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Observer
111.9K posts
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Observer
@observer
Chronicling the pulse of power.
New York City
observer.com
Joined August 2008
50.2K
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  • user avatar
    Observer
    @observer
    10h
    Power in artificial intelligence no longer moves through the channels everyone learned to watch.
    Image
    Observer’s 2026 A.I. Power Index: Who Controls the Capital Flow in A.I
    From observer.com
    288
  • user avatar
    Observer
    @observer
    10h
    The auction giants closed the first half of 2026 with multibillion-dollar totals, but that rebound depended heavily on major estates at the very top end of the market and a broader, cross-category buyer base.
    An auctioneer stands at Christie’s during a crowded sale as Jackson Pollock’s Number 7A, 1948 appears on large screens with a $157 million result displayed.
    Trophy Collections and Luxury Spending Powered Christie’s and Sotheby’s Record Half-Year Results
    From observer.com
    367
  • user avatar
    Observer
    @observer
    11h
    Georg Bak and Roger Haas believe that the wealth passing to a generation of digital natives, paired with new wealth built in the tech industry, will give digital art a stronger foundation, fundamentally transforming the market.
    A dark exhibition space presents colorful digital screens, framed works, headphone-equipped monitors and a green-lit sculptural object on a pedestal.
    ArtMeta: When Digital Art Enters the Canon, Tech Millionaires Will Enter the Market
    From observer.com
    471
  • user avatar
    Observer
    @observer
    16h
    Observer sat down with the artist and designer, recently named CBE by King Charles III, to discuss how he unites form, function and artistic innovation by tapping into a wit and humor that “never follows instructions.”
    A man wearing a black sweater, black pants, a colorful scarf, and a black hat sitting on a large translucent red chair shaped like an abstract heart.
    Ron Arad’s Unconstrained Objects and the Mind Behind Them
    From observer.com
    336
  • user avatar
    Observer
    @observer
    17h
    The founders and investors driving A.I. are also funding efforts to contain its risks, ease disruption and widen access to its benefits.
    Priscilla Chan and Mark Zuckerberg attend the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art on May 04, 2026 in New York City.
    How A.I.’s Most Powerful Backers Are Preparing for Its Consequences
    From observer.com
    256
  • user avatar
    Observer
    @observer
    17h
    Three years into the generative A.I. boom, most enterprise deployments still aren't producing measurable business value. As A.I. becomes commoditized, the companies that win will be those that capture institutional knowledge, codify judgment and deliberately shape what their
    An office worker peers around her coworker's cubicle to find him with his feed up on on a desk holding a cup of coffee
    The New A.I. Power Class Will Be Built on Context, Not Compute
    From observer.com
    247
  • user avatar
    Observer
    @observer
    18h
    Drawing on Eastern philosophy, textile design and choreography, the French-Chinese artist proposes a vision of human-machine relations built not on conflict but on curiosity and cohabitation.
    An outdoor scene shows a woman eating at a garden table with two small humanoid robots seated nearby, surrounded by dense greenery and domestic objects.
    Céline Shen and the Art of Living With A.I.
    From observer.com
    271
  • user avatar
    Observer
    @observer
    20h
    The men building the future have a uniform, and it costs a fortune to look like it costs nothing. Here is the 2026 kit.
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    The A.I. Founder Starter Pack: How to Make a Uniform Look Like a Strategy
    From observer.com
    308
  • user avatar
    Observer
    @observer
    Jul 14
    Artist Alai Ganuza, who founded one of the fastest-growing online communities dedicated to contemporary realism and is known for blending traditional and digital techniques, contends that the rapid rise of A.I. will make human-made art more valuable than ever.
    A detailed view of a painting of a countertop with various containers, jars, a soap dispenser, and small personal items, with floral-patterned tiles and bright, colorful brushwork.
    The Flood of A.I.-Generated Images Will Make Human-Made Art More Precious, Not Less
    From observer.com
    384
  • user avatar
    Observer
    @observer
    Jul 14
    As companies pursue orbital data centers to power the next generation of A.I., the conversation has centered on costs and technical feasibility. But the more consequential question is whether the ground infrastructure connecting those systems to Earth is prepared to protect the
    A rendering of a satellite in space
    The Biggest Risk to A.I. in Space Is Sitting on the Ground
    From observer.com
    370
  • user avatar
    Observer
    @observer
    Jul 14
    ARTERNAL is betting that agentic A.I. can help galleries reclaim bandwidth, protect margins and let humans focus on the relationships that drive the art market.
    A waist-up portrait of a man in a gray blazer and white shirt standing indoors against a softly blurred background.
    Sean Green Built the Gallery World’s First CRM. Now He’s Building Its First A.I. Agents.
    From observer.com
    347
  • user avatar
    Observer
    @observer
    Jul 14
    The Sandbox and ArtVerse co-founder has created a physical space in Paris for the artists redrawing the boundaries between digital art, gaming, blockchain and contemporary culture.
    A man stands with his arms crossed in a white gallery space, surrounded by contemporary artworks including a large misty photograph, a circular red portrait work, a red-toned landscape and a dark abstract painting.
    Sébastien Borget Is Expanding Digital Art’s Reach Without Softening Its Ambition
    From observer.com
    723
  • user avatar
    Observer
    @observer
    Jul 14
    The City by the Bay took its hits during the pandemic, but its latest wave of glamorous boutiques, historic revivals and polished new stays makes a strong case for checking back in.
    golden gate bridge
    San Francisco’s Best New Hotels Prove the City Still Knows How to Host
    From observer.com
    468
  • user avatar
    Observer
    @observer
    Jul 14
    With the A.I.-powered beta re-release of Magnus, the art market economist is pushing his “Shazam for art” app to the next level, providing instant access to pricing and market context for millions of artworks.
    A man in a navy suit and white shirt sits on a wooden chair in a bright high-rise interior, with large windows and blurred city buildings behind him.
    Can Magnus Resch’s A.I. App Crack the Art Market’s Transparency Problem?
    From observer.com
    294
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