ArtsHub

ArtsHub has been a member of Linktree for 4 years and joined in February 2022. The social media accounts linked to from ArtsHub are: • Facebook • Instagram • TikTok • LinkedIn Besides social media accounts, _artshub has populated their site with: • Rock and rolling into Mama Does Derby • Adelaide Writers' Week cancelled, remaining Board members step down • Arts boards in crisis: how have we landed here, yet again? • Director Louise Adler quits as Adelaide Writers Week crisis deepens • Separate the art from the artist? It’s not nearly that simple • 2025 Telstra NATSIAA Call for Entries • New writing program for Pasifika-Australian authors • Back come the Melbourne International Comedy Festival Funny Tonners... • Spreading empathy through interactive training | Rebus Theatre • Mass theft or luxury art? World-first AI art auction faces a massive backlash • Creative Australia back-pedals on 2026 Venice Biennale selection in response to ‘divisive debate’ • Gallipoli Art Prize • Omnia Art Prize and Exhibition • The Homiens Art Prize • St Columba's Art Prize • Indie-mill • Creative Studio Residencies at Montsalvat • 2025 Olive Cotton Award for Photographic Portraiture • Bondi Pavilion 2025 • Aida Tomescu at John Curtain Gallery • Radical Textiles blockbuster poses hard questions around supposedly ‘soft’ medium • REVIEW | Pompeii, National Museum of Australia • REVIEW | Yayoi Kusama, NGV International • ATYP Summer Holiday Drama Workshops • NAS Summer School Short Courses • Summer Stage at Bunjil Place • The McDonald College | Summer School Holidays Drama Acting Workshop 2025 • Celebrate the reopening of Notre-Dame right in the middle of Melbourne • SWELL Sculpture 2025 • The Art House Wyong | ArtsHub • NIDA | Open Studios • Exhibition review: Machu Picchu and the Golden Empires of Peru, Australian Museum • REVIEW | Cats & Dogs, The Ian Potter Centre: NGV Australia • REVIEW | Molto Bello: Icons of Modern Italian Design, Heide Museum of Modern Art • Melbourne Fringe • Townsville Ephemera • Invitation for a Wurundjeri Woi-wurrung artist to create a permanent commission in new Melbourne urban garden • So Soiree Fringe Garden • Sydney Events • Once upon a sometimes | FORM • REKOSPECTIVE: The Art of Reko Rennie, The Ian Potter Centre: NGV Australia | REVIEW • Calling for artists at Western Sydney International Airport • NAISDA | Join a First Nations success story in new phase of growth • NAS | What do art schools teach? How to be yourself • This week’s arts news and trending topics • Art Prize Guide • Visual Arts Workers Survey • The new National Communication Museum boosting cultural capital in this Melbourne suburb • How Deakin University’s future-proof focus opens doors for film students • Melbourne Art Fair 2025 to feature 60 galleries, plus Dawn Ng and Yona Lee commissions • QLD Regional Arts Awards • Blue Mountains Cultural Centre | How are artists eco disruptors? • NAS Open Day • NIDA | Leadership is not just a title • IOTA24 • Queensland Memory Awards • Dalmarri • How do you move a 13-tonne sculpture? • The Aboriginal Memorial • The power of portraiture and human connection • Chihuly | REVIEW • The Whiteley Art Scandal, ABC review: a rotten world well displayed • Julia Gutman | Archibald Prize Winner 2023 • REVIEW | Golden Blood, Wharf Theatre • Rise of social media hacking devastating creative small businesses • 5 standout graduate artists to watch from 2024 VCA Art Grad Show • Exhibition review: Julie Mehretu: A Transcore of the Radical Imaginatory, MCA • Red Hot Arts | How remote murals replaced media rhetoric with community pride • Dowel Jones at National Wool Museum | How collaboration bolsters creativity • SWELL Sculpture | A sculpture festival that’s bursting with pride • NICA Bachelor of Circus Arts • AMaGA National Conference 2024 • CIAF | How 65,000 years of culture can inform contemporary questions of identity • QLD ARTS GUIDE • NAS Open Day 2024 • The National Open House - Celebrating 50 Years in St Kilda - The National Melbourne • CIT Open Day 2024 : Canberra Institute of Technology • How Newcastle’s New Annual festival changes artists’ lives, one opportunity at a time • QRAAs | Funding and opportunities with Regional Arts Awards • Gilbert & Sullivan’s Ruddigore | MPAC • Memorial to workers who have died at work commission | City of Melbourne • EOI for Creative/Live Workspaces - City of Sydney • With a softening economy, Culture Business could give you the edge • AYO Music In Me | Schooling music for the young • NAS Open Day the first step in nurturing professional careers • Minderoo | The Artist Fund helping conquer the mid-career 'turning point' • Bayside Painting Prize 2025 • Exhibition review: Cao Fei: My City is Yours, AGNSW • Ravenswood Art Prize 2025 • Tashabok • Excelsia College Open Day • Sydney Opera House | Creativity uncovered: bespoke Australian designs sought for Sydney Opera House Shop • Expression of interest – creative live/work spaces - City of Sydney • School Holiday Guide Events • UTS | Get creative and prepare for success with these UTS degrees • AFTRS | Diana Glenn on the screen business course that’s training ethical, entrepreneurial leaders • Nillumbik Prize for Contemporary Art 2025 • The 21st Toorak Village Sculpture Exhibition is on now. • Ellen José Art Award for young women 2025 • QSO’s 2025 Season – something bigger than just our everyday life • This week's arts news and trending topics • Arts Precinct Melbourne | Unique opportunity to create a permanent artwork for new Melbourne urban garden • Our Elders, Our Pathfinders - Noongar Country 24 • High Score 2024 | APRA AMCOS • Season 2025 | Opera Australia • Create a living museum: Redfern Terrace • 2024 ARA HISTORICAL NOVEL PRIZE WINNERS ANNOUNCED | HNSA • Book review: Intermezzo, Sally Rooney • Visual & craft artist and arts worker survey • Lucia di Lammermoor | State Opera South Australia • MPAC Season 2025 • North Australian Festival of Arts 2024 round-up • Graduate Showcases and Exhibitions Guide • A festival showcasing the diversity and strength of Muslim women • Exhibition review: Cats & Dogs, The Ian Potter Centre: NGV Australia • Theatre review: Golden Blood, Wharf Theatre • 2025 Queensland Ballet Membership • Australian Youth Orchestra 2025 Season Brochure • Exhibition review: Chihuly in the Botanic Garden, Adelaide Botanic Garden • First Nations Fine Art Auction 2024 | 12 November, 7pm AEDT • Australian Geographic Nature Photographer of the Year 2025 • Splinter Journal • Tips on how to run a creative workshop • five letters cinque lettere • Parrtjima to return with a timeless glow in April • Sculpture on the Edge 2024 • SCA New Contemporaries • Accommodation Grant Darlinghurst Nov 2024 | City of Sydney • Currency Press | Shop for Christmas gifts with artists in mind • Muswellbrook Art Prize | Entries Open • All Connections to Unley Art Prize • Calling All Creators - 2025 World of WearableArt Competition! • ArtsHub Website • ‘Creative theft’: arts and screen bodies respond to AI proposals in PC’s 2025 report • You're killing me: tax reform for artists is needed now • Why the 'career ladder' is outdated for artists (and what to do instead) • Poll: 50 women making an impact in the visual arts sector • The Lester Prize Website • Brett Whiteley: Inside the Studio | AGNSW • Book review: Squat, John Safran • Meanjin, Australia's second oldest literary journal, to close • Lindy Lee's ‘Ouroboros’ | How do you move a 13-tonne sculpture? • REVIEW | Chihuly in the Botanic Garden, Adelaide Botanic Garden • REVIEW | Cao Fei: My City is Yours, AGNSW • Book review: Dusk, Robbie Arnott • Exhibition review: 2024 Melbourne Sculpture Biennale, Villa Alba Museum • Opinion: In 2026, can we please have fewer books published in Australia? • Is my studio practice killing me? Understanding the impact of silicosis • Copyright & AI: Arts Minister Tony Burke pledges to protect artists’ rights • Book review: Paris in Ruins, Sebastian Smee • Exhibition review: Pharaoh, NGV International • Book review: Travelling to Tomorrow, Yves Rees • Do you want AI? ArtsHub looks at Senate inquiry submissions • Exhibition review: Africa Fashion, NGV • Not just hitting milestones but driving change • Mona's big flex – how David Walsh wrote himself into the books • Frida Kahlo: In her own image | Bendigo Art Gallery • $10 million philanthropic gift will support Adelaide Festival Centre’s arts programming • REVIEW | Machu Picchu and the Golden Empires of Peru, Australian Museum • A master storyteller willing to connect: Rob Carlton • Bold decision by Reserve Bank bucks conservative views on $5 banknote redesign • 6th Tamworth Textile Triennial - Expressions of Interest • South Melbourne Town Hall abandoned for five years, now arts sector and locals take matter into their own hands • Exhibition review: twenty, Sabbia Gallery • Hilma af Klint: should art be for the public, despite the artist's wishes? • Music Industry – Access & Inclusion Masterclass • Motherland African Festival • 1500-degree molten steel installation, inspired by Caravaggio, to drip from the ceiling of Mona • In Defence Of The Pigeon - Guneet Kaur • Circus Oz - Non Stop • Hugh Jackman launches new theatre company • Josephine Wants to Dance - Monkey Baa Theatre Co • Revealed: Meta pirated millions of books to train its AI engine • Melbourne International Comedy Festival kicks off with the Gala • World-class theatre comes to the Gold Coast | RBG: Of Many, One • Khaled Sabsabi twice cancelled – Monash University 'indefinitely postpones' exhibition • Sculpture in the Garden Wollongong • Equality Australia issues warning on US travel for LGBTIQ+ people • We the Makers Sustainable Fashion Prize Opportunities – ArtsHub Australia • Do you or your organisation wish to engage in a more meaningful way with First Peoples? • Forever Changed – Nat Bartsch @ Fed Square • Go where passion meets innovation • President Trump attacks artist, portrait removed from public eye • QUT performing arts review sparks industry-wide concern • Fogarty Literary Award | Apply Now • Exhibition review: Floribunda, Bunjil Place • Melbourne International Comedy Festival 2025 – top picks • Creative Australia’s National Arts and Disability Code of Practice tender questioned by sector • Play Date by All The Queens Men • HIDDEN: lighting up Ballarat with projection-based art in May • Masterpiece by Edvard Munch gifted to the National Gallery of Australia • Show us your prints! • Exhibition review: Frida Kahlo: In her own image, Bendigo Art Gallery • Heckle Me | Melbourne International Comedy Festival • Curating the finalists for one of the country’s most prestigious prizes • 2025 International Booker Prize shortlist announced • Simply the best: ‘TINA – A Tropical Love Story’ celebrates the late, great Tina Turner • Bundanon | Artists in Residence 2026 Opportunities – ArtsHub Australia • From Coachella to the Sunshine Coast: exploring the impact of Desert X at REMIX Academy • Part Three • Part Two • Part One • Arts news watch: this week's trending topics • Calling For Entries: The Inaugural Young Paddo Art Prize • The 2025 Bowness Photography Prize • STILL: National Still Life Award • Mullins Conceptual Photography Prize • MAC yapang Art Prize 2025 • Call For Entries: 'the churchie' emerging art prize • Anne & Gordon Samstag International Visual Arts Scholarships • Call For Entries: 'the churchie' emerging art prize 2025 • Enter Now! Fifty Squared Art Prize 2025 • Beautiful Bizarre Art Prize • Stop censoring artists: perceptions and strategies • Exhibition review: Signal to Noise, National Communication Museum • How it began: The Narrow Road to the Deep North • Rethinking the medium of paper as a bold contemporary frontier • 2025 Deakin University Contemporary Small Sculpture Award entry form • Not so final – Bluesfest to return in 2026 • Plagiarism claim from RecipeTin Eats' Nagi Maehashi • Velvet Underground co-founder, 10-minute dance parties, drones: it’s all in for Illuminate Adelaide • 2025 Archibald finalists announced: conversation with curator Beatrice Gralton • Pakistani sensation behind ‘BLOCKBUSTER’ arriving in Melbourne for free concert • British Council connects through Culture Grants • What to expect in the arts from Labor's landslide win and second term • Making history: Sarah Snook and Dorian Gray sweep through Tony Award nominations • 10 Australian literary scandals • Trashing a treasure – re-elected government called on to act quickly to save Murujuga • Archibald four-time finalist broke down in tears at winner announcement • New arts space launches with 75-25 business model for slow burn success • The Sydney Fair • Opera Australia operating at a $10 million deficit • What’s your time worth? A creative’s guide to charging fairly • NT Writers Festival | 29 May to June 2 • Home is where the art lives – on the streets as well as on gallery walls • State Library of Queensland withdraws $15,000 Fellowship from First Nations writer over Gaza post • Thriving regional arts: a Queensland artist's big impact in a small town • Beyond the exhibit: How Seattle’s Museum of Pop Culture is reimagining what a museum can be • MEERTA: Rise Up! The Ballad of James Arden - Event Information – ArtsHub Australia • Venice Biennale 2026 will carry out vision of late curator Koyo Kouoh after her sudden death • Australian Cultural Fund | Let experts help you get over your fear of ‘the ask’ – for free • So you want my arts job: Tamsin Cull, Head of Public Engagement, QAGOMA • Project Hail Mary may break itself on film • Australian arts students unable to get US visas for study exchange • Experimenta Emergence uses art and technology to imagine future worlds • National Indigenous Art Fair 2025 • World-building for grown-ups: Phantom Peak’s creators on immersion, innovation and why fun matters • Desert Mob 2025 • Hand-cut papers map out intricate Japanese-Australian histories in Townsville • Event review: DroneArt Show, Caulfield Racecourse • Thinking about entering an art prize? Just go for it! • Income averaging: everything you wanted to know but were too afraid to ask • Entries Now Open: 2025 Woollahra Digital Literary Award Opportunities – ArtsHub Australia • Exhibition review: Swingers, RISING, Flinders Street Station • A public or private sector career in the visual arts – which is the right one for you? • Festival review: Dark Mofo 2025 Week One • The art of intimacy: how cabaret artists connect with you from the stage • The broken midlist: why it’s harder than ever to be a ‘moderately successful’ author • Exhibition review: Wonderstruck, QAGOMA • Is self-belief or self-doubt the key to making great art? • Khaled Sabsabi and Michael Dagostino reinstated as 2026 Venice Biennale creatives • 'Songlines' to be included in landmark exhibition exchange between Australia and China • Arts conferences and talks in Australia & international: July-December 2025 • Australian writers join global AI backlash over scraped writing • Hornsby Art Prize call for entries Opportunities – ArtsHub Australia • Which artworks give you hope in despairing times? • Can new Writing Australia council address writers’ most urgent needs? • Reminder of at-height risks following theatre worker's death after fall • Hill of Content: human chain helps 103-year-old Melbourne bookshop relocate • The Velvet Sundown: AI-generated band stirs controversy across global music industry • Wesley Enoch AM appointed as the Australia Council Board’s new Chair • Trauma narratives dominate Australian literary prizes – why? • SPRING1883: three reasons why you should visit this hotel art fair • ANU's planned restructure threatens studio arts practice • Neighbour at the Gate review: NAS Gallery exhibition • Free exhibitions in South Australia August 2025 • Would INXS make it today? Rethinking the rise of Aussie icons • Shock to bewilderment as ANU strips cultural legacies and denies creative futures • Kimberly Akimbo review: a Broadway musical hit now making its Australian premiere • Indigenous Arts Officer – so you want my arts job? • Postcard from Mexico City: Modernist architecture to famed murals and the hottest art galleries. • The Productivity Commission just advocated for theft and I'm f**king livid • Aunty Donna's absurd rise: lessons from Australia's biggest comedians • 5 best new books to read in September 2025 • After Bendigo: 4 reasons free speech for artists benefits society as a whole • Athlete-turned-artist wins one of Australia’s most lucrative art awards worth $100k • Vale William Robinson – a pioneer visionary of the Australian landscape • For Victorians who love to stickybeak – Open House Melbourne is back for 2025 • Art Prize Guide Artist Opportunities – ArtsHub Australia • Grief Rave: underground techno rituals that let you dance your sorrow • Australian Design Centre loses state and federal funding, faces uncertain future • Best opportunities, grants and awards for creatives: 11-17 August 2025 • The secret diary of an Australian arts freelancer, aged 46¾ • Bendigo Writers Festival: when risk management becomes censorship • Best opportunities, grants and awards for creatives: 18-24 August 2025 • Celebrating the art that promotes positive change • Exhibition review: Nusra Latif Qureshi: Birds in Far Pavilions, Art Gallery of New South Wales • CURRENTS: The Water Understands panel discussion - Event Information – ArtsHub Australia • This year, acclaimed works by Frida Kahlo, Henri Matisse and more join the public domain • Make your year more musical with a star-studded orchestra line-up • Sublime music, captivating dance and thrilling theatre for your 2025 calendar • The Bridal Lament 哭嫁歌 By Rainbow Chan - Event Information – ArtsHub Australia • Bondi Pavilion | 2025’s greetings include a giant interactive whale • Exhibition review: Ethel Carrick and Anne Dangar, National Gallery of Australia • Remagine Art Prize 2025 • Review: The Future & Other Fictions, ACMI • Over 100 manuscripts from the British Library and National Portrait Gallery to arrive at HOTA • AC/DC's childhood home in Sydney mistakenly demolished by developers • SWELL Art Prize - 2025 Call for Entries • Applications are now open for the Australian Cultural Diplomacy Grants Program Opportunities – ArtsHub Australia • These Entanglements: Ecology After Nature | UQ Art Museum • 3rd Bankstown Biennale: Same Same/Different • Creative Exchange: Audience Atlas Victoria Launch webinar - Event Information – ArtsHub Australia • Contemporary Watercolours | NAS • COMA's new flagship home opens among buzzing crowd • Aboriginal bronze sculpture cut through and stolen • Cultural sector information session – Engaging in the Pacific | DFAT • Second Echo Ensemble | 20 years of storytelling – a bit differently • The Lester Prize | Youth Awards • Splendour in the Grass won't return in 2025, showing a festival sector in crisis • Melbourne’s historic queer bookshop facing financial hardship • Who is representing Australia at the 2026 Venice Biennale? • Australia’s richest prize for portraiture platforms artists and community • Tsiolkas, Winton and Wood headline new Save our Arts campaign • The Theodore Urbach Landscape Prize and Studio Scholarship Opportunities – ArtsHub Australia • Who are the international art stars exhibiting in Australia this year? • We the Makers Sustainable Fashion Prize • APY Art Centre Collective vindicated, but calls for wider sector inquiry • NORPA launches fundraising campaign to buy and create flood-resistant new Lismore home • Back to the Future: The Musical set for 2025 Sydney premiere • Daring to dive into the honeycomb • Hornsby Shire Council - Remagine Art Prize 2025 • We’re calling for nominations to join our design and public art advisory panels Opportunities – ArtsHub Australia • Clunes Booktown 2025 - Event Information • Most Blessed Nights | Liverpool City Council • Australian Pavilion may be empty at Venice 2026; no resignations forthcoming • The 2025 Telstra NATSIAA Call for Entries is Now Open! Opportunities – ArtsHub Australia • Beijing curator, Victor Wang to lead Artspace into its future • Connections Through Culture grants grow collaboration across borders • Hero Apartment Building public art commission Opportunities – ArtsHub Australia • Concert review: AURORA 2025, Margaret Court Arena • Public art commissions by leading Australian artists transform Docklands • Burwood Art Prize 2025 - Event Information – ArtsHub Australia • Expression of Interest - Ipswich Public Art Proposal Opportunities – ArtsHub Australia • Bald Archy Prize announces 2025 finalists with Raygun as prominent figure • Swingers have their moment to shine at RISING 2025 • Indie-mill Opportunities – ArtsHub Australia • Creative Studio Residencies at Montsalvat Opportunities – ArtsHub Australia • 2025 Olive Cotton Award for Photographic Portraiture Opportunities – ArtsHub Australia • Omnia Art Prize and Exhibition Opportunities – ArtsHub Australia • The Homiens Art Prize Opportunities – ArtsHub Australia • St Columba's Art Prize Opportunities – ArtsHub Australia • Gallipoli Art Prize Opportunities – ArtsHub Australia • Missy Higgins, Hoodoo Gurus, The Angels, Kate Ceberano and more set to rock the Mundi Mundi Bash • Brisbane arts precinct braces for dangerous Cyclone Alfred • Chau Chak Wing Museum returns human remains to Papua New Guinea • Road worthy: standout regional gallery exhibitions in Autumn 2025 • The future of design in Australia • Women’s voices writ large and amplified • Queensland Literary Awards 2025 Opportunities • Dark Mofo 2025 makes first announcement, already generating controversy • Hamlet receives violent new life in Grand Theft Auto • Strong like the forest: how a regional gallery’s ecosystem connects artists and community • Exclusive: Letter to the Minister for the Arts, Tony Burke MP: Reinstate Khaled and rebuild trust in Creative Australia • Jim Sharman Future Award Opportunities – ArtsHub Australia • Turning cancer on its head • Cultural Diversity Week | Immigration Museum • Nam June Paik’s 'Internet Dream' to make Melbourne debut • Lesbian Space Princess review: Australia's Berlinale champion shines | ScreenHub Australia - Film & Television Jobs, News, Reviews & Screen Industry Data • Mark & Evette Moran Nib Literary Award Judging Panel Expression of Interest (EOI) Opportunities – ArtsHub Australia • Artist in distress as her former gallery sells similar artworks, attributed to another • The Art House Wyong: the Central Coast’s vibrant artistic heart • SWELL Sculpture Festival 2025 Call for Entries Opportunities – ArtsHub Australia • NIDA | How pre-professional training can transform your passion into a career • Open Day 2024 | Excelsia College • Josephine Mead: Matrimony • Performance reviews: North Australian Festival of Arts 2024 round-up • Australian Youth Orchestra 2025 Season Brochure - Event Information – ArtsHub Australia • five letters cinque lettere - Event Information – ArtsHub Australia • SCA New Contemporaries - Event Information – ArtsHub Australia • Accommodation Grant Darlinghurst Nov 2024 Opportunities – ArtsHub Australia • Muswellbrook Art Prize | $70,000 national prize calls for ceramicists, among other artists • All Connections to Unley Art Prize Opportunities – ArtsHub Australia • Calling All Creators - entries are open for the 2025 World of WearableArt Competition! Opportunities – ArtsHub Australia • How are artists eco disruptors? • Hornsby Art Prize | Article: The validation of being judged by your peers • Local Remix: Still Life • Best of portraiture and ceramics gathered in one place • GIVEAWAY: Chloe Petts (UK) ‘If You Can’t Say Anything Nice’ - Event Information – ArtsHub Australia • The Creative Leadership program supporting transformative change • Australian-UK collaborations driving artistic exchange and innovation