a phantom homeland / a concrete fantasy
Courtney McClellan considers the restorative nostalgia and illusive construction of the Parthenon in Nashville, Tenneessee in our next theme release for SIREN.
Features (500+)
Tamio Wakayama: Life Through the Lens of a Civil Rights Photographer
Amy Fung writes on the work of Tamio Wakayama, a little-known photographer who documented the early grassroots activism of the Student Nonviolent Coordinating Committee in the 1960s, from Mississippi to Georgia.
Layers of Care with Kolektif K2D: DÈYÈ MÒN GEN MON
Mario Andrés Rodriguez writes about Kolektif K2D, a collective of photographers, photojournalists, and filmmakers based in Port-au-Prince, Haiti, for the third installment of Burnaway’s Care In Precarity submissions, a collaborative open call with CCCADI.
In Conversation With The Virgin Islands Studies Collective (VISCO) / Conversando con el Colectivo de Estudios de las Islas Vírgenes
Dr. Gervais Marsh speaks with The Virgin Island Studies Collective (VISCO) for the second installment of Burnaway’s Care In Precarity submissions, a collaborative open call with CCCADI.
Cutlass Calling | The Machete’s Siren Song of Feminine Sovereignty
For the next iteration of Burnaway’s SIREN theme, Natalie Willis Whylly speaks on the machete as the song of feminine sovereignty and revolution in the work of Reagan Kemp and Tamika Galanis.
Nancy Elizabeth Prophet: I Will Not Bend an Inch at the Spelman College Museum of Fine Art, Atlanta
Daniel Fuller reviews the life and work of Nancy Elizabeth Prophet in Nancy Elizabeth Prophet: I Will Not Bend an Inch at the Spelman College Museum of Fine Art, Atlanta.
All Aboard the Mardi Gras Line
In November’s co-publishing initiative with Oxford American, Holly Devon reports on Amtrak’s new Mardi Gras Service line that restores passenger rail transit between New Orleans and Mobile on the Gulf Coast.
On the Speculative World of the Miami VIS: Introducing Najja Moon
For Burnaway’s TRICKSTER theme feature and for November’s co-publishing initiative with Oxford American, Isabella Marie Garcia considers parafiction as a tool in the conceptual practice of Najja Moon, where artist and basketball player collide.
Seeds are Creativity in Action / Las Semillas son Creacción en Acción
stephanie s. cortés shares the artists at the heart of Huerto Semilla (Seed Garden) in Puerto Rico for the first installment of Burnaway’s Care In Precarity submissions, a collaborative open call with CCCADI.
