. Too much flourish. It hurt my heart and defeated what I learned was an unfounded feeling of self-confidence.
Fast-forward a decade, when I was asked by a colleague to be the official technical editor for her first book. I jumped at the opportunity, unaware of what would happen down the road apiece. The tech editing job got me introduced to executives at Prentice-Hall Publishing, one of the biggest in the world. I did more than a dozen tech edit jobs over the next few years, establishing me as a reliable resource. In 1998, I happened upon the idea of writing a book, and the publisher agreed, so I wrote and published Solaris Security through Prentice-Hall in 1999.
Writing all may seem like fun and games, and there’s an upside to writing books. But within the process itself, I learned to grow a thick skin to survive the process. I’ll explain.
In terms of getting an idea transformed into a book, I’ve written several book proposals to get my idea published. Publishers usually respond with rejection letters. Often, they don’t even want to talk about it. I wonder if this is what it feels like to be rejected at an audition or, worse yet, to be told not even to try. Ouch!
When an author writes the first draft of a book, the publisher will throw several editors at it, some of whom are subject matter experts, and others are language experts. They’re all great at what they do, but in the process, when a manuscript is returned to the author, there will be hundreds, even thousands, of corrections and comments. Some of them genuinely hurt. As we write the first draft, we pour our heart and soul into the work, and when we turn in the draft manuscript, we have a lot of time and emotion invested in it. It’s humbling when editors make corrections and add notes asking us to change how we say things. There have been more than a few moments where I disagreed with an editor’s comments or changes and replied, saying it’s fine as-is. As an author, sometimes you win those arguments, but at what cost?
So you get your book published, do your little unboxing thing, get your author copies, and take pictures of your opening the box to see your proud accomplishment. We hold up a copy of the book while someone takes our picture, and we’re beaming with that “I’m a published author (nah nah nah nah nah nah)!” face, which we quickly post on social media. It’s our moment in the sun, although sometimes it’s brief.
Then the Amazon reviews come in. Some are gracious, but some are critical, and for the proud author, some may feel cruel. Did we really think we could please every reader? Well, I think we hoped so, but soon the cruel reality sets in: we have happy readers and some unhappy readers as well.
The next time you pick up a book, take a moment to admire the finished product. But also remember that the finished product results from a lot of hard work, including those moments of self-doubt when we wonder if our effort will all be worth it.
If you are considering writing a book, pick up a copy of The Art of Writing Technical Books, which I published in 2022. There, you will find not only a lot of pointers, but a rich guide to the end-to-end process of transforming your idea into a published book.




