https://rafaroeder.com rafa roeder Sun, 01 Dec 2024 14:58:39 +0000 https://rafaroeder.com en https://rafaroeder.com/HOME-EN Fri, 17 Feb 2023 17:05:02 +0000 rafa roeder https://rafaroeder.com/HOME-EN Artworks ︎︎︎ https://rafaroeder.com/THE-SCREEN-IS-THE-BRAIN-2024-2025 Sat, 30 Nov 2024 12:25:25 +0000 rafa roeder https://rafaroeder.com/THE-SCREEN-IS-THE-BRAIN-2024-2025 ︎THE SCREEN IS THE BRAIN 2024 - 2025 Performative Installation, ongoing exploration.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Performative installation that explores the connection between unconscious daily gestures and memory. In this work, the artist simulates the ebb and flow of mental presence by interacting with a machine as if it were her own brain. The installation visually represents the nature of her personal memories, combining moving images, text, to create a dynamic, memory-like machine. Through the use of motion capture technologies, electronics, AI and networking protocols, the creator engages with the machine in real time, crafting an intimate experience that extends the boundaries of video art, into a fluid, immersive exploration of consciousness and memory. &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/bc552bc7b68c9a004ec01c586eb4812c98548a5e7e19ae46f89c5844c2310617/XJLV6063.png" data-mid="222657529" border="0" src="https://freight.cargo.site/w/1000/i/bc552bc7b68c9a004ec01c586eb4812c98548a5e7e19ae46f89c5844c2310617/XJLV6063.png" /> <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/cefc0b7b063add9a266ccc78ea2d3fe96011127b6a3b293f09054e6f881b36e5/ACOQ3127.JPG" data-mid="222698007" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/cefc0b7b063add9a266ccc78ea2d3fe96011127b6a3b293f09054e6f881b36e5/ACOQ3127.JPG" /> <img width="1714" height="1286" width_o="1714" height_o="1286" data-src="https://freight.cargo.site/t/original/i/37de7645a0c1181e129a463b51629269f8bbd3ac95a42dbc63fcc46ddbcad13b/IMG_7200.png" data-mid="223151999" border="0" src="https://freight.cargo.site/w/1000/i/37de7645a0c1181e129a463b51629269f8bbd3ac95a42dbc63fcc46ddbcad13b/IMG_7200.png" /> <img width="1142" height="857" width_o="1142" height_o="857" data-src="https://freight.cargo.site/t/original/i/a7e8bdc99db18285fdbee38c9d7afec78ac21d62a6ae27a43238a23f035c65e1/IMG_7224.png" data-mid="223151497" border="0" src="https://freight.cargo.site/w/1000/i/a7e8bdc99db18285fdbee38c9d7afec78ac21d62a6ae27a43238a23f035c65e1/IMG_7224.png" /> <img width="857" height="1143" width_o="857" height_o="1143" data-src="https://freight.cargo.site/t/original/i/7a42155535143146e53d9d76b11afab29d956633e3f5de6be36c843095bdffdb/IMG_4868.png" data-mid="222697912" border="0" data-scale="93" src="https://freight.cargo.site/w/857/i/7a42155535143146e53d9d76b11afab29d956633e3f5de6be36c843095bdffdb/IMG_4868.png" /> &nbsp; &nbsp; &nbsp; &nbsp;<img width="857" height="880" width_o="857" height_o="880" data-src="https://freight.cargo.site/t/original/i/95bf608a1e7caea74a85f45636f1e928b5e16bed1e98976b361a6ea2cf20ee32/IMG_4915.png" data-mid="222697964" border="0" data-scale="54" src="https://freight.cargo.site/w/857/i/95bf608a1e7caea74a85f45636f1e928b5e16bed1e98976b361a6ea2cf20ee32/IMG_4915.png" /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img width="360" height="636" width_o="360" height_o="636" data-src="https://freight.cargo.site/t/original/i/9254038b5157e0dd074415e41bd51a48ce14686c29e511aee68187ee69216bf3/ff13e588-06be-4bb4-9986-bb506185376a-ezgif.com-cut.gif" data-mid="222700455" border="0" data-scale="31" src="https://freight.cargo.site/w/360/i/9254038b5157e0dd074415e41bd51a48ce14686c29e511aee68187ee69216bf3/ff13e588-06be-4bb4-9986-bb506185376a-ezgif.com-cut.gif" /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<img width="1285" height="903" width_o="1285" height_o="903" data-src="https://freight.cargo.site/t/original/i/aa6a7cccbfd7ecc7221ea8172959b9fbe47abc7dce07189893832ac8a3ca9dcc/IMG_7321.png" data-mid="223152257" border="0" src="https://freight.cargo.site/w/1000/i/aa6a7cccbfd7ecc7221ea8172959b9fbe47abc7dce07189893832ac8a3ca9dcc/IMG_7321.png" /> <img width="806" height="605" width_o="806" height_o="605" data-src="https://freight.cargo.site/t/original/i/71d5aba8dd8fcb3bdb2a9fff4a0e71875ee6ebdbc0035635edc964d7515b72d2/IMG_9713.png" data-mid="222697937" border="0" data-scale="32" src="https://freight.cargo.site/w/806/i/71d5aba8dd8fcb3bdb2a9fff4a0e71875ee6ebdbc0035635edc964d7515b72d2/IMG_9713.png" /><img width="936" height="624" width_o="936" height_o="624" data-src="https://freight.cargo.site/t/original/i/c83cfe6e3666634df6aed620030af555caf5ee7170ce57ed8c2a17b1888a88e3/DLKJ8860.png" data-mid="222662383" border="0" data-scale="36" src="https://freight.cargo.site/w/936/i/c83cfe6e3666634df6aed620030af555caf5ee7170ce57ed8c2a17b1888a88e3/DLKJ8860.png" /><img width="806" height="605" width_o="806" height_o="605" data-src="https://freight.cargo.site/t/original/i/d2e6140333790d6ac035a114d2703cef86970823f6cc074d3f8c7eca827136de/IMG_9725.png" data-mid="222662337" border="0" data-scale="32" src="https://freight.cargo.site/w/806/i/d2e6140333790d6ac035a114d2703cef86970823f6cc074d3f8c7eca827136de/IMG_9725.png" /> ︎Demo at Digital Bodies Festival 2024, UK ︎Not Yet but soon LoopDelirium exhibition, Hypha Studios 2024, UK ︎Festival Accès)s Al: Intelligences Artistiques, Le Bel Ordinaire 2025, France The Screen is the Brain, 2024 https://rafaroeder.com/EXERCISE-OF-REMOVAL-2024 Sun, 01 Dec 2024 14:58:39 +0000 rafa roeder https://rafaroeder.com/EXERCISE-OF-REMOVAL-2024 INSTALLATION&nbsp; ︎EXERCISE OF REMOVAL: RENDERING A USELESS DEVICE Installation Quoting Sarah Ahmed's “What’s the use?” This Useless Device is an experimental machine created in resistance to the question - very much linked to any kind of technology-: “How do I use it?”. Evoking the idea of technology being useless, this installation attempts to imagine technology removed from any responsibility in a capitalistic development. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; <img width="658" height="929" width_o="658" height_o="929" data-src="https://freight.cargo.site/t/original/i/b29af14831234e149e48017a5dc8eb9249a3edcd014b56b12fd2b71c526d7886/L1021546.png" data-mid="222702259" border="0" src="https://freight.cargo.site/w/658/i/b29af14831234e149e48017a5dc8eb9249a3edcd014b56b12fd2b71c526d7886/L1021546.png" /> <img width="1714" height="1286" width_o="1714" height_o="1286" data-src="https://freight.cargo.site/t/original/i/66ecec019fb6fb079e238e50b86ab1f4a332c0a0a8d0f8b77543f2baf607f993/IMG_2991.png" data-mid="222700769" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/66ecec019fb6fb079e238e50b86ab1f4a332c0a0a8d0f8b77543f2baf607f993/IMG_2991.png" /> <img width="1478" height="986" width_o="1478" height_o="986" data-src="https://freight.cargo.site/t/original/i/d84c65739b0908b19a53404c561b1e7e4b57d5fb5652031e461787a9a144acad/L1021528.png" data-mid="222704203" border="0" src="https://freight.cargo.site/w/1000/i/d84c65739b0908b19a53404c561b1e7e4b57d5fb5652031e461787a9a144acad/L1021528.png" /> <img width="986" height="658" width_o="986" height_o="658" data-src="https://freight.cargo.site/t/original/i/6ef2d0127f94bcc0fc106d014327198badc4cc7d7c5d39a95141f65bd36e16df/L1021515.png" data-mid="222704179" border="0" src="https://freight.cargo.site/w/986/i/6ef2d0127f94bcc0fc106d014327198badc4cc7d7c5d39a95141f65bd36e16df/L1021515.png" /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; <img width="635" height="657" width_o="635" height_o="657" data-src="https://freight.cargo.site/t/original/i/06d77d840c2d1baa1b216500511abc1bc96e8dab1edb86eb42f2844622266324/L1021471-0-00-00-00.png" data-mid="222701241" border="0" data-scale="22.5" src="https://freight.cargo.site/w/635/i/06d77d840c2d1baa1b216500511abc1bc96e8dab1edb86eb42f2844622266324/L1021471-0-00-00-00.png" /> <img width="540" height="647" width_o="540" height_o="647" data-src="https://freight.cargo.site/t/original/i/68b77fcf4fbf32cb00eda49a0ac50840cbfc55debfada9397acfe3b7a42abe68/IMG_2969-ezgif.com-cut.gif" data-mid="222701436" border="0" src="https://freight.cargo.site/w/540/i/68b77fcf4fbf32cb00eda49a0ac50840cbfc55debfada9397acfe3b7a42abe68/IMG_2969-ezgif.com-cut.gif" /> <img width="731" height="657" width_o="731" height_o="657" data-src="https://freight.cargo.site/t/original/i/84f153d7bb567784f26991c6f90aebab7a02ed937aeb0d0d2e6bfeb504d5d2c1/L1021536.png" data-mid="222701675" border="0" src="https://freight.cargo.site/w/731/i/84f153d7bb567784f26991c6f90aebab7a02ed937aeb0d0d2e6bfeb504d5d2c1/L1021536.png" /> <img width="1440" height="1800" width_o="1440" height_o="1800" data-src="https://freight.cargo.site/t/original/i/b25493ee9c7691da49fbb9cb95b30ba94567ab7af0e387f106087e85d62dc608/hypha-moveablefeast-oct25-33.jpg" data-mid="239884834" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/b25493ee9c7691da49fbb9cb95b30ba94567ab7af0e387f106087e85d62dc608/hypha-moveablefeast-oct25-33.jpg" /> &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Materials: Transparent acrylic, Arduinos, Raspberry pi, HDMI displays, I2c displays for arduino. 45x45cm For sale at HyphaCurates ︎Not yet but soon, LoopDeilirium, Hypha Studios UK 2024 ︎Movable Feast, Hypha Curates, Hypha Studios UK 2025 Exercise of removal: Rendering a useless device, 2024 https://rafaroeder.com/CREATIVE-STRATEGIES-AND-EXPLORATIONS Wed, 22 Feb 2023 16:24:50 +0000 rafa roeder https://rafaroeder.com/CREATIVE-STRATEGIES-AND-EXPLORATIONS PROCESSES, EXPERIMENTS &amp;TOOLS <img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/491b17ae7eebb6db57faf1ad2006f67b924f2b3bf52808bb4277c4664f4f03bc/IMG_2111lowww-ezgif.com-optimize.gif" data-mid="222707895" border="0" src="https://freight.cargo.site/w/500/i/491b17ae7eebb6db57faf1ad2006f67b924f2b3bf52808bb4277c4664f4f03bc/IMG_2111lowww-ezgif.com-optimize.gif" /> ELECTRONICS &amp; NETWORKING <img width="480" height="270" width_o="480" height_o="270" data-src="https://freight.cargo.site/t/original/i/1e5674a119c3262550300b49bf60aed48378732c4edf3c9e3720032466e22360/IMG_1519-ezgif.com-resize.gif" data-mid="222707904" border="0" data-scale="100" src="https://freight.cargo.site/w/480/i/1e5674a119c3262550300b49bf60aed48378732c4edf3c9e3720032466e22360/IMG_1519-ezgif.com-resize.gif" /> <img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/35d1848b704a7386721c20811b92441c837a3136c6cc25771b23025595e6a4a4/ezgif.com-optimize-7.gif" data-mid="169352927" border="0" src="https://freight.cargo.site/w/600/i/35d1848b704a7386721c20811b92441c837a3136c6cc25771b23025595e6a4a4/ezgif.com-optimize-7.gif" /> <img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/36f5ef7f3afc0ccf8d9e31e3d3fc5de5b93a9af9370b74d03266ef03ab6483e5/ezgif.com-optimize-8.gif" data-mid="169353312" border="0" src="https://freight.cargo.site/w/600/i/36f5ef7f3afc0ccf8d9e31e3d3fc5de5b93a9af9370b74d03266ef03ab6483e5/ezgif.com-optimize-8.gif" /> GENERATIVE ART 3D EXPERIMENTS <img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/f017ce6edab3add8e3217adbc5bc9de066eb0fc822494f1c2100b22eaf9a030c/ezgif.com-optimize-4.gif" data-mid="169338189" border="0" 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data-src="https://freight.cargo.site/t/original/i/55d98627f9780e466394971082d0aa7f1b2b9e5b6a0aca59088ccfead9fe3c9a/ezgif.com-gif-maker-3.gif" data-mid="169339617" border="0" src="https://freight.cargo.site/w/600/i/55d98627f9780e466394971082d0aa7f1b2b9e5b6a0aca59088ccfead9fe3c9a/ezgif.com-gif-maker-3.gif" /> <img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/bd7579168193577cf6d9db04d99f33100dea9698748dee462d3e37eef5961727/ezgif.com-gif-maker.gif" data-mid="169337061" border="0" src="https://freight.cargo.site/w/600/i/bd7579168193577cf6d9db04d99f33100dea9698748dee462d3e37eef5961727/ezgif.com-gif-maker.gif" /> <img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/7454ff7b2d728359e3ed54ae4b9beab18b31b4daef3188017b3b2101435dcb44/ezgif.com-optimize-3.gif" data-mid="169337777" border="0" src="https://freight.cargo.site/w/600/i/7454ff7b2d728359e3ed54ae4b9beab18b31b4daef3188017b3b2101435dcb44/ezgif.com-optimize-3.gif" /> <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/ca0d25022b99d715681f60b73892fdc49da2d5967a5d18dd794de5247b85bb53/2_0027.png" data-mid="169354570" border="0" src="https://freight.cargo.site/w/1000/i/ca0d25022b99d715681f60b73892fdc49da2d5967a5d18dd794de5247b85bb53/2_0027.png" /> <img width="3196" height="1929" width_o="3196" height_o="1929" data-src="https://freight.cargo.site/t/original/i/ce20aca751b91933b56a0e19e22110f462b34cf6c5f44d1626810c0126beb191/222.PNG" data-mid="169355075" border="0" src="https://freight.cargo.site/w/1000/i/ce20aca751b91933b56a0e19e22110f462b34cf6c5f44d1626810c0126beb191/222.PNG" /> 3D MODELLING <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/848e5b91afac5f428867f3efafef2fcbe05aef066cd3356ce65b915be8383eca/2222_2220.png" data-mid="169354472" border="0" src="https://freight.cargo.site/w/1000/i/848e5b91afac5f428867f3efafef2fcbe05aef066cd3356ce65b915be8383eca/2222_2220.png" /> <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/f5fa5a1b3717293fe5996271fb3dad49241055755da0b99664b5c45d9ae10478/1_0012.png" data-mid="169340551" border="0" src="https://freight.cargo.site/w/1000/i/f5fa5a1b3717293fe5996271fb3dad49241055755da0b99664b5c45d9ae10478/1_0012.png" /> <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/675d58e99bc34057be1c7994ce141afbadeb09e41fcb8e6fbfb4c7cbf98dbc0b/1_0065.png" data-mid="169340084" border="0" src="https://freight.cargo.site/w/1000/i/675d58e99bc34057be1c7994ce141afbadeb09e41fcb8e6fbfb4c7cbf98dbc0b/1_0065.png" /> <img width="1280" height="1280" width_o="1280" height_o="1280" data-src="https://freight.cargo.site/t/original/i/dbeb99068f820993977b635da03dc4fad9cf27701b3c883e35bdc59e2be8c6a7/5_0003.png" data-mid="169339992" border="0" src="https://freight.cargo.site/w/1000/i/dbeb99068f820993977b635da03dc4fad9cf27701b3c883e35bdc59e2be8c6a7/5_0003.png" /> <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/1fb8343e91ede857002c8c4ad610c2cf2245d1ec579bf0ba93ab4c49d3762c3a/1_0015.png" data-mid="169340155" border="0" src="https://freight.cargo.site/w/1000/i/1fb8343e91ede857002c8c4ad610c2cf2245d1ec579bf0ba93ab4c49d3762c3a/1_0015.png" /> ARTIFICIAL INTELLIGENCE &amp; SENSORS <img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/55183c24b7fb39788426eec53246e196ba2fced772f356b4e5c8675a61e64420/sound-ezgif.com-video-to-gif-converter.gif" data-mid="222706107" border="0" data-scale="100" 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data-src="https://freight.cargo.site/t/original/i/8d2bcfc0637790315f822028d66ee4712e9fa22699dffb92a4246cd1b2c63aa9/ezgif.com-video-to-gif-2.gif" data-mid="169361158" border="0" src="https://freight.cargo.site/w/600/i/8d2bcfc0637790315f822028d66ee4712e9fa22699dffb92a4246cd1b2c63aa9/ezgif.com-video-to-gif-2.gif" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/7c86cac3edbaee92f75319abebc143e2bbcf1439693f5bb4b0dbd03f51cfc6b3/ezgif.com-gif-maker.gif" data-mid="169361288" border="0" src="https://freight.cargo.site/w/1000/i/7c86cac3edbaee92f75319abebc143e2bbcf1439693f5bb4b0dbd03f51cfc6b3/ezgif.com-gif-maker.gif" /> <img width="1242" height="944" width_o="1242" height_o="944" data-src="https://freight.cargo.site/t/original/i/a60199c0e01c83264403fbd3621a6a7dac87280276005a0138c2a24f6394a5d3/FOTO-VJ-LOW-2.png" data-mid="169355503" border="0" src="https://freight.cargo.site/w/1000/i/a60199c0e01c83264403fbd3621a6a7dac87280276005a0138c2a24f6394a5d3/FOTO-VJ-LOW-2.png" /> ︎︎︎AMPLIFY 2019 WITH GENE TELLEM VJ PERFORMANCES VJ ︎︎︎ HORIZONTE EXPANDIDO WITH MUSICIAN MARIO SILVANIA - FUNDACION TELEFONICA // 2019 <img width="1000" height="614" width_o="1000" height_o="614" data-src="https://freight.cargo.site/t/original/i/4668bfb78ce0ef23311ec3e9a300d3a72089c2523363c3cebbbcc8a7b1eb442b/FOTO-ANI---VJ.png" data-mid="169356101" border="0" src="https://freight.cargo.site/w/1000/i/4668bfb78ce0ef23311ec3e9a300d3a72089c2523363c3cebbbcc8a7b1eb442b/FOTO-ANI---VJ.png" /> MITOLOGIAS FUTURAS - WITH VIC BANG BANG // 2021 AR PRINTS <img width="2304" height="1296" width_o="2304" height_o="1296" data-src="https://freight.cargo.site/t/original/i/e747384ac18f434023628bf7dd8994f779d8fb2a27cf0953c7276d896934e8c0/5.jpg" data-mid="169326454" border="0" src="https://freight.cargo.site/w/1000/i/e747384ac18f434023628bf7dd8994f779d8fb2a27cf0953c7276d896934e8c0/5.jpg" /> <img width="2304" height="2304" width_o="2304" height_o="2304" data-src="https://freight.cargo.site/t/original/i/cbe92f386b28ced101787ce6576acf4b8e42aa7098d50409cf67c5cbdb25a699/2.jpg" data-mid="169326456" border="0" src="https://freight.cargo.site/w/1000/i/cbe92f386b28ced101787ce6576acf4b8e42aa7098d50409cf67c5cbdb25a699/2.jpg" /> <img width="3072" height="3072" width_o="3072" height_o="3072" data-src="https://freight.cargo.site/t/original/i/5f391a43faa40e5214c646ba4bba4e66ef6f9a8c83e4ec222e0f2607823451c3/1.jpg" data-mid="169326458" border="0" src="https://freight.cargo.site/w/1000/i/5f391a43faa40e5214c646ba4bba4e66ef6f9a8c83e4ec222e0f2607823451c3/1.jpg" /> <img width="600" height="1067" width_o="600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/e271a9759e45edf634ff156566943d9f6c1c3cf19b6a718024a1ed1fcc287f6e/ezgif.com-optimize-9.gif" data-mid="169360625" border="0" src="https://freight.cargo.site/w/600/i/e271a9759e45edf634ff156566943d9f6c1c3cf19b6a718024a1ed1fcc287f6e/ezgif.com-optimize-9.gif" /> 360 INTERACTIVE HUBS <img width="2195" height="1452" width_o="2195" height_o="1452" data-src="https://freight.cargo.site/t/original/i/c065f5406aa6dab27a291641dc36b495dc2ce68f051ae23c9535cdb6a5f44683/Screenshot-2023-02-22-220705.png" data-mid="169361524" border="0" src="https://freight.cargo.site/w/1000/i/c065f5406aa6dab27a291641dc36b495dc2ce68f051ae23c9535cdb6a5f44683/Screenshot-2023-02-22-220705.png" /> <img width="2655" height="1447" width_o="2655" height_o="1447" data-src="https://freight.cargo.site/t/original/i/0ccad7a04a32204678903b2a03e1cfe233eef764f5f5180486db225d854eeb2a/Screenshot-2023-02-22-220807.png" data-mid="169361605" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/0ccad7a04a32204678903b2a03e1cfe233eef764f5f5180486db225d854eeb2a/Screenshot-2023-02-22-220807.png" /> <img width="3367" height="1942" width_o="3367" height_o="1942" data-src="https://freight.cargo.site/t/original/i/d1be5210694575bedf394fb7db4838ca36ff1b776121af9ac15c803d5586a59d/Screenshot-2023-02-22-220919.png" data-mid="169361910" border="0" src="https://freight.cargo.site/w/1000/i/d1be5210694575bedf394fb7db4838ca36ff1b776121af9ac15c803d5586a59d/Screenshot-2023-02-22-220919.png" /> <img width="3445" height="1940" width_o="3445" height_o="1940" data-src="https://freight.cargo.site/t/original/i/1a0cbc484dc4efc5209f2afadd21bfe7cb77ec856af01111cec784f2060c1ccf/Screenshot-2023-02-22-220954.png" data-mid="169361909" border="0" src="https://freight.cargo.site/w/1000/i/1a0cbc484dc4efc5209f2afadd21bfe7cb77ec856af01111cec784f2060c1ccf/Screenshot-2023-02-22-220954.png" /> &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <img width="3445" height="1927" width_o="3445" height_o="1927" data-src="https://freight.cargo.site/t/original/i/bb3536b277abdef7ae16e611dc19c2fe9d10418a8941e63dfe219be6bed6bf4c/Screenshot-2023-02-22-221031.png" data-mid="169362002" border="0" src="https://freight.cargo.site/w/1000/i/bb3536b277abdef7ae16e611dc19c2fe9d10418a8941e63dfe219be6bed6bf4c/Screenshot-2023-02-22-221031.png" /> GO BACK TO PROJECTS︎︎︎ https://rafaroeder.com/DOES-VOLUME-EQUALS-POWER-2021 Fri, 17 Feb 2023 16:49:17 +0000 rafa roeder https://rafaroeder.com/DOES-VOLUME-EQUALS-POWER-2021 RESEARCH PROJECT ︎DOES VOLUME EQUALS POWER? 2021 In collaboration with&nbsp;Sol Rezza and Gabrielle Harnouis Blouin&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; This reserch was developed under AMPLIFY Digital Arts Initiative’s Collaboration Fund Awards on 2021. The starting point of the research was to question high intensities used in electronic and digital audiovisual performances and installations. Our approach was both from a technical and creative perspective. A common observation emerged: that the parameters producing a sense of immersion (sounds, lights and images in movement, density and intensity) were often forced, as if more intensity - on all levels - could lead to a better sense of immersion. Because of this high level of intensities, the works/concerts would sometimes feel aggressive, intrusive and/or disrupting to us. Together we questioned the level of intensity generally needed in order to facilitate focus and ease for the audience. STEP 1: Online surveys and individual research ︎︎︎ As part of the research we shared an online survey with questions for artists, audiences and technicians surrounding these three pillars. The survey was answered by almost 100 people, and after studying their responses we encountered new perspectives. We did receive complaints from almost 50% of the people about intensities and the feeling of being captive and harmed by shows and experiences. But, also a lot of comments were about the enjoyment of being very stimulated by light and sound at high intensities. What these had in common was the necessity of choice/consent for people to feel secure in front of high stimuli. Either with the ability to move around an experience or to choose if you’re willing to undergo a high level of intensity. Some of our findings on the survay&nbsp;︎ <img width="2196" height="996" width_o="2196" height_o="996" data-src="https://freight.cargo.site/t/original/i/29a13ff0cf6bf28131ff26b6b528b510e71cdb77adce4ca57055701306e2c6a0/descarga.png" data-mid="168786605" border="0" src="https://freight.cargo.site/w/1000/i/29a13ff0cf6bf28131ff26b6b528b510e71cdb77adce4ca57055701306e2c6a0/descarga.png" /> “As an artist, I love subtlety, my art is based on twisting details more than creating large movements, and I'm the kind of person to mesure the amount of miliseconds of silence between two sounds... so, yeah, silence is pretty important”. “ Power in performances lies in a sort of balance between the elements (sound, light, movements). I don't think loudness should be a standard for power in a live performance. There's so much that can be done sonically and visually these days, especially with technology”. <img width="2196" height="1116" width_o="2196" height_o="1116" data-src="https://freight.cargo.site/t/original/i/1b7c2e7197412c349dbaa3c7d02343e76447e0a2dae00f700c1b2a16e8d3caf4/descarga-2.png" data-mid="168786607" border="0" src="https://freight.cargo.site/w/1000/i/1b7c2e7197412c349dbaa3c7d02343e76447e0a2dae00f700c1b2a16e8d3caf4/descarga-2.png" /> <img width="1600" height="1054" width_o="1600" height_o="1054" data-src="https://freight.cargo.site/t/original/i/9cf452805ce31a2e543a28196e0c45b64e931bfe59f887096d2850cb441cc64a/HOLO-MUTEK-Recorder-The-Loudness-War-N-1600.gif" data-mid="169314562" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/9cf452805ce31a2e543a28196e0c45b64e931bfe59f887096d2850cb441cc64a/HOLO-MUTEK-Recorder-The-Loudness-War-N-1600.gif" /> We also found important to look at how creation in electronic concerts and immersive experiences relate to subtlety, and how this approach could lead to characteristics often associated with femininity, such as quietness and delicacy. STEP 2: Rafa Roeder’s Intervention in online pannel Mutek, Montreal&nbsp;︎︎︎ Led by Amanda Gutiérrez Speakers: Rafa Roeder Sol Rezza Gabrielle Harnouis Blouin <img width="800" height="500" width_o="800" height_o="500" data-src="https://freight.cargo.site/t/original/i/ceabe8af0471d9dbad205d9fa95f2f19a3cdd32b8c8d994b5cf7b54b05a0d5be/HOLO-MUTEK-Recorder-Analucia-Roeder-800.gif" data-mid="168786594" border="0" data-scale="96" src="https://freight.cargo.site/w/800/i/ceabe8af0471d9dbad205d9fa95f2f19a3cdd32b8c8d994b5cf7b54b05a0d5be/HOLO-MUTEK-Recorder-Analucia-Roeder-800.gif" /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; We’ve just heard an extract of a&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; recording made to several queer people &nbsp; with HIV by Ultra-Red (an art sound collective of the 90s). The name of the piece is An archive of silence. The composition is made with moments of silence and sighs from several interviews to these people. Trying somehow to vindicate silence as power in their AIDS activism. So here we are confronting a special manifestation of power. We’ll get back to this in a while. But what do we understand as power in digital arts? Does it have to do with immersion? Or is it more about content or context? I come here with a lot of questions, and attempt not to demonice any practice we develop. But to propose opening a door to questioning: what is intensity to us as creators, what is volume and power and why do we relate to these in some particular ways. All of this in order to be more thoughtful and respectful to our audience and the diversity of it. And also to our practice. So how do we approach our audience's experience? How do we feel about them? How do we think about them? In the book Immersive Embodiement, Liam Jarvis reflecting on promises we attach to our immersive art pieces says: “The others plunge into an extra normative mode of engagement from our world (for ex. a VR experience) …is emergent from interactive processes and not a given property of either an aesthetic experience or technological apparatus” With this Jarvis implies that in order for an interactive process to exist there’s a need of a body willing to interact. So he claims that the root of a promise being kept depends only in the autonomous agent making the promise. So its tenuous as artist that we try to promise immersion not being aware of the other several processes involved in each individual’s experience such as trust, context and expectation.&nbsp; (when it’s not us who are experiencing the immersive piece) So in order to be immersed, understanding immersion as a mentally absorbing process, a change, a passage from one mental state to another, as stated in Oliver Grau’s: Virtual Art, from illusion to immersion, it’s important to first contemplate the nature of the normative world audiences exist in. And how that is beyond our control as creators. There is a tacit agreement of trust artists make with their audiences, we demand being trusted with wearing an HMD, with entering a room with sound, with attending a visual installation, being aware of what we are dealing with here it’s crucial. What do we do with that trust we are given? And there is another aspect to trust in this agreement that I find also interesting, and has to do with the trust we give to our audience. This makes me think that we might sometimes undervalue their disposition and attention thus we feel compelled to control everything that might crosses people's senses. We become overwhelmed creators, overwhelming our audiences. Context, understood as the set of circumstances or facts that surround a particular situation, is central to immersion and has little to do with what we can control. And expectation, control of personal and individual expectation of an experience also goes beyond our possibilities as creators. With these, what I’m trying to express is that the constant desire of encompassing every sense we can, and overwhelm each of them in order to keep our promise of immersion, might sometimes actually play as the opposite in result.For example. If we think of haptic systems attached to VR headsets, and how do they give a body, the possibility to interact with virtual environments, there is kind of a paradox phenomenon that takes place. On the intent of embody a virtual body that interacts with virtual hands with virtual objects, people instantly become very aware of their own bodies interaction, and that is far from being immersive. Right now as I’m speaking to you and moving my hands and clicking my mouse in the computer, my body awareness is definitely not something on the top of my mind.&nbsp; So in this sense adding the haptic experience could possibly go the opposite way. Historically there has been a strong desire in the art expression to produce illusion, absorption and immersion, and there is a strong virtual corelation between images and humans. But this relation and this desire has always been related to power, not only in the fundamental meaning of the image as constitution of presence but also in its representative function.We can think for example of panoramas in the late seventeen hundred’s. <img width="467" height="108" width_o="467" height_o="108" data-src="https://freight.cargo.site/t/original/i/b01ff6da21c33ed0af994568b19623f9f5ab24eebaf7eea88b421f816c88dde8/images.jpg" data-mid="168786599" border="0" data-scale="100" src="https://freight.cargo.site/w/467/i/b01ff6da21c33ed0af994568b19623f9f5ab24eebaf7eea88b421f816c88dde8/images.jpg" /> We are looking now at an image of The battle of Sedan, the battle was fought during the Franco German war, this panorama painting was almost 650 squared meters and was shown in Alexanderplatz in Berlin in 1884. Panoramas were large circular paintings that were usually shown in buildings put together for this bourgeois events. The viewing platform had a diameter of eleven meters and the spectator was completely surrounded by the picture depicting the battle field. In his book Virtual art, from Illusion to immersion, Oliver Grau analyses the relation between panoramas and the new 360 image medium, in allusion to the Sedan panorama event he states: &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; “The opening of the Sedan panorama on September 1883, the anniversary of the battle of sedan, was a political and media event of the first order. Throughout the German Reich there were processions, patriotic choral concerts and festivals…. But the highlight of the day was the actual opening of the panorama, Von Werner (the creator although not the painter) who officiated at the ceremony extended a welcome to almost the entire ruling elite of the German Reich.” So as spectators we stand in the middle of a large image engulfing us completely with its power of presence, its scale, and its components. And not only that, the image’s representative function tells us a story of power in war from the conquerors point of view, there’s nothing else for us but the image, and the illusion of being immersed in this battle. So what its actually happening here? What happens with images that are not only monumental in terms of size but also in terms of violence? In the prologue made by Didi Huberman in “Desconfiar de las imagenes” he affirms that TV and newspaper images depicting violence far from being tools that could function to prevent violence, actually grant this violence with a new type of existence, one even more spectacular. In his latter reflections Huberman asks himself how images can contribute in the destruction of human beings? Beyond panoramas, the pursue of immersion and illusion in the arts its ontologically attached to matters of power and volume. It is true that is simple to think of power, money and amplified presence whenever we think of authority. And it is also true that our societies had constantly configure authority around male, usually white male. But I do not intend to turn this into a debate on feminism, at least not literally, what I’m trying to point here and I think this subject entails it, it’s a mapping of these characteristics we use to compose and to create. Have we ever question our approach to emptiness, weakness or silence? What about oppression and powerlessness? All these characteristics that for long have been related to women, minorities, people of colour and diversities, what role do they play in our creations? Is there power in weakness? Or smallness? or scarcity? … What kind of power? On the other side in the article Listening to silence by Amelia Groom, she addresses silence reflecting on the dangers of authority using it: “The institutions that concentrate power and wealth—such as those of unregulated placeless global finance—are often completely faceless and voiceless. They dictate much of the structuring of reality, but their power depends on their voiceless anonymity. ” Silence or emptiness is here presented as a tool of power from anonymity, in contraposition to how we’ve been addressing volume and power, so far. So in this approach silence, in its most wild meaning, serves as a tool of oppression, of capturing and controlling. We can think of several interactions in which silence yields power, for example silence as interruption, as disobedience, as avoidance of surveillance etc. Silence for some people could be strategically use as a mean of resisting and surviving. So Amelia says, it is important to distinguish silent from being silenced. Going back to the audio piece we heard a few minutes ago, here through the use of silence, in this particular case understood as the lack of language, a strong message prevails and that message is fuelled with powerful resiliance around survival and acceptance in a society that constantly threatens through the loud use of language. So going back to the digital arts, is there any possibility for us to really think of these matters while composing our pieces? In a world that is crucially asking for a change of ways, how do we artist keep approaching our practices with manners we don’t even think of. Is there a way to re domesticate our senses? Is there a need to it? If we think that silence or emptiness are invitations to create and to listen, why aren’t we addressing our audiences as curious minds? that are not only in a quest to be amazed but to actually take conscious part of an experience. <img width="800" height="500" width_o="800" height_o="500" data-src="https://freight.cargo.site/t/original/i/99733b2139b26b94fcf869923a769c2cbdd4a648ddec37a401adf01c957b3d45/HOLO-MUTEK-Recorder-Volume-Power-800.gif" data-mid="168786604" border="0" src="https://freight.cargo.site/w/800/i/99733b2139b26b94fcf869923a769c2cbdd4a648ddec37a401adf01c957b3d45/HOLO-MUTEK-Recorder-Volume-Power-800.gif" /> ︎Read more about what we found on the Survays ︎ More on Mutek’s pannel 2021 ︎Go to Volume and Power 360-Hub:&nbsp; Curious Systems by Rafa Roeder ︎Mutek Montreal, 2021 Does Volume equals Power?, 2021 https://rafaroeder.com/CURIOUS-SYSTEMS-2021 Fri, 17 Feb 2023 17:01:50 +0000 rafa roeder https://rafaroeder.com/CURIOUS-SYSTEMS-2021 360 INTERACTIVE HUB ︎CURIOUS SYSTEMS2021 360 Interactive Hub part of Acéfala Galería’s web residency. This hub is created as part of Acéfala Galería’s web residency. The 360 interactive world is taken as a virtual canvas of the personal and creative process of the research Does Volume equals power?. Inside the space people are invited to contemplate different audiovisual pieces and notes taken along the investigation as well as a video essay on the matter. Material is centered around the first stage of the process: Elemental critique to power systems and how they have, almost unconsciously,&nbsp; configured creative and technical practices along immersion and perception.&nbsp; <img width="1329" height="1201" width_o="1329" height_o="1201" data-src="https://freight.cargo.site/t/original/i/37340480d2e2fd8c8f55d67481e972944079ae6d8afb571a7a096b1684f8cab5/NICHA-1-EDITABLE-041.png" data-mid="168787901" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/37340480d2e2fd8c8f55d67481e972944079ae6d8afb571a7a096b1684f8cab5/NICHA-1-EDITABLE-041.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6c58bc7e29846d7ba9a7ae77966bdc143d33295babcb8ba15319a4eae12d5b78/AAAAA.gif" data-mid="168787914" border="0" src="https://freight.cargo.site/w/1000/i/6c58bc7e29846d7ba9a7ae77966bdc143d33295babcb8ba15319a4eae12d5b78/AAAAA.gif" /> <img width="1250" height="710" width_o="1250" height_o="710" data-src="https://freight.cargo.site/t/original/i/d72994f97c4fbe2d70d5e6180e17a45b6aa40aab476ab6f778f16bc6fbf6469f/Screenshot-2021-11-05-124004.png" data-mid="168787897" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d72994f97c4fbe2d70d5e6180e17a45b6aa40aab476ab6f778f16bc6fbf6469f/Screenshot-2021-11-05-124004.png" /> <img width="1321" height="735" width_o="1321" height_o="735" data-src="https://freight.cargo.site/t/original/i/65d96d732f1fda08038c71e64fa9515f51bfb16761267467d3f19a0bbcb5a0c5/Screenshot-2021-12-05-192529.png" data-mid="168787900" border="0" src="https://freight.cargo.site/w/1000/i/65d96d732f1fda08038c71e64fa9515f51bfb16761267467d3f19a0bbcb5a0c5/Screenshot-2021-12-05-192529.png" /> <img width="1187" height="805" width_o="1187" height_o="805" data-src="https://freight.cargo.site/t/original/i/7d78263f5c9f2ede8097aa7078f817ef754015a1f9883b8dc4a1c7b6c965489f/Screenshot-2021-12-07-203057.png" data-mid="168787899" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/7d78263f5c9f2ede8097aa7078f817ef754015a1f9883b8dc4a1c7b6c965489f/Screenshot-2021-12-07-203057.png" /> <img width="1501" height="894" width_o="1501" height_o="894" data-src="https://freight.cargo.site/t/original/i/863985d76c926bafc23e4dfc59d2401a0a3215a451a81e6cc86250edc124ed09/Screenshot-2021-12-08-202517.png" data-mid="168787896" border="0" src="https://freight.cargo.site/w/1000/i/863985d76c926bafc23e4dfc59d2401a0a3215a451a81e6cc86250edc124ed09/Screenshot-2021-12-08-202517.png" /> <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/81d68b26f17ec503b15659f0c169b2acbb92e7757d6bfcb5822a0a8fe113342d/arana_00000.png" data-mid="168787909" border="0" src="https://freight.cargo.site/w/1000/i/81d68b26f17ec503b15659f0c169b2acbb92e7757d6bfcb5822a0a8fe113342d/arana_00000.png" /> <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/131cd8b9ab393109544f66445848cf25c6ad38b8d61048869d664055bf013745/medusa1.gif" data-mid="168787913" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/131cd8b9ab393109544f66445848cf25c6ad38b8d61048869d664055bf013745/medusa1.gif" /> <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/1d14e65200c6074b05733d2d099966c7a2e8e8ddc3b0e36b8bf716975bf8aaf8/plupo_00000.png" data-mid="168787911" border="0" src="https://freight.cargo.site/w/1000/i/1d14e65200c6074b05733d2d099966c7a2e8e8ddc3b0e36b8bf716975bf8aaf8/plupo_00000.png" /> ︎WATCH THE ESSAY&nbsp;︎︎︎ ︎Acéfala Web Residency 2021, Argentina Volume and Power HUB, 2021 https://rafaroeder.com/ME-GUSTA-LA-VIDA-SOCIAL-2021 Fri, 17 Feb 2023 17:03:05 +0000 rafa roeder https://rafaroeder.com/ME-GUSTA-LA-VIDA-SOCIAL-2021 AUGMENTED REALITY <img width="600" height="752" width_o="600" height_o="752" data-src="https://freight.cargo.site/t/original/i/5b6cab32c8608ff94b709491316460d4ae0d48fe25cadab3a1f254cc4260daf8/mglvs-1-gif.gif" data-mid="168788168" border="0" data-scale="80" src="https://freight.cargo.site/w/600/i/5b6cab32c8608ff94b709491316460d4ae0d48fe25cadab3a1f254cc4260daf8/mglvs-1-gif.gif" /> <img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/14e7673c201ebc9d0b6a94bec17514cfc1f46ba7033b1cd5b0252a87250f2c32/ezgif.com-gif-maker.gif" data-mid="168788167" border="0" src="https://freight.cargo.site/w/600/i/14e7673c201ebc9d0b6a94bec17514cfc1f46ba7033b1cd5b0252a87250f2c32/ezgif.com-gif-maker.gif" /> <img width="600" height="606" width_o="600" height_o="606" data-src="https://freight.cargo.site/t/original/i/9be098afc24559c73b192e17f6a931775a4b060781148eba4ddb5252a5957296/mglvd3.gif" data-mid="168788170" border="0" src="https://freight.cargo.site/w/600/i/9be098afc24559c73b192e17f6a931775a4b060781148eba4ddb5252a5957296/mglvd3.gif" /> <img width="600" height="635" width_o="600" height_o="635" data-src="https://freight.cargo.site/t/original/i/0b2e111fbeae6897e686bd5a85cdb2b60df23fbf74171b03b69511446c26ae04/mglvs2.gif" data-mid="168788169" border="0" data-scale="95" src="https://freight.cargo.site/w/600/i/0b2e111fbeae6897e686bd5a85cdb2b60df23fbf74171b03b69511446c26ae04/mglvs2.gif" /> ︎ME GUSTA LA VIDA SOCIAL (I like to party) 2021 AR Filter with face tracking. AR Filter with face recognition technology originally, created for Instagram. The piece was put together in response to Lawyer Paul Muñoz’s misogynistic declarations to a national news show in Lima, Peru. October 2020, after 7 months of quarantine, a young girl in Lima’s big district Surco, accused 5 men for gang rape after a party. The young men’s defense attorney insisted that there had been no sexual violence even after the victim’s medical examinations confirmed the fact. Later in the interview, Paul Muñoz, attorney for one of the five young men, made this unfortunate comment: “The young lady.. eventually, let’s say she liked partying” (”Digamos, le gustaba la vida social”). This implying she had some type of fault on the event, because she liked to party. In response the AR piece, proposed a feminist outbreak and circulated on social media as a virtual protest at a time when social congregations were forbidden. <img width="700" height="1380" width_o="700" height_o="1380" data-src="https://freight.cargo.site/t/original/i/d5c4c4ff14115fc822c28116d65fcfbea4dbad8680e1da1117b99f7476440629/Megustalavidasocial_6.png" data-mid="168788163" border="0" data-scale="91" src="https://freight.cargo.site/w/700/i/d5c4c4ff14115fc822c28116d65fcfbea4dbad8680e1da1117b99f7476440629/Megustalavidasocial_6.png" /> <img width="740" height="1338" width_o="740" height_o="1338" data-src="https://freight.cargo.site/t/original/i/4980b45f0cbfb8486332395ae5f3ad968a2b315dc71faf9f90835e5aadd637fe/Megustalavidasocial_4.png" data-mid="168788162" border="0" data-scale="99" src="https://freight.cargo.site/w/740/i/4980b45f0cbfb8486332395ae5f3ad968a2b315dc71faf9f90835e5aadd637fe/Megustalavidasocial_4.png" /> &nbsp; &nbsp; &nbsp; &nbsp;<img width="1210" height="1104" width_o="1210" height_o="1104" data-src="https://freight.cargo.site/t/original/i/401dc97ece9161412faa6c04847de14e65d3c66337490f5beeec71cea36dd655/IMG_2840.png" data-mid="223290842" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/401dc97ece9161412faa6c04847de14e65d3c66337490f5beeec71cea36dd655/IMG_2840.png" /> ︎ Des/pro/tejidas, Galeria by Lastcrit 2023 Barcelona, ESP ︎ Des/pro/tejidas, Centro Cultural España, 2023 Lima, PER Me gusta la vida social, 2021 https://rafaroeder.com/FILAMENTS-OF-A-CIRCLE-2021 Fri, 17 Feb 2023 17:13:42 +0000 rafa roeder https://rafaroeder.com/FILAMENTS-OF-A-CIRCLE-2021 A/V&nbsp; ︎FILAMENTS OF A CIRCLE, 2021 Video artIn colaboration with sound artist Sol Rezza Filaments of a Circle is a series of audiovisual pieces with an experimental narrative that explore the notion of Alice in Wonderland’s syndrome, a clinical disorder characterized by brief episodes of distortion in the perception of body image and of the size, distance, shape or spatial relationships of objects and time. The narrative is composed of 4 stories. Each story describes a particular object or situation given by different collaborators in different languages: English, Spanish, Portuguese, German. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/650076f42d771a084d64b132b5be34f0aafa66d69285d9aa2434f23bfb137c47/Filamentos_Video2_Thumbnail.png" data-mid="168789246" border="0" src="https://freight.cargo.site/w/1000/i/650076f42d771a084d64b132b5be34f0aafa66d69285d9aa2434f23bfb137c47/Filamentos_Video2_Thumbnail.png" /> <img width="1694" height="951" width_o="1694" height_o="951" data-src="https://freight.cargo.site/t/original/i/ce04f2f3311c281c9f2e4ac69b640d2779e89b23978f938f75138e67445c6a51/AnaluciaRoeder_FilamentsofaCircle3_03.png" data-mid="168789244" border="0" src="https://freight.cargo.site/w/1000/i/ce04f2f3311c281c9f2e4ac69b640d2779e89b23978f938f75138e67445c6a51/AnaluciaRoeder_FilamentsofaCircle3_03.png" /> <img width="1698" height="948" width_o="1698" height_o="948" data-src="https://freight.cargo.site/t/original/i/863e1b130effdb848688295da88ef327c9ba6f6807913a370b4b53b25b0610ab/AnaluciaRoeder_FilamentsofaCircle2_03.png" data-mid="168789249" border="0" src="https://freight.cargo.site/w/1000/i/863e1b130effdb848688295da88ef327c9ba6f6807913a370b4b53b25b0610ab/AnaluciaRoeder_FilamentsofaCircle2_03.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/05046ceb690c72a3ca94254a3cc55a12bcbc024811e30aa6dbf25827a25310bf/ezgif.com-gif-maker.gif" data-mid="168789254" border="0" src="https://freight.cargo.site/w/1000/i/05046ceb690c72a3ca94254a3cc55a12bcbc024811e30aa6dbf25827a25310bf/ezgif.com-gif-maker.gif" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0f611bd04e7e292fb39c2543b8a4457b61ffb1f920b2f0673e32fce66e5c4bfe/1.gif" data-mid="168789251" border="0" src="https://freight.cargo.site/w/1000/i/0f611bd04e7e292fb39c2543b8a4457b61ffb1f920b2f0673e32fce66e5c4bfe/1.gif" /> It seems that the writer Charles Lutwidge Dodgson (Lewis Carroll) suffered from severe migraines and may have experienced this syndrome, which was reflected in Alice’s experiences during her journey down the rabbit hole. In these strange times, we are going through a distortion of reality, of the present time and a sense of incomprehension of our future. We find ourselves disoriented in a sea of possibilities, technology has completely changed our ways of perceiving the world around us. We find ourselves going down the rabbit hole. This piece was developed during the pandemic. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/801d5b48ccdc436735e976cdb1dbf764f8b9d9a374dc5e3160ce11ae85121430/4.gif" data-mid="168789253" border="0" src="https://freight.cargo.site/w/1000/i/801d5b48ccdc436735e976cdb1dbf764f8b9d9a374dc5e3160ce11ae85121430/4.gif" /> ︎Novas Frecuencias 2021, Rio de Janeiro ︎ IN/OUT festival 2021 Filamentos de un círculo, 2021 ︎ Watch the videos︎&nbsp; https://rafaroeder.com/INSIDE-A-2019 Fri, 03 Feb 2023 18:12:47 +0000 rafa roeder https://rafaroeder.com/INSIDE-A-2019 ︎INSIDE A 2019 VR EXPERIENCE Inside A is an immersive site specific VR experience. It submers users into different spatial scenes that represent states of mind to witness how they cohabit in the author's head. Erratic movements and looped actions represent our inability of quietness, peace of mind and silence. Users encounter the possibility of feeling and interacting with the simulated reality in their own specific way as the environment tricks them and stimulates their senses into digging deeper in the experience. There’s no defined purpose or challenge in the simulation. ¿What captures one’s attention and how? ¿How long do we dare to go? <img width="2200" height="1087" width_o="2200" height_o="1087" data-src="https://freight.cargo.site/t/original/i/336fed4ed690be6686603deddaefbeb0a777e54cdd85b93ae74de2de7f169824/3web.jpg" data-mid="167177269" border="0" src="https://freight.cargo.site/w/1000/i/336fed4ed690be6686603deddaefbeb0a777e54cdd85b93ae74de2de7f169824/3web.jpg" /> <img width="2200" height="1207" width_o="2200" height_o="1207" data-src="https://freight.cargo.site/t/original/i/4e3e10a5bfb1188f678c74f5128dbccaeb5dfb4cbaba796c70b3372e304c8bcd/2web.jpg" data-mid="167177266" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/4e3e10a5bfb1188f678c74f5128dbccaeb5dfb4cbaba796c70b3372e304c8bcd/2web.jpg" /> <img width="1000" height="548" width_o="1000" height_o="548" data-src="https://freight.cargo.site/t/original/i/91861b82af94c4dae6347ca7c419cde82fe88b7ee1aec5b3b28ac4e48840bf7a/gif2-v2.gif" data-mid="167177302" border="0" src="https://freight.cargo.site/w/1000/i/91861b82af94c4dae6347ca7c419cde82fe88b7ee1aec5b3b28ac4e48840bf7a/gif2-v2.gif" /> <img width="3530" height="1922" width_o="3530" height_o="1922" data-src="https://freight.cargo.site/t/original/i/e80082b7d5b406230c270c7146355f2238a6429f03e4d4e0921b43d98eaef3b3/Screenshot-2023-01-26-203402.png" data-mid="167177303" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e80082b7d5b406230c270c7146355f2238a6429f03e4d4e0921b43d98eaef3b3/Screenshot-2023-01-26-203402.png" /> <img width="2094" height="3724" width_o="2094" height_o="3724" data-src="https://freight.cargo.site/t/original/i/1320908b2fd660ad7a384713bea6045356e88d3e634a2a084ed71c1f49cf0fed/unnamed-1.jpg" data-mid="170006208" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/1320908b2fd660ad7a384713bea6045356e88d3e634a2a084ed71c1f49cf0fed/unnamed-1.jpg" /> ︎Spam Arts 2021 - Argentina ︎Sommerset House Studios 2019 - Amplify Residency - UK︎Fundación Teléfonica 2019 - Perú INSIDE A, 2019 https://rafaroeder.com/FANTASMA-DE-CRISTAL-2019 Wed, 22 Feb 2023 16:17:54 +0000 rafa roeder https://rafaroeder.com/FANTASMA-DE-CRISTAL-2019 360 VIDEO ︎FANTASMA DE CRISTAL, 2019 360 Video&nbsp;In collaboration with Valicha Evans Fantasma de cristal is created through its melody. Its rythmic and climatic origins cause an erratic journey through abstract visual dimensions in wich desire and imagination merge.In its universe, physic structures and characters are melted and incomplete, they lack movement and life and can only become alive through the images in their mind and their digital spaces.The piece is a 360º experience that mixes 3d scan, 3d animation and VFX.Track by Valicha Evans, Fantasma del Cristal <img width="1920" height="1076" width_o="1920" height_o="1076" data-src="https://freight.cargo.site/t/original/i/1f46d2667457c3d8e09cbcf5b332d7a3ac8fc190a7b9902710ea6cf151409fb7/2.jpg" data-mid="169325685" border="0" src="https://freight.cargo.site/w/1000/i/1f46d2667457c3d8e09cbcf5b332d7a3ac8fc190a7b9902710ea6cf151409fb7/2.jpg" /> <img width="1920" height="1077" width_o="1920" height_o="1077" data-src="https://freight.cargo.site/t/original/i/7fce90a791d2caa26115e26e09304eeb51ca2f58afdb29f9dc75fef8f2f2e43d/3.jpg" data-mid="169325682" border="0" src="https://freight.cargo.site/w/1000/i/7fce90a791d2caa26115e26e09304eeb51ca2f58afdb29f9dc75fef8f2f2e43d/3.jpg" /> <img width="1920" height="1078" width_o="1920" height_o="1078" data-src="https://freight.cargo.site/t/original/i/a8d232714f9d14d5134ec4b0837ed658408d2da9fc02b3a492c9da6275a8b399/7.jpg" data-mid="169325680" border="0" src="https://freight.cargo.site/w/1000/i/a8d232714f9d14d5134ec4b0837ed658408d2da9fc02b3a492c9da6275a8b399/7.jpg" /> <img width="2494" height="1400" width_o="2494" height_o="1400" data-src="https://freight.cargo.site/t/original/i/6fcdfa5b758f0f7d5e9936151569a48f0f65a5d0c2d8c502dde2cc0145789d42/4-Fantasma-de-Cristal-VideoClip.png" data-mid="169325678" border="0" src="https://freight.cargo.site/w/1000/i/6fcdfa5b758f0f7d5e9936151569a48f0f65a5d0c2d8c502dde2cc0145789d42/4-Fantasma-de-Cristal-VideoClip.png" /> <img width="1920" height="1078" width_o="1920" height_o="1078" data-src="https://freight.cargo.site/t/original/i/b7f898b52e3d7f3e9943d8f4f43ce6fcbf8f11c374e654bc4fac603c7bd088da/1.jpg" data-mid="169325686" border="0" src="https://freight.cargo.site/w/1000/i/b7f898b52e3d7f3e9943d8f4f43ce6fcbf8f11c374e654bc4fac603c7bd088da/1.jpg" /> ︎Premiered at Mutek, Montreal 2019 Fantasma de Cristal, 2019