Finished the Scott Pilgrim graphic novels by Bryan Lee O'Malley, technically for the first time— I've read bits and pieces out of order when encountering the different installments at bookstores or libraries, but this was my first time reading the whole series from front cover of book one to back cover of book six. I enjoyed this a lot, partly out of teenage nostalgia for the 2010 movie and for living in Toronto - which is so specifically the setting that I recognized multiple specific locations, even excluding the obvious landmarks - but also in its own right as a somewhat meandering coming-of-age story with a high Nonsense Quotient/casually bonkers world-building (the league of evil exes! subspace highways! the University of Carolina in the Sky!). Other than just having a lot more time and space to explore other characters/plotlines than the movie adaptation, I feel like the big difference is that the 2010 movie was taken (presented?) more at face value and so there's this tendency for people to be like
Scott is the protagonist but he actually sucks?? like it's some sort of retrospective gotcha, while the comics are like
yeah, no, Scott suuuuucks and he needs to grow the hell up. That's literally just the plot!
Re-read
The Great Gatsby by F. Scott Fitzgerald for the whatevereth time, in an attempt to mentally reboot with an actual, physical book and something short and familiar, because my brain started sliding off of the various e-books I had in progress. Having first read this at 14-15, it was slightly startling to realize that I'm now the same age as Nick Carraway (for most of the book, anyway: he turns 30 on the day of the ill-fated trip to New York).
Anyway, mental reboot evidently worked and now I'm reading
Death on the Cherwell by Mavis Doriel Hay, a 1935 murder mystery set at the fictional Persephone College, Oxford— making, as
sovay pointed out, for
two women's colleges of Thinly Fictionalized Oxford which were the scene of criminal investigations in 1935, alongside Sayers' Shrewsbury College in
Gaudy Night. (The scandal!)
I've been slightly neglecting
War and Peace (see above) but have made a non-zero amount of progress since last week, and one thing that's struck me about this first "war" section is the way that the main soldier characters have a tendency - for now - to fantasize about it...? Nikolai Rostov, who does not have the brain cells god gave a little orange cat, is so distracted by his I'LL BE WOUNDED AND THEN HE'LL BE SORRY fantasy vis-a-vis the commanding officer he has an entirely one-sided beef with that he zones out during his first skirmish with the French (or at least French grapeshot), but even the more mature Andrei has his daydreams of heroics:
As soon as he learned that the Russian army was in such a hopeless situation it occurred to him that it was he who was destined to lead it out of this position; that here was the Toulon that would lift him from the ranks of obscure officers and offer him the first step to fame! Listening to Bilibin he was already imagining how on reaching the army he would give an opinion at the war council which would be the only one that could save the army, and how he alone would be entrusted with the executing of the plan.