We are so delighted to announce: gämma, an exhibition of 33 unique works by generative artist @p1xelfool—and our first exhibition minted on @tezos!
Curated by kerry doran / @ninxrattlesnake
Opening July 28, 14:00 UTC with a dialogue on Twitter Spaces: x.com/i/spaces/1MYGN…
⚫️ OPEN
SOURCE
Curated by
@operator_______@_deafbeef@REAS
“An exhibition of artworks that all use software as a medium, our reason for naming it SOURCE was two-fold: as both a reference to ‘source code’ and also the ‘source’ of something that’s rapidly emerging and evolving.”
“Unsupervised — Data Universe — MoMA” is a global AI data painting that simulates a latent walk among the museum’s digitized collection. @refikanadol + his team used @MuseumModernArt archives to construct the seven dimensions of the artwork: x, y, z, r, g, b, and time.
We are thrilled to announce our next exhibition Doppelganger, which loops together our understanding of our digital and physical selves.
Curated by Chris Coleman / @digitalcoleman, minted on @tezos ⚡️
𝘊𝘙𝘈𝘞𝘓 by @travess situates the viewer inside a digital painting — like a single pixel in an image — you’re invited to explore a world rich in references to retro video games, mythic Greek labyrinths, and works by artists Harold Cohen, John F. Simon Jr and Terry Winters 🧵:
@john__gerrard’s 𝘤𝘳𝘺𝘴𝘵𝘢𝘭𝘭𝘪𝘯𝘦 𝘸𝘰𝘳𝘬 is a 365-day generative data performance that begins on the summer solstice of 2024 (June 20).
The annual solar simulation has evolved over 5 years, but this exhibition is the first time it will be presented in its entirety. 🧵:
"Looking to this promise, Terraforms land parcels are skeletal abstractions encouraging remixing and re-interpretation through meaning making social activities of the active community around it."
@_deafbeef reflects on "Terraforms" by @mathcastles
⚫️🧵
