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This is a bundle of material for Mists of Akuna, a "campaign setting of Eastern fantasy noir steampunk from Storm Bunny Studios for Dungeons & Dragons Fifth Edition." Basically, slightly apocalyptic fantasy steampunk with Ninjas and oriental monsters and magic.

https://bundleofholding.com/presents/MistsOfAkuma

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This is another setting that doesn't interest me much - I'm not a fan of 5E and I've never really got into the oriental background much, and piling so many elements together would probably be a steep learning curve if I tried to pick it all up now. Presentation is good, with a lot of the illustrations having an anime look, and it looks like you get a lot for your money.

The Big Idea: R. Z. Nicolet

Feb. 23rd, 2026 06:21 pm
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Posted by Athena Scalzi

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Heroes come in many sizes, shapes, colors, and… fabrics? Author R. Z. Nicolet is here to show that your choice in clothing can be more than just stylish, it can be functional, perhaps even magical. Don your finest accessories and check out the Big Idea for her newest novel, The Cloak & Its Wizard.

R. Z. NICOLET:

Have you ever been reading a book or watching a movie when you really wished you had a different character’s perspective on events?  Maybe wondering what the tavernkeeper thinks of the rowdy adventurers or what the aliens think of the bumbling human explorers?

Some of my favorite books are those that literally take an alien viewpoint – like Chanur’s Pride by C. J. Cherryh or any number of recent novels by Adrian Tchaikovsky.  What would it be like to see the world through another set of eyes?  Or none at all?

Years ago, I watched Doctor Strange.  It was fun, but Strange was Iron Man with magic and not that interesting.  I was more intrigued by the other characters, especially the Cloak of Levitation.  What was its story?  What did it want out of existence?  Why did it decide that this random sorcerer was worthy of its attention?  When it gets muddy, does it go in the laundry?

I was in the middle of a very serious fantasy thriller manuscript, but I decided to write one chapter of something lighter.  Just for fun.  I took Doctor Strange, filed the serial numbers off, and out came a scene about the Cloak of Sunset and Starlight deciding that newly minted wizard Veronica Noble needed better outerwear (much to her chagrin) with as much snarky commentary about human foibles as I could pack in.

Just one chapter.

One chapter turned into two, which turned into three.

At this point, I realized I had a serious problem on my hands.

I’m normally an outliner.  I start with plot and then cast my characters in the requisite roles.  This time, I was doing it backwards: the vain and mischievous cloak came first.

The tricky part was turning the amusing sidekick into the lead.  To emphasize the depth of the challenge: the folder on my computer that’s got all my drafts and notes is named “Untitled Cloak Book,” a reference to the video game featuring a notoriously chaotic goose.

Supporting characters have an advantage: they can be flavor instead of substance.  Like Strange’s Cloak of Levitation, they show up as a convenient plot device or a humorous diversion and then fade into the background.  They don’t have to make the hard decisions or save the world.  Quirks don’t linger long enough to become grating.  Character development is optional, as is backstory.

If I wanted to keep the cloak at the center of the narrative, I needed it to be more than just the sidekick.

A part of the solution was to let Noble, the wizard, act as the cloak’s foil.  She’s the serious, dutiful contrast to the cloak’s love of excitement and drama.  Her reluctance to act gives the cloak reason to intervene.

The rest was treating the cloak like any other main character.  When I got to editing, I had to adjust those first few chapters to make sure the stakes were clear – and that it was the cloak dealing with them.  The how is very different from a human character, but many of the deeper why reasons are similar – from wanting an interesting life to protecting its friends.

Perhaps that’s the real Big Idea: however peculiar the perspective, they’re still a person trying to be the hero of their own story.  (And hoping to avoid a trip through the laundry machine.)


The Cloak and Its Wizard: Amazon|Barnes & Noble|Bookshop|Powell’s|Kobo

Author socials: Website|Bluesky|Mastodon|Instagram

02/23/2026

Feb. 23rd, 2026 05:00 am
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Posted by Jennie Breeden

Yes, but I have fucked up as a parent because I pointed out sugar is addictive and now she's deluded into thinking she can just not eat it.

I’m excited about my offsprings future law career and my past self is a bit horrified.

New Cover: “Chasing Cars”

Feb. 23rd, 2026 05:33 am
[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

I promise you that I am doing other things with my time than just making cover songs, but I am making cover songs too. For this one I decided to actually play some of my stringed instruments, so whenever you hear guitar or bass on this track, that’s me fumbling about either on my Little Prince SG, or my Bass VI. I’m not ready to go on tour with either instrument, but it’s good enough (uh, with maybe a smidge of quantizing) for this song. Hope you like it.

— JS

50 Multi fandom icons

Feb. 21st, 2026 06:39 pm
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[personal profile] word_never_said posting in [community profile] icons
50 total - The Pitt, Stranger Things, Bridgerton, Superman (2025), Fantastic Four (2025)

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more here [community profile] stillpermanentt

The Shroud - Stargate SG-1 icons

Feb. 22nd, 2026 08:15 am
magnavox_23: Sam points to a position on the star map. The caption reads "The star map, representing 3D space on a 2D plane since 1997" (Stargate_star_map)
[personal profile] magnavox_23 posting in [community profile] icons
20 Stargate SG-1 icons from 10x14 The Shroud

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Check out the rest here. <3 

New Cover: “Fall At Your Feet”

Feb. 21st, 2026 05:20 pm
[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

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Yes, I’ve been on a bit of a tear recently as far as covers go, but let’s just say I had a bit of a backlog from when I was writing the novel. Now that it’s been cleared off the table I have a little time to do this sort of thing. This is currently how I do my “me” time. It’s this or setting fire to things.

This song is one of my favorite songs from one of my favorite bands, and I had been meaning to get to it for a bit. Also for this one I had a technical project of trying to nail the vocal balance, which is for me the trickiest part of doing any of this. I think I did pretty decent job sitting it into the mix this time around. It’s fun to still be learning things.

Enjoy!

— JS

We All Have Rawwrs Together

Feb. 20th, 2026 01:41 pm
[syndicated profile] schlockmercenary_feed

Posted by Howard Tayler

I’m working on the bonus story, “Refulgence of Refuge,” and the final panel has to do quite a bit of heavy lifting. If you’re familiar with book 19 then you know (spoiler alert) that a civilization of feathered raptor-oids among Earth’s dinosaurs was rescued by an advanced civilization. “Refulgence of Refuge” gives us the details of this rescue, and because of the title, which literally means “shininess of the safe place,” I need to make the some panels, especially the last one, live up to the word “refulgent.”

Back when the only version of THE LION KING was the original animated feature Sandra and I came up with a term to describe certain kinds of triumphant endings: “we all have rawwrs together.” And of course the JURASSIC PARK franchise features several iconic closing scenes in which a dinosaur (the t. rex, usually) goes “rawwr” with a cool backdrop.

So, the closing panel needed some shiny and some roaring. I’m not revealing the entire thing here, but I’m happy to share the “rawwr” part of the panel.

A feathered t. rex has a feathered raptor-oid on its back. They are both roaring at the sky, which is completely full of a barred spiral galaxy.

How close am I to being finished? In lieu of a progress bar, here’s a spreadsheet full of tick-boxes.

A spreadsheet of check-boxes for managing the bonus story project. Column labels include Roughs, Pencils, Inks, Flats, and more. Rows are mostly page numbers (1 to 13). The columns for Roughs and Pencils are completely checked off. Inks and Flats are just 2 pages short of being done. Backgrounds and Paints are less than half done.

My goal is to finish everything during the first week of March, and then race through the various editorial, commentary, and marginalia tasks for Book 19 in time to send it to the printer at the end of March.

Another week in the life of GURPS

Feb. 20th, 2026 03:37 pm
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[personal profile] dr_kromm
This week is named Sebastián. The news:

• I addressed questions emerging from the production review of GURPS Action 10: Go Teams. That should show up next week.

• I reached the 61% mark on my edit of Alden Loveshade's GURPS Hot Spots: Victorian London, which bodes well for completion next week.

• My quarterly updates to the Warehouse 23 Digital Wish List and the Warehouse 23 Wish List for GURPS remain on somebody's "to do" list.

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