Showing posts with label Spoon. Show all posts
Showing posts with label Spoon. Show all posts

Thursday, December 9, 2010

Best Of 2010: Honorable Mentions - Part 4



Part 1 :: Part 2 :: Part 3 :: Top 25


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Spoon - Transference

Purchase Transference here.Image

Is there anything as dependable and ubiquitous in indie rock as the Austin outfit Spoon? For every year or two for the past decade or so, they have released albums of snappy, fun and accessible music that rarely goes any farther than the excepted. Based on overall review compiling website Metacritic, Spoon is the best reviewed band of the 2000's, putting out four straight 4 star LP's based on the aggregate score from their participating critics. True that Spoon has never had an overwhelmingly stellar album, but most bands would go to the crossroads to have that kind of consistency. 2010's Transference is no different; it's only downfall for me is that it is merely more of the same.

Spoon - Trouble Comes Running



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Superchunk -Majesty Shredding

Purchase Majesty Shredding here.Image

The first half of the 90's for me begins and ends with the band Superchunk. I doubt that I bought more a band's music, saw more of a band's live shows or blared anyone else louder on various stereos in my cars or apartments during that time period. If I was writing a Best Songs of the 90's, at least three Superchunk tracks would be on the Top 100. For the Best Albums of the 90's, On The Mouth and Foolish would be in the mix, with Here's Where The Strings Come In filling in as a dark horse candidate. But this is 2010, a year where Superchunk had not put out an album for almost 10 years (and a good one for about 15). When I heard the first single "Digging for Something" as a return to form featuring snot-nose vocals, pop-punk tempo and wailing guitars, I was wistfully pleased. Majesty Shredding is actually not a lot different than their other great albums. Rather it is me who has changed. Sigh.

Superchunk - Majesty Shredding (full album)



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Warpaint - The Fool

Purchase The Fool here.Image

This all female quartet definitely grabbed some headlines with their second album. A brooding yet lovely set of songs are found here, evoking comparisons to Cat Power or a reserved PJ Harvey. The example of Warpaint's emotive powers is found on haunting first single "Undertow" that seduces your thoughts while sending you chills. For me, there is not enough "Undertow" on The Fool to justify any more than a respectful genuflection. However, if you are into really, really down music, you could find yourself a fan of this promising band.

Warpaint - Undertow



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Working For A Nuclear Free City - Jojo Burger Tempest

Purchase Jojo Burger Tempest here.Image

Often only available on import, WFANFC's albums are an exploration of Brit-pop, post new-wave and shoegaze that contain about half instrumentals and often feel like a warts-and-all studio showcase. Jojo Burger Tempest is more of a cornucopia of oddities than ever before to the point of being awkwardly schizophrenic. Exercises in quirky keyboards and studio bells and whistles crop up frequently and many songs defy mainstream direction and structure. It surely gets 5 out of 5 stars on the interesting scale but registers a "NA" score when considering a common theme.

Working For A Nuclear Free City - Alphaville

Saturday, June 26, 2010

My Top Albums Of 2010 (So Far)

After a groundbreaking decade for music in sound, production, distribution, listening devices and expanding community, such as the 2000's were, the 2010's have a hard act to follow. The stage is set for endless possibility, with new avenues to be explored, old roads to be rediscovered and endless combinations to be unlocked. Also, many questions are posed; what will be the new direction of Indie? Of Pop? Of Hip Hop? Of Electronica? How will these genres diverge and intertwine? Will the dinosaurs of music's past (major labels, open air radio stations, physical distribution of music) finally become extinct or reinvent into a more adept species? Will the savvy younger generation embrace the future of music or get suckered by new marketing techniques pushing the same old rubbish?

For the first six months of this year and decade, I feel the indie influence has regressed rather than progressed.That statement sounds wholly negative, but it is meant to express the sound of now as influenced by the past, with all of its steps forward and back. One example of what is getting pushed in indie circles is a garage revival, a stripped down antithesis to the qualities of the digital age. Although four track recordings of distorted, tin can vocals and unfiltered guitar riffs has its definite charms, the most important and universally agreed aspect is the quality of the songs. Bands like Male Bonding, Dum Dum Girls and The Smith Westerns have bright spots and some solid tracks, yet don't make me forget (or even reflect upon) the great heights of such bands as Sebadoh, Guided By Voices and early Dinosaur Jr.. Lately, there is lots of love for the sounds of the past. Beach Boys chamber-pop, neo-80's synthesized pop and the heavy percussive influence of world music has cross-pollinated with the indie aesthetic to make new subgenres. These upstarts still have not stamped their movements with the head-turning album that defines it all in one front-to-back listen. There are torch bearers that stand out (Japandroids comes to mind) but this new decade needs more groundbreakers.

So, my top albums of 2010 includes (save Avi Buffalo) artists established in the last decade (and two beginning in the 1990's) building on their well rooted foundation and branching into new directions. Some of my personal favorites (The National, Spoon, LCD Soundsystem, Broken Social Scene) were consistent or even emboldened, while artists Beach House, Tokyo Police Club and The Besnard Lakes released efforts that show the beginning of an intriguing future. Even though my heart lies in rock, three of my favorites albums so far this year are electronica, hopefully representing my unwillingness to be turned by the influences of indie tastemaking as well as the quality of their efforts. Hey, it is one guy's opinion. Enjoy it for what it's worth and debate away.

The list in alphabetical order is given below. I tried to eliminate make it a list-friendly ten albums, but could not break the ties. Again, my blog, my rules. All artists are available below for listening and download. Hopefully I will find the time to write more about these deserved albums.

Avi Buffalo - Avi Buffalo
Beach House - Teen Dream
The Besnard Lakes - Are The Roaring Night
Broken Social Scene - Forgiveness Rock Record
Caribou - Swim
Chemical Brothers - Further
Four Tet - There Is Love In You
LCD Soundsystem - This Is Happening
The National - High Violet
Sleigh Bells - Treats
Spoon - Transference
Teenage Fanclub - Shadows
Tokyo Police Club - Champ

Avi Buffalo - What's It in For


Beach House - Norway


The Besnard Lakes - Albatross


Broken Social Scene - World Sick


Caribou - Sun


Chemical Brothers - Full Album


Four Tet - Love Cry


LCD Soundsystem - I Can Change


The National - Sorrow


Sleigh Bells - Rill Rill


Spoon -Written In Reverse


Teenage Fanclub - Sometimes I Don't Need To Believe In Anything


Tokyo Police Club - Wait Up (Boots Of Danger)