WILD FOR AUSTEN: A Rebellious, Subversive, and Untamed Jane, excellent self-gifted read

WILD FOR AUSTEN: A Rebellious, Subversive, and Untamed Jane
DEVONEY LOOSER
St. Martin's Press (non-affiliate Bookshop.org link)
$15.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: Incisive, funny, and deeply-researched insights into the life, writing, and legacy of Jane Austen, by the preeminent scholar Devoney Looser.

Thieves! Spies! Abolitionists! Ghosts! If we ever truly believed Jane Austen to be a quiet spinster, scholar Devoney Looser puts that myth to rest at last in Wild for Austen. These, and many other events and characters, come to life throughout this rollicking book. Austen, we learn, was far wilder in her time than we’ve given her credit for, and Looser traces the fascinating and fantastical journey her legacy has taken over the past 250 years.

All six of Austen’s completed novels are examined here, and Looser uncovers striking new gems therein, as well as in Austen’s juvenilia, unfinished fiction, and even essays and poetry. Looser also takes on entirely new scholarship, writing about Austen’s relationship to the abolitionist movement and women’s suffrage. In examining the legacy of Austen’s works, Looser reveals the film adaptations that might have changed Hollywood history had they come to fruition, and tells extraordinary stories of ghost-sightings, Austen novels used as evidence in courts of law, and the eclectic members of the Austen extended family whose own outrageous lives seem wilder than fiction.

Written with warmth, humor, and remarkable details never before published, Wild for Austen is the ultimate tribute to Jane Austen.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Over eleven hundred endnotes.

One thousand one hundred plus end notes.

I was very very shocked to see this in its glory inside a non-academic book, albeit one by an academic who has spent her career toiling in Austen's vineyard. It's clear from reading this work that Author Looser thinks about Austen very much in a framework. An academic, analytical approach to what I can only describe as a wildly partisan, excitedly appreciative paean to Austen for her 250th birthday (tomorrow as I post this review).

I was very entertained by the discussion of Austen's work in "Wild Writings" because I'm not an Austenite. There are so many reasons for that...I'm male, and men come off very poorly indeed, is not one. Most come down to the absence of my chemistry response going ping the way it does with Eliot or Trollope or Anna Katharine Green. It's weird, but there it is, and reading Author Looser's warbles of rapture makes me feel vicariously the heights of appreciation my more muted pleasure won't reach.

In the second section, I switched on fully, thoroughly enjoying Austen's fascinating family relations. It's a section very aptly titled "Fierce Family Ties." Fierce is a good descriptor! Abolitionists, suffragists (not the later versions, but advocating for general male enfranchisement), progressives of all stripes...Jane Austen, lady novelist, also had lady novelist cousins...no matter where one looks, one finds her situated amid those who want to change the status quo for what looks to my twenty-first century eyes like the better.

Part three is Jane's afterlife, her posthumous career as an ikon. Here I felt uninvolved,uninspired...it took me two weeks to read this section because y'all superfans, well, when I don't share an obsession it's hard to work up enthusiasm for it. It was informative but not about something I care to learn about. That's the missing half-star explained.

I'd recommend this read to the holiday-weary Austenite because it really situates y'all in a cultural mainstream that's brought huge joy to the world. Could anything be more apt for a self-gifted read?

PEOPLE'S CHOICE LITERATURE: The Most Wanted and Unwanted Novels...fascinating!

PEOPLE'S CHOICE LITERATURE: The Most Wanted and Unwanted Novels
TOM COMITTA
Columbia University Press (non-affiliate Bookshop.org link)
$24.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: What do Americans truly want in a novel? What would it look like if their preferences and aversions materialized in book form? In People’s Choice Literature, Tom Comitta has taken up this challenge, writing two groundbreaking novels based on a nationwide poll about literary taste—one featuring the story elements Americans most desire and another containing everything Americans despise.

The Most Wanted Novel is a fast-paced thriller evoking page-turners by Dan Brown, David Baldacci, and Janet Evanovich. It follows a California woman pulled into a tech tycoon’s apocalyptic ambitions after her brother’s kidnapping, teaming up with a hunky FBI agent with a tragic past. The Most Unwanted Novel is a genre-bending an epistolary Christmas novel set on a near-future Mars, where elderly aristocratic tennis players scour the globe for lost love, venturing from the coldest of arctic wastelands to the darkest caverns of the macabre. Variously recalling Kathy Acker, César Aira, and Phillip K. Dick, it features sentient robots, talking animals, and a hundred-page collection of horror stories.

People’s Choice Literature is inspired by the artists Komar and Melamid, who created two now-infamous paintings based on opinion polling. A similar experiment by Dave Soldier produced “The Most Wanted Song” and “The Most Unwanted Song.” Comitta has adapted these methods to fiction, drawing on readers’ preferences about everything from genre to verb tense to characters’ identity. Audacious and shockingly entertaining, People’s Choice Literature also asks big questions about taste, authorship, and the notion of “good writing.”

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: A jeu d'esprit comparable to Patchwork in its fun, wacky, sneakily serious affect. I said in that review: "It's refreshing, to say the least, when someone looks afresh at shibboleths like Literature and sees what's under its underpants instead of reverently praising its court dresses."

It's still true. This iteration of Author Comitta's most-ridden literary hobbyhorse is no less interesting, no less impactful, and because of its release's timing, it is a sage observer's warning of the encroachment of AI slop into the realm of literature.

Could it be these are the future of idea consumption via text?

It could.

Will it be?

Dunno. I guarantee you this: Read these two pieces, and you will will come away radicalized. Pro or con, you can't look at these works and not see the message staring back at you.

I'm impressed with Author Comitta's work in these oddball, offputting stories, though if someone tried to sell either of them to me without a knowing wink, I'd be outraged. Columbia's tipped a wink or two. I won't give all five stars because I got the joke before the the enterprise ended. I solved that problem for myself by reading the stories each until I got bored, then jumping into the explanatory and analytical parts; this way I didn't waste an undue amount of my precious remaining eyeblinks on stuff I hated, or just mildly didn't care for; that's as good as it ever got.

Art is not about consensus. Art is not created in committee meetings. Literature is art.

Thank you for coming to my TED Talk.

BAD INDIANS BOOK CLUB: Reading at the Edge of a Thousand Worlds, taking back control of the narrative never went down easier

BAD INDIANS BOOK CLUB: Reading at the Edge of a Thousand Worlds
PATTY KRAWEC (foreword by Omar El Akkad)
Broadleaf Books (non-affiliate Bookshop.org link)
$27.99 hardcover, available now

Rating: 4* of five

The Publisher Says: Bad Indians Book Club continues the conversation Anishinaabe writer Patty Krawec started in Becoming Kin, inviting readers to question the stories of settler colonialism and discover the rich worlds created by Indigenous voices.

"A fascinating advanced seminar about how to think, read, think about reading, and think about Indigenous lives."—Booklist, starred review

In this powerful reframing of the stories that make us, Anishinaabe writer Patty Krawec leads us into the borderlands of history, science, memoir, and fiction to ask: What worlds do books written by marginalized people describe and invite us to inhabit?

When a friend asked what books could help them understand Indigenous lives, Patty Krawec, author of Becoming Kin, gave them a list. This list became a book club and then a podcast about a year of Indigenous reading, and then this book. The writers in Bad Indians Book Club refuse to let dominant stories displace their own and resist the way wemitigoozhiwag—European settlers—craft the prevailing narrative and decide who they are.

In Bad Indians Book Club, we examine works about history, science, and gender as well as fiction, all written from the perspective of "Bad Indians"—marginalized writers whose refusal to comply with dominant narratives opens up new worlds. Interlacing chapters with short stories about Deer Woman, who is on her own journey to decide who she is, Krawec leads us into a place of wisdom and medicine where the stories of marginalized writers help us imagine other ways of seeing the world. As Krawec did for her friend, she recommends a list of books to fill in the gaps on our own bookshelves and in our understanding.

Becoming Kin, which novelist Omar El Akkad called a "searing spear of light," led readers to talk back to the histories they had received. Now, in Bad Indians Book Club comes a potent challenge to all the stories settler colonialism tells—stories that erase and appropriate, deny and deflect. Following Deer Woman, who is shaped by the profuse artistry of Krawec, we enter the multiple worlds Indigenous and other subaltern stories create. Together we venture to the edges of worlds waiting to be born.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: The structure of the book makes me think these were written as essays, turned into chapters, and not very thoroughly combed through to make sure reduplicative information was minimized or eliminated.

That said, every chapter is cram-jam full of information new to me, or so distant from my ROM that I needed to dig for it in RAM. I came away very much better informed, educated, and energized. Fortunately, there are footnotes galore to keep me supplied in rabbit-hole bait. Yay. *note to self check data usage*

The character Kwe/Deer Woman as our guide and cicerone is a polarizing addition to the non-fiction nature of the book. Quite sensible in my opinion, as being taught something I'm totally unfamiliar with is always easier for me to contextualize and absorb if there is a person teaching me. I think I might have been okay with just Author Krawec...but this way I felt I was listening in and learning more through it.

In a time that feels to me like it is celebrating smallness, valorizing exclusion, and weaponizing authority structures, reading Bad Indians Book Club gave me the feeling of learning while resisting these things I emphatically do not support. I will warn my fellow biblioholics that this is going to be a TBR-fattening read. Big time.

But worth it to discover new storytelling. I think you will agree.

"Ain't it awful", round 91,988,498,295 and counting

The lady herself, with pooch, from back when the silly fight was about independent bookstores
Ann Patchett takes down stupid op-ed written by David Brooks declaring literary fiction is dead: Watch it here.

How arrogant this all is. Because "literary fiction" is (though the efforts to effect change in the idea are visible), as a definition, pretty bloody elitist, racist, sexist, homophobic, or succinctly "exclusionary." Whining that "the literary fiction world is weak now," Mr. Brooks, just shows how *awful* your definition of strong is. He cites as examples of strong literary fiction writers some truly dreadful human beings. Whose work, I'll admit, I've read and enjoyed...but they as people were vile, misogynistic homophobic (ironically citing two queer authors as strong creators, but both Capote and Vidal were NOT role models) drunkards (the Dick Cavett debacle, over 20min of ridiculous juvenile dick-measuring...but funny zingers there are) without a single shred of honor among them (Mailer's stabbing of his second wife, Capote's mistreatment of Harper Lee).

"I don't like modern books" is the burden of this refrain. Then don't read them, there are literally tens of thousands of "classics" you haven't read yet...and no one has read them all, the project would take many lifetimes. Translations of "strong" GrecoRoman slave-owning woman-hating men ought to be regressive enough for you; but oh wait, all those manly men fucked boys (literal boys, it was part of a man's sexual privilege) and girls so now what, Mr."Ignore the Epstein Files" Brooks? Mentioning context is too woke for him (unless it's context he agrees with).

But no matter what, books come out because people read them, and that ought to be grounds for warbles of delight. I'm trying hard not to add to the decrying of work *I* don't care for as "inferior" or lesser; it's got craft flaws...fair game to point out; or it's just not something I like, which I try to habitually acknowledge as a me thing; or it's aimed at people who aren't me, which...fair enough, not everything should be.

There are times when my huge reading-list, sixtyish years in the making, does equip me to say "this just isn't good." But guess what? I think a long time before I pull rank like that. I wish Mr. Brooks had done as much.

HEAVEN, HELL AND PARADISE LOST, new in the Bookmarked series of lit-crit titles

HEAVEN, HELL AND PARADISE LOST
ED SIMON
Ig Publishing
$15.95 trade paper, available now

Rating:

The Publisher Says: A poet who crafted the greatest character in literary history with his engaging anti-hero of Satan, John Milton connected personal experience with the breadth of cosmic epic. His Paradise Lost is a touchstone of English literature.

In the latest entry in Ig's celebrated Bookmarked series, author Ed Simon considers Paradise Lost within the scope of his own alcoholism and recovery, the collapse of higher education, the imbecility of the canon wars, the piquant joys of labyrinthine sentences, and the exquisite attractions of Lucifer. Milton is easy to respect and easier to fear, but with the guidance of Simon, Milton becomes easiest of all to love.

Paradise Lost may have generated thousands of works of criticism over the centuries, but none of them are like this.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review:

2020...the year the world stopped for a minute

THE DARK FANTASTIC: Race and the Imagination from Harry Potter to the Hunger Games
EBONY ELIZABETH THOMAS
NYU Press
$16.95 trade paper, available now

Rating: 4* of five

Many thanks to Edelweiss+ and NYU Press for my DRC of this book

This past November 1st, Author Ebony Elizabeth Thomas won the 2020 World Fantasy Special Award for Professionals in recognition of this title's outsized importance in its field. Any in-depth review of the book will simply be retyping it; the author is adept at stating home truths in trenchant, relatable ways: "Maybe it’s not that kids and teens of color and other marginalized and minoritized young people don’t like to read. Maybe the real issue is that many adults haven’t thought very much about the radicalized mirrors, windows, and doors that are in the books we offer them to read, in the television and movies we invite them to view, and in the fan communities we entice them to play in." It is a wonder to find someone as adept as Octavia Butler was at making the nature of the wrongs embedded in our lush, vibrant SF literary world clear and present and, as a result, actionable. If you're white, love to read fantasy, science fiction, or horror fiction, this is a must read.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

THE SECRET LIFE OF GROCERIES: The Dark Miracle of the American Supermarket
BENJAMIN LORR
Avery
$27.00 hardcover, $15.99 ebook editions, available now

Rating: 4* of five

Many thanks to Edelweiss+ and Avery for my DRC of this book

In a five-year odyssey through the world created to feed American consumers, Author Lorr sees the behind-the-scenes costs of the cornucopia you visited weekly if not daily....and now likely use the internet to have delivered to you. The appalling conditions of Asian slave laborers, the crushing debts of US truckers, and the battle to prevent consumers from knowing the true cost of cheap food come flying at you as fast as you can turn the pages. Those of us holed up in isolation need to read about those who have no choice but to risk plague to keep us from the risks of stepping outside. Given how many discovered the sheer creative joy of manipulating our food to taste even better might've slightly reduced our own carbon footprints...but others took up our slack. My dote Mary Roach (Stiff, Bonk, Packing for Mars) said it best in her blurb:

The modern shopper wants groceries that are ethical, sustainable, humane, affordable, fresh, and convenient. But as Lorr discovers, the costs of our demands are recouped from the bottom of the food chain: debt-ruined truckers, foreign slave labor, and Whole Foods workers in our own communities — the people whose lives Lorr shared (and sometimes lived) for weeks or months. Does it sound grim? It’s not! The Secret Life of Groceries is a terrific read. The stories flow, and the hard truths are seasoned with wit and hope.

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VESPER FLIGHTS
HELEN MACDONALD
Grove Press
$27.00 hardcover, available now

Rating: 3.5* of five

Many thanks to NetGalley and Grove Press for my DRC of this book

Alone among the literate world, I was made uncomfortable by the relationship between naturalist Macdonald and Mabel the formerly wild hawk told in H is for Hawk. These essays on many topics are written in Author Macdonald's justly celebrated elegant prose, and include so many aperçus that my commonplace book blew up. If you don't share my unease with people venerating wildness while taming it out of a fellow being, you'll enjoy this collection without my unshakeable unease.

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CLIMATE CHANGE AND THE HEALTH OF NATIONS: Famines, Fevers, and the Fate of Populations
ANTHONY J. MCMICHAEL
Oxford University Press
$26.95 trade paper, available now

Rating: 4* of five

Many thanks to NetGalley and Oxford University Press for my DRC of this book


I wanted to see what the world has done to challenge us as hard as unchecked climate change is doing at this very moment. With a startlingly immense grasp, the scope of Humankind's long fight to survive despite the ways Earth changes is calmly but urgently expressed by Author McMichael. Anyone who loves to learn the ins and outs of a complex topic with a master teacher will lap this book up. The regime change due in the US on 20 January 2021 is the perfect time to learn why we should force our lawmakers to focus on responding effectively to climate change's many effects on health, wealth, and food security.

THE STORY OF CHARLOTTE'S WEB, a deep dive into the soul of a book many have read and cried over

THE STORY OF CHARLOTTE'S WEB: E. B. White's Eccentric Life in Nature and the Birth of an American Classic
MICHAEL SIMS
Bloomsbury USA
$9.99 Kindle edition, available now

Rating: 5* of five

The Publisher Says: As he was composing what was to become his most enduring and popular book, E. B. White was obeying that oft-repeated maxim: "Write what you know." Helpless pigs, silly geese, clever spiders, greedy rats—White knew all of these characters in the barns and stables where he spent his favorite hours. Painfully shy his entire life, "this boy," White once wrote of himself, "felt for animals a kinship he never felt for people." It's all the more impressive, therefore, how many people have felt a kinship with E. B. White. With Charlotte's Web, which has gone on to sell more than 45 million copies, the man William Shawn called "the most companionable of writers" lodged his own character, the avuncular author, into the hearts of generations of readers.

In The Story of Charlotte's Web, Michael Sims shows how White solved what critic Clifton Fadiman once called "the standing problem of the juvenile-fantasy writer: how to find, not another Alice, but another rabbit hole" by mining the raw ore of his childhood friendship with animals in Mount Vernon, New York. Translating his own passions and contradictions, delights and fears, into an al-time classic. Blending White's correspondence with the likes of Ursula Nordstrom, James Thurber, and Harold Ross, the E. B. White papers at Cornell, and the archives of HarperCollins and The New Yorker into his own elegant narrative, Sims brings to life the shy boy whose animal stories--real and imaginery--made him famous around the world.

I RECEIVED AN EARLY REVIEWERS' COPY in 2011 FROM THE ORIGINAL PUBLISHER VIA LIBRARY THING.

My Review: The well-studied life of Andy and Katharine White, The New Yorker's original power couple, would seem to be infertile territory for new and original uses of its rich, deep material. There have been books and books on the magazine, on the couple, on the people that they knew and the world they both created and lived in. But no one until now connected Andy, nature, and Charlotte's Web, arguably one of the 20th century's most influential children's books.

Sims does this unusual job deftly, providing us with the bare facts of Andy's life, expanding upon those facets that serve his thesis that E.B. "Andy" White was less a social maladroit than a man in love with the natural world, and not greatly interested in most of the manufactured world around him; this slantwise perspective is what allowed the shy guy to see the story he would write, where others would merely have killed the pig for supper and brushed the web aside on the way out of the barn.

Due attention is given to the work life and the marriage of the man, and since that's well-trodden territory, the author leaves it in bare-bones form. I agree with this decision because it lets him get to the more involving parts of the story: Why did Charlotte come to be? What forces shaped the story, where did they come from, and how did this book make its journey from brainstorm to commercial success? Here is Sims's strength: He never bloviates about His Ideas, he distills a prodigious amount of reading, thinking, and talking into a nuanced, interesting, and immersive read about a book that, I suspect, most of us born after 1950 and educated in the US remember quite clearly encountering for the first time.

I disliked Stuart Little as a boy. I'd seen the dog give birth before I read it for the first time; I told my mother, "That story's stupid, she couldn't have had a baby that small alive." Mama looked at me a minute and said, "You're a very practical person, aren't you daaahlin?" (My mother was a Texan.) She then gave me Charlotte's Web. I was forever changed. Death entered my world. I don't mean awareness of it; I mean the *experience* of death, when Charlotte dies, was completely and utterly real for me. Absence. Empty space where before was an important life. Re-reading the book, as I did three or four times, couldn't make death go away. Charlotte was gone, that was that, no way was she coming back and her daughters weren't her. It took some time to recover from this blow.

And then several things happened: 1) I found out the same guy wrote this wonderful book as the dumb mouse-boy book. 2) I suddenly, in a great flash, realized that stories require readers to live, and even if Charlotte was dead, the story wasn't. 3) Maybe Stuart Little wasn't as bad as I thought it was, because the same guy told it! (Actually, I still think it's stupid, and I don't like it to this good day, forty-plus years later.)

So this book arrives from its publisher, all pretty and invitingly designed, and it's about a book that changed my worldview, and it's got that great new-book, ink-and-paper smell; well, what else to do but put down everything I was reading and all the chores I should be doing, curl up on my breezy, cool sunporch, and immerse myself in the story of the story I've adored for most of my life?

I am so very glad that I did. I feel refreshed and energized, ready to take on my own storytelling tasks with renewed vigor. The book isn't life-altering, or possessed of an outsized grandeur, or elucidative of the Mysteries of the Ages, so I can't make a case for perfection; but to anyone who, as a sensitive child, was altered by that first encounter with Charlotte's Web, I recommend this book as a balm for your worn-out, worn-in adult soul.

TAINTED WITNESS: Why We Doubt What Women Say About Their Lives, or #MeToo didn't just *happen*

TAINTED WITNESS: Why We Doubt What Women Say About Their Lives
LEIGH GILMORE
Columbia University Press
$21.99 various ebook platforms, available now

Rating: 4.5* of five

The Publisher Says: In 1991, Anita Hill brought testimony and scandal into America's living rooms during televised Senate confirmation hearings in which she detailed the sexual harassment she had suffered at the hands of Clarence Thomas. The male Senate Judiciary Committee refused to take Hill seriously and the veracity of Hill's claims were sullied in the mainstream media. Hill was defamed as "a little bit nutty and a little bit slutty," and Thomas went on to be confirmed. The tainting of Hill and her testimony are part of a larger social history in which women find themselves caught up in a system that refuses to believe what they say. The Anita Hill case shows how a tainted witness is not who someone is, but what someone can become.

Why are women so often considered unreliable witnesses to their own experience? How are women discredited in legal courts and in courts of public opinion? Why is women's testimony so often mired in controversies fueled by histories of slavery and colonialism? Tainted Witness takes up these questions within a rich archive, including Anita Hill's testimony as well as Rigoberta Menchú Tum's account of genocide in Guatemala; Jamaica Kincaid's literary witnessing in Autobiography of My Mother; and news coverage of such stories as Nafissatou Diallo's claim that Dominique Strauss-Kahn raped her. Bringing together legal, literary, and feminist frameworks, Leigh Gilmore provides provocative readings of what happens when women's testimony is discredited. Throughout, Gilmore demonstrates how testimony crosses jurisdictions, publics, and the unsteady line between truth and fiction in search of justice.

THE PUBLISHER SENT ME A REVIEW COPY OF THE BOOK AT MY REQUEST. THANK YOU.

My Review: This is an academic work of depth and authority on the ever-vexing topic of what leads Society (my capital) to treat a woman's word as suspect, especially about her own experiences and her own life.

Essentially, women are treated with contempt and rage by men in general. Their words, therefore, when spoken about men and to other men, must be considered in that context...why would she lie, versus when she speaks, she lies. I am *grossly* oversimplifying the latter, and the author does not present her facts about the former, but this is a formulation that gets to the heart of my take-away from the book.

The additional "defect" of Blackness mars a woman's credibility within the white patriarchal systems of "justice" and "fact-finding" because "you know how they are," the loudly quiet evocation of all the slurs, lies, and oppressions used to discredit Black people. Anita Hill's accusations against Clarence Thomas are delved into with some depth. Thirty years later, I still boil when I think of Dr. Hill's vile treatment by the conservative Old Boys' Club in the Senate. (I assert most, if not quite all, Senators are conservative, or were in 1991 anyway.)

Perhaps the most cogent argument Author Gilmore presents in service of her case against social attitudes towards women's bearing witness is the case that neoliberal culture has privileged stories of Overcoming, of Beating the Odds, the System, as opposed to the more realistic way of viewing the System as flawed, broken, unfair, all by design. That design is put in place to keep the powerful protected, and the powerful are white and male. Narratives examining the system's failures are downplayed where they can't be dismissed or vilified. It's that women/the disadvantaged aren't trying hard enough! Look at {insert neoliberal here, eg JD Vance or James Frey}! They overcame their obstacles! Try harder, Jamaica Kincaid, Rigoberta Menchú!

This is balderdash, of course, and the author briskly defangs the "arguments" for it. A pair of examples of this, as well as the author's academic writing style:

A tainted witness is not who someone is but who someone can become in the process of bringing an account into the public sphere.
–and–
Tying the evolution of #BlackLivesMatter primarily to its responses to a series of killings of African-American men and boys by police officers, as some articles have, obscures the feminist focus on {B}lack lives broadly. By refusing a presentist framing of the event, #BlackLivesMatter is not, as its founders make clear, only about what happened but about how to frame it, how to bear witness to histories of the present, and how to look at images of death, grief, and protest as a form of ethical engagement.

These are not unclear or grammatically flawed statements; neither are they elegant, nor rhetorically exciting. They are true, unsparingly honest, and effective in making their cases.

I longed for more than that. It wasn't an easy read, it was in many ways an unpleasant book to read due to its trenchant indictment of privileged peoples and people's cynical, lazy, and cruel means of disempowering and devaluing The Others to maintain their privilege. I'm seeking a rousing call to arms, though, and while I wasn't promised this when I chose this book to read and review, I had set my hopes on it.