Though I'm no general fan of AI, the outage of my tweet is more because it's a ghoulish and highly unethical fan fiction of a dead father and his grieving daughter together without the family's permission.
And the whole thread is just weird AI fan fiction of dead people.
I actually appreciate them going to Cannes though.
Because this is a great before and after of what blockbuster rotten tomato scores look like before they are infected by like 58 "publications" called SuperGeeks4You, whose entire function is to buffer these scores up.
people saying that knowing how this shot was made has ruined it for them kind of illustrates a big issue I have with a lot of current moviegoers
the belief that "seeing the ropes and pulleys/something not looking quite real = bad" is such a boring way to approach an artform.
Remember when some people on here went into mass psychosis and acted like you shouldn't praise the Ken stuff in the film, as if the Kens were real and took the film away from Gerwig?