Wuthering Heights Review

Feb. 20th, 2026 11:59 pm
pandarus: (Default)
[personal profile] pandarus
Just come back from watching “Wuthering Heights”. I’m not mad about it, in either sense. Here be incoherent thoughts:

- it’s a 2 hour long music video: glib, flamboyant & silly.

- the child actors were GREAT. Bless them. Cracking work, really sad that the story scooted forward to the adult actors so fast.

- I love Margot Robbie & I mean no disrespect when I say Read more... )

H2O: Just Add Water

Feb. 18th, 2026 10:22 am
scaramouche: Nikita Ager as a mermaid in water (mermaid)
[personal profile] scaramouche
It does feel weird to look back and see that H2O: Just Add Water was influential to modern mermaid media. Not as much as Splash, of course, but a decent amount. Do not cite the deep magic to me etc., I was there when the show premiered and a gajillion (I exaggerate) people told me about it and although I did check it out then, I only followed along into a third of the first season. TV shows were very different in 2008, and by then I'd lost interest (or outgrown) these kinds of stories.

Now, however, it is a delight! I paced myself through watching the whole first season, and despite only being ~25 mins per episode, 26 episodes a season is an embarrassment of riches. So much content! So many little stories where the girls are Put In Different Situations, and thanks to the past near-two-decades of media trends, I do love it when characters are Put In Different Situations instead of it being One Long Situation Where the Major Catharsis Only Happens At the End of the Season! The theme song is also so great, I've been letting it play out every time and eventually started singing along, both for the opening and longer ending.



The first few episodes have the girls getting used to their powers (I love that Cleo is the one who decides to not let it limit her options), but then it settles into a status quo and although the quality is uneven, a lot of the episodes are SO much fun, and I haven't laughed that hard for a while as I did for the Siren Effect episode, when Cleo gains siren powers and enchants all the boys in the neighbourhood into being idiots. Then there's The Big Chill where Emma straight up almost accidentally MURDERS the popular girl with her freeze powers, and that's not an euphemism, but the show took care to talk around the stakes instead of using words like "corpse", "kill" or "dead", which was so, SO funny. A+, 'tis delightful, only capable when everyone's committed to the light-hearted tone and are decent comic actors. You really appreciate good comic acting after you've watched so much bad comic acting.

So much so that my stomach dropped at the last few episodes of the season when the tension ramped up as the girls' secret is about to be uncovered. I don't need that! I just want bite-sized fun romps! And unfortunately I accidentally read an overview of season 2 and I have never enjoyed the trope where a TV show introduces an interloper who has the abilities/skills of the main characters but are "better" at it, but hopefully the execution is better than it sounds. A team of three evil mermaids to rival the main trio WOULD have been fun, though, since that's more equal opportunity competitiveness instead of usurpation.

Random observation: the first season came out in 2008, and Lewis uses the word "googling". I think that was more a sign of his nerdery than normalized lingo, but interesting in terms of looking at the show as a time capsule.

More, cut for length. )

The energy of season one as a whole is so charming and fluffy, so I might take a break and continue into season 2 later.

recent reading

Feb. 16th, 2026 08:04 pm
isis: Isis statue (statue)
[personal profile] isis
I'm finally feeling mostly human after being down with a cold for about a week; serves me right for being a judge at the regional science fair and exposing myself to all those middle school germ factories. Well, I read a lot, anyway.

Shroud by Adrien Tchaikovsky - first-contact with a very alien alien species on the tidally-locked moon of a gas giant. Earth is (FRTDNEATJ*) uninhabitable, humans have diaspora'ed in spaceships under the iron rule of corporations who cynically consider only a person's value to the bottom line, and the Special Projects team of the Garveneer is evaluating what resources can be extracted from the moon nicknamed "Shroud" when disaster (of course) strikes. The middle 3/5 of the book is a bizarre roadtrip through a strange frozen hell, as an engineer and an administrator (both women) must navigate their escape pod to a place where they might be able to call for rescue.

When I'd just started this book I said that it reminded me of Alien Clay, and it really does have a lot in common with that book, especially since they are both expressions of Tchaikovsky's One Weird Theme, i.e. "How can we see Other as Person?" He hits the same beats as he does in that and other books that are expressions of that theme (for example, the exploratory overture that is interpreted as hostility, the completely different methods of accomplishing the same task) but if it's the sort of thing you like, you will like this sort of thing. It also reminded me a bit of Dragon's Egg by Robert L. Forward, in the sense that it starts with an environment which is the opposite of anything humans would expect to find life on, and reasons out from physics and chemistry what life might be like in that environment. Finally, it (weirdly) reminded me of Summer in Orcus by T. Kingfisher, because the narrator, Juna Ceelander, feels that she's the worst possible person for the job (of survival, in this case); the engineer has a perfect skill-set for repairing the pod and interpreting the data they receive, but she's an administrator, she can do everyone's job a little, even if she can't do anybody's job as well as they can. But it turns out that it's important that she can do everyone's job a little; and it's also important that she can talk to the engineer, and stroke her ego when she's despairing, and not mind taking the blame for something she didn't do if it helps the engineer stay on task, and that's very Summer.

I enjoyed this book quite a lot!

[*] for reasons that don't need exploring at this juncture

How I Killed Pluto and Why It Had It Coming by Mike Brown is what took me through most of the worst of my cold, as it's an easy-to-read micro-history-slash-memoir, which is one of my favorite nonfiction genres. Brown is the astronomer who discovered a number of objects in the Kuiper Belt, planetoids roughly the size of Pluto, which led to the inevitable question: are these all planets, too? If so, the solar system would have twelve or fifteen or more planets. If not - Pluto, as one of these objects, should not be considered a planet.

I really enjoyed the tour through the history of human discovery and conception of the solar system, and the development of astronomy in the late 20th and early 21st centuries. He manages to outline the important aspects of esoteric technical issues without getting bogged down in detail, so it's very accessible to non-scientists. Interwoven in this was his own story, the story of his career in astronomy but also his marriage and the birth of his daughter. It's an engaging, chatty book, and one must forgive him for side-stepping the central question of "so what the heck is a planet, anyway?"

Don't Stop the Carnival by Herman Wouk, which B had read a while back when he was on a Herman Wouk kick. I'd read Winds of War and War and Remembrance, and Marjorie Morningstar, but that was it, and I remembered he had said it reminded him a lot of our time in the Bahamas and Caribbean when we were living on our boat.

The best thing about this book is Wouk's sharp, funny writing - his paragraphs are things of beauty, his characters drawn crisply with description that always seems novel. The story itself is one disaster after another, as Norman Paperman, Broadway publicist, discovers that running a resort in paradise is, actually, hell. It's funny, but the kind of funny that you want to read peeking through your fingers, because you just feel so bad for the poor characters.

On the other hand, this book was published in 1965, and it shows. I don't think the racist, sexist, antisemitic, pro-colonization attitudes expressed by the various characters are Wouk's - he's Jewish, for one thing, and he's mostly making a point about these characters, and these attitudes. The homophobia, I'm not sure. But the book's steeped in -ism and -phobia, and I cringed a lot.

I enjoyed this book (for some value of "enjoy") right up until near the end, where a sudden shift in tone ruined everything.
Don't Stop the SpoilersTwo characters die unexpectedly; a minor character, and then a more major character, and everything goes from zany slapstick disasters ameliorated at the last minute to a somber reckoning in the ashes of last night's party. In this light, the ending feels jarring: the resort's problems are solved, the future looks rosy, and Norman realizes he is not cut out for life in Paradise and, selling the resort to another sucker, returns to the icy New York winter.

Reflecting on it, I think this ending is a better ending than the glib alternative of the resort's problems are solved, the future looks rosy, and Norman raises a glass and looks forward to dealing with whatever Paradise throws at him in the future. But because everything has gone somber, it feels not like he's learned a lesson and acknowledged reality, but that he's had his face rubbed in horror and decided he can't cope. If he'd celebrated his success and then ruefully stepped away, it would be an act of strength, but he runs back home, defeated, and all his experience along the way seems pointless.

Generation Loss by Elizabeth Hand - I got this book in a fantasy book Humble Bundle, so I was expecting fantasy, which this is very much not. It's a psychological thriller, following the first-person narrator Cass Neary, a fucked-up, drugged-out, briefly brilliant photographer who has been sent by an old acquaintance to interview a reclusive photographer - one of Cass's heroes - on a Maine island.

I kept reading because the narrative voice is fabulous and incredibly seductive, even though the character is a terrible person who does terrible things in between slugs of Jack Daniels and gulps of stolen uppers. It feels very immersive, both in the sense of being immersed in the world of the novel's events and in the sense of being immersed in the perspective of a messed-up photographer. But overall it's not really the sort of book I typically read, and it's not something I'd recommend unless you're into this type of book.

YEAR OF HORSE

Feb. 17th, 2026 09:46 am
scaramouche: Malaysian dreamwidth sheep (dreamwidth sheep baaa)
[personal profile] scaramouche


We're having a rainy Chinese New Year this time, which is quite unusual, though I vaguely remember we've had that before recently. Maybe the stereotype of a super hot CNY is no longer as typical?

Aryana (50.2% completed)

Feb. 14th, 2026 11:41 am
scaramouche: Jenna Ushkowitz as Tina in Glee (tina rocks out)
[personal profile] scaramouche
I'm 95 episodes into 189, which means that I'm at the halfway mark! Kambal Sirena and Mutya both finished their entire runs with less than 95 epiosdes, but Aryana is still going. I can see why, because even with the parts that are repetitive and slow, there's more story to go, and the characters are nowhere near the catharsis you'd expect for certain kinds of family and relationship tropes.

I haven't mentioned it before, but while Aryana is still within that particular teleserye weight class, I do like that they make the effort to foreshadow, by introducing characters or plot points multiple episodes before they become relevant, instead of throwing a new soap opera plot turn the main characters' way out of nowhere. Well, the show still does that, but there's also clearly some planning and forward-thinking involved. Eg. We are given teasing glimpses of Adrian and Stella's ex a few episodes before we're told who they are and they enter the main stories.

There's also thoughtfulness in a particular editing trick the show loves, by intercutting between two emotionally or thematically mirroring scenes in order to make a point, eg. they will intercut between a scene of Aryana arguing with with her mother about their family, with a scene of Megan arguing with her father about their family. There's deliberation in the pacing and storylines that they've put together, and that's neat.

Speaking of Stella's ex, I was wrong when I assumed that Stella was cheating on Victor! (Because of the show's teasing of a mysterious man who's been calling Stella.) Instead this guy is Stella's ex who is blackmailing her, and is possibly Megan's biological father. I kinda like this storyline even if it does feel inorganic compared to other storylines, in that it feels like the show had to add ONE telenovela conflict into Megan's family that had nothing to do with Aryana, and perhaps as part of an argument that Stella is a bad partner to Victor.

The tropes say that Ofelia has to be reunited with Victor, but the show hasn't done the work for it yet, and I was actually enjoying that while Aryana and Ofelia were saw-trapped by Aryana's situation on Love Triangle Island, which was happening at the same time when Ofelia had an ulcer that needed immediate surgery, which made Everyone in that storyline go bonkers.... far far away Megan, Stella and Victor were having the most loving family time they've EVER had since the show started. Victor made it up for his Aryana-insane behaviour to Megan in a realistic way, and everyone was legit happy! They're a happy family! Which is fun and makes it genuinely upsetting to think about how this happiness is going to be ruined when Aryana comes back into the picture. (Which is also why I think they added the Stella's ex storyline, so it's not all Aryana's fault.) I think it would be fun if the two families become friends and Ofelia gets a new love interest, but my guess is they're not gonna do that.

Also Aryana's third love interest has shown up, following the Love Triangle Island blowup that had Aryana shutting down both Marlon and Hubert (though it was more Marlon's fault than Hubert's, ugh). Considering the youtube comments mentioning him before, I wasn't expecting the show to take almost half its runtime to bring the new guy in. Adrian is a surly little sadboy, who's traumatized over his mother's drowning death, and so far I don't care for him because a surly boy who is surly to everyone just isn't fun. May that change soon. I think Marlon's reaction to Adrian will be hilarious.
dreamlittleyo: (Ted Lasso: Trent Crimm)
[personal profile] dreamlittleyo
Safe Hands (2193 words) by dreamlittleyo
Chapters: 1/1
Fandom: Ted Lasso (TV)
Rating: General Audiences
Relationships: Ted Lasso & Sam Obisanya
Additional Tags: Post-Season/Series 02, Past Sam Obisanya/Rebecca Welton, Awkward Conversations, Emotional Support, workplace relationships, Power Dynamics, Protective Ted Lasso, Perplexed Sam Obisanya

Summary: When Ted takes a step back and thinks a little harder on Sam and Rebecca's relationship, he realizes there is something he needs to do.

Read the fic on AO3...

Or read below the cut... )
 
denise: Image: Me, facing away from camera, on top of the Castel Sant'Angelo in Rome (Default)
[staff profile] denise posting in [site community profile] dw_news
Back in August of 2025, we announced a temporary block on account creation for users under the age of 18 from the state of Tennessee, due to the court in Netchoice's challenge to the law (which we're a part of!) refusing to prevent the law from being enforced while the lawsuit plays out. Today, I am sad to announce that we've had to add South Carolina to that list. When creating an account, you will now be asked if you're a resident of Tennessee or South Carolina. If you are, and your birthdate shows you're under 18, you won't be able to create an account.

We're very sorry to have to do this, and especially on such short notice. The reason for it: on Friday, South Carolina governor Henry McMaster signed the South Carolina Age-Appropriate Design Code Act into law, with an effective date of immediately. The law is so incredibly poorly written it took us several days to even figure out what the hell South Carolina wants us to do and whether or not we're covered by it. We're still not entirely 100% sure about the former, but in regards to the latter, we're pretty sure the fact we use Google Analytics on some site pages (for OS/platform/browser capability analysis) means we will be covered by the law. Thankfully, the law does not mandate a specific form of age verification, unlike many of the other state laws we're fighting, so we're likewise pretty sure that just stopping people under 18 from creating an account will be enough to comply without performing intrusive and privacy-invasive third-party age verification. We think. Maybe. (It's a really, really badly written law. I don't know whether they intended to write it in a way that means officers of the company can potentially be sentenced to jail time for violating it, but that's certainly one possible way to read it.)

Netchoice filed their lawsuit against SC over the law as I was working on making this change and writing this news post -- so recently it's not even showing up in RECAP yet for me to link y'all to! -- but here's the complaint as filed in the lawsuit, Netchoice v Wilson. Please note that I didn't even have to write the declaration yet (although I will be): we are cited in the complaint itself with a link to our August news post as evidence of why these laws burden small websites and create legal uncertainty that causes a chilling effect on speech. \o/

In fact, that's the victory: in December, the judge ruled in favor of Netchoice in Netchoice v Murrill, the lawsuit over Louisiana's age-verification law Act 456, finding (once again) that requiring age verification to access social media is unconstitutional. Judge deGravelles' ruling was not simply a preliminary injunction: this was a final, dispositive ruling stating clearly and unambiguously "Louisiana Revised Statutes §§51:1751–1754 violate the First Amendment of the U.S. Constitution, as incorporated by the Fourteenth Amendment of the U.S. Constitution", as well as awarding Netchoice their costs and attorney's fees for bringing the lawsuit. We didn't provide a declaration in that one, because Act 456, may it rot in hell, had a total registered user threshold we don't meet. That didn't stop Netchoice's lawyers from pointing out that we were forced to block service to Mississippi and restrict registration in Tennessee (pointing, again, to that news post), and Judge deGravelles found our example so compelling that we are cited twice in his ruling, thus marking the first time we've helped to get one of these laws enjoined or overturned just by existing. I think that's a new career high point for me.

I need to find an afternoon to sit down and write an update for [site community profile] dw_advocacy highlighting everything that's going on (and what stage the lawsuits are in), because folks who know there's Some Shenanigans afoot in their state keep asking us whether we're going to have to put any restrictions on their states. I'll repeat my promise to you all: we will fight every state attempt to impose mandatory age verification and deanonymization on our users as hard as we possibly can, and we will keep actions like this to the clear cases where there's no doubt that we have to take action in order to prevent liability.

In cases like SC, where the law takes immediate effect, or like TN and MS, where the district court declines to issue a temporary injunction or the district court issues a temporary injunction and the appellate court overturns it, we may need to take some steps to limit our potential liability: when that happens, we'll tell you what we're doing as fast as we possibly can. (Sometimes it takes a little while for us to figure out the exact implications of a newly passed law or run the risk assessment on a law that the courts declined to enjoin. Netchoice's lawyers are excellent, but they're Netchoice's lawyers, not ours: we have to figure out our obligations ourselves. I am so very thankful that even though we are poor in money, we are very rich in friends, and we have a wide range of people we can go to for help.)

In cases where Netchoice filed the lawsuit before the law's effective date, there's a pending motion for a preliminary injunction, the court hasn't ruled on the motion yet, and we're specifically named in the motion for preliminary injunction as a Netchoice member the law would apply to, we generally evaluate that the risk is low enough we can wait and see what the judge decides. (Right now, for instance, that's Netchoice v Jones, formerly Netchoice v Miyares, mentioned in our December news post: the judge has not yet ruled on the motion for preliminary injunction.) If the judge grants the injunction, we won't need to do anything, because the state will be prevented from enforcing the law. If the judge doesn't grant the injunction, we'll figure out what we need to do then, and we'll let you know as soon as we know.

I know it's frustrating for people to not know what's going to happen! Believe me, it's just as frustrating for us: you would not believe how much of my time is taken up by tracking all of this. I keep trying to find time to update [site community profile] dw_advocacy so people know the status of all the various lawsuits (and what actions we've taken in response), but every time I think I might have a second, something else happens like this SC law and I have to scramble to figure out what we need to do. We will continue to update [site community profile] dw_news whenever we do have to take an action that restricts any of our users, though, as soon as something happens that may make us have to take an action, and we will give you as much warning as we possibly can. It is absolutely ridiculous that we still have to have this fight, but we're going to keep fighting it for as long as we have to and as hard as we need to.

I look forward to the day we can lift the restrictions on Mississippi, Tennessee, and now South Carolina, and I apologize again to our users (and to the people who temporarily aren't able to become our users) from those states.

Just having some thoughts today

Feb. 9th, 2026 08:02 pm
scaramouche: Malaysian dreamwidth sheep (dreamwidth sheep baaa)
[personal profile] scaramouche
The algorithm feeds you more of what you already like, so this is likely to be a snapshot of a subsection of certain social media platforms (instagram and youtube, because I've seen it myself; tiktok and twitter, as reported to me by friends since I'm not on either; maybe others). Within this subsection of certain social media platforms, you'll find that if there are posts or videos praising Malaysia or showing photos/footage of major Malaysian cities, there will be comments from my fellow Malaysians jokingly decrying it as AI, or fake news, or "actually this is Singapore/Thailand/Indonesia, please don't come to Malaysia, we still live in trees". It's a whole joke and in-joke, and some non-locals have figured it out and play into it. We will be there, in the comments, refusing to directly claim the positivity from outsiders.

I've seen some comments claim that this trend is because we're afraid of overtourism. That may be the motivation of some, but IMO not the major one.

With a disclaimer that this is my personal impression of why we feel and respond this way, and of course I can only speak to those of my own social and business circles that have discussed this, and I think that younger generations have their own interpretation of it. I think the real reason goes back to how we used to feel in the 1980s and 1990s, as a South East Asian country that the international community didn't really know about. Oh, people know about our famous neighbours: Singapore, Thailand, Indonesia. But we kept getting left out of the global conversation; an afterthought in news, business dealings and pop culture, or folded in/mistaken for our more-famous neighbours.

After a while, I believe, we preferred it that way. Being low-key means we don't get sucked into geopolitical drama as much, and the global perception of us (IF ANY) would be so wrong that it's easier to laugh about it than get upset. (The "we still live in trees" was a legit thing for years, before we took it.) Singapore can get the high-profile billionaire expats. Indonesia and Thailand can get the cultural exposure. To not know about us is to have no expectations about us, which is to be pleasantly surprised by us, if you visit.

Because we know very well what our shortcomings are. We love our food, our cultures (major lion dance troupes are ours!), our mishmash of identities. But we also know our infrastructure is uneven, our cities are not walkable (with only a few exceptions), our salary levels are not competitive, conservative populism still reigns, LGBTQ people might as well not exist (though they do, in the cracks of plausible deniability), and that we can be insidiously bigoted in ways that aren't obvious without context. But on the flipside, our standard of living has improved in such a way that a lot of us don't realize it has improved: our metro lines are great, some of our government services are better than some more advanced countries, our banking and payment systems are excellent, the multiculturalism is so ingrained that we take it for granted until non-locals point out how unusual it is. So while we do feel pride in ourselves, whatever that means, we also don't feel that being loud about it is the right way to go.

It's not self-deprecating, I think. More like, it comes from an awareness that we can do better and wincing preemptively before our ugly bits get exposed.

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