Jennifer's wedding dress and the 1930's heirloom lace

When Jennifer and I had our first meeting, all was going well. Jennifer wanted a 'non-wedding dress' made from 100% Silk Dupion using a 1950's inspired pattern. "And I would like to incorporate this piece of lace that belonged to my great grandmother, it's been in our family for years and it's very, very old".

I instantly got stage fright and I must admit, went into a little panic. As I composed Jen's quote I worked out the best way that we could get the most out of the piece and after the quote was approved, Jen set out to have the lace professionally cleaned and dated.

The National Gallery dated the lace as early 1930's, which made me feel a little more relaxed as I would have felt a little nervous cutting anything that was from the year 18-something.

We agreed to a simple design and let the lace be the main focus of the dress. The silk was purchased at Tessuti in Melbourne and I wish that you could see the true colour of it in the photo, it is divine! I bought the 100% Viscose lining from Harvey's in the Nicolas building and used a heavier lightweight woven interfacing (that sounds strange, I know) for the bodice.

I gathered a rectangle piece of the lace onto the midriff to ensure that we got the maximum use of the piece, the invisible zip was inserted into the side seam.

Jen wore a very cool pair of black and gold metallic snakeskin stilettos and accessorised the dress with an antique brooch.

To see the backview of the dress click here.

Thank you so much for making me a part of your special day Jen! x

Because the simple frocks in life are often the best...

The reason this blog post bears this title, is because I was pleasantly surprised that my client for this garment, Juanita chose to wear the dress with minimal jewellery and minimal tizz. The result? Perfect for the occasion it was made for!

Juanita supplied the shot blue/purple 100% pure silk for this dress. Upon advice from the retailer she bought it from, I did not pre-shrink the fabric and I did not use any water or steam during the construction and pressing process.

I lined the bodice in blue 100% Viscose for comfort and the skirt in a matching bemsilk lining.

After alot of consideration and discussions with other dressmakers, I decided not to bone the bodice as I wanted to avoid that bridesmaid/1980's party frock look. The bodice is fused in a medium weight iron on (I can hear some of you gasp at that) interfacing and the invisible zip is in the centre back.

We agreed on a rounded 'collar' around the top of the dress and decided against a matching belt.

The Paper Plane sterling silver necklace is by Australian jewellery designer and maker, Victoria Mason. Please check out her site, her work is delightful.