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Courtesy of Pascale Solages; William F. Campbell / Getty Images; Clarens Siffroy / AFP via Getty Images

What Happens When a Dancer Is Forced to Become a Refugee? ‘Born to Dance, Forced to Run’ Captures Life Under the Shadow of Deportation

Born to Dance, Forced to Run is a powerful new documentary that follows Steeven Labady, a queer Haitian dancer whose relentless pursuit of his artistic dreams is continually upended by displacement, asylum battles and the constant threat of deportation. Through his extraordinary journey, filmmaker and Haitian feminist activist Pascale Solages reveals the human cost of migration policies, transforming an abstract political debate into an intimate story of resilience, survival and hope.

At a moment when the Trump administration is dismantling Temporary Protected Status for Haitians and escalating immigration enforcement, the film’s message could not be more urgent. It’s a deeply human portrait of what it means to live undocumented under the shadow of deportation.

Born to Dance, Forced to Run premieres in New York on Saturday, July 25, at 6 p.m. at the Brooklyn Children’s Museum, where audiences will have an opportunity to experience this moving documentary on the big screen, followed by a Q&A.

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From the Magazine:

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  • Saving Seneca Falls: The U.S. Birthplace of ‘All Men and Women Are Created Equal’ Must Be Preserved

    A caved-in roof. A crumbling porch. A memorial water wall in need of restoration.

    These are just a few areas of the $10 million of deferred maintenance needed at the Women’s Rights National Historical Park in Seneca Falls, N.Y., one of 11 sites on the National Trust for Historic Preservation’s 2026 list of “Most Endangered Historic Places.” The Women’s Rights National Historical Park celebrates the first Women’s Rights Convention, held on July 19 and 20, 1848. Of the 433 parks within the National Park System, only 13 are dedicated to women’s history, making the inclusion of the Women’s Rights park on the “most endangered” list even more imperative. Rather than merely lament a need for restoration, the list, according to the trust, aims to increase “visibility, public attention and new resources to save and activate historic places for the public good.”

    The story of suffrage, like so many stories in our nation’s history, is neither uncomplicated nor is it a “single story” that’s “preserved in amber,” insists Miranda Johnson-Haddad, president of the Friends of the Women’s Rights National Historical Park, the non-profit philanthropic group that supports the park. Johnson-Haddad emphasizes that the park’s leadership wants to continue to have “brave conversations about difficult subjects,” including that some suffragists, like Stanton, succumbed to white supremacist thinking—despite being active in the abolition movement—championing the right to vote for white women, but not for Black men and women. No Black women were known to be in attendance at the first Seneca Falls Convention, and only one Black man, Frederick Douglass, signed the declaration.

    Still, “these are stories that belong to all of us in all their messiness and complexity,” Johnson-Haddad stresses, “and that can guide us through the current messy complexity.” She cites “Bread and Roses,” a protest song dating back to 1912: “As we go marching, marching, we bring the greater days / The rising of the women means the rising of the [human] race.”

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    April Hall

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Christopher Nolan’s ‘The Odyssey’ Reclaims the Diversity of the Ancient World

Christopher Nolan’s The Odyssey validates the culture through this quarter-billion-dollar Hollywood production—best seen and appreciated in movie theaters. So, why did some react to this latest retelling of The Odyssey as if the mere presence of a Black woman would delegitimize its place in history? And should we ignore them as out-of-touch fringe extremists? 

Before The Odyssey even reached theaters, Nyong’o’s casting as Helen of Troy ignited predictable outrage from white supremacists and anti-“woke” commentators who claimed a Black actor had no place in one of Western civilization’s foundational myths. But as scholars of antiquity make clear, that backlash says far more about modern racial politics than it does about the ancient world itself.

Nolan’s sweeping adaptation arrives at a moment when the fight over history is also a fight over power. By embracing a multiracial cast, The Odyssey challenges centuries of whitewashing and reminds us that the ancient Mediterranean was far more diverse than many have been taught to believe.

The diversity of the ancient world is our collective heritage—not the exclusive property of those seeking to rewrite the past.

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