Alexandra Martinez highlights See It Like a Native, a home-based exhibition in the Spring Garden neighborhood of Miami that models itself as an alternative infrastructure for artists.
Colony Little reviews Claire Alexandre’s show ‘the halls of a changing sea’ at the Gregg Museum of Art & Design, Raleigh, highlighting how her works explore the ways Africans across the diaspora have transformed physical and social landscapes as a mode for survival.
In partnership with National Performance Network, a New-Orleans based network of artists and organization, Gabrielle Octavia Rucker reflects on NPN’s 2025 conference—from the theme of stormshaping to diversifying resources across working-class artists.
Luke Urbain reviews the broader reconceptualizations of the ecological found in Caribe Por Venir at El Museo de Arte Contemporáneo de Puerto Rico, San Juan.
Courtney McClellan considers the restorative nostalgia and illusive construction of the Parthenon in Nashville, Tenneessee in our next theme release for SIREN.
Amy Fung writes on the work of Tamio Wakayama, a little-known photographer who documented the early grassroots activism of the Student Nonviolent Coordinating Committee in the 1960s, from Mississippi to Georgia.
Mario Andrés Rodriguez writes about Kolektif K2D, a collective of photographers, photojournalists, and filmmakers based in Port-au-Prince, Haiti, for the third installment of Burnaway’s Care In Precarity submissions, a collaborative open call with CCCADI.
Dr. Gervais Marsh speaks with The Virgin Island Studies Collective (VISCO) for the second installment of Burnaway’s Care In Precarity submissions, a collaborative open call with CCCADI.
For the next iteration of Burnaway’s SIREN theme, Natalie Willis Whylly speaks on the machete as the song of feminine sovereignty and revolution in the work of Reagan Kemp and Tamika Galanis.
