A New Version (with Commentary) of the Armenian Definitions by fvathynevgl!

Gosh, it’s already been two years since my Reading the Hermetica blogpost series kicked off; how time flies, and how much changes in such a short time!  Granted that making series of posts isn’t a terribly uncommon thing for me, that one is one I’m proud of, since not only did that series do what I could to help make the classical Hermetic texts more accessible, but also offers no little bit of research, discussion, and commentary about them.  Sure, while the more reliable and readable translations of Hermetic texts are generally the more recent ones that aren’t (yet) in the public domain, some of those from older times do still hold their own, while other non-institutional scholars also often try their hands at new translations for the benefit of the world.

It’s on that point that I’d like to spread the news of a new such work.  As part of the “Reading the Hermetica” series, I covered the Armenian Definitions of Hermēs Trismegistos to Asklēpios (abbreviated DH), starting in this post.  This Hermetic text is one of the more recently recovered ones from the 20th century, and up until now the only English translation has been by Jean-Pierre Mahé in Clement Salaman’s Way of Hermes book; Mahé also provided an earlier translation in French in his 1982 work Hermès en Haute-Égypte (vol. II).  Enter now a work work by fvathynevgl (aka Vathy); I’ve referred to Vathy’s excellent commentary on the DH before as part of my own coverage of this text (DH 1, DH 2, DH 3, DH 4, DH 5, DH 6, DH 7, DH 8, DH 9, DH 10), but both Vathy and I referred to Mahé’s translation and notes, since this was the only version available.  Vathy is now working on putting out a new rendition of the DH (as Vathy puts it, “this is a rendering, not a translation”), comparing the Armenian to both Mahé’s French and English translation along with providing more of their own commentary.  Importantly (and graciously), Vathy is releasing this work under a CC BY 4.0 license, so it’ll be free for anyone to read and share.  For those interested, definitely give Vathy’s posts (and their website as a whole) a look, and keep up with their forthcoming DH (and other) posts by subscribing to them with the RSS reader of your choice!

Ritual of Adoration of the Perfect Nature

I think I speak for us all when I say that it’s fascinating to watch how our own evolution of practices and rituals changes over time.  Seeing how influences and trends come and go, practices get developed and set aside, focuses of research arise and abate always gives me a lot to think about, seeing them all like waymarks on a long trip or reminiscing on a walk around town about past dates or adventures.  Even though my own spiritual path hasn’t been that long in active practice (only like 15 years or so counting from when I started the Red Work Course under Rufus Opus), while some things have stayed the same, quite a lot hasn’t—but I can still turn to it all and see how it was all so informative for me to get me to where I am today.  Even if some practice or other doesn’t stick around, it still helped me get here after all.

Over time, and especially with the development of the Hermetic Synaxis stuff, I’ve learned a lot about what really does and doesn’t work for me.  For instance, monotheism is a non-starter for me; between my worship of Greek gods, my being an initiated priest to orisha, and just having experiences that slap me in the face (sometimes literally) to attest to their presence, the theological framework of monotheism just doesn’t click (which is also why I’ve written so much in the past about how the Hermetic texts themselves are explicitly non-monotheistic, like with the post series here and here).  Although my original RWC-driven practice used a lot of Christian stuff (given the ease of access to so much out there and the influence of Christianity in the European grimoiric traditions), I eventually dropped that because it just didn’t do much for me.  Likewise, while I maintain my own Jewish practice as a sort of heritage tradition and as a means to continue working with my own ancestors, I readily admit that I don’t (and, for the sake of my own integrity, can’t) do things in a normative or conventional way, and so reconsider and adapt the prayers and my household practice to accommodate my own needs.  For a while, back in…2017? 2018? when I was getting back underway with one of my own spiritual revivals, I was really invested in making a “Hermetic geomantic spiritual path”, fleshing out my whole practice in a way that centered geomancy and, thus, had to take account of its Arabian (and thus Islamic) origins; this eventually led to my Preces Castri ebook, a heavily monotheistic-focused Islam-influenced collection of prayers that, at the time, was pretty nice and fun to work with, but even then I noticed that I kept finding hangups and weirdnesses about my own views and experiences involving divinity that still made it not click.  For the most part, while it was an interesting experiment and gave me a lot of neat things to work with, that particular path was a dead-end for me, and that realization gave me further orientation to help get me to where I am today.

Still, even if that approach was a dead end, that’s not to say that there’s nothing in there that I don’t use; a few prayers and ritual processes still get pulled out for a few tasks here and there for which they make sense.  One of the big things I do in that same vein, though, is a monthly adoration of the Perfect Nature from the Ghāyat al-Ḥakīm, also known as the Picatrix.  In book III, chapter 6, we see this whole discussion of this spirit called the Perfect Nature, about which I’ve written no small amount here and with a ritual of communion that I’ve fleshed out according to the text’s instructions here.  It’s a wonderful ritual to do to commune with this entity, which I personally consider to be the Picatrix’s equivalent of the natal genius.  The only issue with this is that I (and many others) are waiting for Liana Saif’s upcoming translation of the Arabic text (or, rather, family of texts and different manuscripts of the Ghāyat al-Hakīm) with better research and critical analysis than has been available so far out there for this text, and which may well shed very welcome light on both the Perfect Nature and the ritual of communion with it (along with much else in the text); to that end, while the ritual in the Picatrix is totally doable as-is, there’s certainly room for clarification and refinement in the process (e.g. what the heck sort of confection is meant to be made with the butter and oil and honey, if not some sort of butterscotch candy/brittle/bark), and I look forward to seeing what Saif has to say about it.

In the meantime, though, I should point out that it’s not like we can’t go off and do our own thing in the meantime.  The ritual in book III, chapter 6 of the Picatrix is nice, but it’s a lot, and while any sort of communion ritual with our tutelary genius-type entities is worth doing, sometimes we don’t need to do the whole kit-and-kaboodle if we already keep such practices up or if we want something more offering-focused than otherwise.  For some time now, I’ve been maintaining my own ritual to celebrate the Perfect Nature, where I start from the overall idea of what we see in the Picatrix but make it less of a yearly communion and offering and more of a monthly adoration and seeking of alignment and blessing.  Given the Picatrix’s Islamic origins, this is a case where I don’t shy away from using monotheistic prayers or the like; indeed, I make use of them amply, or have adapted them in ways that help suit what I want for this.  The whole effect of it helps me (or so I find) keep on a good path in my life and acts as another way to both keep up with everything as well as to pray for and work towards my own development and blessing, a way to perfect my own nature by means of my Perfect Nature.  To that end, I figured I might share it on my blog; it might be useful for someone else out there, too!

So, first, when should such a ritual be done?  Following the Picatrix’s advice for its own ritual, we should do this when the Moon is in 0° Aries, which gives us a window of time of about two hours once every 28-ish days.  The Picatrix’s ritual seems to be done just once a year, but given that the Picatrix doesn’t give any other information about the timing, it seems like such a ritual can be done on any such time when the Moon is in the first degree of Aries (though you’d probably want one when the Moon isn’t in aspect to a malefic or have other such concerns going on).  All the same, though: why this specific placement?  My thinking is that the Perfect Nature ritual, being a means to contact an equivalent of the natal genius, is meant to be done in general by people in general, especially as a group, but also, it may well be that people don’t have reliable information about their own natal horoscopes.  While it’d certainly be preferable to do the ritual at a time more aligned to their own planetary ruler (since, quoth the Picatrix “a Perfect Nature is the spirit of the philosopher or sage in harmony with the planet governing him“), if you don’t know that information for yourself or if you’re with other people with other planetary rulers, then picking a general time makes sense for everyone, and the start of a new lunar cycle likewise makes sense for that.  Given the astrological focus of the Picatrix, I suppose it makes sense to use a sidereal lunar month reckoning (i.e. according to the lunar mansions) rather than a synodic one (i.e. according to the lunar phases) for such a monthly cycle to be renewed, in the same way that we might consider a yearly to be renewed not according to a set number of lunar months (as the Islamic calendar does) but according to the Sun entering a new zodiacal cycle of crossing into Aries.

To that end, my thinking is that this ritual may either use the Moon in 0° Aries if you want to stick to the Picatrix’s own instructions, if you’re performing the adoration with other people, or if you don’t know your own planetary ruler; alternatively, if you’re doing this on your own and do know your own ruling planet (which, in this case and given this context, would likely be the almuten approach of figuring out a ruling planet), you could do this when the Moon is in your natal degree of that planet (e.g. if your almuten is Jupiter and Jupiter was at 23° Pisces when you were born, do the ritual when the Moon is in 23° Pisces).  However, using either approach, and speaking as a householder with a commute?  Only having a two-hour window once every 28 days to do such a ritual is a big ask, so for my ritual approach here, I expand the window a bit: the ritual may be done while the Moon is either in the first lunar mansion or in the lunar mansion of the natal placement of your planetary ruler.  That way, rather than having just a two-hour window, you have a whole day to do the ritual, which I find much more accessible while still being more-or-less on target.

So much for timing; what do we need to perform the ritual?  At minimum, all you need is a candle to light, some incense to burn (generically pleasing is fine), and a misbaḥa (a set of Islamic prayer beads, preferably in a set of 99 beads with spacers between each set of 33 which can be worn around the neck, though smaller sizes which can be worn around the wrist are also acceptable), with everything set up on a small altar for you to kneel at and with the prayer beads safely laid out around the candle.  However, for those who can, a more proper setup would be to use the following:

  • A white small taper candle (e.g. emergency candle, Shabbat candle) enclosed in a glass chimney or lantern and raised on a small platform
  • Frankincense and/or mastic incense, put to the left of the candle
  • Aloeswood and/or sandalwood incense, put to the right of the candle

Although not at all required, if you want to make an extra offering to the Perfect Nature, set four small cups around the candle of either water and/or wine.  If at all possible, also put a piece of butterscotch candy present between me and the candle, to be kept wrapped until the end of the ritual.

For my practice, as an informative idea to show how all the above might look when fully done: I use an old soapstone aromatic oil diffuser I found that I’ve repurposed into a sort of “model Adocentyn”, the sacred city of Hermēs Trismegistos described in book IV, chapter 3 of the Picatrix.  I align the sides of the diffuser to the cardinal directions, I have the candle on top  surrounded by a mineral oil glass lantern chimney, and between each of the four pillars of the soapstone diffuser I have a little soapstone animal to reflect the animal statues at the four gates of Adocentyn: an eagle at the east, a bull at the west, a lion at the south, and a dog at the north.  The whole thing sits atop a sandstone base, and around the whole thing in front of each animal I put a little soapstone shot glass for water offerings, with incense boats to either side.  The whole thing is my own little “Adocentyn shrine”, which I’ve experimented before using as a shrine centerpiece and also divine lamp in general.  While I can’t find soapstone diffusers like these easily anymore, they do still exist for sale on Etsy or Ebay sometimes in addition to some Indian online websites, but you can also easily make something of your own just as well if you also wanted to go this extra few miles.

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Alright, so we have our time for the ritual and the ritual apparatus done.  To prepare yourself, I encourage a bit of light abstinence (at least no consumption of meat or alcochol and no sexual activity for 12 hours before the ritual, plus no food or drink besides water for 1 hour before the ritual), ablution (just shower fully), and put on some clean clothes.  Once you do, you’re ready for the ritual.  Note that this ritual involves prostration; because of this, I encourage using a prayer rug and kneeling on that with the aid of a bench or small stool, or at least doing this on an otherwise clean floor, but if you’re unable to prostrate or kneel for the ritual, sit on a chair before the altar and bow as far as you might be able to.

Approach the altar, then prostrate silently for a moment.  Arise, either standing or upright on one’s knees, and recite the Preliminary Invocation (based on the prayer of aphorism II.14 of the Arbatel):

O God, Lord of Heaven and Earth, maker and creator of all things visible and invisible, to whom all glory is rightfully due!

I call upon you through the sacred gifts that you have given me of mind, word, knowledge, and light that you might send your holy powers unto me to direct me in your work for the good of all. O almighty Father from whom proceeds all good and whose mercy is immeasurable, hear me my prayers that I make in your sight.

Here, today, and now I pray, and I pray that you grant me to celebrate, adore, and seek the blessing of my Perfect Nature.

Recite each of the following supplications, bowing at the waist after each supplication:

O God, hear me my prayers.
O God, cleanse me from filth.
O God, heal me from illness.
O God, save me from error.
O God, keep me from ignorance.
O God, rescue me from torment.
O God, free me from darkness.

Prostrate and recite while remaining prostrating:

Holy God, Holy Strong, Holy Immortal, be merciful to me.
Holy God, Holy Maker, Holy Forebear, be gracious to us.
Holy God, Holy One, Holy Source, be propitious to us all.

Arise, either sitting down or kneeling.  Light the candle and the incense, and recite the Recitation of Light (adapted from the Qur’ān 24:35):

God is the Light of the Heavens and the Earth.
The image of his light is like a niche, in which is a lamp.
The lamp is in glass, the glass like a brilliant star.
It is lit from the oil of a blessed olive tree—
neither of the East, that it only receive sunlight in the morning,
nor of the West, that it only receive sunlight in the evening,
but always suffused in the light of the Sun—
the oil nearly glowing, even without the touch of fire.
Light upon Light!
God guides whomever he wills to his Light,
and God sets forth images for humanity,
and God is All-Knowing of everything.

Recite the Prayer of the Chain (based on supplications used for ṣalah in Islam), prostrating after every stanza:

God is the Greatest; glory be to my Lord, the Most Gracious!
Glory be to you, o God, for all praise is due to you.
Blessed is your name and exalted is your majesty.
There is no one and nothing higher worthy of worship than you.
God is the Greatest; glory be to my Lord, the Most Merciful!

God is the Greatest; glory be to my Lord, the Most Forbearing!
God hears those who praise him!
All my praise, abundant and excellent and blessed, is for you, o Lord.
O God, keep me as far from error as you have kept East from West.
O God, cleanse me of defilement as white cloth is cleansed of filth.
O God, wash away my impurity with snow and water and hail.
O God, help me, guide me, strengthen me, support me,
grant me well-being, grant me blessing, and grant me mercy.
God is the Greatest; glory be to my Lord, the Most Holy!

God is the Greatest; glory be to my Lord, the Most High!
May the peace, mercy, and blessing of God be upon me;
may the peace, mercy, and blessing of God be upon all those with me;
may the peace, mercy, and blessing of God be upon all those going before me;
may the peace, mercy, and blessing of God be upon all those coming after me;
may the peace, mercy, and blessing of God be upon all those in the world.
God is the Greatest; glory be to my Lord, the Most Great!

Amen.

Take up the prayer beads in the dominant hand.  Recite the opening prayer for the chant (based on the prayer recited for the four winds from Pietro d’Abano’s Heptameron):

O God, mighty and merciful!
O God, great, excellent, and honored throughout endless ages!
O God, powerful, strong, and without beginning!
O God, wise, illustrious, just, and divinely loving!
I beseech you, most holy Father,
that I should fulfill and perfectly realize this,
my petition, my work, my labor today,
o you, who live and reign, world without end.  Amen.

Recite 99 times:

Tamāġīs Baġdīswād Waġdās Nūfānāġādīs

Recite the closing prayer for the chant (based on the prayer noted in the Talmud of R. Neḥunya ben Hakanah when entering a bet midrash):

May it be your will, o Lord my God,
that no mishap occur because of me,
that I not err in my thoughts or words or deeds,
that I not think the pure impure nor the impure pure,
that I not speak truth for lies nor lies for truth,
that I not toil for worthless or idle causes,
but that I may rejoice in the good thoughts, words, and deeds of others
and that others may rejoice in my own.  Amen.

Wear the prayer beads, either around the neck if long enough to do so or around the dominant wrist if not.  Arise, either standing or upright on one’s knees, and recite the Invocation of the Four Powers:

Hail, o Tamāġīs, o Eagle of the East! As the Eagle soars on high to perceive all in the world, and as Air is the means by which all may be perceived, so too does your power of Sensation enable me to perceive all presences, entities, powers, influences, and impulses in the world as a single thing! Grant me your grace of Sensation, o Tamāġīs!

Hail, o Baġdīswād, o Bull of the West! As the Bull hones and grazes upon the bounty and produce of the Earth itself, and as Earth is the foundation for all material existence and the base for all virtues to abide in the world, so too does your power of Substance attract and sustain all spirits and works! Grant me your assistance of Substance, o Baġdīswād!

Hail, o Waġdās, o Lion of the South! As the Lion is the noblest of animals that inspires us to dignity, and as Fire is the holiest of the elements that ties us directly to Divinity, so too does your power of Thought tie all other powers together in its own inviolate and perfect light! Grant me your light of Thought, o Waġdās!

Hail, o Nūfānāġādīs, o Dog of the North! As the Dog serves us to protect, guide, warn, and help bear our burdens, and as Water is the universal solvent to bear and mix all things, so too does your power of Labor enable me to conjoin and commute all things by my hands! Grant me your strength of Labor, o Nūfānāġādīs!

Tamāġīs Baġdīswād Waġdās Nūfānāġādīs! O spirits that abide in the material world that unite to the spirit of perfected thought, as a mirror gathers the light of the Sun to brighten a darkened place without diminishing the Sun, so too illumine my own life, sphere, and world! Be for me my Sun, be for me the source of my own light! Unlock for me that which is impenetrable, teach me in all the ways of my life, protect me from every external spirit and every internal anxiety, and be for me my Perfect Nature!

Recite the Invocation of Perfect Nature (based on the invocation from book III, chapter 6 of the Picatrix):

I call you, o high and powerful Spirit of Spirits,
o Wisest of the Wise, o Intelligent of all Intelligence,
o Knowledgeable of the Knowledge of the whole world!
It is from you that the knowledge and understanding of the wise proceed,
and it is by your virtue that the desires of the wise are accomplished.
Hear me, answer me, come to me, be present here with me;
unite me with your powers and draw me close to your knowledge;
strengthen me with your knowledge,
and grant me to understand what I do not understand,
know the things I do not know, and see the things I do not see!
Remove from me and protect me
from all blindness, corruption, forgetfulness, and disease.
Lift me up to the level of the ancient sages,
those whose hearts were filled
with intelligence, wisdom, understanding, and insight.

Sit down or kneel.  Remain in silent communion with the Perfect Nature for however long as desired.  When ready, continue with:

Let all this abide in my heart forever;
imprint and affix these things in my heart,
that they may never depart from me!

Recite the Prayer of the Highest (based on the Islamic supplication Nādi `Ali):

I call upon the Exalted One, the Sublime One, the Highest One,
the One who is the manifestor of wonders,
the One who is the maker of miracles,
the One who can bring about the extraordinary,
for I will find the One an effective support in all calamities,
and I will find the One a sure helper in all difficulties.
All my worries, sorrows, and grief will soon disappear.
O best governor, o best master, o best helper,
o merciful and gracious, o helper of seekers,
o mighty conqueror over enemies, o eternal leader of leaders,
o strong and powerful and valiant One,
against whom none can or ever could resist or exact revenge,
I submit my wishes, my hope, and my prayers to you
whom I trust and have always trusted.  Amen.

Recite the Prayer of All Blessings (based on the inscription on a 13th century CE geomantic tabulating machine, as researched in E. Savage-Smith and M. B. Smith’s 2001 paper “Islamic Geomancy and a Thirteenth-Century Divinatory Device”):

O God, grant me your blessing, support, compassion, and grace that all the virtues of the soul fall upon me and all the vices of the body flee from me that I might possess outstanding good character, constant and efficacious power, enduring satisfaction and serenity, a comfortable and pure manner of living, perpetual and laudable well-being, and a long and unimpaired life so as to enjoy everlasting glory, complete honor, supreme peace, continual abundance, abiding prosperity, increasing good fortune, victory over all enemies, success in all endeavors, and a favorable fate with favorable omens.

May all this come to pass, o God, that your Light shine upon me, guided by all your angels and powers, for the fulfillment of your will, your glory, and your honor, for you are mighty, o God, and your mercy endures forever and ever.  Amen.

Perform the Invocations of the Seven Temples.  Recite:

O God, you who are the Propitious One! Nothing can happen, o Lord, except according to your Word; all things happen, o Lord, according to your Word. I call on you by your name, by which all the seas and all the lands have been created! I call on you by your name, by which all of the Heavens shake! I call on you by your name, by which all your angels tremble! I call on you by your name, by which the prayers of holier men than me have been accepted and to whom you have given your love and mercy! I call on you by your name, by which your prophets have been purified and ennobled, by which you send your blessings and peace upon them, and by which all those who follow them may learn to follow in their ways to you! Hear me and all my prayers, for you are the Most Generous.

Cup your hands together in front of your face, then breathe out into them, extending your hands forward and extending your breath mentally forward into the distance.  Recite:

O God, you who are the Forbearing One! It is you, o Lord, who created the Heavens and all within them; it is you, o Lord, who created the Earth and all upon it. I commit endless errors and bear endless faults, but with you are endless blessing and endless relief. Help me, o Lord, that I might bring an end to my error; help me, o Lord, that I might lighten the burden of my faults. You have heard and granted the pleas of your most despised creatures for relief and peace; so too, o Lord, even if I am no better than them, grant my pleas for relief and peace. Bless me, o Lord, with what you give me, and make my heart content with it. Hear me and all my prayers, for you are the All-Knowing.

Cup your hands together in front of your face, then breathe out into them, moving your hands behind your head and extending your breath mentally behind you into the distance.  Recite:

O God, you who are the Vigilant One! Whatever evil hurts us, o Lord, none but you can remove it; whatever good helps us, o Lord, none but you can repel it. I am your servant, utterly dependent on you, fearful for my soul, who takes refuge in you; grant me fortitude in my body and assurance in myself. I am your ward, a poor seeker of succor at your gate; grant me, o Merciful God, entry into your kingdom! Yours is a holy house and an eternal sanctuary, into which those who turn to you might enter for refuge. Save me, o Lord, and take me into your house, that I and all those before me, after me, and with me might be saved from the torments that I risk with every breath and every step. Hear me and all my prayers, for you are the Most Holy.

Look upwards, cup your hands together in front of your face, breathe out into them, moving your hands upward and extending your breath mentally above you into the skies. Return your posture to face forward.  Recite:

O God, you who are the Truthful One! Whatever you bestow, o Lord, none can take away; whatever you take away, o Lord, none can bestow. Lord, guide your people to you, and keep all evil away from those who turn to you. Lord, grant us your blessing on Earth and in Heaven, and save us from the torments we face. Yours is a holy house and an eternal sanctuary, and it is here that I seek to stay and take refuge from the torments that chase me and the torments I bring upon myself. All blessing, relief, and well-being come from you; grant it upon me and all those before me, after me, and with me! Hear me and all my prayers, for you are the Most Exalted.

Look downwards, cup your hands together in front of your face, then breathe out into them, moving your hands downward and extending your breath mentally down into the Earth. Return your posture to face forward.  Recite:

O God, you who are the Powerful One! There is nothing and no one on Earth or in Heaven, o Lord, that you do not know; all things that exist and live on Earth or in Heaven, o Lord, are known to you. Grant me life, light, and goodness by your mercy; grant me refuge from my torment by your mercy; grant me healing from disease by your mercy; grant me protection from harm by your mercy! By your mercy, unending and eternal, enlarge my bounty and blessings for me, and keep me safe from the evil of corrupt men and corrupting spirits. Lord, I know that my work is meager; multiply it and help me multiply it. Help me so that all that I am, all that I have, and all that I do might be made worthy to you and be accepted as an offering before your Throne. Hear me and all my prayers, for you are the Almighty.

Look to your right, cup your hands together in front of your face, then breathe out into them, moving your hands to your right (extending your left hand across your chest to the right and your right hand out fully) and extending your breath mentally behind you into the distance. Return your posture to face forward.  Recite:

O God, you who are the Reckoning One! There is nothing on Earth or in Heaven, o Lord, that does not depend on you; all things on Earth and in Heaven, o Lord, utterly depends on you. Praise be to you, from this one who gives this prayer to you! Praise be to you, from all those who have ever honored and exalted you! Praise be to you, who has sent forth the angels to teach the prophets! Praise be to you, who has sent forth the prophets to teach all humanity! Lord, I know that my work is meager; multiply it and help me multiply it. Help me that whatever crimes I conceal be forgiven, whatever errors I make be corrected, and whatever flaws I possess be repaired. Hear me and all my prayers, for you are the Most Merciful.

Look to your left, cup your hands together in front of your face, then breathe out into them, moving your hands to your left (extending your right hand across your chest to the left and your left hand out fully) and extending your breath mentally behind you into the distance. Return your posture to face forward.  Recite:

O God, you who are the Unique One! There is no might nor power except in you, o Lord; all my trust and faith is put in you, o Lord. Owner of well-being, creator of well-being, keeper of well-being, granter of well-being! You who give well-being to me and all your creatures! You, merciful on Earth and in Heaven, compassionate of all who turn to you! Send your peace and blessing upon all those who have gone before me, and send your peace and blessing upon me and all who walk with me, that we might have well-being now and always, that we might give thanks for well-being, and that we might always praise and glorify you and your mercy. Hear me and all my prayers, for you are the All-Aware.

Cup your hands together in front of your face, then breathe out into them, passing your breath over your body from your head down to your feet, filling your own sphere with your breath mentally.

Recite the Prayer of the Treasure (based on aphorism II.14 of the Arbatel), bowing after every stanza:

O God, my God! I beseech you, grant me your mercy, for I yearn with true longing to fully learn the skills of this life and all that is necessary for me. It is only by your power that I can know anything at all, for I can know nothing on my own, so immersed in immense darkness, so befouled with endless delusions, so finite and mortal and weak as I am.

O Father, my Father! I beseech you, grant me your aid, that I might be taught all that you will for me to learn and know for the benefit of myself, of those near to me, and of the whole world. Bring forth from the inexhaustible treasures of your knowledge, understanding, and wisdom and teach me by your spirits all that which I need to know yet only that which I need to know; make tame my mind and make docile my heart that I might easily keep safe and hold fast within myself all that which I am taught.

O Lord, my Lord! I beseech you, grant me your grace, that I might use your great gifts, borne by your spirits, only with humility before you and always with devotion to you, that all things might be done for your honor and glory.

Amen.

Recite the Recitation of Iron (adapted from the Qur’ān 57:1—6):

Everything in Heaven and on Earth glorifies God,
and God is Almighty and All-Wise.
To him is the dominion of Heaven and Earth;
he is the bringer of life and the bringer of death;
he is All-Powerful over all things.
He is the First and the Last, the Apparent and Unapparent;
he is All-Knowing of all things.
He is the one who created Heaven and Earth in six days
and established himself upon his Throne on the seventh;
he knows what is put into the Earth and what comes forth from it;
he knows what descends from Heaven and what ascends to it;
he is with us wherever we might be;
he is All-Seeing of all that we do.
His is the dominion of Heaven and Earth;
all things return unto God.
He merges Night into Day and Day into Night,
and he is All-Knowing of what is within our hearts.

Recite the Prayer of the Ocean (based on the Islamic Supplication of the Minor Sword, aka the Supplication of the Ocean, as recorded by Mīrzā Ḥusayn Nūrī Ṭabrasi), bowing and reciting “blessed is the name of the glory of his kingdom, forever and ever” silently to yourself between every stanza:

O my Lord, embrace me in the profundity of the ocean of your Oneness, and encompass me in the immensity of the sea of your Unity. Strengthen me with the influence of the authority of your Uniqueness, so that when I enter into the wide clearing of your Mercy, my face will bear the glitter and shine of the touch of the mark of your Protection, venerable as it is coming from your Venerability, mighty out of your Care for me, esteemed by your Instruction, and honored by your Purity.

O my Lord, clothe me with garments of dignity and comfort, make easy for me to attain the means of communion with and attainment to you, adorn me with the crown of nobility and virtue, and put love between your beloved ones and me in this temporary abode on Earth as well as the Eternal Abode in Heaven.

O my Lord, out of the illumination of your Name, confer upon me your honor and authority so that all hearts and minds submit to me, and all spirits and souls succumb to me. O you to whom all tyrants surrender and before whom all kings submit! There is neither shelter nor refuge to protect against you save yourself; there is no help save through you, no reliance save upon you!

O my Lord, repel the trickeries of the enviers they set against me, and block the evils of the stubborn they put to me. Have mercy upon me under the pavilion of your Throne, o Most Generous of all those who show generosity! Aid my appearance to attain your pleasure, and illuminate my heart and mind by acquainting me with the way to properly fulfill your will for your sake.

O my Lord, how does it come that I leave your door with disappointment, after I had come to it with full faith in you? How is it possible that I am driven to despair of your gifts, after you have instructed me to pray to you? Here I am, coming to you, seeking shelter with you: keep me far from my enemies, just as you have kept my enemies far from one another. Take their sights off me though the Light of your Holiness and the Grandeur of your Glory.

Truly, you are God, the one who confers with splendid, honoring grace upon those who pray to you, secretly or openly, out of your endless, awesome Mercy. O Ever-Living, o Self-Subsisting, o Lord of Glory and Honor! Let this and all else be done according to your will, for you are mighty, o Lord, and your mercy endures forever.  Amen.

Recite the Recitation of the Throne (adapted from the Qur’ān 2:255):

God! There is no true divinity but him, the Ever-Living, the Sustainer of All.
Neither slumber nor sleep overtakes him.
Unto him belongs all that is in the Heavens and all that is on the Earth.
Who could intercede in his presence without his permission?
He knows that which is in front of them and that which is behind them,
while they encompass nothing of his knowledge except what he wills.
His Throne extends to both the Heavens and the Earth,
and he is never weary of guarding the both of them.
He is the Most High, the Most Great.

Take off the prayer beads, and recite the Crown of the Sage on them:

  • At the start: “In the name of God, from whom nothing is hidden and by whom all is revealed.”
  • Recite 33×:O God, All-Subtle!”
  • Recite on the first separator:Only God knows all”
  • Recite 33×:O God, All-Aware!”
  • Recite on the second separator:Only God knows best!”
  • Recite 33×:O God, All-Wise!”
  • At the end:All glory, all praise, and all thanks be to God, All-Knowing of the Seen and the Unseen!”

Lay the prayer beads safely the candle.  Prostrate and recite the Prayer of Tribute (based on the prayers of Tasbīḥ Fāṭimah and CH XIII.9) while remaining prostrating:

In the name of God, beyond any name, having every name!

Glory be to the Life of God;
glory be to the Light of God;
glory be to the Goodness of God.
Glory be to God!

Praise be to the Life of God;
praise be to the Light of God;
praise be to the Goodness of God.
Praise be to God!

Thanks be to the Life of God;
thanks be to the Light of God;
thanks be to the Goodness of God.
Thanks be to God!

All glory, all praise, and all thanks be to God,
for from God comes all Life, Light, and Goodness.

Arise, either standing or upright on one’s knees, and recite the Prayer of Remembrance (based on various Islamic short exclamations and supplications):

With God we begin, and with God may we always continue, God willing,
until such time as God sees fit to bring our lives to an end.
It is God to whom we all belong, and it is God to whom we all return,
for God is great and perfect in all things,
and there is no might nor power except in God.
In this and in all things do we thank God
for all his work, all his blessing, all his mercy, and all his Light unto us.
In this and in all things do we praise God, for only God knows best.
All glory be to God.

Amen.

Prostrate silently for a moment, then arise.  If you have a piece of butterscotch candy, eat it now, reciting while putting into your mouth:

Truth is sweet; truth is in my mouth, for honey is on my lips.

Step away from the altar; the ritual is complete.  If drinks were offered to the Perfect Nature, they may be drunk or otherwise disposed of respectfully once the candle and incense has burned out.

Icons of the Solar Guardians of the Directions (by, and with many thanks to, Satyr Magos!)

UPDATE 2026-04-19: Satyr Magos has his own write-up of the project, so check it out here when you can!

It has, admittedly, been a little quiet around here.  While being online in general is always an excitement, and especially in these exciting times of ours where there’s never a dull moment (no matter how much we wish there were), my big creative focus has continued to be on the Hermetic Synaxis stuff I mentioned last year.  It’s a hefty work, and I’m as much impressed as I am in admiration of the test group who’s still testing it out, implementing its rites and scripts, reviewing its standards and descriptions, and giving it all a fair go for me to get feedback with.  For those who haven’t heard about it yet, the Hermetic Synaxis is basically my approach of “doing Hermeticism”, implementing the mysticism we see evinced in the classical Hermetic texts in an overall practice and way of living that, while being generally doable on one’s own, is best done grounded in a group setting with others who also want to walk the Way of Hermēs.  Practically speaking, though, it’s largely just a formal codification of my own spiritual practices and routines that I do, built up and made more rigorous and standardized for people to fall back on as a single approach to mystic and spiritual development.  While my own practice has certainly improved because of the refinement provided by the test group, because of how it’s still just fundamentally my own practice, there’s a lot I do that feeds into the Hermetic Synaxis stuff that comes from all sorts of places, but especially the PGM.

One of my PGM-derived practices is a daily invocation of what I call the Solar Guardians of the Directions, where I call on four entities standing guard at the stations of the Sun (i.e. the four cardinal directions) for protection and orientation.  I’ve mentioned them before here and here with a formal write-up about them in 2018 on this page, but basically these are a set of four…entities, I suppose?  Despite doing a daily invocation of them and approaching them multiple times, it’s still somewhat hard for me to grok fully their nature, much less describe it.  In PGM II.64—183, we see the following:

…you who dwell throughout the whole inhabited world, you whose bodyguard is the sixteen giants, you who are seated upon the lotus and who light up the whole inhabited world; you who have desiguated the various living things upon the earth, you who have the sacred bird upon your robe in the eastern parts of the Red Sea, even as you have upon the northern parts the figure of an infant child seated upon a lotus, O rising one, O you of many names, ΣΕΣΕΓΓΕΝΒΑΡΦΑΡΑΓΓΗΣ; on the southern parts you have the shape of the sacred falcon, through which you send fiery heat into the air, which becomes ΛΕΡΘΕΞΑΝΑΞ; in the parts towards the west you have the shape of a crocodile, with the tail of a snake, from which you send out rains and snows; in the parts toward the east you have the form of a winged dragon, a diadem fashioned of air, with which you quell all discords beneath the heaven and on earth, for you have manifested yourself as a god in truth, ΙΩ ΙΩ ΕΡΒΗΘ ΖΑΣ ΣΑΒΑΩΘ ΣΜΑΡΘ ΑΔΩΝΑΙ ΣΟΥΜΑΡΤΑ ΙΑΛΟΥ ΒΑΒΛΑ ΥΑΜ ΜΟΛΗΕΝΘΙΩ ΠΕΤΟΤΟΥΒΙΗΘ ΙΑΡΜΙΩΘ ΛΑΙΛΑΜΨ ΧΩΟΥΧ ΑΡΣΕΝΟΦΡΗ ΕΥ ΦΘΑ ΗΩΛΙ…

It’s from this that authors like Michael Cecchetelli in his Book of Abrasax or other authors (some of whom are best left unnamed and forgotten) that we see a notion of using these named entities or forms of the Sun as a set of watchtower-like guardians for the directions when casting circles or making invocations.  I’ve taken this idea and expanded on it before in the earlier posts, even to the point of making my own PGM-style Liber Resh equivalent, and nowadays I also make a large offering at the seasonal boundaries (equinoxes and solstices) for them across a solar year as well as a daily invocation as part of my regular empowerment/attunement energy work routine.  In the Hermetic Synaxis stuff, I provide this same energy routine I do (which I’ve fancily termed the Orkhēsis, or “the Dancing”—there’s a lot of Greek terminology used for formal reasons throughout the Hermetic Synaxis stuff), and it’s where visualization comes the most into play.  I don’t have a lot of visual components in the Hermetic Synaxis ritual scripts, but the energy work stuff here is distinct.  Because of that, while I’ve given specific descriptions of what the solar guardians look like to me when I call them for others to use in their own Orkhēsis practice, I wanted something a little more solid and illustrative.  Doing so is, however, not a skill I easily have, so I decided to think about artists I might petition for such work.

Enter J. S. Groves, aka Satyr Magos.  Satyr is a longstanding fixture of my occult exposure; even when I was fresh into the occult blogopshere when I was doing the Red Work Course a decade and a half ago, Satyr was already there and known to me via xir’s blog Journey through the Obsidian Dream, and I’ve referred to xir’s work before elsewhere in my own blog at points over the years.  Satyr is someone I’m proud to call a friend and whose experience and expertise easily beats out my own in many areas and whom I look up to in lots of ways.  As part of the Kansas City Sorcerous Arts Collective, Satyr is an artist in all sorts of ways—illustrator, silversmith, metallurgist, photographer, model, and author—and shares delightful amounts of it all on xir’s Bluesky (satyrmagos.bsky.social), which I encourage everyone to take a look and check out, but even more than that xir Etsy shop, the Sorcerer’s Workbench, full of amazing silverwork, castings, and other talismanic charms, jewelry, and other goodies.

Satyr does a lot of talismanic artwork, which you can readily seen on xir blog and Bluesky, and xie immediately came to mind; while there’s all sorts of styles possible for making icons for the solar guardians of the directions, I wanted something that could have some decent classical nods to Egyptian or Greek imagery but with a definite fantasy flair that wasn’t purely iconographical.  (To put it another way, I have a fondness for 1990s role playing game art, especially from early computer game manuals, and wanted something kinda in that same overall field.)  Knowing the work Satyr already does, both in terms of artistic illustration and fantasy writing as well as witchcraft and spirit-working, I approached Satyr and asked if xie would be willing to take on such a project to bring pictographic form to my visions of the guardians.  Just under a year later and after much back-and-forth of discussion and refinement—every moment of which I am grateful and even more so for xir patience for so graciously putting up with me as a client, especially given Satyr’s own ability to reach out to and perceive the guardians in xir own way—we can now say that this work is done and that these icons may be released unto the world.  Without further ado, let me show off the beautiful works!

Erbēth, a winged dragon with a crown of clouds rising above the horizon, muted in color and sinuous in form.  I’ve always seen this as more of having a Chinese-style long serpentine body but with a European-style horned head.  The wings are feathered, but severe in angle; I referred to depictions like this one of Typhōn, not just for the dramatic nature of it but also because Erbēth appears in the PGM in some Sēth-related contexts and there is a well-attested syncretism between Sēth and Typhōn in Hellenistic Egyptian stuff.  The crown of clouds was perhaps most difficult to describe, so I simply accepted it as a wisp of cloud above the head.

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Lertheksanaks, a multicolored falcon with wings fully outstretched wreathed in the fire of the Sun.  This one lent itself easily to a lot of iconic representations of winged animals, and obviously there’s depictions of Horus in all sorts of depictions like this one, but I also really like taking inspiration from the Farāvahār of Zoroastrian iconography.  Although I chose a black-and-white depiction of the guardians, in my mind I see Lertheksanaks as having their feathers in yellow, green, and red (specifically with yellow on the innermost layer of the wings, green in the middle layer, and red in the outermost layer, with the tail feathers having red on outside ones, yellow in the middle, and green between the red and yellow on either side of the middle).  The “fire of the Sun” is hard to depict, but I figured it was appropriate enough to just use a Sun glyph centered on Lertheksanaks’ body; having the wing tips extend just barely past the outer ring helped with the image, I think, from looking too much like just a frame.  Originally I thought about having another halo around the head to touch the outer ring, but for simplicity’s sake I think this works better more simply.  Although similar depictions in Egyptian stuff have such falcons holding shen rings in their talons, I decided to go with jewel-orbs instead.  Originally I wanted the eyes to look directly at the viewer, but bird eyes are weird to do in the best of times, and I ended up going with the pupil aimed at the side instead.  Earlier versions of the eye involved more realistic or embellished approaches, but due to aforesaid bird weirdness, they all ended up weirdly and unsettlingly hyperrealistic and accusatory towards the viewer, so something simpler here ended up being the best with a nice nod to being almost lunar in its shape.

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Ablanathanalba, a crocodile with the tail of a snake arising from the waters and wearing a tall white crown.  There was nothing particularly strange about either the crocodile-half or snake-half of Ablanathanalba, but describing and rendering this one took a bit more work on our parts; I originally thought about having the crocodile half be more submerged to hide even the bottom jaw, but with the arms rising out, it made more sense (and frankly looked a lot better) to have the head fully exposed and with the mouth open, but not to a too-terrifying degree.  Granted that crocodiles can be long anyway, having the transition between crocodile and snake turned out excellently here, I think.  I went back and forth on the actual shape of the crown, but eventually went with a model based on (and not meant to represent exactly) the hedjet, the White Crown of upper Egypt; it was only later that I learned that, while widespread in Africa, the Nile crocodile is more common and closer to origination further south in Egypt, so while accidental, the use of the crown of upper Egypt makes some neat sense for this.

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Sesengenbarpharangēs, a child sitting atop a blossoming lotus with one leg pulled up and the other dangling off the side.  My particular commendations to Satyr here for this one, since Satyr doesn’t do a lot of depictions of children in general, so this was good to play around with proportions a bit.  I’ve gone back and forth on some of the ideas for Sesengenbarpharangēs (infant, toddler, or child? gender? lock of hair on the side, wispy hair all over, or bald?), but I’m thrilled at how this turned out the most.  To my mind, the lotus would have petals in a multiple of seven, each petal colored in a different pastel hue, and while it would be good to have other smaller lotuses around it, we opted for a simpler seat here instead of anything more bunched up.  For the face, I wanted the child to be gazing at the viewer with a smirk on their face, as if in slight enigmatic mischief; although Satyr thought to have the eyes be pupilless and luminous, I thought it would be better to keep that for Akrammakhamarei and Damnameneus, and we agreed on the design here.  The jewels on the lotus petals were a later addition as a form of embellishment, but I think it turned out great.  There’s a lot of Buddhist iconographic influence in this one, not just with the whole notion of a jeweled lotus but also the posture which is found in a lot of Guanyin images, like here and here.

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Akrammakhamarei, an old balding man dressed in pale grey holding a ring of keys in his right hand and a staff in his left.  We all have the idea in our heads of philosophers and other sages with male-pattern baldness and long beards, so that was taken straightforwardly for this; the pale grey clothes  here was basically just a simple jalabiyya or the like, faded and somewhat ragged at points.  Originally I had the image of him looking downward, but I like Satyr’s idea of making the eyes luminous for at least some of the icons, so the eyes here are intended to be full of light and hard to discern where Akrammakhamarei is looking.  I wanted him to not be barefoot, and after a few ideas involving pointed-toed shoes, we decided to go with simple woven sandals a la waraji, which further played up an almost austere look to Akrammakhamarei.  Satyr’s use of a knobbled and roughly-hewn staff really adds to the overall effect, which I appreciate.

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Damnameneus, a young woman dressed in bright red and hair covered with a red shawl looking forward holding a spear in her right hand and a torch in her left.  For her clothes, I had the idea of her a brightly-colored peplos, and although her hair is covered, I liked the idea of it spilling out to be at least slightly visible.  Satyr’s idea of the eyes being luminous really played well here with her eyes being a stark white under the shading of her shawl.

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Akrammakhamarei and Damnameneus, perhaps more than any other, are really meant as mirrors of each other, hence why they share the same overall posture of standing upright with feet together, holding things in their hands, and looking at the viewer but with everything else being opposite: one is bald and shod and the other with head covered but unshod, one holding a long object in their left and the other holding it in their right, and so on.  The geometric patterns seen are basically just tokens taken from my geomantic superfigures/emblems work a long time ago, not really to mean anything but because I wanted something vaguely geometric.  The idea was, in another mirroring, to give Akrammakhamarei tattoos on his arms and have an unembellished robe but give Damnameneus unblemished skin but with embroidered robes; the long geometric geomantic line-designs of emblems were perfect for this, giving them to Akrammakhamarei’s arms and legs (barely visible) but to the hems of Damnameneus’ clothing.  An earlier draft of Akrammakhamarei had his robe be much more ragged and torn towards the bottom, which I didn’t much care for but it gave a further embellishment to Damnameneus of having her get a fringe on the bottom of her skirt.

But also, taking a broader look, there’s all sorts of neat emergent patterns and symmetries between the rest of the icons that neither Satyr nor I had planned out:

  • Erbēth and Lertheksanaks look at each other; Ablanathanalba and Sesengenbarpharangēs look at the viewer; Akrammakhamarei and Damnameneus have luminous eyes that don’t appear to look anywhere but everywhere
  • Ablanathanalba as the West and thus the direction of death looks up at the viewer, while Sesengenbarpharangēs as the polar direction (North for me in the northern hemisphere) and thus of immortality looks down at the viewer
  • The icons of Erbēth and Ablanathanalba as the rising and setting of the Sun have no legs but are both crowned without jewels, while those of Lertheksanaks and Sesengenbarpharangēs have legs but lack crowns yet have jewels
  • Unlike the other icons, both Lertheksanaks and Sesengenbarpharangēs have a sort of circular throne surrounding them, the lotus for the one and the Sun disc for the other.  Meanwhile, Erbēth and Ablanathanalba both have a coiling or sinuous (or even sinusoidal) shape.  I suppose something could be said for sine waves versus circles both being related but as different representations of the same mathematical reality.
  • The two human images of Akrammakhamarei and Damnameneus are joined by the child Sesengenbarpharangēs, tying the notion of the pole to the heights and depths as a bridge from the other directions

As a matter of copyright and public usage, Satyr and I agreed on these images being released under the Creative Commons Attribution 4.0 International (CC BY 4.0) license, which allows anyone and everyone to share and adapt these images while providing attribution and using the same terms; as spiritual art, I think everyone should be able to benefit from them in at least some way, so you’re free to make use of them how you might need or want so long as you do so fairly.

After all the work done for this, I feel it nothing short of a privilege and an honor to be able to work with Satyr for this project.  Besides xir endless patience and willingness to put up with my own nitpicking and requests for tweaks and revisions time and again, xir style is exactly what I wanted both from an artistic perspective as well as a spiritual one.  Besides supporting Satyr by checking our xir Etsy, you can also check xem out on Patreon (with all sorts of neat goodies for xir patrons) or give xem a tip through Ko-fi or PayPal,  Satyr is always on the look for new commissions of all sorts besides developing xir craft otherwise, so if you’re in the market for prose, photography, pictures, or other pretty things of a spooky bent in general, absolutely take a look at all of Satyr’s works and reach out to xem!

I’ll be presenting at Esotericon Northwest in June 2026!

It’s been quiet here lately, I admit; between the chaos of the old year ringing in the new, making almanacs for 2026 for people,  using a pickaxe to dig out my way through snowcrete in this bitterly cold winter, teaching my Hermetic Synaxis stuff to my test group (it’s going fantastic with the testers!), and…well, <waves vaguely at the outside world>, it’s been a bit of a busy time.  I’m still around, to be sure, and still doing the Work and all, but I admit that my writing focus right now is mostly centered on developing and polishing the Hermetic Synaxis stuff.  The goal for that, once it’s all done and as I currently envision it, is to make a website for free access to all the rituals, scripts, and guides to go along with that so that it can be accessible to as many people as possible, with print-on-demand versions or at least print-ready PDFs that can be made for those who want offline access.  I look forward to later this year to publishing it all and seeing about maybe making a circuit to teach it more widely and get groups for it set up, but there’s still plenty left to hammer out and shore up before then.

In the meantime, I did want to mention another kind of talk I’ll be doing later this year: Esotericon Northwest!  From the event page:

​Esotericon Northwest returns for its second year as a one day gathering focused on the living traditions of the Western esoteric path. Hosted by Verity Lodge No. 59, this event brings together speakers, students, and practitioners for a full day of serious conversation on ritual, symbolism, and the inner work of the mysteries.

​Please note this event is for Freemasons only.

​This year’s speakers include:

​Talks will explore Kabbalah, Hermetic philosophy, Masonic symbolism, and ancient mystical traditions from both historical and practical perspectives. Whether you are long involved in esoteric study or simply beginning your exploration, there will be plenty to learn.

​The event takes place at the Kent Masonic Hall. Doors open at 9:30 AM through 6:00 PM, with presentations running throughout the day. ​Following the conclusion of Esotericon Northwest, attendees are invited to remain for a Verity Lodge Birthday Cake Cutting Ceremony, a BBQ with burgers and hotdogs along with refreshments and libations, including beverages and cigars.

​Both in person and live virtual attendance are available. All ticket holders will receive access to recorded presentations after the event.

Verity Lodge No. 59 (with whom I have some contacts, either in the lodge itself or who periodically visit) is based in Kent, WA, “an observant Masonic Lodge dedicated to creating meaningful Masonic experiences through education, ritual, and fraternity” since 1890.  The event will be held at the Kent Masonic Hall at 805 E Smith St, Kent, WA 98030, USA.  The cost for attendance is US$50, with an optional lunch catered for an extra $15.

As for my talk specifically, I’ll be presenting on classical Hermeticism today and how to walk the Way of Hermēs in our own time:

Few labels in esoteric and occult studies are as laden with significance as that of “Hermetic”, but ascertaining what Hermeticism even is can be a fraught thing given how long people have been using (and at times misusing) the term, and even when one focuses their studies on a specific area of Hermeticism, bridging the gap between a historical context and our current one can be a challenge. Join Sam Block (polyphanes) as he talks about the historical origins of Hermeticism, what sort of mysticism and theurgy are found in the classical texts (and contexts) that provide the “beating heart” of the Way of Hermēs, and how we ourselves can learn from their timeless wisdom in our own modern time.

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Please note that the event is hosted by Freemasons for Freemasons, so you must yourself be a Freemason to attend.  To that end, if you’re a Freemason and are interested in esotericism, I encourage you to check it out; if you know someone who themselves is an esoterically-inclined Freemason, then let them know about the event!  I’ll be participating in my talk remotely from the East Coast, but for those who can, I certainly recommend you heading out yourselves in person.  For more information about the event and how to register, check out the event page here!