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Murai is samurai-inspired display typeface, specifically made for logotype and branding

Murai is part of Logoipsum Editor+ Mini Font Bundle #4.

Lexikon is modern, futuristic display font made specifically for logotype and branding. Available in regular and slanted version. Letter variation available through its uppercase for letter V, L, and F.

Lexikon is part of Logoipsum Editor+ Mini Font Bundle #4.

Letdrop is display font made specifically for logotype and branding. Inspired by the liquid droplet, and it's become the main characteristic of this font. Letter variations is made available through its uppercase set.

Letdrop is part of Logoipsum Editor+ Mini Font Bundle #4.

Neue World is a super‑serif family designed for commanding headlines, posters, and editorial statements. Created by Mat Desjardins and Valerio Monopoli, it spans six widths (Super Condensed to Extended), each in eight weights (Thin–Black), plus a variable font, totaling 48 styles. Inspired by vintage display types manually squeezed to fit various formats, it combines soft curves in lighter weights with hard contrast in heavier ones. Featuring full Latin and Cyrillic coverage (650+ glyphs per style), it’s ideal for designers seeking both elegance and impact in large‑scale typography.

Sväng is a 1970s-inspired display typeface originally drawn in 1976 by Claes Nordenstam (as “Quickstep”) and digitized by Göran Söderström in 2019 for Letters from Sweden. It features bold stencil-style letterforms with parts removed to reveal dynamic, rhythmic shapes and strong ’70s flair, while remaining surprisingly versatile across different contexts. Offered in four weights with two stylistic sets (ss01 & ss02), Sväng brings both retro charm and contemporary utility.

Mikro Super is a bolder display version of the Mikro typeface, specially designed for tight headlines. Created by Göran Söderström and released in 2021 by Letters from Sweden, it adapts the geometric, polytopal style of Mikro into a bold and compact headline tool. The family includes six weights (Light, Regular, Medium, Bold, Black) with matching italics, and features a Unicase stylistic set as well as several OpenType stylistic alternates (ss01–ss04). It supports both Latin and Cyrillic scripts and is optimized for impactful, tight-setting display use.

Eksell Display is a distinctive display serif originally drawn by Olle Eksell in 1962 and digitized by Göran Söderström in 2015 for Letters from Sweden. The design features sharp, triangular serifs and strong contrast, bringing a mid‑century modernist feel.guage support for Greek and Cyrillic. Its personality shines through quirky The family includes four optical styles—Small, Medium, Large, and Stencil—plus lanletterforms like the 'g', 'a', and 'f', making it ideal for expressive headlines and artistic branding.

Rund Display is the display-specific sister to the eight‑weight Rund Text system, designed by Göran Söderström for Letters from Sweden and released in 2021. While rooted in geometric grotesk traditions (Futura, Avenir, Neuzeit Grotesk), Rund Display features distinctive concave terminal cuts and tighter spacing, enhancing its character in large sizes. Part of a unified system with Text and variable formats (width + optical size axes), it remains legible and warm when used in editorial, branding, headlines, and pairing contexts.

Ivar Fine is the fourth, most refined optical size in the Ivar serif superfamily, featuring higher contrast and sharper proportions than its Display counterpart, designed by Göran Söderström in 2020. Rooted in Times‑inspired construction with classic serif grace, it balances elegance and legibility—ideal for large-scale headlines. The family comprises five weights (Light–Bold), each with italics, and includes OpenType features like ligatures, tabular lining figures, and slashed zero, offering distinctive typography for sophisticated editorial and branding applications.

Lab Grotesque is a contemporary grotesk sans-serif designed by Göran Söderström and Stockholm Design Lab, released by Letters from Sweden in 2015. Inspired by early 20th-century grotesques, its unique character lies in curved strokes that subtly straighten toward square terminals. The family includes six weights (Thin to Black) with matching italics and offers stylistic sets to switch between square or rounded dots. Extensive language coverage spans Latin (including Vietnamese), Greek, and Cyrillic. OpenType features include stylistic alternates (ss01–ss02), zero, and tabular lining figures. A monospaced companion, Lab Grotesque Mono, enhances its typographic flexibility. Ideal for both text and display use.