The Hunting Party Icons

Feb. 22nd, 2026 01:16 am
flareonfury: (Bex/Jacob)
[personal profile] flareonfury posting in [community profile] fandom_icons
Below are some icons I made as alternates for [community profile] tvmovie20in20 Round 23 and [community profile] ships20in20 Round 5 with The Hunting Party.

[100 icons] The Hunting Party

Preview:

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"A secret prison. A killer escape. The hunt is on......"
flareonfury: (Bex/Jacob/Shane)
[personal profile] flareonfury posting in [community profile] fandom_icons
The below icons are for [community profile] ships20in20 Round 5 with The Hunting Party various ships.

Preview:
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The hunt is on......

50 Multi fandom icons

Feb. 21st, 2026 06:41 pm
word_never_said: (contemplative //;; kate sharma)
[personal profile] word_never_said posting in [community profile] fandom_icons
50 total - The Pitt, Stranger Things, Bridgerton, Superman (2025), Fantastic Four (2025)

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more here [community profile] stillpermanentt

50 Multi fandom icons

Feb. 21st, 2026 06:39 pm
word_never_said: (not a great feeling //;; spider ham)
[personal profile] word_never_said posting in [community profile] icons
50 total - The Pitt, Stranger Things, Bridgerton, Superman (2025), Fantastic Four (2025)

Image Image Image

more here [community profile] stillpermanentt

The Shroud - Stargate SG-1 icons

Feb. 22nd, 2026 08:15 am
magnavox_23: Sam points to a position on the star map. The caption reads "The star map, representing 3D space on a 2D plane since 1997" (Stargate_star_map)
[personal profile] magnavox_23 posting in [community profile] icons
20 Stargate SG-1 icons from 10x14 The Shroud

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Check out the rest here. <3 

The Shroud - Stargate SG-1 icons

Feb. 22nd, 2026 08:05 am
magnavox_23: Sam points to a position on the star map. The caption reads "The star map, representing 3D space on a 2D plane since 1997" (Stargate_star_map)
[personal profile] magnavox_23 posting in [community profile] fandom_icons
20 Stargate SG-1 icons from 10x14 The Shroud

Image Image Image

Check out the rest here. <3 

jack abbot, the pitt | 30 icons

Feb. 20th, 2026 05:18 pm
sweeticedtea: (hey jack)
[personal profile] sweeticedtea posting in [community profile] fandom_icons
Shawn Hatosy as Jack Abbot in The Pitt (s1 & s2e7 / 15 each)

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more here! @ [personal profile] sweeticedtea
thisbluespirit: (aal - georgie)
[personal profile] thisbluespirit
I thought it might make a change to write something here and post it straight away, instead of in two weeks or three or four months, idk, shocking but still. (I continue as before, getting a little more useful with every few days.) In the meantime, here are some fannish things that made me happy in this last week:

1. Another Enigma fic! \o/ 0_o

All Tapped Out (665 words) by misura
Chapters: 1/1
Fandom: Enigma (2001)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Tom Jericho/Hester Wallace
Characters: Tom Jericho, Hester Wallace, Wigram (Enigma 2001)
Additional Tags: Post-Canon, Vignette, Missions Gone Wrong
Summary: “What the bloody hell was that?”


2. Sesskasays, whose Classic Who reactions I have enjoyed so much... is going to be doing Blake's 7! I did not dare really hope, but yay. I cannot wait for her to meet Servalan.


3. Small Prophets, on the iPlayer, a 6-part comedy from Mackenzie Crook, who did The Detectorists. It has all the mix of slow build, appreciation of small things & being v down to earth of the former, with actual supernatural ingredient in shape of six humunculi that Michael Sleep (Pearce Quigley) grows in his garden shed, for reasons. I haven't watched most of ep6 yet, but cannot imagine it producing any reason in the last 27 minutes for me not to rec it warmly here.


4. Another magnitude of miraculous on from Enigma-fic - a Rufus/Adam vidlet for A Fatal Inversion (Jeremy Northam & Douglas Hodge in 1991/2) from someone on YT:



Like. This is why I wrote Rufus/Adam fic that nobody wanted! And this doesn't even have the shots with the dinner party and the make up, but, lol, I feel like it is a much more compelling argument for watching it than me saying it's very good. XD


Anyway, creative people continue to be a Good Thing is all. <3
delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)
[personal profile] delphi
[personal profile] kingstoken's 2026 Book Bingo: Figures Without Facial Features on the Cover
[personal profile] kingstoken's 2026 Book Bingo: Set at a School/University

The Whole Truth by Kit Pearson and its sequel And Nothing but the Truth are a pair of middle grade historical novels set in British Columbia in the 1930s.

The main character is Polly Brown, who begins the story age ten, relocating from Winnipeg to the Gulf Islands to live with her grandmother following the death of her father—an event that's the subject of secrecy between her and her older sister Maud. Shortly after arriving at their grandmother's, Maud leaves for boarding school, leaving Polly to adjust alone to her new life on a small island and deal with the carrying the secret by herself. The second book picks up a couple of years later, when Polly also needs to leave the island for secondary schooling and struggles to adjust to being away while more big changes come to her family.

I read a few of Kit Pearson's books as a kid, and when she came up in conversation recently with a friend, I decided to check out some of her more recent novels. I don't know how her older books would hold up to a re-read for me, but I ended up having a mixed reaction to these two.

They were largely pleasant reads. They're well-written, and if spending time in upper middle-class circles in 1930s western Canada appeals, there are a lot of detailed descriptions of clothes, food, and rural seaside life to enjoy. As someone with an interest in that part of the world but who doesn't have family history there, I appreciated this look into the period.

These books feel like they're in the tradition of Anne of Green Gables, Pollyanna, A Little Princess, Heidi, etc.—stories I associate with girls changing the world around them, whether through action or because of their positivity. But that's not really the deal with Polly, who's a very passive character and doesn't seem to bring anything unexpected to her new community. It's also not a Secret Garden or Goodnight, Mr. Tom situation where it felt like Polly herself was changed by her new home, aside from benefiting from more money and opportunities. Things just kind of work out for her while the least dramatic version of eventful situations unfold around her.

I think what particularly didn't land for me was this sense of complacency with regard to the arc of the moral universe. Polly is shown recognizing injustice and then just...never does anything about it. Her grandmother racially discriminates against a neighbour, and Polly disagrees but then lets it lie. We don't see her ever interacting with the neighbour, or even with the neighbour's son, who's a schoolmate. She has the instinct to give money to a homeless man, but then stops when her teacher scolds her and doesn't help anyone again. She never takes a stand or makes any sacrifice, aside from the one time when it's strongly self-serving, but other characters praise her for seeing the world clearly with her artist's eye, in a way that implies that just seeing is enough and that things will work themselves out over time (at least for those who happen to be the loved one of someone with money and property).

While I was reading, I often found myself thinking how glad I was that the author was avoiding the most predictable conflicts I kept thinking were coming, but by the end of the second book, I looked back and felt like something critical was missing. I don't need big culminating moments in historical coming-of-age novels—I absolutely love A Tree Grows in Brooklyn and could write a whole essay on how it shares a sliver of the same flaw but how all of its positives outweigh that for me—but I needed just a little something more to care about these characters and their fortunes.

An Excerpt )

ETA: Spoilers in the comments
thisbluespirit: (dw - eleven)
[personal profile] thisbluespirit
I've had this post stashed away since late November, meaning to come back to it and write something more sensible about The Stone Tape that wasn't how much I wanted to icon Jane Asher's face. The reviews were already at least a couple months out of date, I think. Then life intervened and alas, I have even less brain now than then, so I should get on and post it anyway.




Eye in the Sky (2015)

This was one of the later things I pulled off Jeremy Northam's CV. The JN tumblrs reckoned it was a good one - and it was.

It's about an international military and political operation to capture the three top leaders of an Islamist extremist group in Somalia, with various layers of people involved via video conference - the UK Colonel in charge (Helen Mirren), the US soldiers running the 'eye in the sky' (Aaron Paul, Phoebe Fox), the Somali agents on the ground (esp. Barkhad Abdi), and a small group overseeing it from a meeting room in Whitehall (Alan Rickman as General Benson, Jeremy Northam as the Minister in charge, Monica Dolan as PR), plus various others who need to be consulted, including Iain Glen as the Foreign Secretary. And right there in the middle of it all, is Alia (Aisha Takow), a child who lives close to the target house.

Cut for more details )

Smartly made modern film, but also exactly the kind of knotty moral problem and intelligent writing you'd have got in a Play of the Month.

Talking of which...


Nigel Kneale's The Stone Tape (BBC 1972)

I this via Talking Pictures, after having heard of it forever, and it was great! I really loved it. The creepy concept, the scientific approach - I really wished I had screencaps so I could icon Jane Asher in it (she was wonderful generally, not just icon-able) and everything. The way that the misogyny was used was also great, and took me by surprise because I had felt my one other Nigel Kneale did give way to a 1960s/70s misogynistic trope that I had seen too often by that point, but perhaps the "seen too often" part was more of the problem, because this just made me sit up and do the, "Oh. oh" moment for real. Highly recommended if you like any brand of creepy UK 70s TV. (It IS creepy/disturbing, though. This is not a chirpy watch that will end well, please do note). It starred some other people who weren't Jane Asher, too, like Iain Cutherbertson and they were all also good, I just didn't want to icon them and their face and their red hair in quite the same way. XD

So glad I finally watched it & I enjoyed it even in summer, when I so often can't manage TV downstairs.


Official Secrets (2019)

EitS having been so good, when I realised that this one (featuring one of the 2 brief cameos that are all JN has done since 2016) was also directed by Gavin Hood, I checked for a cheap copy & obtained it poste haste. I really liked this too, and watching them close together made me think even more highly of both - this is the story of a real incident from 2002, while EitS is a theoretical piece behind its tension, but underneath, they're both smartly done morality plays with excellent casts. (Incidentally, there are 3 actors who feature in both - Monica Dolan, John Heffernan and Jeremy Northam).

When I looked up both films online the first description is always "underrated" and the Guardian apparently ran a piece for Keira Knightley's 40th earlier this year recommending a top list of her films to watch, and put Official Secrets at no. 1.

Official Secrets isn't as tightly contained as EitS, as it's based on a real UK whistleblower incident from 2002, but which ended up not having much effect, so it's a really unusual thing to tackle (& as faithfully as this - they had a lot of the real people involved in the production in some way or other). As before, it's a large but excellent cast (Keira Knightley, Matthew Goode, Adam Bakri, Matt Smith, Ralph Fiennes, Indira Varma & more).

More under here, although not really spoilery )


Anyway, after watching both, I got excited by clearly liking a director's stuff, so I looked up what Gavin Hood had done since - and the answer was nothing, dammit! (Before that he did Wolverine and Ender's Game, which are not tightly done morality plays. I mean, I assume not?? But I might need to investigate the first half of his CV more closely sometime. He has something upcoming lurking on imdb, which sounds more similar, but I'm not sure if that's real, or just a production hell mythical something or other.)

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