Title:in the darkness with you Word count: 4,233 Fandom: 镇魂 | Guardian (TV) Pairing: Shen Wei/Zhao Yunlan Rating: Mature Content tags: Blind Zhao Yunlan, First time, Hand-Feeding, Finger-Sucking, Clothed Sex, Zhao Yunlan's oral fixation, Episode Related, Episode 21, Missing Scene, Blindness Arc A/N: Many thanks to china_shop for beta-reading.
Summary:
Zhao Yunlan woke to the smell of citrus, sweet and strong in the air. Without fully turning his face out of the pillow, he slitted open a sleep-heavy eye - to complete, unchanged darkness. Reality came crashing down like a landslide. Right: still blind.
This early PC platformer is of no small historical interest, as it was the first game released by everybody's favorite totally uncontroversial and non-resented game publishing company, Electronic Arts. Like most of their titles then and now, it wasn't developed in-house; Michael Abbott and Matthew Alexander get the design and programming credit for this one.
But you don't need to me to tell you the illustrious history of EA (or, as it was briefly called at its inception, "Amazin' Software"—and I can't tell you how disappointed I am that we don't live in the timeline where they kept that name). I guess you also don't technically need me to tell you about this ridiculous game and my memories of playing it while being unable to identify most of the characters and objects it contains, but I'm going to go ahead anyway.
Hard Hat Mack is... well, it sure is a game. You can find it on abandonware sites, but I couldn't really get it to run well on any version or emulator I tried. The DOS version (which I had as a kid) runs too fast in DOSBox by default, but when I reduced the clock speed I found that it lagged badly when multiple objects were moving, which made the second level pretty much unplayable. We probably shouldn't hold our breaths for EA to offer a re-release, and maybe that's for the best.
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Opening in the days of the Harlem Renaissance, the first page of this novel states the culmination of its story: A door-to-door cosmetics salesman shot his eighteen-year-old mistress, and then the salesman's wife crashed the funeral to try to stab the girl's corpse. Why? The reader wants to know, and so do many of the characters. The book offers answers only indirectly, taking a sprawling path into the characters' pasts, where their families came from, and the intergenerational trauma of the slavery era that's still in living memory at this time.
The prose style of this book really worked for me and did a lot of the heavy lifting of drawing me into the story. It's lyrical and artistic without ever sacrificing readability. If there's a bit you don't understand, you will understand it in time, but first we have to go back to the beginning of another character's story and circle back around to connect to the main plot—and it does always connect. I think this is the meaning of the title; the book is not about jazz music, but it has the shape of jazz in the way it can state a melody, wander off and explore for a while until you've almost forgotten what song it is, and then return very satisfyingly before passing it off to another player in the ensemble.
I found this book in a free box and then it sat on my shelf for years (shout-out to lebateleur, my read-books-we-already-own accountability buddy!). It has a lot of underlining, highlighting, and marginal notes from whoever had it before, pointing out themes of dehumanization, rehumanization, and the necessity of deep context for understanding. They underlined "Something else you have to figure in before you figure it out" and also wrote it in pen on the title page. On multiple pages they wrote "Jazzonia" in the margin, by which I assume they meant the Langston Hughes poem.
Jazzonia (1926)
Oh, silver tree! Oh, shining rivers of the soul!
In a Harlem cabaret Six long-headed jazzers play. A dancing girl whose eyes are bold Lifts high a dress of silken gold.
Oh, singing tree! Oh, shining rivers of the soul!
Were Eve’s eyes In the first garden Just a bit too bold? Was Cleopatra gorgeous In a gown of gold?
Oh, shining tree! Oh, silver rivers of the soul!
In a whirling cabaret Six long-headed jazzers play.
Time keeps slipping away from me again, and I keep thinking of things I want to post about, but when I finally sit get to down and open DW, I've forgotten all about it.
In this co-op ARPG, you and three friends battle your way through timed dungeon runs, collecting gear and gaining new abilities. As your power grows, you unlock higher difficulties that put new twists on what you've seen before. Enemies learn new attacks, bosses hit like trucks, and new mechanics like falling meteors and exploding ice will require you to adapt your strategies. The game doesn't end, it just keeps scaling up forever until you either reach the limit of your skills, get bored, or the game season resets and everyone goes back to square one. Wraithtide Vault, aka Freehold If You Squint In other words, this is the Mythic+ game mode from World of Warcraft, without the rest of the MMO. I think for people to whom that means something, the reaction tends to be pretty polarized, either "That sounds terrible" or "This is the game I've been wanting for ten years, TAKE MY MONEY!!" I definitely fall into the latter camp, and having now played the first season of early access, I am pleased to say that I'm having a great time.
Fellowship is on Steam for $24.99 USD. The second season of early access starts on February 19th, so that would be a convenient time to jump in since we'll all be starting from scratch again.
In the 32nd century, Captain Lorq Von Ray assembles a ragtag crew for a dangerous—some would say crazy—mission to harvest the superheavy element illyrion from a dying star. If they succeed, it would threaten tech megacorp Red-Shift's economic stranglehold on interstellar travel, inaugurating a new era of opportunity for struggling outer colonies. But Captain Von Ray's motives aren't just political, they're also personal, as flashbacks reveal his long history with the psychologically twisted brother-and-sister heirs to the Red-Shift fortune.
I really enjoyed this. The space opera plot is an effective backdrop for some nicely nuanced character work and social commentary. Money and class are still driving forces in this future, and people are shaped by that as much as they are by advancing technology and the cultural changes that have come with it. Besides the Captain and the Reds, the other focal characters are two crew members from Earth, one an emotionally guarded Romani kid who's gone against his people's prohibition on cybernetic implants to access job opportunities in space, and the other a socially awkward Harvard grad who has tens of thousands of notes for a novel (an ancient, dead art form) but hasn't yet written a single page. I love the development of their tentative friendship; it feels very honest about how hard it is to relate across cultural divides, and also very affectionate towards both characters. It's like the author is rooting for them even though he can't truthfully make it easy.
The worldbuilding really worked for me. There are enough surprising details and curious asides to make the galaxy feel lived-in and realistically messy, but not so many that it feels scattered. Delany has a very visual prose style and can convey exactly what he sees in his mind's eye, whether it's the unfurling sail of a glittering space yacht or the uneasy twitch of a character's cheek, and that adds to the vivid atmosphere.
I also appreciated the subtle exploration of disability in the context of a society where many things can be medically "fixed" that can't be in our own world. The author knows that this in itself would not "fix" people's attitudes about their own embodiment and others', and that elimination of bodily differences is not a utopian impulse. Characters are allowed to have complex feelings about their physical abilities—the ones they're born with, the ones they've lost, and the ones they've gained through technology—and aren't required to fully explain themselves just because other people want to know.
Criticisms? I think the book has too many characters; some of the less foregrounded crew members don't get much attention and it might have been better to drop a couple so we could spend more time with the rest. The role of female characters is particularly limited, and when they do appear, sometimes their boobs are mentioned for no reason. (I am of course aware that Delany is gay. Perhaps he was subconsciously influenced by what he was reading from other writers at the time.) Other than that, this was a good read.
Content note: A character's pet is harmed, but recovers.
A month long writing challenge focused on tropes, tags, and formats that have (for better or worse) fallen out of style.
From May 1st to 31st, creators will post their takes on each of the days' prompts, in any medium. Fan fiction, original stories, poetry, meta-analysis, and (even though writing is in our name!) yes, visual art as well! Currently all event documentation is on Tumblr, so the links below will redirect to the appropriate Tumblr posts.
This is the first part of my book club notes on The Black Fantastic: 20 Afrofuturist Stories. I appreciated the editor's introduction, which highlights connections between the oppressive realities of the past and present to the spark of Black speculative imagination—how can things be different, and whose ideas will shape the future? He's written a nonfiction book on this topic, Speculative Blackness, which I would be interested to check out.
Interesting to note that this collection places the stories in chronological order of first publication. We've had a number of conversations about how editors arrange stories in anthologies (similar themes together? most significant stories first and last?) and this is the first time I've seen this approach. It was mentioned that some books the group read before I joined did this as well, but those were more historical overviews that spanned a longer period of time, while these stories are all from the last 25 years. Perhaps the intention is to suggest a new history still being written.
There was also some discussion of the physical book itself having a good design and high quality paper and feeling nice to hold in the hand, to which I could add nothing because I have the ebook.
Back in August of 2025, we announced a temporary block on account creation for users under the age of 18 from the state of Tennessee, due to the court in Netchoice's challenge to the law (which we're a part of!) refusing to prevent the law from being enforced while the lawsuit plays out. Today, I am sad to announce that we've had to add South Carolina to that list. When creating an account, you will now be asked if you're a resident of Tennessee or South Carolina. If you are, and your birthdate shows you're under 18, you won't be able to create an account.
We're very sorry to have to do this, and especially on such short notice. The reason for it: on Friday, South Carolina governor Henry McMaster signed the South Carolina Age-Appropriate Design Code Act into law, with an effective date of immediately. The law is so incredibly poorly written it took us several days to even figure out what the hell South Carolina wants us to do and whether or not we're covered by it. We're still not entirely 100% sure about the former, but in regards to the latter, we're pretty sure the fact we use Google Analytics on some site pages (for OS/platform/browser capability analysis) means we will be covered by the law. Thankfully, the law does not mandate a specific form of age verification, unlike many of the other state laws we're fighting, so we're likewise pretty sure that just stopping people under 18 from creating an account will be enough to comply without performing intrusive and privacy-invasive third-party age verification. We think. Maybe. (It's a really, really badly written law. I don't know whether they intended to write it in a way that means officers of the company can potentially be sentenced to jail time for violating it, but that's certainly one possible way to read it.)
Netchoice filed their lawsuit against SC over the law as I was working on making this change and writing this news post -- so recently it's not even showing up in RECAP yet for me to link y'all to! -- but here's the complaint as filed in the lawsuit, Netchoice v Wilson. Please note that I didn't even have to write the declaration yet (although I will be): we are cited in the complaint itself with a link to our August news post as evidence of why these laws burden small websites and create legal uncertainty that causes a chilling effect on speech. \o/
In fact, that's the victory: in December, the judge ruled in favor of Netchoice in Netchoice v Murrill, the lawsuit over Louisiana's age-verification law Act 456, finding (once again) that requiring age verification to access social media is unconstitutional. Judge deGravelles' ruling was not simply a preliminary injunction: this was a final, dispositive ruling stating clearly and unambiguously "Louisiana Revised Statutes §§51:1751–1754 violate the First Amendment of the U.S. Constitution, as incorporated by the Fourteenth Amendment of the U.S. Constitution", as well as awarding Netchoice their costs and attorney's fees for bringing the lawsuit. We didn't provide a declaration in that one, because Act 456, may it rot in hell, had a total registered user threshold we don't meet. That didn't stop Netchoice's lawyers from pointing out that we were forced to block service to Mississippi and restrict registration in Tennessee (pointing, again, to that news post), and Judge deGravelles found our example so compelling that we are cited twice in his ruling, thus marking the first time we've helped to get one of these laws enjoined or overturned just by existing. I think that's a new career high point for me.
I need to find an afternoon to sit down and write an update for dw_advocacy highlighting everything that's going on (and what stage the lawsuits are in), because folks who know there's Some Shenanigans afoot in their state keep asking us whether we're going to have to put any restrictions on their states. I'll repeat my promise to you all: we will fight every state attempt to impose mandatory age verification and deanonymization on our users as hard as we possibly can, and we will keep actions like this to the clear cases where there's no doubt that we have to take action in order to prevent liability.
In cases like SC, where the law takes immediate effect, or like TN and MS, where the district court declines to issue a temporary injunction or the district court issues a temporary injunction and the appellate court overturns it, we may need to take some steps to limit our potential liability: when that happens, we'll tell you what we're doing as fast as we possibly can. (Sometimes it takes a little while for us to figure out the exact implications of a newly passed law or run the risk assessment on a law that the courts declined to enjoin. Netchoice's lawyers are excellent, but they're Netchoice's lawyers, not ours: we have to figure out our obligations ourselves. I am so very thankful that even though we are poor in money, we are very rich in friends, and we have a wide range of people we can go to for help.)
In cases where Netchoice filed the lawsuit before the law's effective date, there's a pending motion for a preliminary injunction, the court hasn't ruled on the motion yet, and we're specifically named in the motion for preliminary injunction as a Netchoice member the law would apply to, we generally evaluate that the risk is low enough we can wait and see what the judge decides. (Right now, for instance, that's Netchoice v Jones, formerly Netchoice v Miyares, mentioned in our December news post: the judge has not yet ruled on the motion for preliminary injunction.) If the judge grants the injunction, we won't need to do anything, because the state will be prevented from enforcing the law. If the judge doesn't grant the injunction, we'll figure out what we need to do then, and we'll let you know as soon as we know.
I know it's frustrating for people to not know what's going to happen! Believe me, it's just as frustrating for us: you would not believe how much of my time is taken up by tracking all of this. I keep trying to find time to update dw_advocacy so people know the status of all the various lawsuits (and what actions we've taken in response), but every time I think I might have a second, something else happens like this SC law and I have to scramble to figure out what we need to do. We will continue to update dw_news whenever we do have to take an action that restricts any of our users, though, as soon as something happens that may make us have to take an action, and we will give you as much warning as we possibly can. It is absolutely ridiculous that we still have to have this fight, but we're going to keep fighting it for as long as we have to and as hard as we need to.
I look forward to the day we can lift the restrictions on Mississippi, Tennessee, and now South Carolina, and I apologize again to our users (and to the people who temporarily aren't able to become our users) from those states.