<", c, ' onload="var d=', n, ";d.getElementsByTagName('head')[0].", d, "(d.", g, "('script')).", i, "='", a.l, "'\">"].join("") } var c = "body", e = h[c]; if (!e) return setTimeout(q, 100); a.P(1); var d = "appendChild", g = "createElement", i = "src", k = h[g]("div"), l = k[d](h[g]("div")), f = h[g]("iframe"), n = "document", p; k.style.display = "none"; e.insertBefore(k, e.firstChild).id = o + "-" + j; f.frameBorder = "0"; f.id = o + "-frame-" + j; /MSIE[ ]+6/.test(navigator.userAgent) && (f[i] = "javascript:false"); f.allowTransparency = "true"; l[d](f); try { f.contentWindow[n].open() } catch (s) { a.domain = h.domain, p = "javascript:var d=" + n + ".open();d.domain='" + h.domain + "';", f[i] = p + "void(0);" } try { var r = f.contentWindow[n]; r.write(b()); r.close() } catch (t) { f[i] = p + 'd.write("' + b().replace(/"/g, String.fromCharCode(92) + '"') + '");d.close();' } a.P(2) }; a.l && q() })() }(); c[b].lv = "1"; return c[b] } var o = "lightboxjs", k = window[o] = g(o); k.require = g; k.modules = c }({}); /*]]>*/
Alerts & Newsletters

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services.

A hazy aerial view of a large building with white modern structures, curving roofs, roads, trees, and reflections on glass
George Baker on the vanguard atavism of Peter Zumthor’s LACMA
Collectors and gallerists stand beside a marble fireplace while artist Pierre Joseph's artwork lies on the floor in an ornate green costume.
“The chaotic nature of Marseille is as much a protagonist as the art itself”
Purple square with the word "PREVIEWS" in white on the bottom, justified left.
Artforum editors select twenty-seven exhibitions of note opening between September and December
Tim Curry as Dr. Frank-N-Furter in Jim Sharman's The Rocky Horror Picture Show (1975).
“The politics of the closet gave Curry permission to subvert any performance of masculinity”
Artforum Inbox
Register to receive our full menu of newsletters—From the Archive, Must See, Video, In Print, Dispatch, and ArtforumEDU—as well as special offers from Artforum.

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services.

From Our Partners
SEPTEMBER ISSUE HOMEPAGE
TIANFANGFANG
SEPTEMBER ISSUE HOMEPAGE
Current Issue
Caitlín Doherty interviews the artist about his work inspired by the tourism industry
Rachel Hahn breaks bread with Anna Homler, whose primeval persona is finally going on tour
Artforum editors on twenty-seven exhibitions of note opening between September and December
Image
Breadwoman (Anna Homler), 1982. Photo: Susan Einstein.
Videos
Meg Webster in Artforum's studio.
The Minimal artist shares her love for ecological systems and cites her most important teachers from Donald Judd to Michael Heizer.
Louise O'Kelly, Mark Leckey and  Christelle Oyiri on SXSW London stage.
Events
Together with moderator Louise O’Kelly, the artists explore the relationship between club culture and contemporary art.
Joan Snyder in Artforum's studio.
New York-based painter Joan Snyder highlights what (and who) brought her to art making.
Reviews
View of “Patrick Jackson: All Signs Fail,” 2026. From left: Memorial, 2026; Untitled (Mother and Child), 2026. Photo: Paul Salveson.
A surreal billboard, silicone sex doll, and dusty labyrinth prod visitors to question what kind of reality is left in Hollywood
Pope.L, Failure Drawing #493, 7.17.07, 6.28.09, 6.29.09, 6.30.09, 7.3.09, Faucet, 2007, 2009, ball point pen, acrylic, marker, and stains on paper towel, 11 × 11".
Pope L.’s “provocations find their strength in the process of playing around”
View of “Indian Theater: Native Performance, Art, and Self-Determination since 1969,” 2026. Photo: Brad Trone.
The long-traveling show arrives in Santa Fe, offering a fulsome portrait of Indigenous self-determination