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A week before the CH deadline, I thought I might have to default on my assignment. I had literally no words and no energy to try to make some. But at the last minute I got a nice, easy, short idea and wrote it in two days, and I was really happy with it. And then somehow in the three days before reveals I wrote two more things! Huh! And also a separate thing for Bulletproof!

for the man who has everything, Oasis RPF, Liam/Noel, 1400 words. 5 times Liam flirted with Noel during the reunion tour, and one time he didn't have to. I WAS NOT going to sign up for CH this year, but a request turned up for Liam/Noel at the very last minute, and I could not possibly refuse. (I've decided that I'm allowed to break my no-signups rule for Oasis requests. It's not like there are lots of them!)

This feels like a spiritual sibling to my vignettes fic from last year, although not in the same continuity. That fic was about their slow relationship rebuild leading up to tour, while this is about rebuilding during the tour, but in both cases it's a lot of short scenes that string together into a bigger whole, relatively sparsely written. This one leans a lot harder on specific canon events, partly because the period during the tour gave us all way more to work with than the period before (which is mostly a total mystery to this day!).

I didn't think I had another of those in me, but once I had the idea the day before the deadline, it all flowed really smoothly. I wrote the last scene and was like "this is way too soppy and cheesy, I'll need to rewrite it," but then I came later to edit and decided it had exactly the right amount of cheese, actually! FEELINGS.

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14 Capra, Drowning by Numbers (1988), Cissie/Cissie/Cissie/Madgett, 800 words. It happened like this: on a Saturday afternoon, Cissie, Cissie, and Cissie agreed it was time for an experiment.

This movie had been on my radar for a while, I think because I'd seen a Yuletide promo for it? I was motivated to finally watch it when a CH request came up for pinch hit. It's a deeply weird, surrealist meditation on death featuring three women named Cissie and also starring Bernard Hill, and after I finished I was like, "I definitely cannot write fic for this." Then I went to take a shower, had not even gotten into the shower yet when the first line came to me, and I put my clothes back on, sat down, and wrote the whole thing in half an hour.

The fic is partly a "for want of a nail" fix-it of canon, and partly simply a fill for the prompt of the Cissies taking turns with Madgett. I think of all the fic I've written, it's probably one of the least comprehensible for reading canon-blind. I had fun, though, and christened the fandom tag, which is always nice. And the recipient seemed to really like it, which is the most gratifying part of writing something super niche. <3

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full-service, The Housemaid, Millie/Nina, 2100 words. The obligatory post-canon cunnilingus fic, as you do.

This movie ended with such interesting possibilities for these two, and I knew my friend lioness was requesting them for CH, but what really got me to write this was that there were two entire fics in the fandom tag and neither for this ship. ;___; I wrote it all in a rush over two days, and I think it kind of shows, but I had fun, and maybe people will see the vision and write more of them. I would definitely read more about Millie's post-canon exploits and how her relationship with Nina evolves.

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tea in the moonlight, The Endless, Aaron/Justin, 1700 words. The red flower knocks Aaron up, with Justin's assistance, and they have to decide what to do about it.

I had about 200 words of this for the Bulletproof tag "complicated but ultimately positive feelings about incestuous mpregnancy," one of maybe half a dozen Bulletproof false starts this year. I didn't think it was going to go anywhere, but after I finished the Housemaid fic, it turned out I still had energy left over, and I wrote the rest of it and posted it that same day.

I didn't end up gifting it to anyone, so as one of exactly twelve fics in the fandom tag, it hasn't gotten much attention. Now I'm kind of second-guessing posting it at all, or at least posting so soon without letting it sit for a while and giving it another editing pass. It's not remotely on the same level as my other Endless fic. OTOH I do really like the weird incesty mpreg feelings in it. IDK.

Wuthering Heights (2026). Young woman is torn between her love for the best friend she grew up with and her wealthy new-money neighbor.

I enjoyed this a lot. Emerald Fennell's visual spectacle is always on point, and in particular the costumes and sets are fantastic. There are a bunch of amazing set pieces, and the artificiality of Linton's mansion and the wardrobe he gives Cathy vs the organic squalor of her home and childhood were really effective IMO in contrasting several different binaries at once. I loved every single ridiculous dress. I was also really into Cathy and Heathcliff's starcrossed love. Heathcliff is so gone on her, and even when he's trying to be manipulative, he mostly comes across as desperate. (When he approaches Linton's ward Isabela in hopes of making Cathy jealous, he is the most gentlemanly ravisher you have ever met.) And Cathy is clearly equally gone on him, even if she gets in her own way sometimes.

I think the script could have used some work. For one thing, several secondary characters' motivations were left as exercises to the viewer (Cathy's father and especially her companion Nelly); like yes, I can form theories about why they did what they did, but maybe a little less subtlety here is in order. Also, just to make Cathy and Heathcliff feel a bit more complex as characters and/or to just make their relationship more toxic or at least complicated. Honestly, my main criticism here is that Fennell, against all expectations and especially considering her work on Saltburn, doesn't go nearly as weird and batshit as the story could support. The visuals yes, the character dynamics no.

Overall, though, a good time. I ship it and immediately went looking for fic. (There were 15 fics in the tag, half from before the movie even came out, and half the new ones were crossovers. RIP.)

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The Tunnel (2011). An Australian mockumentary about a news crew that goes into abandoned subway tunnels underneath Sydney looking for a story.

I'm always interested in mockumentary horror, as opposed to your standard found footage, so I was excited to check this out. Unfortunately, the longer I sit with it, the less I like it. First of all, the whole point of the mockumentary aspect is to add depth, context, and contrast to the found footage, but IMO the interview clips here were almost extraneous. There were one or two nice moments, like when they have the anchor listen for the first time to what another crew member in the tunnels had heard through his head phones, but there was very little else that we couldn't have gotten from the found footage itself. The news investigation framing all felt a little off as well; the supposed pretext for going into the tunnels feels a little overheated. "Politicians fail to give updates on big proposal" does not feel like the red flag for a huge scandal, and various other aspects that were treated as potentially newsworthy just weren't, IMO. Also, surely the most terrifying part of underground horror is the threat of getting lost? I was astounded by how little a concern this was in the movie, even when they were running around without any care whatsoever for where they were.

What really killed this for me, though, was the gender politics. As with so many found footage type movies, there's one female character, the news anchor, and everyone else is male. (Why is this????) There are repeated assertions from the guys both in the found footage and the interview segments that the anchor doesn't know what she's doing, doesn't deserve her position, and probably is fucking the station director. And what do you know, they're right, several people die because of her ambition and poor judgment, not to mention how she goes into crying hysterics several times. In 2011!! Just brutal.

There's a behind the scenes doc about the movie that I managed to watch five minutes of, and before I turned it off, it was entirely about what genius fundraisers the creators were, and how they "disrupted" the Australian film funding model by "inventing NFTs before they were big." (They raised funds by ~selling frames of the movie to donors.) So... yeah.

The movie isn't entirely without merit; there's some great found footage moments. If you just want to watch people stumble around underground being chased by unknown monsters, you could do worse. But a very qualified rec.

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Prince of Darkness (1987). Per Shudder, this John Carpenter movie "follows a group of quantum physics students in Los Angeles who are asked to assist a Catholic priest in investigating an ancient cylinder of liquid discovered in a monastery, which they come to find is a sentient, liquid embodiment of Satan."

NGL, I watched this because I really really wanted to see a movie about the liquid embodiment of Satan, and now I have, I guess. This was just bad. There are some memorable moments; I loved the dripping fluid floating upwards and that the canister (OF FLUID) was locked to "only open from the inside." The dream transmissions for the future were honestly rad. The bugs and creepy-crawlies everwhere were really effective sometimes. There's also a fun sense of claustrophobia as the night goes on and things close in around the characters. Also, frankly, the devil and Jesus as extraterrestials who came to take over and warn Earth, respectively, was neat! I wish the movie had gone harder on that!

OTOH, the eventual romance began with the guy being such a creeper that I was sure he was being set up as a villain, and then he's a big old sexist to her right before he asks her out, and I hated that. The demon instapregnancy was so predictable and tedious. One of the guys repeatedly has homophobic comments made to and by him, and also he's weirdly racist to one of the girls, and this is all for no apparent reason except as a characterization note. And overall the movie was just slow and lacking in charm. I would love to see this exact premise from someone who was actually good at writing characters.

I definitely wouldn't recommend this to anyone unless they were interested in specific elements of the plot or if they're a John Carpenter completionist.