When she wore that dress

When she wore that dress, that dress of yellow and purple flowers, we walked for hours and hours around Hershfield Lake.  We admired that spring day.  Our talk went to thoughts of the future but we knew that was impossible.  Our fathers intensely disliked each other.

“Juliet?” I squeezed her hand.

“Yes, Romeo,” she answered, her eyes large and round staring at me as if I had all the answers in the world.

“Let’s get married anyway.”

“It would try our families greatly.”

“They’ll get over it.”

When she wore that dress, that dress of white cotton, we stood before the priest and we committed our lives to one another.  We had not told our families yet.  That day would come soon.  We spoke our I dos with hope and faith and a lot of love that day.

“I pledge thee my troth,” she looked into my eyes and said.

“I pledge thee my troth,” I said, happy as I’d ever been.

When she wore that dress, that dress of bright orange with the brown belt, we went to her father’s house.

“Wait in the car,” she said to me, then kissed me.  She opened the passenger door and slammed it behind her.  She crossed in front of the car and came to my window.  “Say a prayer.”

She entered the house.  A few minutes later I heard yelling and screaming from the house.  I reached for the door handle to open it. I saw her run out of the house, her father behind her.

“You married that bastard!” her father screamed.

She opened the passenger door and got in.

“Let’s get out of here.  He’s crazy.”

I started the engine, backed out of the driveway, turned and headed down the street.  In the rearview mirror, I saw her father coming towards us with a rifle.  He aimed at us but we were three blocks away and already out of range.

When she wore that dress, that dress of light blue, we drove to my parents.  I softly entered the house as she followed me, her hand in mine.  Dad sat at the kitchen table, his back to me.

“Dad?” I said.

He turned to me and smiled.

“This is Juliet, John Hazlewood’s daughter.  We’re married.”

A stunned look came over his face.

“Married?”

“Yes, sir,” Juliet said, her soft voice filled with hope.

My father looked at me, then her, then me, then he went back to his beer.

He said to me, “Go upstairs and get your mother.”

Afraid, I hesitated.

“Go ahead,” he said.  “It’ll be alright.  Nothing’s going to happen to your Juliet here, Romeo.  After all, a rose by any other name is still a rose.”

When she wore that dress, that dress of navy blue, we drove to the funeral home.  Turning onto the drive where the funeral home stood, I drove silently.  My father was dead.

“He was a wonderful man,” she said, sitting there in the passenger seat with tears in her brown eyes.  “I liked him a lot.  And he loved you so much.”

She turned and looked into the backseat at our five-year old towheaded boy.

“And he loved his grandson too,” she said.  “Right, Horatio?”

“Yes, Mommy,” Horatio said.

When she wore that dress, that dress of yellow daisies, we walked for hours and hours around Hershfield Lake.  We admired that spring day.  Our talk went to thoughts of the past.  Ten years of marriage and never a fight.  The fights always seemed to come from elsewhere.  Her father, my job, our son’s illness.  But we never spoke a harsh word to each other.

Tears in her eyes, she squeezed my hand, then said, “I miss Horatio.”

“It’s been a year now,” I said, “and I miss him as much as I did the day we got the news.”

When she wore that dress, that dress of gray and green, we met in the doctor’s office.  She came out to see me in the waiting room.

“The doctor wants to do some tests.  I have to go in the hospital.”

“Is it going to be okay?” I asked, fear in my eyes.

When she wore that dress, her dress of maroon and yellow, she lay in the open coffin.  I looked into her dead eyes and thought about what we had together.  But now she was with Horatio, and I felt comforted.

“Goodbye, Juliet,” I said and turned to face her father, no anger on his face, no bad will in his eyes, just pain and desperation.  He took my hand and, with a tight grip, he shook it.

“If I can do anything,” he said.

“Just love your other kids.”

I passed this hard man who had fathered the gentle spirit I knew as Juliet.  I turned back to him and took his shoulder and turned him gently around toward me.

“And thank you, sir,” I said.  “For your daughter.”

The Writer’s Life

The novelist sat down at his computer desk and sipped his coffee. It was November 1. Time for his annual exercise with the National Novel Writing Month, better known  as nanowrimo. His past three excursions into nanowrimo-land had turned out successful. After much needed editing, each novel was published, sold well, and received quite a lot of positive criticism.

Usually he prepared for the exercise with several months of planning. Not this year. This year he had nary a clue of what story would go onto the blank page, staring back at him. This year he was going to wing it.

His cell rang. Instead of letting the caller leave a message, he answered. Twenty minutes later he hung up, then stared at the blank document before him. It stared back. What to write, what to write?

He reached over for his cup. It was empty. This was no way to start a novel. He needed more coffee. Off to the kitchen, he went and brewed himself a second cup. Looking over at the sink filled with dishes, he realized that he couldn’t write with dirty dishes in the sink.

Twenty minutes later, the dishes were washed and dried, and he was back at his desk with a fresh cup of coffee. Then it came to him. He did not have clothes for the meeting he was supposed to have with his publisher two days away. Can’t have that.

As he pushed a load of laundry into the washer, he realized he was not getting any writing done. The machine began its washing. He looked at his watch. Three hours had passed and he didn’t have a word on paper yet.

No wonder I can’t get anything started. I’m hungry.

Sitting at the kitchen table, he bit into the first of three toasted cheese sandwiches. He searched the newspaper before him for ideas. Nothing in here but murder, murder, murder. He took a sip from his soda. Gee, I’ve got to give up sugar. But it won’t be this month. That would be a distraction from the novel I have to write.

An hour later the laundry was finished and the sandwiches eaten and the dishes washed. Still no idea what his nanowrimo would be. He had heard of writer’s block before but this was ridiculous. He turned on the TV. There was a Tarzan movie on. It hit him. Finally an idea. Off went the TV.

He stared at the blank page on his computer. “The man,” he typed. No, that’s not right. Got to give him a name. What name? Oh, I’ve got it.

On the screen appeared the words, “Jack Peters raised his rifle and aimed at the charging rhino.

“Click. The gun misfired.

“The rhino closed in on him.”

“Hold on there,” Jack said to the writer. “What makes you think I am agreeing to this? Ain’t no way I want to be gored by a rhino.”

This had never happened before. A character talking to him. His characters always did what they were told.

“Shut up and do as you’re told,” the novelist said to his character.

“I am not going to be gored by a rhino. Just so you can get in some imaginary word count so’s you can brag to your girlfriend that you’re a big stud of a writer. Who do you think I am?”

“You’re a big game hunter. American, if I remember correctly. Yes, definitely American. Now get to work.”

“No. No. No. That is not how it works around here. You know, if that beast gores me in the right place, I could be dead. Or even worse, impotent. That may have been good enough for that Jake Barnes fellow but not for me. I’m having none of that.”

“You don’t have any choice.”

“And you want to know something else? If you don’t make your move with that woman of yours, I’ll take care of her for you. All she needs is a man. You ain’t him.”

“Leave her out of it.”

“Okay,” the character said. “But only if you do the right thing and let me take that rhino down. Otherwise she’s all mine.”

“Geez, I never had this kind of trouble with a character before.”

“That’s ’cause all your characters have sucked big time. I’m the first real character to appear in any of your novels. Since it’s my story, I get some input. And my input is that I am not gored by a rhino. You hear me?”

“Okay,” the novelist begrudgingly agreed.

“Well, let’s get to it.” The character returned to his place on the page.

The novelist typed. “Jack dropped to his knees. He threw his rifle aside. Grabbed the gun lying in the grass next to him. The rhino was three feet away and charging. Jack aimed and fired. The rhino dropped at his feet.”

The character stepped off the page again. “That’s better. Now keep it up.”

Greek Mythology 101

Or Fifty Shades of Zeus

Hera was p.o.ed. Royally peeved. Absolutely livid. Madder than a disturbed nest of hornets. Besides all that, she was not happy. Not happy at all. How dare her husband make a fool out of her again. She went off and spent one weekend at the spa for some well-deserved R and R. Wanted to prettify herself just for him. And what did hubby do? Zeus, her husband of the past ten millennia and the king of all the gods, went out chasing skirts again.

‘Course Zeus would protest like he always did. He said that it wasn’t his fault. It was his charismatic personality. The women saw that grin on his face and those teeth whiter than white. Next thing he knew they wanted to feel his thunderbolts. Yeah, right. Like he couldn’t fight the women off, the big show-off. Hera had had enough of her husband poking the first blonde he took a hankering for. Before you could tweak Poseidon’s nose, the papparazzi would be asking her all those Princess Di questions.

Just why had Hera ended up with the Big Z anyway? What had a practical, level headed young goddess seen in the Playboy of the Universe in the first place? Back in the olden days, she could have had her pick of the litter. Poseidon. Hades. Even the sun god, Helios. But no. She had to go with Thunderbolts. Thing was that she’d been impressed with his management skills. He could multitask like he invented the word. ‘Course he did invent the word.”This is the guy for me,” she said after their third date. If she had it to do over again, she would follow the advice of the Who when they sang, “Won’t get fooled again.”

But that was then. This was now. Like a lot of CEOs, Zeus got used to having his own way. Getting to travel in the corporate jet. Staying in the penthouse suite. Having his pick of the secretarial pool. Thing was that lately Zeus was bored. “What’s a god to do if he can’t have any fun?” he said to Hera after a long argument about his indiscretions. “Boys just wanna have fun.”

“Fun, my butt,” Hera threw back at him.

“Look, if I don’t do this, I’m going crazy. There’s only so much ambrosia a god can take.” Then he pointed one of his thunderbolts at her.

She gave him a glare that would have killed a lesser god. “You know where you can stick those thunderbolts, don’t you?”

Well, Z went out and did his thang. And he did it a lot. Finally Hera had had enough. It was her way or the highway. In a moment of trying to please, Z promised to give up his philandering, his womanizing. But he just couldn’t. To give credit where credit was due, he did give it the old college try. He even tried Sexaholics Anonymous. The problem was that he picked up three women at his first meeting. A little poke here. A little poke there. Pretty soon he was doing the hokey pokey. Before they knew what had happened, all three were knocked up.

So that was that. No more S.A. for the big guy. And now he was out chasing a woman named Leda Swan. Pretty soon there’d be a demigod here, a demigod there, a demigod everywhere. Then one of those demigods would be sitting on Hera’s doorstep, asking for a place among the stars, wanting his own constellation. Can you imagine the gall of it all? Well, there would be none of that this time.

Sure she was fond of Herakles. He was named after her after all. And he was cute in a crude sort of way. But dumb. Real dumb. How could anybody get talked into doing that labors thing?

Hera sent Hermes to go find Aphrodite. He found her alright. The goddess of love was modelling her latest nightie from Victoria Secret for Ares, god of war and regular all-around tough guy. Hermes showed up just as Ares was about to make his moves. Aphrodite loved his moves, that was for sure. But when Hera called, she knew she’d better go running off to Olympus

First thing Hera said to Aphrodite, “Where’s that little bastard? I am going kick his butt all the way to Hades if I get a chance.”

“Now, Mom, it’s not Cupid’s fault that he’s such a malicious little troublemaker. He takes after his dad, you know.”

Hera wasn’t looking for excuses. This was the last straw. She wanted to kick Zeus in the place it would hurt the most. Right between the thunderbolts. That would teach the big galoot. So what did she do? She called a War Council. The other gods and goddesses showed up under protest. Everybody but Artemis. She hated politics. Somehow Apollo got his little sis off the hook. It wasn’t easy but he did it.

All the council was thinking they better find a way to calm Hera’s anger. Or there would be consequences. Last time anybody took on the Big Guy, he had them for lunch. Atlas still had the scars.

Hera called Exhibit A to testify to Zeus’ transgressions. Europa. You’d think Europa would have known better than to get involved with Zeus. The girl had heard the stories. About Semele and Thalia among others. But what young woman could resist the attention Z gave her?

It was downright flattering that the king of the gods would even be interested in her. After all, her nose was slightly larger than the rest of the maidens. Her friends always made fun of it. And her breasts were a little bit too small. The guys said so. But Zeus went for young ladies with a few imperfections. I mean Semele had big ears and Thalia a rather large rump. And small breasts and a big nose was a real turn-on for him. He promised Europa a continent of her own. How could she resist? What with the price of real estate, she’d be richer than Warren Buffet and Bill Gates and Jeff Bezos put together. So what the heck?

Besides there were those blonde curls of his. She couldn’t resist running her fingers through them. And she just loved the big Z on the chest of the god who loved her. Reminded her of Zorro. That was enough for Hera. She knew that tattoo very well. It was Z’s chest that it was on. And the beard. Europa remembered the beard too. It tickled.

After the testimony, Poseidon tried to calm Hera down. “It’s just Zeus. You know how he is. These flights of fantasy don’t mean a thing. It’s you he loves. Always has been. Always will be.”

But there was no quenching Hera’s thirst for revenge. But what to do? the Councilors asked each other. If they weren’t careful, war would break out, then they, the gods, would have to choose sides. That just wouldn’t do. Brother against brother, sister against sister, sister against brother, brother against sister, mother against father, child against parent, parent against child.

So the Council adjourned to give the whole matter some thought. Knowing that it wasn’t good to think on an empty stomach, they threw themselves into a feast.

Z came home that night. He took one look at the feast and said, “You guys threw a party without me?’ They all nodded yes, not wanting to give the Big Guy a clue about what was going on. But he took one look at his wife’s face. Knew he was in trouble and that is Trouble with a capital T right here in River City. He didn’t know what he had done but he knew he’d better come clean with an apology. “I’m sorry,” he said. “No, you’re not,” Hera answered. He should have known that was coming. Already he was digging himself in a hole and he wasn’t sure how to stop.

Zeus gave her that smile, you know the one with the dimples and the boyish grin. “My friends,” Zeus said to the Court of the Gods, “do I not look like I am sorry?”

“He’s sorry,” Hades said. “Yep, he’s really sorry,” Athena chirped in.

Hera held her peace and faked her forgiveness. She gave Zeus a big hug.

Relieved, the others finished their libations, then dozed off. The next morning Zeus was up bright and early and on his way, checking out the world to make sure things were a-okay. Hera called the War Council together again. “Give me what I want,” she demanded. “Or there is going to hell to pay. And you know I can make you pay it.”

“What did you have in mind?” Apollo asked.

“Your daddy is partial to the city of Troy. So I am thinking we can do some real damage to the place. Then he won’t be able to pin anything on us. When it’s all over and we have leveled the city, I can tell him why.”

“We can’t go down and blast Troy to Sodom-and-Gomorrah,” Athena said. “Daddy wouldn’t let us.”

“No,” Hera said. “But the Greeks can.”

Well, all the gods and goddesses liked this plan. It had been a long while since they’d had a first class war. It was going to be a lot of fun.

“Now where did you say that Paris was?” Hera asked Aphrodite.

Aphrodite answered, “Last I heard he was in France.”

And that was how the Trojan War really was started.

Dostoevsky’s Last Night

Tomorrow’s Dostoevsky’s 200th birthday. Here’s a story to celebrate.

A man about to die. It focuses his mind on what is important: How cold it is in the cell of the condemned.

Fyodor lay on the hard floor, folded into a fetal position to keep warm, his blanket under him to steal his body from the cold stone. The other prisoners did not talk of the justice they had worked for, schemed for, plotted for, some of them for years. They shivered in the cold cell, pulling their light blankets over them. They discussed the best way to be executed.

One said, “I prefer hanging.” His teeth were chattering loudly.

Another said, “Not me. Give me a firing squad.”

Still another chattered, “What if they miss?”

The vote was tied. Four for hanging, four for the firing squad.

They turned to Fyodor. “And you?”

“I prefer living,” the deep, hoarse voice of Fyodor Dostoyevsky said from his corner, then went back to his thoughts.

One of his compatriots shook him and whispered, “Where’s your God now?”

Fyodor did not answer. He turned his back toward the fellow and faced the wall. It was as empty as his future. He silently prayed the prayer he had learned as a boy from his mother, “Mother of God, My hope is in thee. Give me shelter under thy wing.” His fear of the dawn ahead dissolved.

Behind him, someone grumbled, “I wish the police had just shot me. I hate this waiting.”

“At least I’ll be warm,” one chattered. “When I’m dead.”

In another corner, someone was whimpering, afraid to die. The others ignored him. They were all afraid to die, but the rest of them took their fate stoically. They had known the consequences if the tsar turned against them.

The cell was large and dark. It could have held twice as many as the nine prisoners who had languished there for days as they awaited the executioner. If it had been crammed with prisoners, it would have been warmer from the men’s body heat. The tsar did not want to waste money on the condemned, so it was only bread and water for their nourishment for the last few days. And one meal a day at that.

To make the hours pass, Fyodor rested his mind from the chill and fell into a story. It was the story of his life as Fyodor Dostoevsky as a child. The odor of the halls of the Hospital for the Poor where his father worked as a physician, the patients coughing from consumption, the smell of urine in the halls from the sick and the dying. How could he ever forget that smell.

From the family’s residence, he watched through the parlor window prisoners progress down the street on their way to Siberia. Then there was the time he heard the cries of his nine-year-old friend, Natasha, raped. He ran to the garden behind the house.

The rapist gone, the girl lay on the ground, his father kneeling beside her, comforting her, then he raised her body the way Jesus must have raised the daughter of Jairus. He turned. Tears were falling from his eyes. He said to the boy, “Run. Get the police.”

There were fond memories too. His father reading Cervantes and his mother reading too. Reading the Gospels. Reading Job and his trials. Job was someone Fyodor understood. He and the old man were so alike.

Then he was in the woods near his family’s summer home, the ones his brother, Mikhail, referred to as Fedya’s Woods. He must have been eleven or twelve, his head leaning up against a tree, taking a break from his mushroom gathering. He was dreaming that he was Puck in “A Midsummer Night’s Dream”, whizzing around the forest on his light feet.

He heard a wolf’s growl, or so he thought.

A slight breeze cooled his face, tickling his nose. The woods were quiet, the birch filling the air with their minty odor. The birds had forgotten to sing when, only a few minutes ago, they were singing their hearts out. Then a crackle and a soft padding of the wolf nearby. He smelled the beast, stalking him.

Like a frightened deer, Fyodor upped and ran. He ran hard, crying, “Wolf.”  He ran into the field nearby. The old serf, Marey, caught him and pulled him into his ancient arms the way a tree’s branches often pulled him into the tree. Then the old man held him as if he was his son. He combed his hands through Fyodor’s blond hair.  The man spoke the prayer his mother taught him, “Mother of God, My hope is in thee. Give this boy shelter under thy wing.” The serf looked into Fyodor’s eyes and Fyodor felt safer than he had ever felt. He could still recall the serf’s eyes, the kindest eyes he had ever seen.

Fyodor remembered his last words to his brother Mikhail as he toasted his brother on the older man’s name day. “To my closest friend and the greatest man I know.” Mikhail’s face appeared before him and reminded him of all the games, all the books, all the songs the two had shared together. He would never see Mikhail again. At least, not in this life.

Lying in his corner of the prison cell, Fyodor fell into a deep sleep. He stood beside his mother’s open coffin before the altar in the Church of the Holy Spirit and beneath the painting of the Raising of Lazarus. She wore a fine lace dress, her curls falling to her shoulders. Her face a peaceful face, her body relieved of the suffering from her tuberculosis. Her eyes opened. “Fedya,” she said, “don’t be afraid. God is with you. God is with you.”

Fyodor woke up. The cell door squeaked open. Into the room stepped a priest, carrying a lantern. The door closed behind him and he hung the lantern on the wall. Fyodor pulled his body up and leaned against the wall.

“I am Father Valentin,” the priest said, his beard covering his chest. “I am here to hear your confession if any of you would like.”

“Go away,” the atheist shouted at the priest. Not just at the priest. At God as well. “Get the hell out of here.”

“No.” Fyodor’s voice was fearless, so fearless the atheist cowered into a corner. “I will say my confession.”

Father Valentin walked over to Fyodor and sat down and faced Fyodor. “Yes, my son?” the priest asked.

Fyodor whispered his confession. The priest gave Dostoyevsky his cross. Fyodor kissed it. The priest rose moved on to the others. Each of the prisoners spoke to the priest. Finally it was the atheist’s turn and he too whispered some words.”Just in case,” he said as the priest called to the guard outside the large wooden door.

The door opened. In stepped the Sergeant of the Guard, followed by four of his men. The guards threw a white shroud to each of the prisoners. “Put these on,” the Sergeant ordered.

“Just take us out and shoot us,” the atheist demanded.

The Sergeant drew his sword and hit the atheist over his head with its broadside. The prisoner’s head was bleeding.

“Anybody else?” The Sergeant looked around the cell for any resistance. Then he said, “Put these on. You first.” His sword pointed at the atheist.

The atheist wiped his blood from his head and grabbed the shroud and slipped it over his head. “Bloody marvelous,” he said. The dried red smeared across the man’s shroud.

Each of the other prisoners stood and pulled his shroud over his head.

“Now out with you,” the Sergeant ordered. The prisoners one by one went through the cell door.

Fyodor emerged from the cell and into the hall. A tall, young guard grabbed his hands and pulled them around to his back, wrapped a rope around his wrists, pulled it tight and knotted it. The rope cut into Fyodor, feeling like it was reaching into the bone.

When he was finished with the group of them, the Sergeant of the Guard addressed them. “Follow me, please.”

The Sergeant and two guards led the way while others followed the prisoners. All was quiet in the hall, except for the drumming of the boots of the soldiers against the floor. The prisoners passed the lanterns on the wall, each one a little closer to the end, each one falling away like seconds on a watch.

As the prisoners emerged from the darkness and into the day of Semenovsky Square, the morning sun blasted their eyes with its light. The Sergeant and two of his men broke the prisoners up into groups of three. He led the first group to three wooden stakes and tied them to the poles with rope.

When he finished, he returned for the next three prisoners. Fyodor was the middle man. The snow bit into his bare feet as he was rushed across the field. The Sergeant roped him to the stake. Fyodor’s feet numbed from the snow.

The Sergeant moved, finishing Dostoyevsky’s group, the third group. He grabbed a bottle of vodka from the hall and walked over to the first prisoner in the first group.

“Would you care to drink a toast to the Tsar?” he asked.

“Yes, please,” the prisoner said, the one who had been crying in the corner the night before.

The Sergeant uncapped the bottle, raised it and said, “To the Tsar.” He drank from the bottle, then poured a few drops into the prisoner. He continued onto to the next prisoner, and the next.

As the sun glared in his eyes and blinded Fyodor, the Sergeant came to him. Jesus hung on a cross, between two thieves. A Roman gave Jesus wine. Fyodor hung on a stake between two comrades. A Russian soldier gave him wine too. Was he dying to save his world? Was he dying so that others might live?  He shook away the thought. It was blasphemy. It must be. And this was no time for blasphemy. “Would you like to toast the Tsar?” the Sergeant asked.

Fyodor looked deep into the man’s dark eyes. “I would like to toast God.”

“Very well then.” The soldier raised the bottle to the prisoner’s lips. Fyodor took his drink. It wetted his dry lips, lips starting to chap. The liquor warmed him as he went down.

Then the Sergeant raised the bottle. “To God, and may the Devil take him.” He laughed and drank. He stepped to the next prisoner.

The Sergeant finally reached the last prisoner. “None for you,” he said, indicating the bottle. The atheist spit into his face. “Damn you,” the jailer shouted at the prisoner. He drew his sword. Twice he sliced the prisoner’s face. “Take that to hell, and tell the Devil that it was Nicolai Nikolaevich who did it to you.”

Fyodor prayed softly, “Mother of God, My hope is in thee. Give me shelter under thy wing.” Then he saw Mikhail’s image one final time. “Be a good man, Mikhail,” he spoke to the morning. “Soon we will be together again. With Mother and Father.”

A firing squad marched out before the first three of the prisoners. The men turned toward the prisoners.

Fyodor tempered himself against what was about to come. “Mother of God, My hope is in thee. Give me shelter under thy wing.”

The officer of the squad called out, “Raise your guns.”

“Mother of God, My hope is in thee. Give me shelter under thy wing.”

“Aim.”

“Mother of God, My hope is in thee. Give me shelter under thy wing.”

A horse with a rider galloped through the gate of the fortress, the man on horseback crying, “Wait.”

A few moments later, the officer shouted to the prisoners, “The Tsar in his magnificent justice has given you scum a reprieve. You shall not die this day. Instead Siberia will be your new home.”

Five Rules for Lead Characters To Live By

1.Get to know your writer.

She won’t bite. She needs you just as much as you need her. Sure, she may put you through a beaucoup of manure. It’s okay. That is her job. Things will work out well in the end. Ask her questions about your role in the story. If you make her like you, you might get a return engagement. Series have been built around characters who have made nice to their author. Just look at Harry Potter. Seven books just because he said please and thank you and ma’am. Believe you me that boy knew exactly what he was doing. And guess what? His author may be bringing him back.

It wasn’t that James Bond and Tarzan were so popular. It was that they gave their creators a warm, fuzzy feeling. So ask your writer if they like wine? If they do, there’s no rule that your can’t give them a nice bourdeaux. Maybe she’s into clothes. Give her a new pair of shoes that fit comfortably and look great and she will be your friend for life. Just ask Scarlett O’Hara. Tomorrow may have been another day, but shoes got her the job. Jake Barnes knew his Hemingway. He gave Papa his first typewriter. It was Jay Gatsby that showed Fitzgerald how to get Zelda to marry him. And Huck Finn taught Mark Twain everything Sam Clemens knew about humor.

2.Let your writer get to know you.

You think Holden Caulfield was invented in a day. Absolutely not. Ol’ Hol was sharing his stories with J. D. for years. Originally Sal was only going to put Hol in a short story. Hol kept telling his creator more and more. Pretty darn soon Sal had a whole novel.

So tell your writer everything. How you wet the bed till you were seven. How Mary Lou Wizzama broke your heart when you were eight. How you almost died of the flu when you were nine.  Don’t forget the secrets either. How you almost got caught shoplifting when you were twelve. You just had to have that first number of The Flash comic book. How you were dumped by your first girlfriend because she didn’t like the shoes you were wearing to the prom.

Stuff like that. Believe me. Your creator will love that kind of stuff. And if you don’t have any interesting stuff, make something up. When he finds out that you did make it up, he will be impressed. It means you’re ready to work hard in your role as a character. He might even promote you from sidekick to protagonist. That was how Huck Finn got his lead.

3. Dress appropriately.

I can’t tell you how many characters have shown up on set in the wrong duds. Othello showed up in a kilt. Talk about mad. The Bard was livid. Tom Sawyer showed up in a suit. Mark Twain just about laughed him off the set. And that Nick Carroway of Gatsby fame. He thought Fitzgerald wanted him to be a cross dresser. F. Scott was drunk for a whole week over that one.

Do some research. Find out what time period your character is supposed to be in. Have a little looksee at your character’s resume. It will keep you out of all kinds of trouble. Dickens fired a character once because she thought she was doing Jane Austen. Jane Austen was very forgiving. Mr. Darcy thought he was playing Tom Jones’ daddy. Can you imagine?

4. Choose your friends wisely.

Loners don’t make it in the story business. Don’t forget how useful Doctor Watson was to Sherlock Holmes. Sherlock had a good eye for character and Watson was his man. Tom Buchanan in “The Great Gatsby” got his job because he coseyed up to Nick Carroway.

Remember this character can save your butt in a tight spot. Don’t forget that Gretel would never have been able to get that witch into the oven without Hansel. Dick Whittington would have been nowhere without his cat. Do you think Dorothy would have ever made it back home without Toto? Absolutely not. And Peter Pan could never have found his way to Never Never Land without Tink. She was his GPS Navigator. I’m telling you sidekicks matter.

5.Don’t forget to join the Character’s Union.

It will save you a lot of heart ache and pain. There are characters who absolutely refused to join. Look at them now. Take Hamlet. He could be a rich character. Every performance would be bring in a royalty. Hundreds of times a year, that is how many performances go on. For each of those performances he would bring in the big bucks. Could be living in a mansion. Instead he’s forced to live in a trailer park. He can barely pay the rent on that run-down trailer of his. Last I heard he was a neighbor of Honey Boo Boo’s. Can you imagine how humiliating that is for one of the best known characters in all of Western Civilization? Compare that to Ham’s ghostly dad. He’s only in three scenes. But he now owns an island. For each performance in the last four hundred years or so, he has gotten minimum. Makes you think, don’t it.

If you follow these five simple rules,

you can have a successful career as a character. It worked for Moby Dick, for David Copperfield, for Emma, and it can work for you.