LiveArt (@LiveArtX) / X

LiveArt

9,928 posts

LiveArt

@LiveArtX

Institutionally custodied real-world assets, onchain. Backed by @yzilabs, @HashKey_Capital & @Animocabrands

Worldwide

Joined June 2016

Pinned
LiveArt
@LiveArtX
Mar 5
One of the art market's biggest weeks of the year is happening right now - and LiveArt is streaming it live. Sotheby's London, Wednesday night: £131m in a single evening. A Francis Bacon self-portrait opened at £7m and sold for £16m. Standing room only on New Bond Street. The
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LiveArt
@LiveArtX
Feb 18
Yayoi Kusama’s work is held by major museums and private collections worldwide. Tokenization preserves the asset. It expands access while keeping custody, provenance, and cultural integrity intact. Explore Pumpkin (1990) on LiveArt: liveart.io/launchpad/KUSP…
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LiveArt
@LiveArtX
Feb 17
Blue-chip assets are defined by: • decades of demand • institutional recognition • cultural permanence Tokenization doesn’t create blue-chip assets. It breaks down the capital, geographic, and structural barriers that historically limited access to them.
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LiveArt
@LiveArtX
Feb 16
Banksy’s work is globally recognized, institutionally collected, and culturally iconic. Tokenization doesn’t change that. It removes traditional barriers to entry and opens access to a broader, global investor base. Own a fraction of Girl With Balloon as a real-world art RWA:
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LiveArt
@LiveArtX
Feb 15
Tokenization improves infrastructure — not narratives. It enables: • fractional access without intermediaries • onchain settlement • programmable ownership • composability — unlocking lending, futures, indices, and prediction markets The asset remains real. The rails
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LiveArt
@LiveArtX
Feb 14
David Hockney is one of the most valuable living artists. Tokenization doesn’t change the artwork. It dramatically expands access — from a handful of institutions and ultra-wealthy collectors to a global base of onchain participants. Explore fractional ownership of Paper Pool
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LiveArt
@LiveArtX
Feb 13
Tokenization doesn’t turn art into a speculative instrument. The underlying asset still: • lives in regulated custody • follows traditional valuation dynamics • trades on long collector time horizons Only the ownership rails change.
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LiveArt
@LiveArtX
Feb 12
What tokenization changes — and what it doesn’t Tokenization does not change the nature of an asset. A Picasso remains a Picasso. A Hockney remains a Hockney. What tokenization changes is the infrastructure: • access becomes fractional • settlement becomes programmable •
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LiveArt
@LiveArtX
Feb 8
Crypto volatility is part of the cycle. Tokenized blue-chip art offers exposure to real-world assets with different demand dynamics — without leaving the blockchain. Explore all available art RWAs on LiveArt: app.liveart.io/defi
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LiveArt
@LiveArtX
Feb 7
Some blue-chip artworks on LiveArt trade on the secondary market, offering liquidity and price discovery. • Jeff Koons, Balloon Dog (Blue) — secondary trading available: app.liveart.io/defi/trade/KOO… • Takashi Murakami, Flowers — secondary trading available: app.liveart.io/defi/trade/MUR…
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LiveArt
@LiveArtX
Feb 6
When speculative assets retrace, culturally iconic works retain relevance. Banksy is among the most collected contemporary artists globally, with sustained auction demand and broad institutional recognition. Own a fraction of Girl With Balloon as a real-world art RWA:
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LiveArt
@LiveArtX
Feb 5
Cultural relevance matters most when speculative markets cool off. Keith Haring’s work remains globally recognized and institutionally collected, with enduring demand across generations. Access a tokenized fraction of a Keith Haring artwork onchain: app.liveart.io/defi
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LiveArt
@LiveArtX
Feb 4
When markets pull back, historically significant artists continue to anchor demand. David Hockney is one of the most valuable living artists, with decades of institutional and collector support across market cycles. Discover Paper Pool (1980) as a real-world art RWA on LiveArt:
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