I arrive as if a ghost, sphagnum flesh tinder-dry
This afternoon the sky has lost its pest-fire sickliness in the intermittent washout of rain, but we are into the red blobs on the map and I am using my inhaler. I dreamed of a supporting character from Winterset (1936) as if during the prologue to the plot. I feel brainless and abraded.
Because I had Felled's "Fire Season on the Outer Rim" (2017) on my mind after this ash-fall week, I was reminded that I had never gotten hold of their sophomore LP The Intimate Earth (2021) and behold, there's another bog body in "Sphagnum in the Hinterlands."
I put another pin in the awfulness of the last two years by the fact that I missed the existence of Emmett Nahil's From the Belly (2024), which looks rather barnacle-crusted to my interests. I am not sure I even agree with the author's assertions about the foundations of nautical horror, but I like his passionate championing of Melville over Lovecraft. I never recomended Avi Burton's "We Are All in the Same Boat" (2026).
I meant to grab a copy of M.A. Knight's Feverchain (2026) while I was still at Readercon, but after a lovely and too-brief interaction with the author and the designer in between panels I never made it back into the dealer's room. If we shared the same social media, I could ask if they would be at NecronomiCon.
I would cheerfully read further adventures of this psychogeographer in Albuquerque, but this one stands as an excellent one-shot for anyone who cares about land, water, and the Situationist International: Rath Mercury, "Herkimer Inquiries" (2026).
Yesterday the most complicated thing I did was take a walk, read two novels, and reconstruct my long-lost favorite burger from Christopher's with pepper jack, avocado, and homemade chipotle mayo on an English muffin. I watched a movie for the first time in ages, even if I do not seem possessed of the intellect to do anything about it. It was nice. I am tired of the most boring people in the world doing so much to harm it.
Because I had Felled's "Fire Season on the Outer Rim" (2017) on my mind after this ash-fall week, I was reminded that I had never gotten hold of their sophomore LP The Intimate Earth (2021) and behold, there's another bog body in "Sphagnum in the Hinterlands."
I put another pin in the awfulness of the last two years by the fact that I missed the existence of Emmett Nahil's From the Belly (2024), which looks rather barnacle-crusted to my interests. I am not sure I even agree with the author's assertions about the foundations of nautical horror, but I like his passionate championing of Melville over Lovecraft. I never recomended Avi Burton's "We Are All in the Same Boat" (2026).
I meant to grab a copy of M.A. Knight's Feverchain (2026) while I was still at Readercon, but after a lovely and too-brief interaction with the author and the designer in between panels I never made it back into the dealer's room. If we shared the same social media, I could ask if they would be at NecronomiCon.
I would cheerfully read further adventures of this psychogeographer in Albuquerque, but this one stands as an excellent one-shot for anyone who cares about land, water, and the Situationist International: Rath Mercury, "Herkimer Inquiries" (2026).
Yesterday the most complicated thing I did was take a walk, read two novels, and reconstruct my long-lost favorite burger from Christopher's with pepper jack, avocado, and homemade chipotle mayo on an English muffin. I watched a movie for the first time in ages, even if I do not seem possessed of the intellect to do anything about it. It was nice. I am tired of the most boring people in the world doing so much to harm it.

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Even though it's totally valid to enjoy things without having to do anything about them, I know what you mean! Which movie was it? I'm glad you had some nice things going on! <3
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Winter Kept Us Warm (1965), which just had its TCM premiere and turns out to have been the first English-language queer-themed feature film in Canada. It was an all-volunteer, almost all-student production that went as far as Cannes. I had never heard of it and loved watching it unfold. It's very clear for its coding and oddly much less programmatic than more professional films of the same era, bittersweet ending notwithstanding. It's ultimately about discovery.
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You're welcome! The location shooting of 1964–65 Toronto is also incredible. I want to point friends of mine contemporarily living there at it.
I'm always here for queer themed movies!
TCM also just ran Cry of the Hunted.
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Oh, excellent! (You can see why it's so difficult to watch new things when there are so many good ones to rewatch...)
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It was one of those coins in the field I hadn't even known to look for. I would write about it if I didn't want to stuff my head down a storm drain.
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You're welcome!
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Feverchain sounds neat!
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Thank you! It is unfortunately still pretty gross, but at least it rained!
Feverchain sounds neat!
I really wanted to buy it from the author! I made it into the dealer's room twice, once to talk to friends and once to make enough of a circuit to be distracted by PM Press. It was not the most leisurely convention this year.
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P.
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I am still glad you are breathing more easily. We are sort of in the direct path of the plume at the moment.
(Could be worse. Could be purple.)
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The air indeed has popped back to say, "Just one more thing," but it is only red. Still disruptive of plans and generally hard on the throat, but, I guess "Could be worse. Could be purple" is just our daily remark now.
I'm glad you have an inhaler. Ninja also has one, but he doesn't like it very much.
P.
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This was so relevant to my interests, the call might as well have come from inside the house. Thank you for pointing it out.
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You're welcome! I'm so glad it was congenial.