bryant

Can’t resist touching the third rail: it’s time to talk about Graham Platner! Platner discourse will get another injection of life this fall if Collins wins (odds are good, alas), when everyone spends months arguing that Platner would have won or that Janet Mills would have won if we hadn’t wasted months and millions on Platner or that a better candidate would have won the primary if Schumer and the DNC hadn’t tried to clear the way for Mills. It’s gonna be the best kind of bitter political discourse, because there are at least three sides to the argument and the stakes are so high. If I sound frivolous, it’s only because I’m depressed, and I’m writing this to get some of that depression down on paper.

Full post: https://popone.innocence.com/archives/2026/07/15/platner-binface-and-mcgrath/

My dear wife S. likes to look at me despairingly and ask why I’m the way I am. It’s a fair question. My usual trite response is that my mother raised me that way, at which point she says I should show my mother more respect, and so on. (I love my mother, truly.)

While this series is more focused on my career in tech than on my formative years, those formative years do explain a lot, and I like all the stories. This is the story of how the family wound up half-moving from Cape Cod to New Hampshire, plus an explosive revelation. It captures a lot of our family dynamics, and sheds a little light on my tendencies to resist authority.

Full post: https://popone.innocence.com/archives/2026/07/09/why-are-you-the-way-you-are/

This is a Scott McNealy story. Kids these days may not remember Scott; he was the long-term CEO and co-founder of Sun Microsystems. He was legendary for being outspoken, opinionated, and a maverick. He wasn’t a technical guy at heart, leaning way more towards the business side. Nevertheless, he was pretty smart about which way the technical winds were blowing.

Sun Microsystems was built on the idea that a computer which wasn’t attached to a network – preferably the Internet – was less useful. I’ll loop back and talk about the first two jobs I had at Sun at some point. Right now, we’re gonna talk about the last job I had at Sun, which was working on the internal Javastation deployment program. Javastations were perhaps the pinnacle of Scott’s network-oriented philosophy, so this was pretty important stuff.

Full post: https://popone.innocence.com/archives/2026/07/03/attaching-files-to-email/

My friend Sarah Gould keeps telling me I should write an autobiography because I love telling stories. I cannot deny the premise of the argument, and I know I want to redevelop my writing skills; thus, I’m going to start capturing some of those tales of how I got from there to here. Like all good stories, I’m going to start in the middle. Don’t expect any of this to be linear.

Full post: https://popone.innocence.com/archives/2026/06/26/arriving-at-netcom/

Now entering the summer months. Maybe a little bit of the summer doldrums — I can’t say that July’s releases make up an exceptional lineup. It is a very comfortable one with a handful of gems buried way down in there.

So let’s do the hidden treasure first. We’ll get back to Harry Dean Stanton, I promise. Before that, though, I need to urge you to make time for Ninón Sevilla: Queen of the Mexican Cabaret. So I’ve only seen one of these, Victims of Sin, but it’s so good and I’ll take any excuse to recommend it. There’s a third act scene where Ninón Sevilla bursts into a room with iconic style and more people should see it, plus the musical numbers are stunning. So I’m gonna want to see the three of these I haven’t seen. Amazing introduction to cine de rumberas and to the Golden Age of Mexican Cinema in general; there are noir overtones and melodrama and they’re just so much fun.

Full post: https://popone.innocence.com/archives/2026/06/18/july-2026-criterion-channel-lineup/

So here we are in sunny Minneapolis/St. Paul.

I’m writing up some notes as we go, and will post the whole thing on our return to Seattle. Right now — Wednesday morning — we’re sitting in the Lost Fox coffee shop in Lowertown, St. Paul. This would very likely be our neighborhood coffee shop if we wound up living in St. Paul for the first year. There are power strips at each table and it’s roomy, plus the lattes are good.

Full post: https://popone.innocence.com/archives/2026/06/07/field-trip/

Now that I’ve slept for a week or so, it’s about time I wrote a post about my SIFF experience. (Link goes to the stable film program page for 2026, not the top level page which is subject to change.) I made a mistake by attending a midnight showing the first Friday of the festival, which left me pretty wrung out for the rest of the week. I feel better now, though.

Full post: https://popone.innocence.com/archives/2026/05/25/siff-2026/

Decent month with a great themed collection as the centerpiece. Any time you can put one of the biggest stars in the world in your banner image has to feel like a win for the Channel and there’s George Clooney being all home spun front and center. Do you ever contemplate the fact that Clooney is a nepo baby, or is that just me?

So let’s start with Odysseys, since that’s the collection we’re talking about. Brilliant theme, everything from Sullivan’s Travels to After Hours to, yes, O Brother, Where Art Thou? There is not a bad choice in the bunch, and the concept is focused. I think this one is simply deilghtful.

Full post: https://popone.innocence.com/archives/2026/05/22/june-2026-criterion-channel-lineup/

Another month, another batch of movies!
One very exciting program and a bunch of stuff that I generally approve of even if I’m not quite as excited about it.
I found someone on Letterboxd who seems to be maintaining lists for each program, which made writing this easier, I tell you what. Thanks, Robby!

You know, I’m gonna skip to the exciting bit: Tramps, Troublemakers, and Trailblazers: Trans Filmmakers. Caden Mark Gardner
and Willow Catelyn Maclay curated this and it looks amazing. We’re All Going to the World’s Fair is going to be the one most
people have heard of, and it’s great. I’m really interested in Maggots and Men because it’s a historical story, and I’m looking
forward to seeing what a trans lens brings to this bit of Soviet history. Drunktown’s Finest caught my eye as well –
intersectional! – as did No Ordinary Man since it’s a biopic about a jazz musician, and I have this persistent feeling
that I should know more about jazz history.

Full post: https://popone.innocence.com/archives/2026/03/25/criterion-channel-lineup-april-2026/

About time for another Criterion Channel lineup. I’ll admit it, it’s been kind of a middling few months on the Channel, usually with at least one really exciting collection. I’m not sure May even has that one standout. Obviously the long-awaited Boston Crime collection is the answer here; until that day comes, it’s hard to complain too much. Still a cinephile’s delight.

OK, let’s run it down. The first collection is ‘80s Remakes (and Their Originals) which is at the least a clever idea. Everything from The Thing and The Thing from Another World to Breathless and Breathless. I can’t say I’d go out of my way for most of these remakes, though — Carpenter being the clear exception. This feels more interesting as an exploration of how remakes can go wrong than anything else.

Full post: https://popone.innocence.com/archives/2026/04/19/may-2026-criterion-channel-lineup/