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Current Issue
On Diego Marcon’s sick children, dangling puppets, and suspended bodies
Yvonne Rainer remembers fellow choreographer and dancer Simone Forti
The Berlin-based artist and composer shares her favorites
Jeffrey Weiss on the uncertain fate of Serra’s land work
Image
Diego Marcon, Dolle, 2023, 35 mm transferred to digital video, CGI animation, color, sound, 29 minutes 32 seconds.
Videos
Katherine Rochester in Artforum's studio.
Katherine Rochester on the modernist vision of Bettina
Anna Homler in a dining room at the Beverly Hills Peninsula Hotel.
The September cover artist introduces her work
Jason Moran in Artforum's studio.
Musician and artist Jason Moran introduces his favorites for Artforum’s Under the Influence video series
Reviews
Michel Auder, Remains of the Day 25, 2022, C-Print, 20 × 15".
Photographs and films by Michel Auder at the new Jeni Abramson Gallery splash us with dreamy visions of lost, lush time
Herman Cherry, #3, 1970, watercolor on rag paper, 9 × 11 3/4”.
Cherry’s little-known series of “irregular pools, forking rivulets, and repeating wrack lines”
View of “Mernet Larsen: Situational Awareness,” 2026. From left: Departure (after El Lissitzky), 2019; Gunfighters, 2001.
At Arts Club of Chicago, Larsen locates “the strangeness of the world in spatiality rather than narrative”
John Baldessari, Raised Eyebrows/Furrowed Foreheads (Part One): (Red and Green Eyebrows), 2008, ink-jet prints and acrylic paint on layered and shaped foam PVC and polystyrene board, 57 1/4 × 111 3/4 × 6 ¾".
An exhibition of the sculptures of the late John Baldessari brings the artist’s conceptual guessing games to bear on embodied perception