On Repeat: 3 Live from October

Home/office playlist

On Sundays I try to at least quickly note some of my favorite listening from the week prior — things I would later regret having not written about in more depth, so better to share here briefly than not at all.

YouTube is the gift that keeps on giving. Three favorite recent live performances:

▰ On October 9, 2026, KMRU doing a dense solo drone noise set as part of the Skaņu Mežs festival in Riga, Latvia:

▰ On October 25, 2026, the great Brad Mehldau performing variations on Bach’s Goldberg theme in the Netherlands:

▰ Five nights later, on October 30, 2026, a Americana-jazz trio led by guitarist Bill Frisell with Luke Bergman (bass) and Tim Angulo (drums). Part of the Nuejazz festival in Nuremberg, Germany.

Scratch Pad: Hell’s Language, Cyberpunk Spells

From the past week

At the end of each week, I usually collate a lightly edited collection of recent comments I’ve made on social media, which I think of as my public scratch pad. I tag on what books I may have finished reading. Knowing I’ll revisit my social media posts serves, I’ve found, as a positive and mellowing influence on my online activity. Some items show up on disquiet.com before this post, in which case I don’t repeat them. I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m also trying out a few others. And I generally take weekends off social media.

▰ Could we get another album from the trio Mountain Man, or is that out of the question?

▰ Good morning music can mean something where the clink of a spoon inside a cereal bowl or the whistle of a tea kettle fit right in — and by those measures, Taylor Deupree makes for very good morning music, indeed.

▰ Hell is a book club in which for all eternity everyone around you, one after another, says nothing other than “the language,” drawn out for emphasis, while everyone else nods and murmurs approvingly

▰ Today in mysterious sounds: whining dogs, migrating geese, or creaking scaffolding at neighboring construction site?

Update: it was the construction site.

▰ There are 10 weeks between now and the 15th anniversary of the Disquiet Junto music community. That’ll be Thursday, January 7, 2027, when we’ll begin the 784th consecutive weekly music project.

▰ It’s 2026. If you’re a musician, you should at least have a web page* listing your upcoming performances and your recent and upcoming releases. Bonus points for a newsletter. Gold star for a blog with some ongoing insights into your activities.

*Sure also social media, but foremost your own page

▰ It’s not that I haven’t gotten out of the house the past few weeks, but I haven’t during the day, just been at my desk working, and so then today taking a walk for a late lunch was surreal, an out-of-body experience, or an out-of-house experience.

▰ I’m in the middle of two very long novels, so I extended that effort by reading something short-ish, the science fiction novel(la?) Scion by James Islington. This reprieve was more fitting than I knew until I came to the book’s closing acknowledgements, which open with him saying that writing the book was, as well, a break for him, from some other writing. I thought of Islington more as a fantasy writer, a reputation maintained when, toward the end of the book, commands to susceptible individuals are uttered in Latinate phrases — in essence, cyberpunk spells. I also this week read two graphic novels: the third volume of the Absolute Batman series, and the first volume of the Absolute Green Lantern series. There’s a moment in the latter where one character says to another, “They’re hoping an authority will swoop in,” all in caps, as comic book dialog often appears, and the word “authority” is in bold italics, which made me wonder if there will at some point be an Absolute Authority series (and yeah, I know there was an Absolute Authority that happened to have been the title of a collection of the original The Authority, but that’s not the same as an Authority supergroup under the new-ish Absolute banner).

The Observer Effect

Early evening in the Mission

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The Mission District early evening a few days ago, on my way to an event at Gray Area with a friend, due to meet up with other friends. It’s great when a photograph captures precisely what you see, and then later when you look at the image (no subsequent processing on this), your decision to have snapped the shutter at that moment is confirmed by elements, symmetries, and contrasts of which you weren’t even conscious when you did so. I was careful to get the vertical edge of the wall just right, but I didn’t fully grasp that the two horizontal segments of the photo were close to the golden ratio, or the presence of the person, or the way the two green traffic lights balanced each other, and sort of align with the two damaged stickers, or the narrow bit of space between the speed limit sign and the wall, or the way the brown paint on the top of the wall ends just short of the right side of the framing. And of course whenever I take a photo like this one, I learn about field recordings in the process, about how much you hear at the time, and how much you hear later, and how capturing the moment with a microphone or a camera is akin to measuring in quantum mechanics, what can be termed the observer effect.

Disquiet Junto Project 0774: Count Down

The Assignment: Score some classic Dracula.

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Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have five days to record and upload a track in response to the project instructions.

Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. The Junto is weekly so that you know it’s there, every Thursday through Monday, when your time and interest align.

Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks also generally appear in the llllllll.co discussion thread.

Disquiet Junto Project 0774: Count Down
The Assignment: Score some classic Dracula.

It’s Halloween, so let’s get to work.

Step 1: There are plenty of recordings of Dracula on archive.org. Find a short segment, between one and five minutes, that you want to set to music.

Step 2: Record a piece of music as backing for the segment you selected in Step 1.

Step 3: Your finished piece is the combination of the audio snippet from Step 1 and the musical score from Step 2.

Tasks Upon Completion:

Label: Include “disquiet0774” (no spaces/quotes) in the name of your track.

Upload: A person participating in the Disquiet Junto should post only one track per weekly project (SoundCloud account preferred but not required). If on occasion you feel inspired to post more than one track (whether to a single account or across multiple accounts), you should clarify which is the “main” rendition for consideration by fellow members and (if on SoundCloud) for inclusion in the SoundCloud playlist.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0774-count-down/

Discuss: Listen to and comment on the other tracks.

Additional Details:

Length: The length is up to you. Immortality is quite a stretch of time.

Deadline: Monday, November 2, 2026, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s preferred (but not required) to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

Please Include When Posting Your Track:

More on the 774th weekly Disquiet Junto project, Count Down — The Assignment: Score some classic Dracula — at disquiet.com/0774.

Light It Up

Downtown SF

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I’ve looked up and across at these San Francisco buildings for as long as I can remember, and I love how at night their edges are lit up all rectilinear style, like something out of Tron, and I only just this week came to recognize that the magic comes down to good old simple strings of lights. Nothing fancy. Nothing built-in. Zoom in to see.