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Approximately once a month, I write a post with some notes about the books I've read. 

2026 - I have no particular reading goals for this year except to reread more books and read fewer recent releases. 

Currently reading (6/13/2026):
Elite Capture, Olufemi O. Taiwo  
Still Pictures, Janet Malcolm 
* Medalist, Tsurumaikada (reread) 
Trickster Makes the World by Lewis Hyde
Henry, Henry by Allen Bratton
Rings of Saturn by Sebald
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I meant this to be a single post, but I think it's going to end up being another multiparter chronicling my journey through sports shounen/WSJ series: one post each for Hikaru no Go (1998-2003) and Medalist (2020-ongoing), and a final post exploring the narrative structure of shounen series that incorporates Akane-banashi (2022-ongoing), which I've touched on before in other reviews and has some new developments and fandom responses that I want to explore in more depth.

I love all three of these series for different reasons, and, looking back on them, I feel like they create a nice set way of thinking about sports and sport-ish cultural/game shounen manga within the Weekly Shounen Jump tradition and shounen manga more generally. Keeping in mind that I'm not a manga scholar, just a casual manga enjoyer who regularly subjects himself to manga he does not like in the hopes it will magically transform into something that he'll enjoy… keeping in mind, too, that I love imposing my rigid standards of narrative effectiveness on works… keeping in mind that I am trying to meet these works on their own terms… keeping in mind that I am a genius and an idiot, etc.

Okay, Hikago time.

2500 words of Hikaru no Go )
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All my friends are reading Sebald, so I checked some of his books out from the library and chose to reread two books I originally read in 2018: The Idiot by Batuman and Invisibility Cloak by Ge Fei. The Idiot touches on a few books I've covered recently, while Invisibility Cloak is more of a "I don't know what the fuck the reviewers are going on about and I'm also not sure what's going on in this book?!" style of a review.

As with everything I've reread recently, I like it more on reread than I did when I first read it… Let's start with The Idiot, since I have less to say there.

The Idiot, Batuman )

 

The Invisibility Cloak, Ge )
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Journal with Witch/Ikoku Nikki (2017-2023), Yamashita - The dominant metaphor in my mind right now is "ach, I've been poisoned!" Like, ah I read the news… poisoned! This metaphor of poison feels appropriate for an age of active hostility… anyway let's move this back to manga

I find most stories about parenthood to be tiring or depressing to read, whether they're happy narratives or sad ones. The relationship we have with our parents holds enormous expectations on both ends and at every stage; failure is both inevitable and memorable. And on top of that, it's not even particularly instructive?!

Ikoku Nikki covers three years of Makio and Asa's life together, starting when Asa's fifteen and about to graduate middle school to her high school graduation. Makio is a reclusive writer; Asa is cheerful, outgoing, and gets lonely easily. She is the daughter of Makio's beloathed older sister. Makio hated her older sister in life and continues hating her in death, and I find the petty mercilessness (and eventual tempering) of her hatred excitingly honest. Makio's a lone wolf, the kind of character who's easy to like: uncompromising, passionate, bad tempered, off-beat, minimally sociable. In other words, an unconventional weirdo people find hard to get along with in real life.

even more manga thoughts )
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Discipline, Pham - I've been in a prose reading rut lately and checked out a few recently published books for some light reading. Discipline is a novel about Christine, a former painter, who writes a novel heavily inspired about her romantic and sexual relationship with her male mentor. She abandoned painting after her experiences at her MFA and "disappears" into her persona as a writer. While on tour for her novel, the mentor contacts her and invites her to his cabin in Maine. She goes, seeking—revenge? Closure? Affirmation? All of the above?

Naturally, this made me think of Blank Canvas: My So-Called Artist Journey, an autobiographical künstlerroman manga by Akiko Higashimura, a prolific shoujo manga artist most famous in the anglosphere for Princess Jellyfish. Higashimura details her childhood ambition to be a manga artist and her relationship with Hidaka, the man who ran an art school/cram school in her hometown. The mentor-mentee relationship is totally different here, along with the perspective, tone, and genre; on the other hand, it's hard to think of another work that's similarly preoccupied with painting, talent, fine arts, and not becoming the artist you thought you'd be despite your mentor's expectations. Putting these two works together really made me think about some of my dissatisfaction with contemporary novels from an aesthetic perspective…
 

manga is amazing...... novels are okay )
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This review took forever to write because, in the process of writing it, I decided I needed to rewatch/review all of Maria-sama ga Miteru… and that in itself was so much fun that I kept rereading my favorite bits and then when I did that too much, I went back to the beginning and started rereading from there. I read a short paper that got a bit deeper into the current state of girls' novels in Japan, and it seems like Cobalt magazine, which published Marimite and other works of girls' fiction, stopped print publication and now only releases series online. The news does make me a bit sad... in any case, reading Marimite is really fun, while reading this series here was lmao less so... as such, I have not bothered to write beautifully... I can only ask for your forgiveness after the fact. 

Yuri is My Job!, ongoing - I had pretty conflicting feelings towards this one—like, there's something inherently absurd about the idea of a themed cafe where all the workers pretend they're lesbian high school students in order to sell you hot chocolate and sausages, but in a world where season four of Maria-sama ga Miteru had a Pizza Hut sponsorship, it's a surprisingly apt piece of commentary. Yuri sells. Would you like tea with your pizza?

 

a polite review of yuri is my job! )
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While writing up the review of another series that's doing seventy Marimite callbacks, I started writing up Marimite and the next thing I knew, it's a solid half of the post... time to do a spin-off

I've been rereading the Maria-sama ga Miteru light novels due to my poisoning, and I recently hit the difficult stretch of Yumi's second year where we're really stretching the limits of what the soeur relationship is. Yumi and Sachiko's relationship hits a rough patch; there are comparisons to adultery, cheating, abandonment, and so on, before they have a loving embrace, forgive one another, acknowledge their love for each other, and return to status quo.

This span of time is also the spot where Konno uncomfortably brings up queerness in an all boy's school environment. There's an arc where the neighboring boys' school needs the student council of Lilian's help and we're introduced to a student who's likely a trans woman in terms so transphobic that lmao I'd recommend just skipping that whole arc/novel if you don't want to get mad. This is compounded by the constant motif of Sachiko's gay (but also a selfish jerk, so points there, I guess) cousin, Kashiwagi, being a potential sexual threat to straight men, a straightforwardly homophobic trope presented as a punchline. It's obvious Konno's trying to make queerness something outside of Lilian—defined, literally, as something confined to the boy's school, where the threat of queerness and (male) sexuality can be lumped together and put away. In actuality, people attending an all girls' school do engage in their romantic and sexual feelings, but, within Marimite, the soeur system is used to actively shunt those feelings of romance and sexuality to "safe" targets to preserve the students' purity.
for real short post )
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Mary Watches Over Us/Maria-sama ga Miteru, 1998-2012 (light novel), 2004-2009 (anime), there are somehow even more spin-offs but I'm not listing them here - I tried finding streams of the anime, only to find that, in the years since I've been absent from anime/manga, RightStuf folded, the DVD/Blu-rays were sold at firesale prices, and all the rights have expired?! I wound up picking up pirating a bunch of the anime episodes and rereading the translated volumes of the light novel and will probably pick up the Blu-rays on eBay later, too.

It's hard to state just how influential Mara-sama ga Miteru (also called Marimite by fans) is in the world of yuri anime and manga. The most enduring impact is the reintroduction of Class S to the contemporary anime scene, popularizing a new strain of yuri with the otaku crowd, and laying the groundwork for the subsequent growth of explicitly queer yuri series in the years that followed. To this day, I can't help but see pigtailed protagonists and long-haired, classic beauty love interests who scold and reprimand their love interests and think, "I know what you are… I know what you've seen…"

Read more... )

More Manga

Feb. 9th, 2026 02:04 pm
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I finished my three-part (or two and one part in three…?) review of Shimura thinking, "Wow, I've purged the demon! I can read other manga!" but it's really hard?? In the time that I'm writing this, I've flipped back to Sweet Blue Flowers to evaluate the Viz translation and, you know, I've done little partial rereads to get a good look at her panels and art evolution...

I have been able to tear myself away from Shimura's works to reread Yotsuba&!, a series with absolutely superb comic art decisions (visual complexity vs. simplification, the rhythm and arrangement of panels and images, constructing just enough of a narrative to give us the sense that time is passing without shoehorning a narrative that makes no sense for the story it wants to tell). I mean, we all know Yotsuba&!'s strengths as a comic. I feel like I don't have any urge to review it… I just like it and want to reread it all the time… Also reread/caught up with Skip and Loafer, which is somehow totally faithful to the emotion of being fifteen/sixteen. Also finished the fantastic Ikoku Nikki, which will be getting its own little write up and review later.

I still am reading other books, but reading and writing about manga's keeping the novel engine humming. This post covers three series: Yuria-sensei's Red String of Fate by Kiwa Irie and Run Away with Me, Girl and My Sister's Friend, both by Battan.

Yuria-sensei's Red String of Fate ) Run Away with Me, Girl and My Sister's Friend )

 


recognito: (tiger)
Friends, countrymen, listen to my tale of woe… I've written ten thousand words for an audience of five.

Most authors would've chosen to end Even Though We're Adults with Ayano's "Goodbye, Okubo-sensei." Instead, Shimura writes another ten chapters of manga about overpowering guilt, lingering resentment, and the fear of the future. A recurring motif of the final two volumes is people wondering when their punishment will be carried out. What will happen to those they love after their deaths? References to feeling so miserable that death would be preferable suddenly start cropping up. And I'm sitting there holding the pages like, "What??? I thought this was a romance? Happily ever after…?"
it is pretty happy! )
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