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[personal profile] cahwyguy
Amadeus (Pasadena Playhouse)Image[Note: The Wordpress plugin that did autoposting is broken. If someone has a recommendation for a replacement plugin, please let me know. Otherwise, I'm going to have to do these manually for now. The original post for this is: 
https://cahighways.org/wordpress/?p=17528 ]

Wolfgang and Antonio, it's been a while. I think we last saw Amadeus in the excellent Rep East production back in 2010, with Daniel Lench in the lead role as Salieri. Well, alas for Daniel, Jefferson Mays has topped him in the outstanding production of Amadeus we saw last night at the Pasadena Playhouse. They more than made up for the disappointing previous production Ha Ha Ha Ha Ha Ha back in October. Amadeus is a well known play by Peter Shaffer. Back in 2010, I summarized the play as follows:
Amadeus” (you may have seen the motion picture) tells the story of the rivalry between Antonio Salieri and Wolfgang Amadeus Mozart… or should I say imagined rivalry, for Mozart didn’t see Salieri as a rival, whereas Salieri saw Mozart as a rival in God’s eyes. The story is told in flashback, from Salieri’s point of view, as Salieri is dying. He is attempting to confess to killing Mozart by relating the story of how he did the deed. He begins by telling how he dedicated his life to praising God through music, but when he saw Mozart’s music, realized that God had forsaken him and chosen Mozart to be his voice. Further, Salieri saw that Mozart was a base and callow fellow, a pottymouthed, childish prodigy, further cementing the notion that the gift must be from God. At the moment of that realization, Salieri vows to make God abandon his chosen voice. Much of the play is Salieri relating how he believes his actions created the situations that drove Mozart deeper into poverty, dispair, and eventual destitution. At the end, Mozart is dead in his 30s, but Salieri lives on another 25 years being elevated in fame, only to know that everlasting fame and retribution will be Mozart’s, for it will be Mozart’s music that survives. Salieri eventually commits suicide so that his name will at least live in infamy, but fails in that as well.
Given how well known the play is, there are two things that distinguish one production of Amadeus from another: the performances and the production. The production we saw back in 2010 was an exemplar of creativity on limited budget: a small production in an 81 seat black box, with outstanding performances by mostly local performers that were part of the regular Rep East ensemble team. I still remember the harpsicord/piano they built for that production, which remained in the Rep East lobby for years after, until the company folded a few years later. I have no idea what the replacement theatre, The Main, did with it. The Pasadena Playhouse, on the other hand, is more at the other end of the spectrum. They have a larger donor base, and there was significant additional philanthropic support for this production. They were also able to draw from a different actor pool: unlike the intimate theatre scene in Los Angeles, the PP is able to draw from (and pay for) Equity actors (although I should note that the Rep production did have three Equity actors, including Lench in the lead role). It shows. The Los Angeles Times has a great article on the production aspects of this show. The article notes the design aspects of the stage created by the Pasadena Playhouse's on-site scenic design shop. This includes "the forced perspective of scenic designer Alexander Dodge’s set, which makes a royal room seem to disappear into the distance" and "An electric keyboard programmed to sound like a fortepiano is also embedded in a handcrafted instrument, which actors with musical training can play." The costumes are quite extravagant, and the LA Times noted "Linda Cho designed the costumes and L.A. Opera fabricated the extravagant 18th century garments". L.A. Opera also provided additional training for the performances of the opera snippets within the production. And yet, this production is an example of what can be done with traditional stagecraft: there are no electronic tricks; there is no projected scenery (although there are some projected tapestries). Construction is flats and trapdoors and hidden stairs. It shows the power of theatre, without the mechanical and electrical supports that productions these days seem to rely upon far too heavily. But I think what really made this production of Amadeus stand out was the work of Jefferson Mays as Salieri. He just drew you into the performance, capturing well the inner obsession had had all of his life: with his music, with being known, with wanting to be the voice of God... and how that obsession turned from the creation of art to revenge when faced with the upstart and contradiction that was Mozart. For Mozart had the talent; he was a child prodigy that was composing from his youngest days. Music just poured from him. But he also remained childish, with few people skills, a potty mouth, and (according to the play) a childish obsession with sex and bums (asses). Sam Clemmett captured that contradictory nature well, and it played well with the growing infuriation showed by Mays' Salieri at how God bypassed and mocked him in the talent department. The two performances played well off of each other. There were a few other notable performances. Jennifer Chang and Hilary Ward were outstanding as the Venticellis (the aides to Salieri), with great facial impressions. Lauren Worsham was fun as Constanze Mozart, especially in her scenes with Salieri. Matthew Patrick Davis was a hoot as Joseph II, especially as the very tall Davis had to fit through the very small forced perspective doors at the back of the stage. Lastly, note that the Playhouse cast some real opera talent as the performers in the Mozart opera snippits: Michelle Allie Drever and Alaysha Fox have been in quite a few operas. Note that it looks like the Playhouse (now that it owns the building) has finally giving up on its restaurant space ever being a stand-alone success, and has turned it into a bar and lounge, and perhaps a small concert performance space. This is a wonderful idea and a great use of the space. However, the concessions are far too expensive: $9 for a box of cookies or $12 for a chocolate chip cookie is poor form, when one can just walk across the street to The Stand and get cookies for $3.50 or a large brownie for $4.50.  A dollar or two markup to support the theatre is tolerable; doubling the price (especially for something that is pre-packaged) isn't. Amadeus has had its run extended: It now continues until March 15. You can get tickets through the Pasadena Playhouse website. You might be able to get discount tickets from the Today Tix website, but Today Tix really is not as good as their predecessor, Goldstar Events.

Credits

Amadeus. Written by Peter Shaffer. Directed by Darko Tresnjak. Cast: Kanajuan Bentley Van Swieten; Jared Andrew Bybee Valet / Major-Domo; Jennifer Chang Venticelli; Sam Clemmett Mozart; Matthew Patrick Davis Joseph II; Michelle Allie Drever Katherina Cavalieri / Soprano; Alaysha Fox Teresa Salieri / Soprano; Matthew Henerson Count Johann Kilian Von Strack; John Lavelle Orsini-Rosenberg; Jefferson Mays Salieri; Brent Schindele Cook / Kappelmeister / Harpsichordist; Hilary Ward Venticelli; Lauren Worsham Constanze. Production and Creatives: Peter Shaffer Playwright; Darko Tresnjak Director; Alexander Dodge Scenic Designer; Linda Cho Costume Designer; Pablo Santiago Lighting Designer; Jane Shaw Sound Designer; Aaron Rhyne Projection Designer; Will Vicari Hair / Wig / Makeup Designer; Jeff Bernstein Music Director; Jennifer Ringo Vocal Coach; Sasha Nicolle Smith Intimacy Consultant; Miranda Johnson-Haddad Dramaturg; David S. Franklin Production Stage Manager; Alyssa Escalante Asst Stage Manager; Ryan Bernard-Tymensky Casting.

Administrivia

I am not a professional critic. I’m a cybersecurity professional, a roadgeek who does a highway site and a podcast about California Highways, and someone who loves live performance. I buy all my own tickets, unless explicitly noted otherwise. I do these writeups to share my thoughts on shows with my friends and the community. I encourage you to go to your local theatres and support them (ideally, by purchasing full price tickets, if you can afford to do so). We currently subscribe or have memberships at: Center Theatre Group/Ahmanson TheatreBroadway in Hollywood/Pantages TheatrePasadena PlayhouseThe SorayaChromolume Theatre NEW, and 5-Star Theatricals. We just added Chromolume Theatre as our intimate theatre subscription — we subscribed there pre-pandemic when they were at their West Adams location, but they died back in 2018. They started back up last year (but we had seen all their shows); this year, their season is particularly interesting: The Color PurpleIf/ThenElegies (during Hollywood Fringe), and Roadshow (nee Bounce) [by Steven Sondheim]. Mind you, these are all in the intimate theatre setting, and this will be the first time Roadshow has been done in Los Angeles, to my knowledge. Information on purchasing their 2026 season is here. Our previous intimate theatre, Actors Co-Op, seems to be on hiatus. Want to find a show: Check out the Theatre Commons LA show list. Other good lists are the Theatre in LA listings; the TodayTix listings; OnStage 411 (use the “shows” drop down); and Theatermania. I used to do more detailed writeups; here’s my current approach.

Upcoming

♦ Theatre / ♣ Music / ◊ Other Live Performance – Next 90ish Days (⊕ indicates ticketing is pending).

Done Since 2026-02-15

Feb. 22nd, 2026 05:16 pm
mdlbear: blue fractal bear with text "since 2002" (Default)
[personal profile] mdlbear

It's been a rather stressful week, and most of the time I've been very down on myself, mostly for procrastination. But I got through it. I think I'm supposed to count that as a win, even though it doesn't feel like it.

I did figure something out, though. I often (usually?) procrastinate things that may require a decision, because when I finally get around to them the decision often (usually?) turns out to be wrong. (The decision is sometimes to skip something with a time limit, and then regretting not going for it while I had the chance. Same thing.)

Now that Discord has started age-gating NSFW channels and servers, many people (including me) are looking for alternatives. Especially since it was revealed that their age verification vendor Persona left frontend exposed, researchers say. In particular, people are looking for open source alternatives, since those are less likely to be enshittified in the future. We have some time, because most fannish discord communities have few, if any, NSFW channels, and because moving a community is always an extremely lossy process (as those of us who left LJ for DW remember well) and not to be undertaken lightly.

It's concievable that matterbridge could help hold things togather. Not counting on it. I hate this timeline.

You should also replace links that use archive.today, which includes archive.ph et.al., which I have lots of links to. That's going to take a long time. See also Wikipedia blacklists Archive.today, starts removing 695,000 archive links.

Links: You can find Babylon 5 on YouTube HERE. OpenFactBook - Country Data & Statistics is the replacement for the CIA's recently-shut-down World Factbook.

Notes & links, as usual )

Photo cross-post

Feb. 22nd, 2026 09:41 am
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[personal profile] andrewducker

Image
Spent the afternoon at Hugh and Meredith's, where Hugh showed Sophia how his 3d printer works (and how he makes 3d dungeons out of foam). Very cool stuff, and they both enjoyed their souvenirs.
Original is here on Pixelfed.scot.

(no subject)

Feb. 18th, 2026 10:32 am
conuly: (Default)
[personal profile] conuly
So, you got my opinion on Heated Rivalry, but I gotta say, I will never not read fanfics structured like ongoing internet sagas.

Also, gotta love the one dude, BostonSportsBro69, who posts in both /r/relationship_advice and /r/hockey going around in /r/hockey saying "Uh, no, it's just normal sportsbro rival stuff, you're all reading way too much into this" when because he absolutely knows better. (I don't think he's supposed to be one of Ilya's teammates, just a fan.)

***************


Links )
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[personal profile] siderea
If you live in the BosWash Corridor, especially in NYC-to-Boston, you need to be paying attention to the weather. We have an honest to gosh Nor'easter blizzard predicted for the next 3 days, with heavy wet snow and extremely high winds – the model predicts the damn thing will have an eye – which of course is highly predictive of power outages due to downed lines.

Plug things what need it into electricity while ya got it.

Whiteout conditions expected. The NWS's recommendation for travel is: don't. Followed by recommendations for how to try not to die if you do: "If you must travel, have a winter survival kit with you. If you get stranded, stay with your vehicle."

I would add to that: if you get stranded in your car by snow and need to run the engine for heat, you must also periodically clear the build-up of snow blocking the tailpipe, or the exhaust will back up into the passenger compartment of the car and gas you to death.

As always, for similar reasons do not try to use any form of fire to heat your house if the regular heat goes out, unless you have installed the necessary hardware into the structure of your house, i.e. chimneys, fireplaces, and wood stoves, and they have been sufficiently recently serviced and you know how to operate them safely. The number one killer in blizzards is not the cold, it's the carbon monoxide from people doing dumb shit with hibachis.

NWS says DC to get 2 to 4 inches, NYC/BOS to get 1 to 2 feet. Ryan Hall Y'all reports some models saying up to 5 inches in DC and up to three feet in NYC and BOS.

2026 Feb 21 (5 hrs ago): Ryan Hall Y'all on YT: "The Next 48 Hours Will Be Absolutely WILD...". See particularly from 3:30 re winds.

If somehow you don't already have a preferred regular source of NWS weather alerts – my phone threw up one compliments of Google, and I didn't even know it was authorized to do that – you can see your personal NWS alerts at https://forecast.weather.gov/zipcity.php , just enter your zipcode. Also you should get yourself an app or something.

_Arkham Horror: The Card Game_

Feb. 21st, 2026 12:00 am
[syndicated profile] jericson_feed

Arkham Horror: The Card Game is the sort of game that comes with a series of disclaimers. Here are mine:

  1. The theme is Lovecraftian horror. While the bits of text avoid any hint of the early twentieth century views on race that Lovecraft might have shared with his contemporaries, it still hews to the mythos of his writings. I tend to agree with Borges that Lovecraft was “an involuntary parodist of Poe”. To deal with this, I imagine the Arkham Horror events to be prequels to the cases of The X-Files. (Your mileage may vary.)

  2. Purchasing the core box might be compared to acquiring Pandora’s box if you tend to completionism. As it approaches a decade of continuously released and re-released content, the game can get quite expensive. There are 11 cycles plus numerous standalone scenarios, starter decks and even “Return to” boxes that redo early cycles. At the time of this writing, I have an entire unopened cycle and starter deck so I ought to avoid buying more content. Unfortunately, I’m constantly looking on eBay for more Arkham Horror stuff and will probably acquire more.

  3. Arkham Horror has used two conflicting distribution models. For the core set there are three possible ways to get started. The original core set supports one or two players, so you need to get a second core to play with three or four. Even as a solo-only player, I got a second core because it helps to have a second copy of the various investigator cards to build stronger decks. One core suffices to get the feel of the game, though.

    The difficulty with getting two cores is that you also get two copies of the scenario cards, which is wasteful. So the publisher shifted to a “revised” core that included a full compliment of investigator cards and a cloth bag, which was surprisingly missing from the original box. It also swaps out a few cards that could matter for some investigators and includes better tokens. Unless you find the original core for a cut-rate price, you’ll probably want to stick with the revised core.

    The situation with expansions is, if anything, more complicated. See near the end of this review for details. And to top things off, Fantasy Flight recently announced a new core set. If you are entirely new to the game, it seems best to hold off until the second chapter is released and avoid the confusing release models that currently exist.

On to the review

Arkham Horror: The Card Game isn’t really a game, but rather a game system. The core box (revised or original recipe) is designed to show you enough of the system to encourage you to buy expansions. The clearest sign comes when opening the rule book that lists key words alphabetically and has four appendices. Some of what you read there only matters when playing with expansions, but there it is in your core box.

Luckily there’s another book called Learn to Play that guides players through the first scenario, which is more or less a tutorial. “Tutorial” might sound dismissive and yet “The Gathering” is both an excellent introduction to the game system and an enjoyable scenario to replay with different investigators as the protagonists of the story. It starts in a single room with no way out.

The Gathering scenario set up with an investigator from an expansion.

With the exception of cardboard tokens for tracking purposes or to be pulled from the “chaos” bag to generate randomness, everything in Arkham Horror: The Card Game is a card. Locations are also cards with a revealed and unrevealed side depending on whether an investigator has visited the location. As implied by the name, investigators will need to search the locations for clues using their own custom deck of cards representing various assets, skills and events.1

Two decks of cards represent the recto and verso of a book. The “Act” deck usually represents progress the investigators have made uncovering the scenario’s mystery. (Note: even when I don’t say it, you can sprinkle “most of the time”, “generally”, “almost always”, etc. in this review. There’s a good chance some card will break the usual pattern in some expansion or another.) Meanwhile, doom tokens must be added to the “agenda” deck each turn (after the first) to mark time until, as implied by the word “doom”, something bad happens to the investigators. At the start of each turn (after the first), to further hamper investigators, each draws an enemy or a treachery from the “encounter” deck.

All exits from the first location in the first scenario are locked when play starts. Fortunately there are “clues” spread around the room. If your investigators collect enough, they can flip the top card of the “act” deck. That’s usually a good thing and in this case it reveals a way out. Yes, this is an escape room for your investigators. One way they can find clues in the room is to take an “investigate” action, which compares the investigator’s “intelligence” to the location’s “shroud”. If intelligence is greater than or equal to shroud, the investigation succeeds and a clue is found. Unfortunately, you must grab a token out of the “chaos bag” which will modify the intelligence stat. Even on Easy difficulty, that’s more likely to lower intelligence than raise it.

It’s a classic cooperative game setup: achieve your objectives before the timer runs out. The scenario continues after completing the objective on the first act card or after the agenda advances. At some point your investigators will arrive at a resolution. Even after a party-wipe situation there’s usually a way to move onto the next scenario in a campaign, though with fewer experience points to spend on upgrading your deck and likely other negative consequences for future scenarios.

The second scenario in the core box, Midnight Masks, is considered a classic. Depending on how well (or poorly) your investigators have performed in the first scenario, you’ll have experience points to spend on improving their decks. Experience opens up new cards or upgraded versions of “level 0” cards. You can expect incremental changes since the points can’t usually buy more than a couple of replacements in 30-card deck. Still, it’s a great feeling to pull a card you just picked up and watch it solve a difficult problem.

It was while playing this scenario for the first time that I caught onto the flow of Arkham Horror. Each investigator may spend 3 actions a turn. There are a standard set of actions (investigating, fighting, moving, etc.) that can be used anytime. Some cards, including locations and story cards, offer other actions or improved version of the standard actions. As with all good action-point games, there are never enough actions to do what you want in a turn. So the puzzle is finding the best combination of actions to make progress in the act deck without risking catastrophe when drawing encounters.

The finale, The Devourer Below, has a reputation of being unfair and unfun. Scenarios in Arkham Horror must serve two purposes:

  1. The first time someone plays a scenario (the blind play-through), it tells a story of mystery and the uncanny.
  2. Subsequent plays begin to lose the story element and become puzzles to be solved.

The first two scenarios work well as stories even after playing a few times and continue to be interesting puzzles for testing new investigator decks. Choices you make in those scenarios impact the final scenario in the campaign, which is a great idea, but not well implemented here. Other campaigns do it better, but they also have the luxury of 8 or more scenarios to build up to a final confrontation. With three scenarios (one of which is a tutorial), the core box ramps up the difficulty curve in short order.2 Arkham Horror presumes players will lose the campaign the first time through and even the “good” ending comes with shadows of regret.

The Devourer Below doesn’t hold up to repeat plays. It’s like a video game boss where players have discovered a place to hide while healing. In this case, it can make sense to not advance the act deck. Despite random locations and a random element in the encounter deck, the scenario somehow lacks interesting discoveries. Or maybe the excess randomness blocks player from injecting meaning into events that will be interrupted by the arrival of a massive final boss.

If you play with the decks suggested in the Learn to Play book, you’ll find it hard to work out a reliable strategy. The cards just aren’t focused, which isn’t how decks succeed. Getting a second core set or the revised core at least grants you the opportunity to pack two copies of investigator cards. Even so, it’s easy to water down a deck with cards that don’t work very well together. A good way to learn how to build better decks is to seek out the Structure Deck Series on ArkhamDB. In addition to better decks, the deck notes explain the theory behind them.

The core investigators give a taste of the five classes of investigators. Seekers tend to be good at investigating, Guardians have the tools to fight off enemies, Rogues deal in resource acquisition and conversion, Mystics dabble in weird powers, and Survivors seem to succeed even when failing. Even with just one example of each class, the core set shows off the inventiveness of the full roster of Arkham Horror investigators.

Many investigator cards in the core set hold up in later expansions. Some cards are staples even with a much larger collection and others get better when they combo off of later additions to your collection. It’s a well-thought-out set to start with. Still, this is a game designed to sell more content and adding other sets will improve your experience. So let’s talk expansions.

Getting expansions

If the core set sparks an interest in playing more, I highly recommend taking a look at A FOMO-free Buying Guide, which walks through all the things you can (but don’t need to) buy from the perspective of someone has invested in everything. I’ll just add a little advice as a relative newcomer.

I mentioned getting the expansions was complicated by a change in distribution model. Originally new content was released each month. Everyone would start a new cycle with a “Deluxe” expansion that included 5 new investigators, a handful of investigator cards and 2 opening scenarios. Next month a new “Mythos Pack” would come out with a few more investigator cards and another scenario. Each new scenario would build on the campaign and after 6 Mythos Packs, the cycle would be completed. Then a new cycle could start.

One problem with this model was that some people wanted the new investigator cards and didn’t care about the campaign. Or the other way around. While investigators do tend to have thematic connections to the campaign they are tied to, they aren’t out-of-place in other campaigns. Another problem is that if you miss one the Mythos Packs, it’s harder to complete the cycle.

So starting with Edge of the Earth, the cycle was sold in two boxes:

  • An Investigator Expansion that includes the new investigators and cards.
  • A Campaign Expansion that includes all the scenarios.

This made the expansion easier to purchase and the model has been back-ported to the older cycles. Unfortunately the older cycles are going out of print, so your options are:

  1. Skip the old campaigns and buy new Investigator and Campaign expansions that are in print.
  2. Find used copies of older cycles in the new packaging.
  3. Piece together a complete cycle by finding the “Deluxe” expansion and all 6 mythos packs.

I’ve had good luck with the last since there are copies in the wild purchased by people who have either stopped playing the game or who bought more expansions than they ended up playing. This can spread out the cost and drip-feed content. Certain mythos packs command high prices, however.

That said, it’s likely easier to just buy the new format. If you do, you can get a new campaign and add investigators from another cycle. Be aware, however, that some sellers either don’t know which version they are selling or deceptively fail to note they are selling the old format and not the new. The guide I mentioned before really does help make the decision of which campaign to start with. From there, it depends on how much the system draws you in and how much you want to invest in it.

Bottom line

As an sample of the what the game offers, the core set (whether the revised or original) does the job. I played it 3 or 4 times to try out the different investigators. It’s not terribly expensive (especially the original core) and if you don’t feel inspired by the system, there’s no reason to invest more.

But for those who do want to continue, the core set (either the revised or two original cores) anchor your collection. Should you dig deeper into Arkham Horror, you will likely find yourself spending at least as much time constructing a perfect deck (likely on ArkhamDB) as you will playing the actual game.


  1. Yes, you can cause events to happen at will.↩︎

  2. There is also a crucial card that’s easy to misunderstand which dramatically reduces the time allowed to complete the final act if you don’t read it carefully.↩︎

Recruitment post!

Feb. 21st, 2026 04:58 pm
denise: Image: Me, facing away from camera, on top of the Castel Sant'Angelo in Rome (Default)
[staff profile] denise posting in [site community profile] dw_advocacy

Now recruiting: DW users who would be interested in the possibility of helping us out in one of these legal challenges, now or future!

If you would be open to the idea of potentially filing something with a court talking about the ways that the restrictions that Dreamwidth would have to impose to comply with a specific state's law (commonly, obligations like age verification via document scan or biometric verification, treating users as though they're underage until/unless they age-verify, etc) would have a chilling effect on your online activity and speech, and especially​ if you're a parent who would also be willing to explain to a court all the ways in which a specific state's law would interfere with or burden your parenting decisions: we're looking to assemble a list of people we can contact in the future if necessary.

If this sounds like you, please leave a comment with what state you currently live in. (Also, commenting is not a commitment, just you saying that you would be okay with us reaching out to you and seeing whether you were available/able to help.) I'm currently most interested in hearing from people from South Carolina, but the ubiquity of these laws being proposed means any state could be the next. All comments are screened so nobody but us can see them.

(Obligatory risk considerations: you would have to file under your wallet/government name, and there's a chance of having to associate your wallet name with your DW username to at least the court and to the state, if not publicly. If this could be a problem for you, don't risk it! But if you're willing and able, us being able to show the court a sworn statement from one of our users about the effects the mandated changes would have on you could be very helpful.)

EDIT: Also I forgot to explicitly specify, this is for US folks! We do not unfortunately have the ability to get involved with anything outside the US.

conuly: (Default)
[personal profile] conuly
The evening darkens over
After a day so bright
The windcapt waves discover
That wild will be the night.
There’s sound of distant thunder.

The latest sea-birds hover
Along the cliff’s sheer height;
As in the memory wander
Last flutterings of delight,
White wings lost on the white.

There’s not a ship in sight;
And as the sun goes under
Thick clouds conspire to cover
The moon that should rise yonder.
Thou art alone, fond lover.


***************


Link
fauxklore: (Default)
[personal profile] fauxklore
I went up to New York a couple of weeks ago for a long weekend. (That was after several days of not going outside at all, due to what they called “snowcrete,” i.e. icy sleet on top of snow, which created a disgusting substance with the texture of concrete.) I had originally scheduled an evening Acela, which would have arrived about 9:30 p.m. but I was notified a couple of days in advance that it was canceled, so I took a train that was scheduled to get in about 5 p.m. I usually just take a northeast regional since the time difference from the Acela is minimal, but this was one of those rare times when the cost differences was minimal. In the end, my train was delayed about an hour, which was annoying mostly because they kept changing the time it was going to leave. And, several times, the text they sent claimed that the new time was the original time, despite what was being announced. It didn’t matter much to me, since I was still getting in quite a bit earlier than my original plans. And Amtrak did send me compensation, which will be helpful since I have 2 or 3 more Amtrak trips in the next couple of months.

I had enough time to grab takeout pizza before going to my hotel. I’d gotten a reasonable price at the Fairfield Inn & Suites right across the street from Moynihan Train Hall. I ate my pizza and watched the Olympic opening ceremonies, which annoyed me because of NBC’s overemphasis on Team USA. I wanted to know more about things like the sole competitor from Guinea Bissau. I was also following the Israeli bobsleigh team because their captain, A.J. Edelman is an MIT alumnus (and even course 2, like me and Senator Alex Pedilla!) He was the first Orthodox Jew to compete in the Winter Olympics (in Skeleton in 2018) and his brother is the comedian Alex Edelman, whose show Just For Us has to do with his experiences with a white supremacist group. And, by the way, one of the members of that Israeli bobsleigh team is Druze.

It was particularly windy and frigid out, which limited the amount of random walking around that I did. My plans were for a theatre day, so that wasn’t a huge issue. The first show I saw was the matinee performance of Buena Vista Social Club. This was an easy choice for me to make since I like Cuban music and have loved both the movie and CD for years. And it was, indeed, very enjoyable. The performances were heartfelt and I really appreciated the booklet about the songs that was included inside the Playbill. And the band was incredible, well deserving of the special Tony award they got. By the way, the real Omara Portuondo is still alive (in her mid 90’s) and has recorded an album as recently as 2023. Highly recommended.

Saturday night’s selection was Death Becomes Her. I didn’t know a lot about this musical going in and had chosen it largely because the reviews were good. The basic premise is that Viola Van Horn (played by Michelle Williams, who had started her career in Destiny’s Child) has access to a potion that promises eternal youth - and life. The actual story has to do with the rivalry between an actress named Madeline Ashton, and the friend (named Helen Sharp) who she abuses all her life, down to stealing her plastic surgeon fiance. And that’s exactly the problem I had with this show. The songs have amusing lyrics and there is plenty of funny material and the special effects are impressive. But do we really need a show that is based on two women attempting to sabotage one another?

By the way, how cold was it out? They were claiming the wind chill made it feel like -17 Fahrenheit. In more practical terms, I walked 4 blocks (to 43rd street) and got on the subway for the remaining 10 blocks because I just couldn’t handle the temperature any more. And I was wearing 3 layers of clothes, as well as my warmest jacket.

Sunday wasn’t much better, though I had the sense to add yet another layer to my clothes. I headed cross-town to meet up with a group of folks from FlyerTalk at the 2nd Avenue Deli. Josh organizes Deli Do a couple of times a year and there were about 20 attendees. I’ve been once or twice before and I’ve eaten at that deli lots of times, going all the way back to when it was actually on 2nd Avenue. I noticed that the menu no longer has hot open faced sandwiches, which used to be one of my go-to orders in my childhood. A tongue sandwich and a kasha knish is my most common deli order these days. But, given the cold weather, I thought that the soup and half sandwich option was a good idea. I got the mushroom barley soup and half a chopped liver sandwich. Both were quite good. And, of course, a Dr. Brown’s diet cream soda, since I never acquired the taste for cel-ray. Jewish soul food and talk about flying / travel - what better way to spend a long lunch? Several of us walked over to Blue Haven East afterwards for adult beverages and more conversation. I have a long standing quest for the best hot buttered rum in NYC and theirs was pretty good. And it was nice to be able to mingle and chat with people who had been sitting at the far end of the deli from the table I ended up at.

I took advantage of proximity to walk over to the Morgan Library, which had been on my list of places in New York that I had not been to before. I was particularly eager to get there since they have a Caravaggio painting temporarily on loan from the Galleria Borghese in Rome. In addition to Boy with a Basket of Fruit, there were other naturalist works, mostly by contemporaries of Caravaggio and other painters influenced by his style. I’m mostly a modern art aficionado, but I was awestruck by Caravaggio’s use of color and light when I saw two of his paintings at Saint John’s Co-Cathedral in Valetta, Malta some 25 years ago and consider him the greatest painter of the late 16th / early 17th centuries.

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It was also the last day of an exhibit of Renoir drawings. I’m not particularly keen on Renoir (or, frankly, the impressionists, in general). But a quick look through that exhibit left me impressed with Renoir’s skill as a draftsman.

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But, of course, the real highlight of the Morgan Library is the actual library, which is spectacular.

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Don’t forget to look up at the ceilings, too!

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I wandered over to Grand Central Terminal for a bit, then headed back to the west side to go to a cabaret show. I had heard of Don’t Tell Mama from a couple of puzzle people, but had never been there before. I was impressed with the number of people who went there alone, which is a bit unusual in my past experience at cabaret venues. I had a lively and interesting conversation with the woman sitting at the table next to mine, who I found out at the end of the evening was a somewhat well-known actress, Neva Small. As for the actual show, it was called Jewish Caroling: The Music of Carole King, Carole Bayer-Sager and Carolyn Leigh. The performer, Deborah Zecher,is a singer, storyteller, and rabbi and she put together an interesting mix of songs by those three Jewish women. I hadn’t known this going in, but the proceeds from the show are being donated to Beth Israel, the synagogue in Mississippi that was burned down.

For women of my generation, Carole King’s Tapestry was a truly iconic album. I remember listening to it with my best friend in the bedroom of an older girl who lived on our block, who would go on to tell us that an orgasm is like a sneeze between the legs! And, yes, I do still have my own copy of it. Anyway, it was a very enjoyable show and I’ll check out the offerings at Don’t Tell Mama for future New York trips. By the way, the wind had died down and walking back to the hotel was tolerable.

I went down to the Lower East Side on Monday. Walking through Penn Station to get to the F train, I passed this interesting glass mosaic mural. It is called Garden of Circus Delights and was done by Eric Fischl. There is actually quite a lot of interesting art in the New York City subway system and it would be fun to spend most of a day exploring it.

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My goal was seeing a temporary art exhibit, sponsored by Manischewitz in honor of a new line of bottled soups.

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They also had some cute merchandise, e.g. aprons, baseball caps, and patches with various Yiddish slogans. But none of that is anything that I’d ever use. And neither my brother nor the gentleman with whom I’m conducting the world’s longest running brief meaningless fling ever wear any type of hat. They were also selling soup from a food truck nearby, but I had other intentions.

Specifically, I had lunch at Russ & Daughters. The “Super Heebster” consists of whitefish and baked salmon salad with horseradish-dill aream cheese and wasabi roe. I got it on a bialy, and it was very tasty. It also came with half sour pickles and, while I normally favor full sours, they worked well with the mild spiciness.

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And I couldn’t resist their halvah ice cream. While I enjoyed it, I would have actually liked a smaller portion and I didn’t think the salted caramel topping added much to it.

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The food was pricy, but worth it.

I spent a lazy afternoon catching up on some reading and puzzles, before heading uptown towards Lincoln Center, where the subway station had another attractive set of glass mosaics (but I didn’t photograph those). From there, it was a short walk to the Marjorie S. Dean Little Theatre to see Going Bacharach. This was (obviously) a tribute to Burt Bacharach, performed by three singers with a small band. All three singers were excellent. I was not thrilled by the musical arrangements, which lacked brass. The music director, Adrian Galante, was impressive on the clarinet, but the flamboyance of his piano playing annoyed me. I’d also have liked to actually learn something about Burt Bacharach as a person. One of the singers did talk a bit about his use of mixed meter, which I thought was interesting. But, overall, I found the show disappointing.

Speaking of disappointing, I ‘d stayed at that Fairfield several times before. While the rooms are comfortable, the breakfast offerings have deteriorated. The breakfast on the weekend was better, but on weekdays, they didn’t have salsa for the scrambled eggs (though they did have bottles of a few types of hot sauce) and they didn’t have pancakes or waffles. More egregiously, the only fresh fruit they had were bananas (yuk). On the weekend, they had salad, but not on weekdays. This is a minor annoyance as there are plenty of places to get a decent breakfast within easy walking distance. But there used to be more variety. Another issues is that one of the three elevators wouldn’t recognize my room key, nor those of several other people, and this did not get repaired during my stay. My biggest complaint is that the rate for Monday night was considerably higher than for the previous three nights and this was not clearly displayed when making the reservation on line. I’ll have to rethink whether or not to stay there in the future.

I didn’t have any issues with Amtrak going home on Tuesday morning. The metro also cooperated and I was able to get in a lovely afternoon nap, before catching up on some household chores.
conuly: (Default)
[personal profile] conuly
And lemme tell you, my team picking was solely on the basis of "Are people in this team active" and "Do they have an open slot for me", because active team members send you more lives and you're more likely to win prizes in the team competitions, but most teams are 100% people who joined and never play.

But you can talk to each other, great, except that there's this one person who is very active and posts every single day about how they've changed the game so she can't win, she sucks, she is always stuck, she doesn't like it anymore, she's gonna quit - this all prompts a flood of "Oh, don't go, please stay" responses, and I can't help but wonder if that's the sole reason she posts like this.

One day I'm going to tell her that if she really feels that way she ought to quit, or at least shut up about it, because her posts bring my enjoyment of the game way down. Don't know what sort of response I'll get from everybody else who isn't her, but I can't be the only one who's itching to say it.

********************************


Read more... )
shewhomust: (bibendum)
[personal profile] shewhomust
I always rnjoy Rachel Roddy's coolery column in the Guardian, more for her descriptions than for her recipes. I was not in the slightest tempted to cook last week's chocolate and rosemary panna cotta - I didn't even feel much desire to eat it - but I loved what she had to say about aromatic herbs. Their scent, she argues, seems made for our culinary pleasure, but a form of self-defence, a weapon against both both predators and competitors.

Rosemary is particularly kick-arse in this respect, with those volatiles (mostly organic compounds called terpenoids) synthesised and stored in minuscule glands that project from the surface of each dark green needle, which breaks when brushed against or bitten, releasing an intense, hot, bitter shot. It’s the evergreen equivalent of carrying personal defence spray. The needles also mark territory. By leaking their volatiles into the nearby soil, they inhibit the seeds of other plants (maybe even their own) from taking root and, in turn, taking space, water and precious minerals in a challenging environment.

Joys of Homeownership

Feb. 20th, 2026 07:28 pm
hrj: (Default)
[personal profile] hrj
On the positive side, it all got fixed within a few hours.

I've been commenting lately that I felt like my home repair budget was fairly safe because I'd replaced every significant appliance in the house at some point since I acquired the house. (Fifteen years ago. 15! Can you believe it?)

Well, I forgot about the garage door opener. But it didn't forget about me.

I'd just gotten my bike out this morning, then when I went to close the garage door behind me, it made a lot of sad noises and declined to close. Examination showed that several of the side-rollers had jumped out of their tracks. (I'd known that one was out of the track for some time, but I couldn't man-handle it back in and it didn't seem to be causing problems.)

So. This calls for professional help. But first it called for securing the critical garage contents because the door was stuck open and I live on a well-traveled street. That having been done, I went on Yelp, located a relatively local garage door repair company, and got scheduled for a window within a couple hours. OK, good sign.

I solved my anxiety about the lack of door closure by doing yard work in the front yard until the repair guy arrived.

In addition to the roller misalignment (which is now happening on both sides of the door, thanks to my efforts to get it to fail closed) the cables (which evidently get winched up by a heavy-duty spring) are tangled on the spindle rather than being neatly wound on their designated place. So the immediate problem could be solved with brute force: prying the roller track open enough to force the roller back in; disconnecting the cables and rewinding in the correct place. That was going to be about $500 labor. Ok.

But, he says, look: these cables are corroded, and one of the heavy-duty springs is rusty. Furthermore, you really should use rollers with longer shanks, because these have a risk of popping off their sockets on the door. (I'm sure my description is not helping anyone visualize this.) So, he says, I'm going to recommend you replace pretty much all the door-lifting hardware. That's going to be a couple thousand.

I wince, but I can see the truth of everything he's saying. So he goes to work on all that and gets it all back in working order. And then he says, "So, you don't have to do this, and I don't get any commission or anything if you do, but the motor on your door opener is 20 years old, it isn't really as powerful as it should be for how much you use it, and it's probably going to fail within the next couple years.

So that was a couple more thousand. But now I have a fancy garage door opener that talks to my iPhone and includes a security camera. And maybe--just maybe--now I really have replaced the last appliance that came with the house when I bought it. Unless I've forgotten something else.

me and my big mouth

Feb. 20th, 2026 05:07 pm
watersword: Bare trees in a white landscape (Stock: winter)
[personal profile] watersword

Uh, so, I have a weird Jew-y dilemna.

I volunteer with my neighborhood "snow brigade", which shovels for folks who need help. We're due to get some gross "wintry mix" and "icy sleet" overnight, although maybe not much accumulation.

The couple I got assigned to emailed to say — well, here: "Hopefully there will be NO snow on Friday night and Saturday since for religious reasons we are not able to shovel. If it's not much we can deal with it Saturday night."

I emailed back to say that I don't consider helping a neighbor in need to violate shomer Shabbat and I would be happy to come by and make sure their sidewalks and steps are clear.

They said, "It would be our sin to have another Jew do any work for us on Shabbos. We very much appreciate your kind thoughts to help us. But if we can't do it, you can't do it for us either."

Uhhhhhhhhhh. I am not sure how to respond to this. I don't think this is a sin! I try to observe Shabbat in the sense of resting and renewing myself, but very much not in a traditional way — like, spending a couple of hours mending and embroidering might be part of Shabbat for me because it fills my cup and I don't always get the chance to during the week! Going to the farmer's market and spending half my paycheck and cooking something elaborate on Saturday is a profoundly Shabbosdik thing for me! I don't want to tell them "your theology is wrong" and I don't want to upset them by doing something they have told me not to do (and would apparently feel guilty about????), but ... I can't just leave an elderly couple trapped in their house with icy sidewalks for a day!

*pinches bridge of nose*

I gotta get in touch with the snow brigade coordinator and tell her what's going on so she can try to find a substitute, I guess. I wish I hadn't made it so obvious I am also Jewish, just said something cheerful about being happy to shovel in the morning, but it truly did not occur to me that their observance would mean this. My bad. Ugh.

This is gonna be a real fun conversation with the snow brigade coordinator.

ETA: Snow brigade coordinator is going to check if there's someone I can swap with for future Saturdays, but since the blizzard has been delayed until Monday, when labor is allowed, we will deal with it if and when it becomes a problem next. What a ridiculous shenanigan.

Today in food play

Feb. 20th, 2026 03:42 pm
magid: (Default)
[personal profile] magid
  • soup: turkey stock (made around Thanksgiving, frozen since then) with onions, carrots*, parsley, and matza balls
  • turkey breast (also frozen since Thanksgiving) topped with smoky tomato* jam, baked over onion, sweet potato*, and slices of Georgia peaches (frozen since the summer)
  • mashed potatoes* with spinach*, pureed basil*, pureed garlic scapes*, and scallions
  • sort-of red flannel hash, with onions, pieces of what I guessed is corned beef in the mix of deli ends picked up from the Butcherie, thinly sliced cabbage*, potatoes*, and beets*
  • the rest of the peach slices baked with a bit of matza meal, Earth Balance, and a a little hot* honey*


* locally sourced

Women's Storytelling Festival tickets

Feb. 20th, 2026 03:34 pm
fauxklore: (Default)
[personal profile] fauxklore
I have a lot of catching up to do, starting with a trip I took to New York a couple of weeks ago. I’m also going through the clippings file, celebrity death watch, and my progress on the Stafford Challenge.

But the Shameless Self-Promotion Department comes first. The 6th annual Women’s Storytelling Festival is coming up in just about a month and today is the last day to get discount tickets. For a mere $35 you can get a virtual festival pass, while a full festival pass (which includes in-person performances in Fairfax, Virginia) is only $55. Both include access to the live stream and access to the videos through April 28th.

To take advantage of this fabulous deal, go to the WSF ticket page.

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