• New Episode: Kevin Sanders, Copim and open access monographs

    Another new podcast episode, takes an in depth look at questions around open access monographs

    Join us in a new episode of the Exchanges Discourse, as I chat with Kevin Sanders (Open Access Engagement Lead, Copim/Open Book Collective) about his work relating to open access monograph publishing. We begin by exploring exactly what Copim (Community-led Open Publication Infrastructures for Monographs) is and how it originated from the Radical Open Access conference of 2018, hosted here in Coventry.[1] Our conversation moves on to talk about Copim’s work over the years, focusing on the changes it’s been helping to make to the publication of open access monographs.

    An interesting part of our talk is where Kevin and myself compare our experiences working in open access publishing over the years, and the changes we’ve seen, but also how some of the same messages and experiences return time and again. Part of this conversation shifts to consider how policies and practices in open journal and books might have strong resonances, although acknowledging that there are some major differences between the formats.

    Unsurprisingly, for anyone who’s worked in scholarly communications, we dip into how individuals, rather than institutions are responding to the idea of more open monograph. Again, we touch on areas of resonance between how academics reacted to the arrival of open access journals. We move on from this to chat about some of the particular and unique challenges around a greater uptake of open access monograph publishing – from favourite routes and publishers, to apprehensions and even misunderstandings prevalent in the field. Thus, we close the conversation with some suggestions and advice for academics and authors wanting to explore them more for themselves.

    I thoroughly enjoyed this chat – and I hope you do too. As always, I welcome any suggestions for future guests – self-volunteered or nominated: if you’re doing anything interesting in the realm of scholarly communications, I’d love to hear from you!

    Endnotes

    [1] Full disclosure, I was at this conference but I’ve never been part of this project – so was fascinated to hear how it began.

  • Chief Editor’s guest editorial in Reinvention offers some guidance and insight to authors new to the academic publishing scene.

    I was delighted to discover that the Reinvention journal has published my guest editorial! Which you can read via the DOI here:

    http://dx.doi.org/10.31273/reinvention.v18i1.1897

    I confess I had – almost – forgotten I’d written this, and was wondering when it was going to come out. I had need to check something on Reinvention’s website today, and had a browse through their most recent issue only to spot my own name there in proud, bold type. As Reinvention is one of our companion journals to Exchanges on the Warwick University Press Journals collective, I was only too happy to write them a little something when they invited me. Certainly, makes a nice change from writing editorials for my own journal for once, although the thought strikes me that now I need to think of a different topic for our own forthcoming editorial. However, I’m fairly sure the muse will strike me before I have need to think too hard about it.

    The basis of the text, if you’re interested, is based on the session and discussions which arose from my visit in March to the splendid Leeds Art University. The idea there being to provide a briefing about publication from an ‘insider’ point of view. As luck will have it, I’m already using this material to create some new training and development sessions, so the effort is paying double dividends!

    It was a genuine pleasure writing for another journal, so perhaps this won’t be a one off. Naturally if you have thoughts, comments or suggestions around this fascinating topic, I’m only too happy to hear from you or in the comments below.

  • From today, authors of peer-reviewed research articles have more word capital available to make a greater impact with their writing.

    Exchanges is pleased to announce that from today (1st May, 2025) we are raising the word count for peer-reviewed article submissions to 8,000. Over the years while we’ve always maintained the word limits for manuscripts as a fairly fuzzy limit – for those papers which went way over budget, we normally worked with the authors to bring the count back down closer to our required limits.[1] Whereas for those authors who were a few hundred words or so over, we generally weren’t too concerned about this and provided everything else was of sufficient quality in their work, would progress the manuscript on to formal review consideration.

    Now, in recent years we’ve had a few papers where this upper limit has been a problem with an otherwise excellent submission, and naturally these and occasionally other authors have asked if we’d ever consider relaxing our limits. I’m pleased to say in part due to this feedback, and after discussions with our publisher we’ve agreed to raise the limits from today. [2] An interesting point, as we’re an online only publication you might be asking ‘Why have limits at all?’ The simple answer is one of workloads – the longer the article, the more effort is required from editors, reviewers and indeed authors themselves in terms of review, revision and editing. Any potential workload increase has to be considered against the fact that most of our reviewer and editorial contributors work for us on a volunteer basis, and asking too much more them could be prohibitive to their continued involvement. Not to mention the increased demands on my own time which is regretfully not infinite! Which means we won’t be abolishing word limits altogether or increasing them into the tens of thousands. [3]

    Nevertheless, our hopes are that this new higher word limit will not only allow authors to contribute more expansive and offer greater insights in their papers, but also where assist them in having papers considered for various research assessment requirements too. Here, I am led to believe, papers closer to the 8,000 marks are important within some assessment schemes, hence our desire to assist authors in gaining the suitable recognition for their publications. Naturally, we haven’t changed the lower limits which for peer-reviewed papers remain at 4,000, and certainly there have and will continue to be many fine papers which are more concisely written [4].

    I should note, that the word limits for our detailed editorial review items – like critical reflections and conversations – remain unchanged. These have always been intended to represent ‘brief’ research communications, able to be more rapidly written, edited and published, so raising the word limits on these would be counter to their core purpose.

    We have updated all our author guidance to reflect these changes today – but if you happen to spot a random reference somewhere quoting the old limit – let me know! And as always, if you’ve any thoughts, comments or questions – let me know here or by getting in touch via email.


    Endnotes

    [1] Word counts only apply to the main text, so we don’t consider titles, abstracts, endnotes or references to be part of the limit.

    [2] The Institute of Advanced Study, University of Warwick.

    [3] Unless, in the highly unlikely event in the current higher education economic environment, funding is suddenly found to drastically increase the paid secretariat and editorial team of Exchanges. Maybe then!

    [4] Or just under. The limit remains fuzzy, so a few hundred short of our requirements might not be a problem provided any paper is of sufficient quality in all other considerations.

  • New Episode: Exploring the early career Trailblazers monograph programme

    A brand-new podcast episode looks at a successful programme which is helping an increasing number of early career scholars to publish open-access monographs.

    After a bit of a scheduling delay [1] our new podcast episode is live on Spotify, and wherever good podcasts are streamed. In this episode I talk with Andrew Barker (University Librarian, University of Lancaster) about an open access monograph (book) publishing programme he’s spearheaded: Trailblazers.

    We discuss how the support of Liverpool University Press (LUP) alongside collaboration with an increasing range of partner institutions has been vital in enabling the programme. We then explore how Trailblazers works intimately with early career authors, supporting them as they publish their open-access books through the press. In this way the programme not only helps them achieve publication but also increases their understanding and appreciation of open-publishing activities and concepts.

    Andrew and my discussions move on to explore the challenges of overcoming the inertia from centuries of ‘standard practice’ in publishing, a topic I’ve been actively involved with for a couple of decades now. We also celebrate and reflect on the many successes and lessons which have emerged from Trailblazer’s activities over its first two years of operations. We move on to look at how others can get involved without seeking to reinvent the wheel and then conclude with a general debate over the personal responsibility and individual tenacity required to achieve authentic publishing cultural change.

    This was a fantastic episode to record, not least because Andrew is a deeply knowledgeable and enjoyable guest to host [2], but also because I think we touched on a lot of key areas well worth exploring for early career authors. Plenty to chew over too, I think. Hope you enjoy the episode! [3] I should add that we’re looking to feature more people doing interesting publishing things, so drop me a line if you’ve an idea for a guest (or would like to volunteer yourselves!).


    Endnotes

    [1] This episode was due to be recorded and released last month, but the guest had to cancel at the last minute. Glad we could reschedule though!

    [2] Full disclosure, I’ve known Andrew for a long time, although this episode marks the first time we’ve spoken directly in quite a few years.

    [3] And apologies for the recording glitches periodically throughout this episode – I’ve edited around these as much as possible. Oddly during our conversation there were no problems whatsoever, so suspect this was a server/hosting platform issue.

  • The Chief Editor offers some guidance, inspiration and insight into the art of crafting an effective conversation article for publication, highlighting their many advantages and value to readers and authors alike.

    As I discussed in my recent post about Critical Reflections, some of the formats we consider as articles for publication are less familiar for potential authors, which is why we try and offer more guidance. In this piece then I’m going to look at another these formats, one of which was especially popular in earlier issues of Exchanges, but we’ve seen more seldomly in recent years: the Conversation article. Perhaps this blog piece will stimulate a few new ones or at the very least demystify their creation a little more.

    What Are They

    Undoubtably, conversations between scholars have throughout academic history been an invaluable aid to clarifying and illuminating aspects of research thinking. I’m sure many readers can think to times when a conversation over coffee or a glass of wine at a conference served to stimulate their own understanding of an area, possibly more so than the formally presented papers! Even written down, rather than experienced aurally, such transcribed debates can have a significant and illuminating value. For example, it was reading a conversation between Foucault and another researcher, rather than his writings, which finally got me to better understand his thinking on power structures. So, it is fair to say I have a personal interest in the form.

    Hence, structurally conversation articles comprise annotated and contextualised dialogues between two or more people. While they always contain the transcript of a conversation, the written text goes beyond this by additionally offering some context around the exchange. This is because these articles are intended to offer a more accessible route to understanding an individual’s academic contributions, or to explore an area of research in an engaging and readable manner. Where the conversation is between an experienced scholar or significant public figure, and a researcher, the focus of the discussion is often around the former’s contribution to thinking, research or practice. In terms of word limits at submission, they are our second shortest format, coming in at between 1,500 and 3,500 words. Given the need for a healthy dialogue and contextualising information, most of those we publish tend to be towards the upper rather than the lower word limits.

    Why They Matter

    Today I would equate the conversation article with another beloved format of mine: the podcast. In a similar way, a conversation article matters because it intrinsically helps readers new or less familiar with a field, topic, researcher or thinking to better understand it. These kinds of articles are also useful because often, especially when focusing on significant scholars or public figures, they can work as a highlight reel, providing guidance and unique insights into a field, research, debates or key literature. Occasionally, some participants have offered revelatory and intimate insights into their working or thinking, which can be both inspirational and instructional for readers researching in associated realms. From any conversation article though, readers should find themselves better prepared to engage with the associated literature and discourse having been primed through cogent debate and exchange.

    I would suggest too that conversation articles have a particular value for those scholars working in adjacent or related fields, especially such individuals keen to develop a more cross or interdisciplinary research modality. To achieve this outcome, they will by necessity need to better understand the key concepts, methods, methodologies and practices with which they will be potentially engaging. Sure, they could take a lengthy personal exploration of the literature, but this may result in the pursuit of false leads and frustrating misdirection: akin to diving into a ‘wiki-hole’ late at night chaining between articles desperately trying to understand a new topic. Sometimes the result is treasure, more often than not though the outcome is at best distraction or at worst vexation. Would that a trusted guide provide both guidance and context on the right or salient topics, publications or people to better focus any explorations and result in a saving of ever-precious time.

    Conversation articles are therefore intended to offer just such guidance, with the debate and context presented in a way which will be accessible and digestible by most scholars and often well-educated public too. They will ideally bring to life topics and individuals who might otherwise be shrouded in mystery or poorly understood, or alternatively bring to the fore scholars and topics which might otherwise be passed over or disregarded by many. The best conversationalists will be able to take their readers on an informed, guided journey into these ‘mysterious realms’ with the express purpose of clarifying and celebrating the importance and value of the topic or individual under discussion. While many conversation articles have been with significant figures, interviewed by more ‘junior’ academics exploring their lives and works, many others have focused instead on peer debates. In these latter kinds of article, researchers share their nuanced and informed understanding through debating a topic of mutual interest, alongside sharing their own knowledge and perceptions. Both kinds of conversations have much to offer readers, and surprisingly, their authors too. Often through engaging in such debates on subjects of mutual interest, authors will benefit from uncovering new perceptions or understandings themselves!

    Capturing the Conversation

    Unlike a critical reflection though, the first step to creating this kind of article is to arrange, plan and conduct your conversation itself. This means identifying who will be involved, getting their permission not just to have the discussion but an agreement that their words can be shared in an article too. With the groundwork laid, the next step is to move on to plan the structure and topics for actual discussion itself. This aspect is one which is very much in the hands of the lead conversationalist and not something on which the journal has any expectations or preconceptions. Generally, though we would advise starting with less-specific questions before progressing on to more detailed topics. This can help establish a tone for the discussion, alongside letting participants warm-up and become comfortable with talking with one another. In this latter respect, you might even schedule a brief ‘off-the-record’ chat before you commence the questioning, to further build a strong rapport between all conversationalists. This will aid in achieving the kind of professional and revelatory exchange that lies at the heart of all the best conversation articles. Ideally it is also worth preparing a concluding, wrap-up question for the end of your discussions, which will allow for the reiteration of any key points but also bring the discussion to an appropriate and well-structured ending.

    If you are less familiar with discussions or interviews like this, there are many books and articles on semi-structured interviewing which can provide exceptional guidance. [1] Once you have an outline to the planned conversation, it is an excellent idea to share it with everyone who will be talking. Do try to dissuade anyone from overpreparing though, as it is best if the dialogue develops along more naturalistic lines. Even if you will be having a conversation with a peer or close colleague though, making sure everyone knows what will be discussed is always a good idea, just in case there are any topics which need to be avoided or handled empathetically. [2].

    Practically speaking, try and conduct the conversation somewhere relatively quiet where you can record it, and transcribe it later in preparation for conversion into an article. You might like to have some drinks (coffee, tea, water etc.,) on hand, as talking for a prolonged time can dry the throat and lead to awkward pauses or disrupt the conversational flow. Afterwards, when you are ready to transcribe your discussions while you can handle this manually thankfully there are many automatic transcription programmes now, including embedded in Word365, which make this task easier. Do be prepared to do some copyediting though as they do not always catch every nuance, name or unusual word correctly and may struggle with some accents. [3] However you approach it though, once the dialogue has been transcribed, your next step is to transform it into a full conversation article.

    Writing the Conversation

    A conversation article practically speaking comprises three parts: an introduction, the transcript and a postscript or conclusion. The introduction is where your discussion’s themes or key individual(s) are introduced, setting the scene, and often comprise not much more than a paragraph or two. Ideally this is where you should highlight why this conversation matters and especially, given our journal’s interests, its relevance in a cross, multi or interdisciplinary manner. This may be an aspect you explore more fully in your transcript, but it is invaluable to readers (and editors) that you highlight this context clearly from the outset. Your introduction should also include any appropriate citations to key pieces of relevant information, concepts, definitions or literature: especially those likely to be less familiar to a wide academic audience. In terms of overall article length though the introduction normally comprises only around 10-20% of the total word count.

    The introduction is followed by the conversation transcript itself, and while I would strongly advocate for authenticity within this, a modest degree of author mediation is acceptable. That is to say, you don’t need to transcribe every single utterance or piece of paralanguage the conversationalists made. You might also want to add the occasional aside or clarifying note, to help the comprehension or context of the discussions. However, authors should try to avoid too much heavy-handed editing though, as efforts to valorise any of the participants, in my experience, runs the risk of stunting the natural conversational flow. It can also introduce a sense of artificiality or artifice in the dialogue, and this increased inauthenticity can cause some readers to switch-off or move on from reading your article. So, edit lightly here!

    Additionally, within your transcript it is normal practice to preface each speaker’s statements with their name, to clarify which of them is talking at any point. Generally, the first time they speak you would use their full name, and for all subsequent dialogue, their first name only. For example:


    Tom Goode:     I would always argue that that the publication of A Silent Spring in ’62 was one of the most significant moments of the modern environmental movement. Or at least in bringing it into the public discourse.

    Margo Leadbetter:       Would you say it still has the same impact today, for readers who are perhaps more concerned with climatic chaos?

    Tom:     Absolutely, sadly much of what it has to say still bears considerable attention.


    As a general rule Exchanges does not use titles in front of names, so don’t use ‘Dr’, ‘Prof’ etc., within these name captions. Such titles can be covered in the author biographies at the end of the article. There may also be points in the conversational exchange where you want to redact, paraphrase or contextualise something which was said. It is perfectly acceptable to make an appropriate use of square brackets [ ] around the phrasing here. In any case, as the transcript forms the heart of this article, it should also represent the bulk of the word count, coming in around 70% or more of the whole.

    Finally, there should be a brief article postscript or conclusion, ideally offering a few final thoughts on the key points or matters raised. It might even point the reader to other works or discussions relevant to the conversation or individual discussed. Unsurprisingly, this codicil will normally be the shortest element of the whole piece, normally comprising at most 10% of the total wordcount. [4]

    At the very end of the article references or a bibliography should follow to conclude the piece. As in our standard guidance to authors, references should be those works which are directly cited or quoted from within the article, most often found within the introduction. Where texts are alluded to, for example books written by one of the conversationalists and mentioned in your discussions, then these should be placed in a bibliography instead. If you’re not sure which citations go where don’t worry, your editor will help guide you on this during the later copyediting stages of editing!

    Incidentally, it is good practice to share your final-pre-submission manuscript with everyone involved ahead of submitting it to us for consideration. Participants may have some final insights or suggestions to add, which you could incorporate into the main text or add as a comment in an endnote. Sharing the draft manuscript like this ahead of submission helps avoid any risks that named participants might feel ‘overexposed’ by anything ‘too revelatory’ they said, and which now appears associated with their name in a draft article! [5]

    Examples

    Here are a few examples of past conversations which might help spur your imagination or give a better idea of the form.

    Concluding Thoughts

    Hopefully, this post has given you a flavour, helpful guidance and even a little inspiration to create your own conversation article. It is worth mentioning that editing and revisions requested from conversation manuscripts tend to be lighter, which is a minor advantage too. This tends to mean they progress to publication acceptance, and dissemination as an article, more rapidly too. As we normally wouldn’t suggest you revise the dialogue itself, our editors tend to focus in on the opening and closing of the piece – the contextualisation – as these are the sections which normally benefit from the most attention to ensure they’re suitable for our readers. Unsurprisingly, our most common feedback and revision requests are focused on where authors haven’t explained in sufficient depth or transparency why their topic or subject matters, and their significance to the wider academic world. Ideally, considering and highlighting the interdisciplinary nature of the conversation here is always a great way to help progress your manuscript to publication success!

    Incidentally, conversation articles, like critical reflections, have often featured in our most popular articles of the year. So, they are clearly a format which our readers value and benefit from, and as I noted at the start, my only regret is that we have far fewer of them submitted these days than we once did. However, with the lower number of conversations published more recently, there’s an opportunity for newer ones to make a significant splash, so if anything, they are possibly a more attractive prospect for a publication than ever.

    I do hope this article has helped you better understand not just how easy it can be to create a conversation article for Exchanges, but also how valuable and readable they can be. I have certainly enjoyed all the ones I have read during my time on the journal, and I look forward with considerable interest to any we receive in the future.

    As always if you have any further thoughts about this topic, please do use the comments option below. If you’ve got any specific questions about a possible submission, naturally, please do get directly in touch. I look forward to hearing from you!


    Endnotes

    [1] I will confess to being a past master, or at least indecently experienced, at this style of interviewing, as a consequence of my doctoral research and podcasting endeavours. If anyone would like some specific guidance, I am happy to offer pointers to anyone less familiar with this approach.

    [2] Some people, more natural performers, may find the unprepared approach more exhilarating or freeing. Hence, adopt an approach which works best for everyone. I confess I always prefer to have an outline idea at least of any topics up for debate, simply so I can focus my mind before speaking.

    [3] I nominally speak with a mix of standard English RP and light UK Midlands accents…and transcription programmes sometimes struggle with me! They are getting gradually better but expect to spend time correcting some inaccuracies in an automatic transcription, especially where technical/disciplinary-specific terms or people’s names are encountered.

    [4] Don’t get too hung up on these percentages though. You may have only a brief transcript and want to provide proportionally more context and analysis. This is formally perfectly acceptable within the conversation format, but it can be a good idea to discuss this with the Chief Editor (me!) ahead of submission to double check.

    [5] The attributed authorship of the article is a decision you’ll have to make among yourselves as we are normally guided by the wish of the contributors, as communicated to us from the lead (submitting) author. Some contributors prefer to include all writers and conversation participants as authors, others restrict it to solely those who transcribed, drafted and revised the article text itself. If I were to make any suggestion though, I would personally consider the former option preferable, which if nothing else can be a handy way to have your name associated with a co-author with a noted figure. However, the first author should always be whomever led on authoring the article, rather than most ‘significant’ figure involved, unless they personally drafted the article.

  • In this update to an old blog entry, the Chief Editor explores just why Critical Reflection articles are such a valuable resource for readers, and explains how authors can go about creating one themselves.

    Back on the old Exchanges blog I wrote a piece some years ago about our Critical Reflection article format. The piece, and the format, have long been a popular one, and speaking to one of my lovely colleagues here at Warwick this week I was inspired to update the article for the new blog. [1] So, in this piece I will discuss what we mean by a ‘critical reflection’ article, why they matter to you as an author and our readership and offer some tips on how to write a good one.

    What Are They?

    Critical Reflections (CR) are a flexible format lasting between 1,000-4,000 words at submission and encompass a variety of different styles of writing and content. As originally outlined, they were typically envisaged as shorter, less-research intensive appraisals of current research fields, events or literature than authors would normally submit under our peer-reviewed academic article format. Over time the CR format has broadened a little to encompass opinion pieces, author monologues and short-research and practitioner reports, becoming more akin to the kinds of content and debate you might typically find at a scholarly conference. While they vary, considerably in theme and even more stylistically, what they do share is a strong sense of academic scholarship and critical analysis of whatever topic is under discussion combined with an author’s personal insights into that field. [2]

    In many senses by keeping the format as flexible as possible, we’ve been able to accommodate many highly readable and insightful CR articles over the years. However, we have always been aware that this inherent flexibility is something which can be a little challenging or even off-putting for some potential authors, so hence this piece looking at their formulation and purpose.

    Typical Event Reflections

    When people approach us with an idea for a CR often what they have in mind is wanting to share their passion for something they have experienced, while also bringing their own perceptions and a sense of critical scholarship to bear. In many respects, this sort of ambition makes an excellent model for creating a CR article likely of interest to our readership. One of the most common kinds of CR we’ve published over the years are the event-derived ones.  These are where authors, having attended a heady symposium, conference or workshop, decide to share not only a summary of the discourse, delegates and notable debate, but also bring into the frame their own perceptions of the value, impact and importance across the event. Now scanning around the internet, you will likely find plenty of blog pieces offering conference summaries, but these are routed mainly in reportage with a modicum of analytical content – if it is present at all! Reportage has its place, and within a CR set around an event you should expect to find (or as an author include) it, but it is the critique and analysis of the event which forms the crucial difference which really makes a CR standout. Hence while a typical CR will offer contextual information, perhaps even as much as 50% of the piece talking about what was said in our example, the rest of the work goes beyond this to offer an assessment. In this way the writing offers a far more academic scrutiny and consideration of the experience, and in this manner forms the critical element of the format! Combine this with the highly personal insights, commentary and asides, and you will find that the reflection aspect of the article has been created.

    Othe Critical Reflections

    Now, I’ve been writing about event CR, but you will have noticed Exchanges is not only interested in these styles of article. Far from it! I would define our interests are  wide enough to encompass CR concerning any aspect of scholarship or professional practice. Arguably what should stimulate the creation of and form the core of a CR then is any intellectual intervention, experience or encounter of the author. Examples of such ‘encounters’ can include:

    • Concluding a collaborative project which has some valuable lessons or outcomes to be communicated and considered by a wider audience.
    • Experiencing a period of training and development, and feel you have something to share about its efficacy or how it has impacted or shaped your perceptions or knowledge.
    • Meeting a particular academic or noted public figure which has stimulated your thinking in exciting, new directions.
    • Reading an especially insightful or challenging paper, report or monograph which has caused you to reconsider your own practices or thought.
    • Using a valuable research tool, package or system within your work and have thoughts to share on its utility.
    • Working on creating an institutional, national or international policy briefing, protocol or strategic policy, and wishing to share thoughts on its development, impact and implementation.

    Any and all of these could, and have, formed the basis of past CR in Exchanges. I am also pleased to note that when I wrote the first version of this article back in early 2019, event CR were still our major type, but no more. The variety of topics and inspirations which have come in for a critical look have become far more varied, and this enrichment has been to the benefit of the journal and our readership alike. No doubt our authors will continue to surprise and delight us with future variations on the theme!

    Opinions Matter

    There is one more kind of manuscript which can form a CR which is the opinion piece. One of the best examples we have had of this concerned an author’s opinions on the necessity and practicality of demonstrating impact within their discipline. The piece was very much badged as an opinion, a critical one nevertheless, but entirely grounded in personal perceptions rather than stiving for objectivity. These sorts of unique perceptions and insights are certainly welcomed at Exchanges under the CR format, as I am aware authors earlier in their professional careers may struggle to publish these elsewhere. Nevertheless, I would argue early career scholars are just as well positioned as seasoned academics to offer their perceptions and opinions on a topic. Naturally, by going ‘public’ with a position, as an author you have to expect others to perhaps challenge your position – as much as those who might support it – so expect a response within your disciplinary community! [3] Hence, I strongly encourage anyone with something to say about their field articulated within a critical framework, would be welcome to consider forming it as CR article for us to consider.

    How to Create One

    Writing a CR can be a liberating experience if you are used to the orthodoxy of the formal academic article. There is no expectation of a detailed literature review nor research questions required within them. What matters instead is a strong and engaging narrative – one which contains sufficient context for the reader to understand what you are discussing and why it is important. Especially when writing for an interdisciplinary journal like Exchanges, being aware that your readership will not be automatically clued-in to the nuances, trends or tropes of your field, is vital. So, a strong, if brief, introduction to set the scene, should be followed by the descriptive context of your topic: be it event, book, person or field. These elements should ideally comprise about half of your word count. The second half of the piece is where you need to demonstrate your original thought, offer your critique, supported as necessary by other literature. This is where editorial reviewers particularly look for originality and insight when they are evaluating the text. Naturally, a brief conclusion, reiterating any key points or lessons learned is a good ending to consider too.

    Naturally though while this will form a ‘classic’ CR, we have published many pieces which do not strictly adhere to this formulation. This is the inherent flexibility I mentioned at the start, but it also means that pieces which take a different route, can expect a lot more editorial feedback and discussion before they can progress to being accepted! We have to ensure that they still represent a sufficiently critical, scholarly and well-articulated piece to allow them to achieve publication acceptance.

    Still not sure what to write about? Well, here are some example CR which not only demonstrate the range of topics which could be covered, but also the varying styles which have been successfully employed:

    Why Critical Reflections Matter

    The question might now be then ‘Why should I write one?’ One easy answer is that CR undergo a detailed editorial review process before acceptance rather than being exposed to external peer-review. This means that it is possible for us to be able to process and move them towards publication far faster other articles. Although, I should note, we do still decline some CR which don’t meet our quality standards – so acceptance should never be automatically assumed!

    Writing a CR though has a variety of other values too, to the author and more importantly the reading audience. For the author they can be a valuable statement, locating their perceptions and conceptions around their topic in a timely manner. No longer a mere delegate or reader, now you are someone engaging in the discourse through a scholarly lens, bringing your insights and perceptions to a wider audience. Unsurprisingly, CR can help get you noticed and potentially engaged in wider conversations with future collaborators. Naturally, they also look good on your resume or CV when applying for posts or further study, which combined with their speedier turnaround makes them quite appealing for post-graduate and early career researchers alike.

    Another advantage of a CR is that they are mercifully brief pieces of work, which is in part a reason why they can be created, editorially processed and made publication ready more rapidly. They simply won’t take you as much time to draft, proof and polish, nor revise and finalise than a more traditional research article. While we do consider CR around the 1,000-word mark though, it is quite usual for our revision feedback to generally encourage authors to expand on their most interesting aspects. Although, I accept the possibility of someone writing a simply sublime and all-encompassing 1,000-word piece that requires little to no intervention: I just have yet to witness it!

    CR are also read by a considerable audience and regularly appear in our lists of most downloaded articles. This is in part due to their brevity, but also due to authors striving to make the pieces as accessible to as wide an audience as possible. Those pieces which accommodate the unpacking and contextualising otherwise niche disciplinary areas are those CR which generally have the most positive receptions. It doesn’t mean any scholarship, analysis or critique is reduced; it is simply that the authors have made considerable efforts to bring as many readers as possible along with them! Hence, the eventual benefit of reaching an audience who might otherwise skip over your peer-reviewed pieces as being outside their interests or comprehension due to a lack of deep familiarity with your field.

    CR can also act as promotional pieces, for the author, along with their institutions, research groups and projects, raising their respective profiles. They can be in this respect valuable position holders, getting your insights into an audience’s hands, while a more detailed peer-reviewed piece wends its slow way towards publication elsewhere. Hence, offering a critical appraisal of some research or work you are intimately involved with, serves to not heighten the visibility of the research but also yourself as a credible researcher and author.

    Concluding Thoughts

    CR are therefore a format which we love to publish in Exchanges, and which I believe make valuable additions to the literature while proving beneficial to authors too. Hopefully, in reading this brief article you’ve found out a little more about why CRs are not only valuable articles but also how relatively easy and varied they are to create. Maybe you now find yourself intrigued or even a little motivated to explore the CR article a little more – which is fantastic. You might already have a great idea for one or are thinking about a forthcoming event as a spur for developing a piece. Or maybe you’ve already got a manuscript well-underway for potential submission. Naturally, if you’d like to talk it over, I’m always happy to offer some pre-submission guidance and advice, but more often than not you’ll probably be best advised to submit and see what we think. I look forward to reading your critical writings in the future!

    And if you’ve any thoughts on the CR format, and how it might work for you that you’d like to share with our readers – please do make use of the comments below. Thanks for reading! [4]

    Endnotes

    [1] Hello Harriet!

    [2] I’m often asked by editors and authors alike to outline a ‘typical’ critical reflection, and I will confess I don’t think there is one these days. Conversely, I can point to some of the best ones we’ve published over the years, of which there are many.

    [3] I should add, that if a CR opinion piece is adjudged to represent an ad hominin attack, be overtly inflammatory or simply be added as potentially defamatory or libellous, then Exchanges will likely decline to consider these for publication.

    [4] Coming soon – Conversation articles, what they are and why writing them is such an easy win as an article – even if we don’t get as many as we used to!

  • New Editorial Manual Goes Live

    The latest editorial manual for the journal streamlines and clarifies common processes.

    Back when I first took over running Exchanges, almost 7 years ago, one of the things I was surprised about was the lack of formal guidance and policy documentation for use by the editors. I’m sure many small journals start off like this, working on group consensus and understood norms, but as they grow, like Exchanges, there comes a time to document not just the rules on how the journal operates but also the protocols we expect editors to follow. This kind of systematisation, standardisation and professionalisation is something I’ve always brought to bear in all my roles.

    The earliest version I can find of the Editorial Handbook, then addressed solely to our Board, dates back to June 2018, and is the 1.1 version of the document. Clearly I didn’t think retaining the very first version was worthwhile! Clocking in a modest 9 pages and 2,666 words it’s a fairly modest document but even in the simple structure I can see here, the genesis of the more complex, and hopefully robust instrument, we still use to guide editors today. By contrast the just launched, as of today, 8.0 version of the manual weighs in at 40,303 words and 102 pages. Has OJS and Exchanges become more complex? Yes and no really, as while OJS has developed to a small degree, the major reason for the manuals ongoing expansion over the years has been to accommodate greater clarification and transparency of process for the editors. This latest version for example has a vastly expanded section on handling editorially reviewed items, as its an area I frequently have been called upon to advise our team about.

    Do I expect any of our editors to read it from cover to cover? Heavens, no! Like most manuals it is designed to be dipped into, consulted at point of process or need – and especially when I’m ‘offline’ and unavailable to answer queries. Which, to be fair, is most of the working week (and weekend).

    Response from our editors has been uniformly positive, which is great, as this was very much developed to make their lives easier. I just hope none of them make the mistake to try and read the whole document – that’s something only myself and my gallants proofreader should have to endure!

    Pictured: The cover of version 1.1 on the left and 8.0 on the right

  • Valuable Outreach Visit to Leeds Art University

    Visiting Leeds proves a valuable outreach and developmental experience for researchers and journal alike.

    Yesterday I had was delighted to travel up north to Leeds Art University at the invitation of their Research Department. They’d asked if I would be happy to lead a session on publication, from an editorial perspective for their researchers and research professionals, and naturally I was pleased to contribute. Alongside talking about publication activities, offering advice to authors and guidance on handling editors, the visit was also a great chance to promote Exchanges to a new audience.

    I received a very warm reception from the attendees alongside a range of fascinating conversations ensued, which was even more exciting. Since my own doctoral research, I’ve been acutely aware how arts researchers often face a considerably different set of publishing challenges given the nature of their research outputs. And that’s before we start to examine aspects such as reuse of images and potential copyright blocks along the way. Consequently, I relished the opportunity yesterday to hear more about how and what challenges individual researchers and practitioners are facing. Not to mention a very enlightening exploration of a ‘art research catalogue’ [1] which offered insights into new dissemination initiatives beyond the traditional article form.

    Hopefully, the attendees also gained a deeper understanding the subtle nuances which abound behind the scenes in the editorial domain, which will help to better enable their own publication activities. That was my primary goal and given the reaction from the audience and the conversations which followed, it was largely met. Perhaps I’ll get to enjoy some follow-on chats with one or two of them if I’m lucky.

    Alongside the workshop session, yesterday was also a fabulous chance to disseminate a few more of our Exchanges ‘calling cards’, which are proving rather popular![2] Given talking publishing and promoting Exchanges is a core part of my role here at Warwick, I look forward to the next invite to come and chat with some researchers in another lovely part of the country. Get in touch if you’d like me to consider popping along to your institution!

    My thanks especially to Henry Gonnet for the invite and hosting, and everyone who attended the session for their insights and good humour!


    Endnotes

    [1] That might not be the right name, but I didn’t have the chance to take notes. But essentially an open access resource wherein text, images, media etc., are linked together around a singular ‘output’ identity. Sounded very intriguing!

    [2] I came home to a random request from another section of Warwick who’d like to have a collection of them, which was a rather pleasant cap to the day.

  • A small update, which should hopefully bring big rewards.

    For some time now, updating our selection policy has been on my to-do list. Not that the current policy was outmoded in anyway, but rather because after a year or so of conversations with authors, editors and other contributors I realised that it didn’t quite present quite how inclusive our policy is to potential authors. In the light of looking towards getting Exchanges indexed more frequently and more widely, alongside smoothing the road for authors to contribute, a modest tweak became increasingly desirable, and hence this week we have finally updated it.[1]

    When I stand up to talk about Exchanges at conferences or in workshops, or even have conversations 1-2-1 with individuals, one of the topics we often get to discussing is the nature of interdisciplinarity: or a least as it applies to the journal. I am acutely aware this is a topic about which many people have opinions and perspectives, [2] but from my perspective, as Chief Editor, there are two ways we could approach this as a journal. We could insist that all our articles embrace some element, mode or approach which touches on interdisciplinary working, thinking or research.[3] This would certainly make the journal live up to the explicit ‘Interdisciplinary’ in its title. However, a counter point to this approach is the likely negative impact on Exchanges, in terms of approachability for newer authors. I would strongly suspect with this approach many early career authors would feel unable to contribute manuscripts, which would undoubtedly create a considerable reduction in overall submission levels. This strikes me as an existential risk, given we have always been a modest scaled journal. Hence, reducing the number of papers coming in to a small trickle doesn’t seem a wildly attractive option to explore![4]

    So, if this exclusive approach is out, then what we are left with is a second option to define ‘interdisciplinary’ in a more generous, inclusive modality. Certainly, looking back at all the past issues of Exchanges this has always been the de facto selection policy we have operated. Why? Well, ‘becoming’ an interdisciplinary researcher is something which generally takes time, effort and career experience – not to mention establishing cross-disciplinary networks of collaborators to work alongside. Hence, it isn’t something which arrives overnight and for many early career researchers they quite literally haven’t got – nor will they be able to rapidly gain – such experiences or access to collaborative interdisciplinary research projects. Given we have always been, at our core, a journal by and for early career researchers it would seem our decision is easily made.[5]

    However, there are many authors who can and indeed have published interdisciplinary work with us, so we also want to make Exchanges an attractive proposition for them too. Hence, the refinement to the selection policy now spells out the twin routes authors can explore to ensure their manuscript is one which is ‘in scope’ for the journal. Authors can either submit work which is explicitly interdisciplinary in some degree, or something written within their own discipline but addressed to a wider, cross-disciplinary audience. In this way, the Exchanges journal itself provides an interdisciplinary assemblage of content through bringing these varied, interesting and inciteful articles together. Given our original core mission to ‘provide a forum for interdisciplinary discourse’, it feels to us, that this ensures we are accessible, attractive and on brand. Given this has effectively been the way we have always operated since 2013, I would hope codifying and clarifying this in our selection policy now helps alleviate any prospective authors concerns about their work being suitable.[6]

    And as always, we look forward to reading all those new submissions in the weeks and months to come which this policy now more openly encourages.


    Endnotes

    [1] The Selection Policy, along with all our other major journal policies, can be found here: https://exchanges.warwick.ac.uk/index.php/exchanges/journal-policies

    [2] Interestingly, ‘hotly debating’ interdisciplinarity (what it is, what it isn’t) with an editor on a collection I’ve written for, became a major sticking point for the publication. A publication now seemingly lost in editorial hell – unless it’s come out and I’ve not realised!

    [3] I would trust the authors to stake their own interdisciplinary claims within the article, rather than expect them to conform to a narrower conceptualisation.

    [4] A caveat to that is that maybe, just maybe, if we were to become a wildly successful journal with thousands of annual manuscript submissions then this might be worth considering. Personally though, I both don’t think such an outcome will ever come to pass. More importantly, from my perspective, this would run counter to the interests of the early career community we were created from and to service.

    [5] However much that might actually vary – given that we will consider publication approaches from any scholar, at any degree of seniority.

    [6] Is the policy perfect? No, but does it ensure we continue to operate transparently and support the communities for which we were created? Yes, very much so! We will, as in all things, keep an eye on it and continue to refine it based on feedback and conversations with our contributing community.

  • Sharing a little introduction to the Exchanges journal, to welcome our new(er) readers of this blog.

    Exchanges is a research journal, which since 2013, has been based at the University of Warwick in the UK. We are resolutely open-access and non-fee charging, with authors retaining rights over their published work – unlike many commercial titles. We’re also compliant with most if not all funder open-access mandates, meaning you’re able to choose to publish with us and satisfy their requirements too. Because of where we’re based – the Institute of Advanced Study, our focus has generally been on the early career researcher community – however that is defined. That said, over the years we’ve had people from all levels of seniority contributing and publishing with us from professors down to recent graduates.

    Cover, Exchanges Volume 12.1
    Cover of the most recent issue

    One of the things that makes us a little different to many research journals is that while we are an interdisciplinary journal, how we define that has always been in as open and inclusive a manner as possible. Thus, papers to the journal are generally considered ‘in scope’ when they either (a) explicitly adopt interdisciplinary methods, methodologies, thinking or theory or (b) are addressed to a wider cross-disciplinary audience from within a specific discipline. Unsurprisingly, given the limited opportunities for interdisciplinary working within the early career community, many of our papers tend to skew towards the second of our criteria.

    Another of our differences is that the concept of ’emotional affect’ is something which enters into our thinking when working with contributors. To put it briefly, we try as much as possible to exercise due care, concern and appreciation for the challenges which our authors experience within their working and personal lives. For that reason, we operate an editor-mediated feedback mechanism. Operationally this means papers receiving peer-review feedback have that feedback scrutinised for ‘pejorative’ or otherwise harsh language, which we mediate to a modest degree. Feedback should, in our professional opinion, be about critique and paper improvement, and never for achieving some kind of vicarious point scoring on the part of the reviewer. Having all been on the receiving end of more ‘pointed’ feedback in our professional careers, it’s something the whole editorial team personally appreciates – and from post-publication feedback, so do our authors.

    In terms of contributing to the journal, we accept manuscripts for publication consideration globally, and while many of our authors have been local to Warwick, increasingly this has proportionally decreased over the past decade. This, we feel, is to the benefit of the diversity of voices in the journal, and also to our own benefit in working with such a rich variety of contributors. Learning from our experiences, isn’t something we see as limited to author contributors, as the editorial team as a whole are supported to learn and grow through their own tenure on the journal.

    Incidentally, we have an open call for papers: any topic, any discipline. This operates throughout the year, without any deadline, and with papers accepted for publication appearing in the next available issue of the journal. Alongside that we have an increasing raft of special thematic issues, which delve into very specific areas, and for which we operate a variety of methods to attract contributors. The best way to keep abreast of these is to either visit this blog or our news page regularly, or subscribe to our bi-monthly news letter.

    There’s a lot of other things we get up to, which I’ll share in later posts or you can explore on our homepage. But hopefully, this gives you a little taste – and naturally, get in touch if you’d like to know more.

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