生於香港，現居於臺中，曾於美國、日本、上海、台灣、新加坡等地作個人演出。師承日本綢舞大師小松有紀子女士，發展出沉穩輕緩的「無重空中藝術」風格。2016年成為加拿大國立馬戲學院 (Ecole Nationale de Cirque) 認證馬戲藝術導師，同年入選美國空中舞蹈錦標大賽，獲一致好評：「technical and movement innovation (技巧和動作上的創新)、 masterfully executed (熟練巧妙的演繹)、pure art (純然的藝術)」。

喜歡利用布幔，探索無限的想像和創作空間；透過原創空中作品，呈現對生命的覺察與感悟，實踐以舞修心、傳達美善的自我期許。2023年於臺北演出個人綢吊作品《Second Skin》，在半空中漫舞三十分鐘的過程中，探索以肢體為分界線的內在與外在世界，相互影響誘發的微妙關係。2024年於臺中舉辦《空中綢舞音樂會》，與即興演奏家貓阿諾（Arnaud Lechat）和柯德林可（Coordt Linke）一起創作、出演《聖火惹的禍》。作品以古希臘神話為素材，探討生成式AI人工智能帶來的潛在危機。

Born in Hong Kong and now living in Taichung, Joe Cassman Lam has performed solo in the United States, Japan, Shanghai, Taiwan and Singapore. Inspired by the Japanese Aerial Tissu master Ms. Yukiko Komatsu, he developed a unique meditative aerial style infused with oriental aesthetic elements. In 2016, he became a circus art instructor certified by Ecole Nationale de Cirque in Montreal, Canada. In the same year, he was selected for the US Aerial Championships and received unanimous praise: “technical and movement innovation, masterfully executed, pure art”.

In 2023 Joe’s first full-length solo work Second Skin was premiered in Taipei. Maneuvering slowly through the air for thirty minutes, he examined the subtle relationship between the inner and outer worlds, faintly divided by our physical body. In 2024 he organised Aerial Tissu x Improvisation Music Recital in Taichungand presented The Curse of Sacred Fire, a collaborative work with musicians Arnaud Lechat and Coordt Linke. Inspired by Greek Mythology, this piece was intended to raise awareness on risks of generative AI.

Through manipulating fabrics in the air Joe explores the boundless realm of imagination and creativity. His original aerial works were created out of his understanding and insight into life. Aerial dance is not only a form of self-expression, but also his personal quest for the truth and the beauty of existence. 

來自美國的聲音藝術家，目前居住於台北，從事聲音創作。使用磁帶循環、田野錄音、無線電頻率、現成物及各種電子原音的素材來製作聲音拼貼，進行表演和錄音。透過聲音蒙太奇，其藝術作品整合「心靈地圖」的概念–建構某種聲音環境，與聽眾以抽象的方式進行溝通。研究資訊和經驗在連結世界中的的混亂、斷裂本質，透過操作重新發現獨特的聽覺瞬間，並重新詮釋為新的音景。

Daniel Ditlevson is an American sound artist that is currently based in Taipei. He creates sound collages utilizing tape loops and manipulations of field recordings, audio feedback, and various electroacoustic sounds for his performances, compositions, and sound installations. It is through these sonic montages, his work serves as a conduit of communication of emotions and experiences—an unspoken and abstracted communion of a created sonic environment with the listener. His aim is to study the chaotic nature of information, experience, and disconnection in a connected world. It is through his physical manipulation of an imprinted memory of a particular instant in time that he rediscovers and reinterprets that specific aural moment into a new soundscape. 

臺中人，北漂青年。畢業於臺北市立大學舞蹈系、左營高中舞蹈班。現為自由接案表演者、舞蹈藝術創作者與舞蹈老師，目前也斜槓為舞蹈咖啡廳走馬啡副店長 。

在舞蹈中喜歡以實驗與即興的方式，去挖掘自己的可能性。同時持續不斷的與國內外不同的編舞家合作或是透過機會到不同地方跳舞與創作。近期經歷於 2023年獲得菁霖美國舞蹈節獎學金、在走馬啡 X跳舞蘭《佳節限定身心饗宴》中以新秀舞蹈家身分演出個人創作獨舞《未命名》、參加《身在其中INCLUDE SMA 特展》開幕演出擔任舞者 、參與舞蹈南方嘉義駐地創作《 標籤》擔任共同創作藝術家、參加 2022臺北藝穗節《童話故事 人生事故》擔任創作者與表演者、參加 2022TIFA 史蒂芬妮・雷克《群像》擔任舞者等 。

因緣際會之下，開始與不同的音樂家合作擔任即興音樂會的舞者。如 2023年一月、二月、四月與音樂家 Arnaud Lechat 、 Mark Van Tongeren 共同演出《夢境》 、 2023年一月音樂家 Arnaud Lechat共同演出「台灣戰後經典手繪施工圖建築展」開幕表演 、 2022年十二月與音樂家 Arnaud Lechat 、Coordt Linke 、 Anne Dewees 共同演出《藍色微 光的翅膀》等 。

也有持續進行舞蹈肢體的創作。目前的作品有 2018年《Ridiculous》、《Neverland》、 2020年《The》、 2021《一種關於靈魂的想像》影像版、 2022年《童話故事 人生事故》、《未命名》等，也即將在2023年臺北藝穗節發表《一種關於靈魂的想像》與古舞文創『D Lab創作孵育』發表《阿布索倫的浴室》 。

A native of Taichung, a young drifter from Beijing. Graduated from the Dance Department of Taipei City University and the dance class of Zuoying High School. Currently, she is a freelance performer, dance art creator and dance teacher. She is also currently the deputy manager of the dance cafe Wenism Coffee.

She likes to explore her own possibilities through experimentation and improvisation in dance. At the same time, she continues to collaborate with different choreographers in Taiwan and abroad and takes the opportunity to dance and create in different places. Recent experience: Winning a Jinglin American Dance Festival scholarship in 2023, performing a solo « Untitled » as a rising dancer in Wenism Cafe « Served as a dancer in the opening performance, participated in Dance South Chiayi’s resident creation « Label » as a co-creator artist, participated in the 2022 Taipei Fringe Festival « Fairy Tale Life Accidents » as a creator and performer, and participated in the 2022 TIFA Stephanie Lake’s « Group Portraits » Work as a dancer, etc.

By chance, she began to collaborate with different musicians as a dancer in impromptu concerts. For example, in January, February, and April 2023, she performed « The Dream » with musicians Arnaud Lechat and Mark Van Tongeren. In January 2023, musician Arnaud Lechat performed the opening performance of « Taiwan Post-War Classic Hand-Drawed Construction Drawings Architecture Exhibition », In December 2022, she performed « Blue Hour » with musicians Arnaud Lechat, Coordt Linke, and Anne Dewees.

There is also continued creation of dance body parts. Current works include 2018 « Ridiculous », « Neverland », 2020 « The », 2021 « An Imagination About the Soul » video version, 2022 « Fairy Tale Life Accident », « Untitled », etc., which will also be released soon. In 2023, the Taipei Fringe Festival published « An Imagination About the Soul » and the ancient dance cultural creative « D Lab Creative Incubation »…

Anne Dewees是在台北生活多年且致力於法國歌曲詮釋的歌唱家，她同時也擅長印度塔布拉鼓(tabla)以及大提琴的演奏。由於對文字有著高度的敏感與深刻的共鳴，近年來她也投入詩文的創作並在一些展演藝術中受邀擔任詩作的朗誦與導讀。

Anne Dewees has been singing French songs and international standards in Taipei for about 10 years and is a practitioner of several instruments, mostly cello and Indian tabla. Especially attentive to the musicality of language, she likes to speak poetry and also writes her own pieces.