forthwritten: (boy reader)
Not been up to much really, mainly thesis writing, meeting my supervisor and watching trashy Channel 4 "documentaries" of dubious value. Do I really need to gawp at plastic surgery gone terribly wrong? When the alternative is trying to pin down critical discourse analysis it seems that yes, yes I do. Even if it's uneasily exploitive and rather like the C21st equivalent of a freak show.

Also went to a science centre and made a solar oven with the Competitive Physicists out of a cardboard box, black crepe paper and tinfoil. It was a very interdisciplinary team (one MBChB, two MPhys, one BA, one MA and two PhD students in our team of four) and we were basically competing with 6 year olds. We have no shame. We did, however, end up with melted chocolate buttons and a passing grasshopper who seemed to appreciate the warmth. Suggestions for chocolate-dipped insects didn't go down particularly well.

I also got interviewed for a research project into resources use in humanities which was rather exciting. I find it interesting that generally, I like new ways of disseminating information and interesting ways of visualising data like Information Is Beautiful and Strange Maps. I like blogs and twitter and IM and in many ways, these things are work as well as play. They've given me a connectedness with other researchers and are brilliant for fighting isolation and engaging with others.

What I find frustrating is how academia uses technology. I loathe ebrary reader with a fierce and bitter passion, logging into electronic journals is a task that makes me yearn for the simplicity of Athens and I still kind of fail to see how academic journals work beyond "you create all the content, they keep all the money". Academic technology does not do things intuitively or elegantly, it all seems to be clumsy and slow and inflexible and will leave you swearing, weeping or beating your head against the keyboard. I don't think I'm a luddite, but I'd rather cycle to the library to find a dead tree book than deal with ebrary reader. There's something a bit wrong when it's easier to read a printed pdf or photocopy or book than an electronic book.

I find myself wondering what academic publishing is so very scared of; why is it so awkward to access to electronic resources? why is it so hard to print a chapter of a book (as opposed to the ten pages at a time I've been limited by)? And I think the real reason is fear. Academics love information. I'm pretty sure every researcher has at least one box or filing cabinet (depending on level of organisation) of printouts and photocopies. I've seen photocopies of entire books, and that involves rather a lot of time standing at the photocopier and a rather serious hit to your photocopying allowance. But financially worth it for an expensive key text that otherwise, you'd have to buy.

If it was too easy to circulate electronic copies - the mp3s of this analogy - no one will buy the books. It's not in their interests to make this information too freely, in both senses of the world, available. Instead, the system seems built on a few purchases - I'd guess by libraries more than individuals - of very expensive books/journal subscriptions[1]. At its heart there's a tension between making resources available and losing control of them.

I am still intrigued as to where the money gained from selling books goes. Paying the editorial staff, office space and supplies, sponsoring events. Does anyone get paid for peer-reviewing or article-writing or editing? The academics involved seems to get paid in a currency of prestige, which, fingers very much crossed, is reflected in their salary paid by their university, rather than cold, hard cash.
It strikes me that if academics could disseminate their own work, in a peer-reviewed, credible way, without the need of academic publishers, the whole industry could be shaken, if not tumble down completely.

[1] It puzzles me, because the more expensive the book the more I feel it's financially out-of-reach for me and am therefore justified in using my photocopying allowance. What I've seen working is publishing things in paperback rather than hardback - people are more likely to buy a book for £20 rather than £90.

ada lovelace day post

Thursday, 25 March 2010 02:34 am
forthwritten: glowing sonic screwdriver from Doctor Who.  Text: "Alien tech" with an arrow pointing to the sonic screwdriver  (alien tech)
So, it's late and I'm late for my Ada Lovelace Day post. I liked [personal profile] helenic's post on women, confidence and technology, and particularly her ambition for a world where girls "grow up feeling at ease with technology, curious about the new and confident of their role in it". I, because it's late and I should be in bed, have no such interesting thoughts to offer, but anyway, here's a shout-out to some people I think are awesome - only a few, and believe me there are many more.

So, here's to [staff profile] denise and [personal profile] rho and [personal profile] afuna; here's to [personal profile] damned_colonial and [personal profile] owl and [personal profile] helenic and [personal profile] katieastrophe; here's to Police State and Penny Red and PoetCasting; here's to FWD and Geek Feminism and the F Word. Here's to Dreamwidth and #dreamwidth and the webboard where I took my first wobbly steps into HTML.

Here's to my mum and her transformation from someone nervous with new technology to the smartphone-using, laptop-wielding, new-program-grokking lady she is now. Here's to my awesome little sister and the Jodcast. Here's to the men who've treated me as an intelligent, curious person rather than with sexist arrogance and hostility. Here's to refusing to be cowed by others' assumptions that women don't understand tech, and here's to having the guts to challenge that and the knowledge to back it up. Here's to never making anyone feel bad for the barriers that have prevented or discouraged them from engaging with technology.

Here's to challenging online sexism. Here's to majority-female dev cultures. Here's to everyone who's helped or is helping to make technology (and science, and maths) an open, equal, welcoming and exciting place for women, and may it only get better.

I tip my hat to you.
forthwritten: glowing sonic screwdriver from Doctor Who.  Text: "Alien tech" with an arrow pointing to the sonic screwdriver  (alien tech)
Today I discovered that I could have upgraded my phone in September. I am kind of thinking of upgrading because the battery is getting a bit crap and I would like a better camera and I have heard this rumour you can get the internets on your phone and this all sounds rather exciting.

I am usually opposed to touchscreens (I seem to end up poking them, cursing, then everything happens at once and I've accidentally activated the hidden locked self-destruct function and people hate me) but am willing to consider especially good touchscreens. Otherwise I'm open-minded as long as the contract isn't ridiculous (am probably going for the £15 or £20/month internet texter). I would rather avoid Apple as I find their formats restrictive (wot no FLAC?) and don't yet have an opinion on Android. I've used Nokias and Sony Ericssons before

So tell me internets, anything that's spectacularly good or incredibly awful?

In other news, I managed to astound and amaze people with just how much I can eat. 5-spice squid and a huge bowl of seafood laksa for lunch? Don't mind if I do. Still can't give blood, mind.
forthwritten: (cogs)
I've been thinking about steampunk recently, prompted by [personal profile] naraht's excellent sets of links (set 1, set 2). We ended up talking about it a couple of nights ago, then again when it came up in #dw last night.

I don't like being [personal profile] forthwritten, Destroyer Of Squee, but there are things I find deeply problematic about steampunk. I'm not a srs Victorianist (and I hope not to embarrass myself in front of [personal profile] naraht and [personal profile] oursin) but my thesis does require some knowledge of late C19th/early C20th issues - politics, ideologies, what were current issues and concerns and anxieties, how the Victorians and Edwardians thought about things. There are some things that seem completely alien to my mind - the way that even those who supported women's suffrage supported it because they thought women were gentler and more spiritually pure, and with the rise of governmental interest in domestic issues they needed women on board to guide them through this unknown territory.

Victorian England was a world where the vast majority of people led difficult, uncomfortable, poor, exhausting lives, where 1 in 3 babies born at the same time as Queen Victoria died before their fifth birthday, where things like pensions or benefits didn't exist and the only relief was to be found in the workhouse (look up the 1834 Poor Law). Most people were not totally awesome explorers and adventurers and countesses.

In celebrating the figure of the adventurer and explorer, steampunk buys into certain assumptions. One: that there are places to explore and discover - the idea that a land can only be discovered by your culture, and has been previously unexplored even if people have been living there for centuries. Two: that, as [personal profile] naraht points out, "deep down, or perhaps not so deep down, there's a sense in steampunk that having an empire must after all have been rather fun".
And I doubt this is deliberate, but it places people like me in a difficult situation. To shamelessly repost the comment I left on one of [personal profile] naraht's entries, am I one of the friendly hilltribes who offers the explorers help? Am I a savage living in harmony with my wild forests? Am I untamed and beautiful and freakish, am I dangerous, am I irresponsible and childlike, am I sturdy and possessed of a certain native cunning? How am I going to be exoticised and made into a tragic character, a simple character, a loyal and passive character? I've read the early C20th anthropology books, I know what role I played in the Victorian psyche, and it disappoints me that steampunk doesn't do much to challenge that.
Even the terms are uncomfortable - how can you be a "orientalist" unproblematically, without knowing or caring about critiques of orientalism offered by post-colonialism? How can you be the thing that Said, in Orientalism, was questioning?

But [personal profile] forthwritten, you cry, I don't care about the ideology! I just like my cool gadgety tech! I think being able to disconnect the two is interesting, yet enabled by the kind of technology steampunk celebrates. Steampunk focuses on engineering rather than the other technologies and sciences the Victorians were exploring - engineering rather than, for example, public health, infectious disease control, evolution and eugenics. Within that, steampunk focuses on engineering of a particular kind - Babbage but not Bazalgette.
And as [personal profile] naraht asks, maybe that's because engineering itself is perceived as a a celebration of cool gadgety tech without having an ideology (comparative to, say, eugenics). As she puts it, it's "all about the uncomplicated triumph of objective, uber-cool science" - as long as you can build Awesome Rockets, who cares who you're building them for or how they could be used? Why does steampunk focus so heavily on weaponry? Who are they shooting with their steam-powered guns and rifles? It looks cool to carry around a big, artistically distressed gun, but why?

And perhaps this is the crux of My Thoughts on Steampunk: it's a superficial understanding of the Victorian age without wanting to understand the anxieties of the age. It doesn't even understand the technology beyond a superficial "ooh, shiny" delight - am I really the only one wondering how that steam must be produced, the miners and kids shovelling coal and smoke-choked cities and pea-soupers, or is there an explanation that ignores Victorian economics in favour of a C21st style fair trade explanation?

Perhaps I'm coming at this from the wrong angle - after all, my punk involves questioning social values and assumptions in a sometimes awkward but often genuine and well-intentioned way. I do understand the appeal of computer mods, and I can understand steampunk as a reaction to the sleek, disempowering kind of technology that says "no, you don't have a chance of understanding me, best get someone else to fix that". But I'm not sure how steampunk subverts and challenges our ideologies and anxieties through the lens of Victorian alternative history, and indeed what it is beyond an uncomplicated celebration of engineering and technology.

Or maybe it does - imperialism is still an issue today. Maybe steampunk is a way of making that safe and uncomplicated, of imagining it as gentlemen inventor-adventurers rather than soldiers, imagining guns and rockets that are beautiful and complicated and are never used to kill people. In which case, I think it achieves this at the expense of really doing something that reimagines the world and creating a genuinely alternative history.

ETA: thank you for all the thoughtful comments; I've greatly enjoyed reading them and seeing discussions unfold. I'm a bit swamped with work so I can't respond to everyone right now but I'd like this discussion to continue and I'll try to contribute if I can.

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