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To me so far one of the most interesting things about Happiness Charge is more of an implication than anything that actually happens IN the story. 
 
It's shown that Precures exist all over the world and that they regularly interact with civilians, who are aware of their efforts and have turned them into moderate B-list celebrities. The Precures can have cultural influence (Cure Honey's song). 
 
So what I immediately thought of from a couple of shots in Episode 1 is:  Has there been a magical girl series yet told mostly from the outsider perspective? I'm NOT counting SaiKano, though I could see an argument for that. (SaiKano is more war drama and SF.)
 
In Ep 1 a civilian talks about the monster attacks and the show briefly cuts to 'distorted' areas in other parts of town. Big distortions, like Madoka labyrinth sizes, which apparently everyone can see. Wouldn't it be interesting to tell the story of a young girl who both admires the magical girls but also isn't one of them and doesn't know their story - but still has to survive day to day in a world under the attack of Dark Forces?
 
I guess I'm sort of suggesting Cloverfield, but for mahou shoujo. If such a title exists as vintage, or in another series, please please let me know because the idea seems interesting! 
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Be me. Sit down to watch the first episode of Happiness Charge Precure because you want to understand why nobody likes it. Go 'huh actually this seems fine' but then
 
BUT THEN
 
Be me and watch that fairy squirm around the camera just as bad as Heartcatch but even worse because the whole 'quick, rub my nose so I can Expel This Thing!' just comes off so. freaking. wrong. Do I have to look at THAT 50 times in the course of the series? 
 
Be me and realize that oh my GOD I think I just ... really DISLIKE  Precure Fairies SO SO MUCH
 
If I had my choice between Incubators and Precure Fairies oh my GOD would I ever go with Kyubey. Kyubey may be a gaslighting alien, but at least he doesn't make you handle expelled body products and have to pretend they're magical. 

 
---

okay, so I finished the 'low filler' run of Happiness Charge and... well, I can see why it would annoy some people. It has a LOT of flaws but it's not THAT bad. It's base-level interesting, the villains have fun designs even if they don't really go anywhere, and you can see Toei being Inspired by Madoka with some softer versions of the same themes: magical girls in conflict with each other, Honey being a Mami expy to my eyes, Iona playing out like Homura, etc
 
Hime has a lot of work to do as a core protagonist and bounces back and forth between courage and whiny sniveling in a way that wasn't that cute when Usagi did it, and she lacks Usagi's charm overall. Iona (Homura expy and weaker take on Cure Moonlight) basically only forgave her because The Plot Said It Was Time To Do So. Hime leans a little TOO hard into the clumsy and cowardly presentation.
 
Still don't like the fairies.  
 
I'd say 5/10 overall. Fine, watchable enough, but I wouldn't recommend it to anyone new to Precure.
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Ah, just a typical day in the life of Cure Summer - using the monster of the week as a bounce castle. A quick round of stock footage and then:

"Is there anything that can get more people to pay attention to me?" HAHAHAH Laura, you glorious mer-bo (mermaid bimbo). I missed you. While she's going on about a singing content, some cute fluffy white snow-beings show up with an invitation for the Precures to come to a coronation of Sharon, the princess of Shantia's coronation! Shantia is a snow kingdom and the invitation is all snow-themes. She's inviting special people she scouted and feels have the power to make her kingdom be full of smiles.

Haha Manatsu tribal-dancing around a giant bowl of shaved ice. Yeah, but uh guys, you're the tropical team, maybe going to a snow kingdom is possibly bad news? Or a trap or something?

OH SURE YOU CAN JUST GET ON A TRAIN AND GO TO THE MAGIC SNOW KINGDOM WHY NOT?! Loving the civilian outfits though - super cute. Also some cute character work as the girls jockey for position in the four-seat carriage with five members. Poor Asuka. Kind of got the short end of the stick in general in this show, didn't you.

HEY I KNOW THOSE GIRLS IN THE OTHER CAR GOSH COULD THAT BE OUR PALS FROM HEARTCATCH? Yes, that's why I decided to watch this movie. It'll probably low-key spoiler me for parts of Heartcatch, but I don't mind that kinda thing.

♫ Galaxy Express Three-Nine will take you on a journey ♫ … Ahem. Right.

So the train has two sets of Precures and a few other random artists - a violinist who isn't Michiru but would have been really funny if it was (and should have been, come on Toei, you own them both!), a balloon artist and a Cubist painter.

After treating us to some lovely background painting of winter wonderlands - Toei's BG artists really never falter, do they? - we enter the kingdom of Shantia, complete with snow-based fauna. To be treated to: even more lovely backgrounds. I really like the color work and comps here, it's so clean but just realistic enough that you can almost imagine yourself there as a real place. The interior as they enter the castle is slightly less impressive though, having a lot of Go Princess Transformation Castle vibes to me, I can see where computers have been used to fill in the patterns in the background, etc.

And we meet Sharon, the princess of Shantia. Well.. There's good and bad about this design. I think it's kind of top heavy, but I love her ornamentation and the bright yellow stars in her eyes contrasted to her red and blue lashes.

Laura naturally jumps point as, well, she's a princess too, and the little people can just be quiet while the royals talk. Though her friends are a bit snarky: "she's not queen yet, nothing's been decided, she just says what she wants."

Anyway they go out to dink around in the snow and Laura pegs Erika right in the head with a snowball! And that's how our Precure teams meet! An epic snowball battle! I mean, I've seen worse random crossovers. Yuri just ninja-dodges like she's in the Matrix. Well then! Some more shenanigans happen and Yuri notes to Itsuki that it seems just a little TOO nice here, which I 100% agree with.

The Tropical girls are back in the castle, Laura presenting them with her egotistic plan to perform and a frankly GHASTLY outfit I expect Erika to fix any second now as she comes downstairs with the Heartcatch group.

"You tacked on too much. You'll attract the wrong sort of attention." Erika would be great at Precure Sins. YES THANK YOU. Anyway. After bickering a bit and clashing with Erika, Laura leaves the groups and finds a spring pool she decides to dive in in mermaid mode. Wouldn't that water be icy cold? Oh well. Kururin joins her.

Sharon is nearby, singing. Laura surfaces to listen and is invited to talk.

Holy shit Manatsu get over here - your girl Laura getting stolen by Sharon putting a hefty diamond ring on it!! Like a marriage! Hey! Don't you break up (one of) my Precure OTPs!, you… hussy overdesigned Elsa wannabee! As they talk for a bit about joining their kingdoms when they are both queen, Sharon teaches Laura the song of her people.

Anyway, the groups get ready for the coronation and I'm just like … where's the rest of the people? They're going onto this huge stadium where nobody is. Red flag!

hu-bu-whaaa DAMN all of a sudden the empty stadium is full of people. Uh. Toei. Maybe spray some people into those long high aerials too?? Dang. That was jarring.

Minori is getting bad vibes: "something is off." I agree. People don't just manifest in the hundreds out of thin air! And Sharon looks more stoic and grim than happy to be coronated. Also I don't like magic staffs opening up with eerie purplish stones glowing in the middle of them, just SAYING.

So both Kururun and one of the Heartcatch fairies (the new yellow one I technically don't know about yet) end up breaking away and wandering into dark forboding places inside the castle. The Heartcatch group goes off to find their fairy. Kururun finds the fairy first - by smashing into them - and the fairy runs off yelling for Itsuki. Meanwhile it sure looks a lot like Kururun just found… a prison.

yeeeeep Sharon's just gone evil. One of the out of town performers just tried to say goodbye and nope, she won't let anyone leave. All the cute little snow fluffs have turned into evil snow beasts and the sky just turned stormy and awful!

"It's like their motivation is being stolen and their hearts are being frozen!" Good thing we have just the right nine people to deal with this! oh man, Sharon just gave a full Creepy Evangelion Closeup Stare.

one LONG set of transformations later - it's been too long, I can't remember if these are added sequences or just the full length individual henshin - the Tropical girls start their fight. I'm suddenly reminded of the battle with Kaguya-hime's snow maidens in the Sailor Moon SuperS movie, but there's no Tuxedo Kamen showing up as Santa this time (more's the pity.)

Well, there IS Erika and the Heartcatch girls up at the top of some nearby tower: "If it's a cool entrance you want, it's gotta be someplace high!" I think I love Erika a little more now, haha.

HAHAH the react shot from the Tropical girls is PRICELESS.

Another thing I think is really cool in Precure henshin in general is that 99% of the time the Precure's hair changes color. I don't know, I just think it's a really neat touch.

Man, Cure Moonlight's henshin REALLY looks like it comes from another series entirely. This is not a complaint. It's very cool and 'mature'. It just doesn't line up with the other girls at all, I'm sure that's on purpose. I don't know how they're managing to invoke Rose of Versailles without any actual visual relationship, but somehow they are!

See dammit this is why Precure has an unfair advantage over Sailor Moon - they have generations and generations of potential crossover teamups. Sure, there were like what… 20 Senshi by the time Sailor Stars ended? But it's just not the same. This fight they're now in just pure crossover porn fun. Also it's entirely appropriate that Summer joins in the Butt Kick move. and the Mass Butt Punch just happened. You won't see the high and mighty Sailor Senshi all teaming up to Final Smash with their asses!

A 9 member combination wave. Geez, we're really getting the Sentai finishers out here.

So, Shantia is actually a dead kingdom. Sharon's coronation day was interrupted by.. uh a meteor falling straight on the place and blowing it up. 13,000 years ago. The violent storms that followed unearthed some kinda evil stone that revived (reincarnated?) Sharon.

Realizing that Sharon is the problem, Cure Moonlight talks about attacking her. This upsets Laura a bit, because she's a Royalist and Sharon DID give her the shiny bling ring and all. She interrupts the Floral Power Fortissimo, like a doofus (it's fun to see the Heartcatch girls panic in the middle of their attack strike!) and all the Heartcatch girls get themselves captured because of her interference.

Tropical buys some time and escapes to regroup, though Laura wants to go tell Sharon off for breaking her heart being rude and all. Manatsu paints up Laura with some encouraging lipstick (they're really not subtle about the battle wives thing here, and never have been, and I love this about them) and they split to go rescue the others while Laura interferes more.

The Precures get rescued … by Kururun, who does something hilarious and retroactively makes me love him more since he did like.. nothing in Tropical Rouge. Another 'oh my god what' reaction shot from the Cures keeps it funny.

The Battle Wives (Summer and La Mer) put on their best Haruka and Michiru vibes and stomp into the castle to confront Sharon. Boy I hope this goes better than when the Outers went after Eudial at the floating church.

This speech. "Sharon. I had so much fun talking with you. I want to know more about you too. And when you're in trouble I want to be of help to you. Doing things like this won't make anyone smile." LAURA YOUR WIFE IS RIGHT THERE GEEZ.

oh my god they're putting them in a face-to-face wide shot. SUMMER YOU'RE LOSING YOUR BATTLE WIFE, WAKE UP. Which she does, by literally grabbing Laura's wrist, making Laura's lipstick gleam oh my GOD the OTP energy is off the charts here and I love it.

oh this is a lovely sequence. "You realize it don't you,no matter what you do you can't bring your country back." And Sharon's hair just falls apart while Laura reads her the royal riot act. "Do you think your mother and father would be happy with this?" Ow.

"Shut up!" And Sharon raises LITERAL SNOW GODZILLVANGELION. Great.

The Tropical gang throws their best Power of Friendship speeches at Sharon while La Mer's diamond bling ring floats off her finger and starts getting all glowy. They get a special powerup that basically fuses their outfits with the Heartcatch suits - pretty interesting, actually. "Snow Crystal Tropical Style!" (Sailor Moon, I'm telling you. You gotta get like 85 more Star Senshi groups like the Starlights and do this kinda stuff!)

Wow they summon some kinda giant princess (I'm assuming this is a Heartcatch thing I'm not yet privy to, but she looks like Godoka combined with Cure Moonlight - the spirit of the Heart Tree maybe?) and now we have Giant Princess versus Godzillvangelion.

AWW DAMN that's excellent - the giant princess LOOKS like she's about to come down for a Godoka level punch but instead opens up her hand and PETS the Godzillvangelion on the head. And they both go poof.

Sharon explains she can't have her heart melted because there's nothing left. Everything she wanted to protect is gone. The power that animated her came from a fragment of the meteorite that smashed into everything, and she begins to fade.

Laura approaches her, and tells her that she wants to sing the song of Sharon's country as she was taught - to consecrate her.

Sharon is, I guess, guided by the song into Congratulations land and sees her parents and citizens gathered around her. Kinda dark, when you overthink it… the girls singing long about 'the land of happiness' when someone is dying?

Not quite believing that Laura will make sure the song of Shantia lasts forever, Sharon dissipates as the last of the meteorite's energy fades, and we white out to …

right back where we started, Aozora City in front of the train station. Erika pokes Laura and offers her a hanky, but Laura insists she's totally not crying, she's a future Queen you know. Manatsu just ugly cries loud enough for both of them. "But we just met her!"

Laura grabs her by the hand and then takes her hand in BOTH of hers and I'm like BATTLE WIVES FOREVER while everyone else quickly sidesteps out of shot. "Honestly, you're such a baby sometimes." Close up on Sharon's ring.

Coda: the girls all sing the song of Shanti for Aozora City, wearing Erika's costume design, which segues into a full 3D performance under the end credits with both teams of Precures. Intercut, we see that the song becomes popular enough that the girls sing it on national TV, ensuring its survival. And the fairies and Erika say "tropica-shining!"

The End.

Well. I think they did a pretty good job of balancing the two teams themes and such fairly well, although it was perhaps more than a little tilted toward Laura Apollodoros Hyginus La Mer The Everpresent Hogger of All Screen Time, which is basically typical for Tropical Rouge in general.

I feel like the end was a little darker than any aspect of these casts were necessarily prepared to handle, especially since there's really no way to peacefully resolve Sharon's primary conflict driver except to just… let her die. Which the movie kind of does in a way that feels awkward, drawn out and more than a little creepy if you over think it. In other series with similar scenarios, the dying one would have been played out more as softened and then a strong relief and a peaceful smile before she goes, but that wasn't the tone that Sharon went out on. Her purification wasn't 100% clear and neither was the state of mind she went out on. I think they tried very hard to convince her, but I felt ambiguity. So not quite sure why the fumble at the finale.

Overall: 8.5/10. The ending kinda tanked it a bit, but otherwise a fun watch with some good laughs and character beats. Animation on point, with both character design sets being respected while still looking distinct and yet part of the same world.
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Sniping my fanfic name on SWA - yeah, I'm 100% sure there are issues with that site too - but at least that archive has expressed a clear no-tolerance-for-AI policy. Probably stick my old stuff there as a backup...?
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Watching Heartcatch now in between eps of Hirogaru Sky.

One thing I really like about Heartcatch is that the monsters are verbalizing the inner sadness/doubts/etc of their host bodies in clear, legible language. It makes them much more sympathetic.  I think this is a great twist on the usual Monster-of-the-week formula and I'm surprised that the series turned away from that in future installments, rolling back to 'monsters who roar their subgenus name' (Ranborg, Zetsuborg, Yarane-da, etc)

One other thing I really like about Heartcatch is the strong visual style and clear directorial voice that elevates the show. It has an unusual, distinctive look that isn't afraid to squash and stretch and go wildly off-model for greater impact. Reminds me of Junichi Sato's comedy takes, especially the extreme reaction shots. The backgrounds are clean and lyrical, too.

One thing I can't STAND about Heartcatch are the fairies. Fairies have always been the hardest characters in Precure for me to swallow, because I find them irritating screen grabbers who overstate the obvious and shout too much, eating up screen time from the actual protagonists. Puf and Aroma in Go Princess were a bit less shrill and demanding, Laura basically took over the mascot role in Tropical Rouge, and Tsubasa is a high elevated version of the trope with Elle, a human baby, being the 'fairy' in Hirogaru. I much prefer Precure when it takes that kind of route.

Really not in love with the 'Heart Seeds' thing being basically an extended pee-joke either - although it has the audacity of an Ikuhara manuever to be so direct, something he pulled himself in Penguindrum with the 'urine stars' joke. I know, I know, Precure is for little kids. Body humor plays differently in Japan too. I'm torn between amused at the crass intrusion just for them having the guts to do it ass-waggling to camera and all, and annoyed that I have to keep seeing it.

These two fairies basically had a scene early on where they were trying to pressure Erika to become a Precure quickly and it clicked for me - ohhh so THAT'S where Shaft got Kyubey from. When you realize Heartcatch was on air at the same time as Madoka Magica was in animation/development.... well, it makes Madoka's riffs on fairy/mascot chars seem a little more pointed in hindsight. Of course Kyubey is also clearly a riff on Luna being a pushy pushy cat on Usagi and practically bullying her into becoming Sailor Moon. But in particular, Heartcatch's fairies have the same kind of white body, beady eyes, clingy vibes thing, and the other fairy (whose name eludes me at the moment) has an 'eyes staring directly into the screen' moment in an early Heartcatch eyecatch. I could imagine SHAFT looking to Heartcatch for bits and bobs of magical girl trope.|

(June me updating May me: Actually Gen Uroboshi is on record as saying he didn't watch Heartcatch until after finishing Madoka's script, and then he thought he had a 'bad heart' because of it, lol)


I am also really liking the villain designs, especially Sasorina, who would absolutely fit into Sailor Moon Super, and Kumojaki and Cobraja, who could waltz in the front door of Ohtori Gakuen and go right up the elevator to the Student Council platform without missing a beat. I read Kumojaki as an old-school Matsumoto/Harlock riff, especially with the excessive hair, one-eye-covered-at-all-times, and the absurdly high coat collar. Then again, the character designer for Heartcatch DID work on Saint Seiya Omega as well.  70's style designwork showing up in Precure is always a good sign.

Blossom and Marine's combo pink and blue finisher Floral Power Fortissimo completely kicks Updraft Shining to the curb though. I hope Sora and Mashiro get an upgraded combo attack soon in Hirogaru.

I'd rate Heartcatch 7/10 right now - it'd be 9/10 but I really have to ding it for the fairies. Otherwise it's growing on me. Viewed through episode 6.

(Update from June me to May me: Heartcatch Precure is now your #1 Precure and it's because of That Scene. You know the one. 9.5/10, final rating, dinged for fairies
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So the OTW just released a news bulletin including an older interview with their legal counsel where she praised scraping fanfics as a way to help AI become more 'diverse'

The fanfic community has not Taken This Well.

It's also become known that AO3 didn't take even the simplest action to prevent Common Crawl bot-scraping of the site's content until January of 2023.

That means, if you have been on the site for a decade like I have, with works dating back before AI scrapers were wet dreams in the pants of techbros, your work has already been scraped, stolen and shoved into an AI dataset, while the OTW passively allowed it.

I removed a large number of my modern fics from the site a couple of years back due to a number of concerns that had already made the site uncomfortable for me, but I had left my older material available and unlocked.

I have now locked those as well, even though that's basically bolting the barn door after wranglers stole my horses and sold them to another farm.

And I'm angry about it, and I'm tired about it. We provided a decade worth of free writing under the belief that the Archive would at least minimally protect us from various threats. I consider bot scraping and AI remixing to be the newest threat and a significant one. Now that our stories have been ripped away from us without even the courtesy of a simple mass email saying 'hey, guys, you should be aware that scraping is becoming a thing', it just reinforces my conviction that AO3 and the OTW are asleep at the wheel, coasting on community good will and volunteerism while actually... not doing a lot to innovate the fanfic experience,  provide users with any sort of user-level access control tools, or actually help and protect authors beyond just 'providing a consistent space that hasn't been deleted yet'.

But the Archive seems to be fine with commercial entities scraping the shit out of us, while punishing us if we want to raise a few dollars a month with a ko-fi link.

I won't be using the site for anything I create going forward. AO3 has proven itself a poor steward and their current position on AI scraping as a 'positive for diversity' is a joke. I'm disgusted. This is, admittedly, a rant and one that I'm not taking a great effort to be fair about. What I do feel is a sick feeling in my stomach knowing that I lost control of some of my works - after already having been plagiarized by other 'fans' in my previous fandom.

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I don't understand why people can't just leave each other alone if their choices aren't physically harming each other. I am not physically injured by the presence of a person who presents gender differently than me.

Life is hard enough, there's no need to go actively making it worse for each other. "Let people live" needs to be a much more common position.
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okay! Let’s put on our Speculating Hats for the upcoming B5 animated event!

Entering the Starfire Wheel to speak my heart:

1. Sheridan is narrator but NOT the main character. Let’s remember: He still has to become The One That Will Be. I don’t think that means another repeat of Sinclair/Valen, but his arc can go further before the end.
2. Ivanova MAY be the main character. We have yet to see her journey into full Rangerhood. SHE WILL GET TO BE FULL ON QUEER THIS TIME.
3. There will LIKELY be a telepath involved.
4. The animation MAY act as a ‘soft bridge’ between the original and the potential reimagining, setting up concepts that will pay off down the line.
5. we will see B5 versions of the Lightning League AND an in-joke reference to Captain Power. Turnabout is fair play, after all. Gillian COULD easily slot in as a Technomage. (this is a joke - unless?!)
6. There will be a Lensman reference and a LOTR reference. 99.9% on this prediction.
7. I think we should get to meet John and Delenn’s kid, yeah? Make a proper Grey Lensman affair out of the whole thing. B5: The Next Generation. Send him out to go pick up the B5 equivalents of Worsel, Tregonsee and Nadreck. (okay this is mostly me huffing hopium)
8. We’ll finally get to see a Centauri with full .. uh… all 6. You know.
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I don’t really care for May 4th as Star Wars Day because it wasn’t really a Big Thing until 2013 (wikipedia entry not withstanding) when Disney took over the franchise and moved to make it a commercial shopping holiday akin to a nerd-level Black Friday.

I’m not down with extravagant consumption that benefits corporate bottom lines by hijacking people’s genuine feelings and chaining them to service of capital. I am not a fan of ‘nerd consumption’ in general. Way too much environmental damage from plastic bits and bobs.

But I do get it, it’s a Fun Thing and we are in desperate need of Fun Things in this grey shit dystopia we’re all now forced to continue operating in.

So for me I choose to make May 4th about celebrating Carrie Fisher. #glitterforSpaceMom and all that.

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“Hey, Toei, you already have boy-centric sentai and plenty of anime series centering boys, why do you need to turn Precure into another?”

I don’t think this is an invalid question. Precure was specifically created to be the female version of Super Sentai, for girls. Centering boys definitely feels weird in that context. Unfortunately, there’s often a thing where a franchise or concept really meant for girls gets coopted by the male audience (cough cough MLP FRIENDSHIP IS MAGIC) and then becomes transformed and taken away from the original audience.

And yeah, I do have a problem with that.

Do I think male Precures are inherently bad? Heck nah! But my guess is that Toei is just trying to find a way to attract teen girls into the franchise in a more explicit way, and one easy track to take for that is creating boy-band-Precure fusion. It is brand dilution, definitely. But if Precure is on such shaky ground that Toei needs to start pulling stunts to widen the audience then the question is: “do we want the series to be able to continue even if it’s no longer pure to its core audience” or “do we want to keep it locked to the 5-8 year olds”.

Precure’s core audience are grade school girls.

And 5-8 year olds are dependent on their parents for purchasing. They just don’t have the economic power of teens.

It’s the same reason Gundam went shoujo-fusion: the brand owners recognized that the demographics for Gundam were stagnant and faltering, a bunch of old farts not buying models and not really engaging with the text. So they specifically crafted a series to pull in a new, modern audience, more girls, and people new to the mecha genre. And it’s working great for them; Witch from Mercury is explosively popular right now, pulling almost 2 million viewers an episode and moving tons of merch.

At the end of the day, all media franchises are fighting for their lives in an oversaturated market. I don’t think Dancing Star is the """"death of Precure"""" or anything, it’s more of a symptom of the urgency and pressure that content producers are feeling.

At the end of the day, if the price for another future series as good as Hirogaru Sky or Go Princess or Tropical Rouge is a 3d kigurumi play, if that’s what it takes to bring in the cash to keep Precure alive so be it.

I will be significantly more annoyed if Precure transforms into just animated sentai with a focus on boy chars and casts off its girl audience, but that point isn’t here yet.

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Cure Wing so far is the strongest attempt to subvert the form as far as Toei’s cash cow goes anyway - he’s a literal soft boi, and doesn’t easily slot into expected cliches for male characters like ‘the genki one’, ’ the mysterious third party outsider’ or 'the aggressive one’. He’s been more useful to the team already than Tuxedo Kamen ever really was, without being pressed into a love interest slot in any way.

I know Toei only really let the writers get away with it because he’s not human, but actually a magic bird that can take human form, so there’s still some plausible deniability there. See, they’re not REALLY making a male cure see, they’re making a mascot Cure, which the series has been a bit more comfortable toying with in previous seasons. See also: Laura in Tropical Rouge basically taking on both the mascot and deuteragonist role while being distinctly Not Human To Start With.

This is also why the jokes about Cure Kabaton are running wild with this series, and not with some of its predecessor villains; we’ve already established animaloids that shape-shift in-verse, so it doesn’t feel like a huge leap for a series that’s poking at the edges to take it just that one step further.

But Toei is being kind of careful and keeps hedging its bets. They can’t afford to lose their young-kid audience or piss off the parents that buy all the accessories.

Wing’s main power of subversion is being a different model of masculinity, as he is reaching toward being 'the prince’ for baby Ellee. (uh oh, says the Utena fan in me, but if Precure was ever gonna go there it would have done it in Go Princess where the reference was explicitly drawn)

And honestly I think that’s a good model for young boys to have to play with, the potential pitfalls of the Dios archetype not withstanding. That kind of problem is for adults to deal with, after all. Let young boys be soft bois if they want, I guess is my point, and in that sense Wing is modeling a comforting alternative to being the rowdy hero.

At least he’s not going down the path of Griffith or Gilbert, lol.

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Kono Giorno Giovanna ni wa yume ga aru.

Without understanding the contextual seperation between Haruno Shiobana (the hidden, disavowed personal identity) and Giorno Giovanna (the embodied dream) misreadings of the character’s nature feels inevitable.

It’s why a trans narrative actually does make sense for this character. Haruno Shiobana is effectively Giorno’s dead name. An identity that he discarded in order to become a Better Self: the golden dream, Giorno Giovanna, a name that linguistically isn’t correct Italian, a liminal name which is a hint to its constructed nature. Whether you want to extend that further by taking the widely quoted statement that Giorno was originally supposed to be female is basically up to each individual reader’s preference.

But it seems impossible to escape that “Giorno Giovanna” is a constructed identity that is both inauthentic and aspirational. The way that the sentence is built is that “Giorno Giovanna” is euphemistically (not literally but figuratively) a place that the “dream” is held within. This implies seperation between the hidden Haruno and “Giorno”

Both Dio and Giorno say Kono (an Identity force modifier; ‘no other thing but this’) as a way of explicitly stating that this, and NO OTHER THING, is their identity. Their chosen identities are stated outside of the conventional Japanese kanji system.

“Giorno Giovanna” is expressed in Katakana characters. Katakana in Japanese is a special set of characters used for 'foreign’ word and 'loan words’ for which Japanese kanji has no direct equivalent; it’s a constructed sound analogue that allows new words to be used. This visually and linguistically confirms he is non-Japanese; 'alien’.

Dio Brando, likewise, is written in Katakana always, then becomes written always as DIO in English in all caps with 'helper’ characters for young readers.

Both of them are defiantly choosing to center their intentions to Become Something Other Than What they Are. Dio becomes DIO; Haruno becomes Giorno. They move beyond the capacity of the base language to fully express what they are, requiring their identities to be marked as symbolic Other. In that ambiguity there is a secondary signal.

Kono Giorno Giovanna ni wa yume ga aru.

“This ("me”) Giorno Giovanna (combined identity marker and implied place), is where the dream is.“

It’s not just that Giorno 'has’ a dream. It’s that his aspirational dream is contained in the persona of Giorno Giovanna.

I think we lose this subtlety in the necessity of translation, and it’s not the only example of signal degrading with a copy.

Without understanding this, an important aspect of the character becomes obscured. He has also thrown away his previous identity as his father did, in a different way but to the same end goal; he wants to become something, a gangstar, the idealized individual self which only he can create.

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so I’m working real hard to banish the cop in my brain, and I think I’m pretty good on that at this point, in all sincerity. I don’t have the will, energy, time or patience to bother with policing others; I have my own problems that need much more thought and attention, and I don’t understand why others can’t take a live and let live attitude equally. I am not compelled by any faith structure to proseltyze or try to convert (unless it’s a tv show I like lol). I’m not down for arguing with anyone over their beliefs; if it’s not in alignment with mine I block or scroll past.

What I did not expect and am currently having trouble with is the capitalist in my brain that swooped in - partially fueled by a lifetime of hearing my mother lecture me that ‘the money is there, you just have to find a way to interest people to get it’ (note: she has not achieved this in the entire time I’ve known her either)

I’m so tired of hearing this narrative inside myself. Feeling like 'if I can’t make something that can make a profit, it’s not worth even trying’. This is especially frustrating right now as I am feeling myself wanting very much to transition away from my current employment and find some other way to support myself - something more sustainable, more fitting of my values and less exhausting. So I think: well, writing. It’s about the only skill I have that could be marketable in even the vaguest sense. I’m 50: nobody is going to want me in their office soon, if they don’t now.

But the fact is writing doesn’t make money. Go ask the published authors on here how hard they have to struggle still - even the name brand authors.

I used to write fanfic. I gave that up for various reasons, including some trauma. But fanfic was the only thing I wrote that people ever cared about. So the capitalist in my head is like: you’re Old and you’re going to STARVE if you don’t start PRODUCING and make it VALUABLE CONTENT.

It’s so, so fucking frustrating. And it’s wrecking me as a person. the fear is there, it’s real, and it hurts.

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Actually, taking the 10,000 mile view: what the hell is BGC actually ABOUT overall?

The Sylia’s Revenge For My Father part was satisfied in episode 3.
GENOM takes a massive, potentially story-altering pounding in ep 6 - but seems to carry on just fine after that?? REALLY?? With potentially hundreds of thousands of dead employees, multiple devastated cities, and surely a stock market crash like you wouldn’t BELIEVE??

We have no reason to believe that those explosions in other countries DIDN’T happen, especially when the visuals shift to POV Australia. Why didn’t this play forward into eps 7 and 8, like the USSD crisis did to episodes 2 and 3? GENOM should be in TATTERS after Largo. So should half the planet!

But we also have to take into account the background chaos of ARTMIC’s legal issues, their last-minute story revisions to eps 6 and 7 to spare Priss, and the ‘going out with a light hearted bang’ of ep 8 in particular into account too.

Should we then assume that the 'original’ Bubblegum Crisis story ended, incomplete, at episode 6? To be fair, we may not actually ever know the TRUE endpoint - since both Crash and 2040 are at best doctored documents, lacking the original plan and based on sketches, like Berserk continuing after the death of Miura.

I THINK the series wants to say SOMETHING about the relationship of humans, corporations and machines - but what that something is feels veiled to me on further consideration. Perhaps it never had the chance to reach its full form enough to make any specific argument in particular?

Well. There’s actual Word of God from Suzuki: “we added the Hissatsu Shiokinin (TV Tropes; Wikipedia) idea and set it in a city with all the mechanisms a city of the future would need and it became a plan where a futuristic Tokyo played a big role. With an emphasis on the concept of a “city,” and within that very planned city, the special police, a giant corporation and the Hissatsu Shiokinin-like figures involved behind the scenes. The relationships between those groups would be the basis of the story” (emphasis mine)

A-ha. So there it is. The entirety of the bubble is the point. This bolsters my belief that the ultimate core of the series is that of a system revolving around itself and its subtle permutations. The bubble spins, lurches, revolves, swells, teeters at the edge of bursting, skin thin as a breath - but it never actually breaks.

Individual components come and go, but the system remains. Vision shows up, tries to Revenge, is partially successful and partially thwarted, then she leaves again. Etc. Largo shows up and sucker punches GENOM, but is defeated and GENOM remains. Etc.

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To say that I love BGC is not to say that I don’t also note its flaws.

It does have a serious case of Women Being Written By Men sometimes. There’s a painful lack of solidarity inside the group at times:

A) the group generally perceives Priss as the ‘bad girl’ and doesn’t immediately support her actions or decisions. Nene calling her 'apewoman’ in ep 8, Sylia being guilted into sending out a rescue team in ep 1 when Priss is late (again) in reporting in. They bend over backwards in ep 3 to try and womansplain to Priss that it’s NOT about her even though the whole mission is absolutely one of vengeance.

B) there are some painful conversations in episode 8 which mar an otherwise fine episode with 'diet talk’. Even taking into account the Hard Suits likely have to be bodyfitted down to millimeters, Priss and Linna team up to harass Nene about her weight gain - of an entire centimeter oh no - and the whole group combines to pick on Nene for not being able to fight at even a 'normal girl level’. We know that Linna and Priss’s laughter hurts, because it comes up again in Nene’s mind when she sits down to have a piece of cake. This kinda thing is sort of death to team cohesion…

“Leave it to Sylia to sacrifice Nene,” Priss says in episode 4, and she ain’t wrong. How Nene has been set up to fail isn’t fully addressed in the original 8, but it’s pretty obvious that her suit is below grade, her weapons are inadequate, Sylia isn’t forcing her up to the team’s fighting standard, and that her abilities are meant for backstage work - so why do they keep pulling her up front with the combat team? And then mocking her for not being good at it? This makes me question Sylia’s leadership abilities (and it’s not the only time I’ve had questions about her judgement)

There’s also some implied size-shaming going on in episode 4, when Priss complains that the skirt she borrowed from Linna 'bags’ and then they refuse to complete a conversation about their clothing sizes because Linna takes offense at the implication Priss is smaller than she is.

C) Although the group generally talks out their missions as a whole first before deciding on their course of action, there’s a sense that the characters aren’t as much friends as they are co-workers. Linna and Priss do hang out in episode 4 - with some interesting suggestive implications - and we know that Linna and Nene both go to Priss’ concerts on and off based on ep 5. Based on potential timing issues, I’m sure that Nene probably can’t interact with the others as often because of work being the mole inside ADP.

I’m not saying they need to be in each other’s faces 24/7 but the way their interactions are usually structured definitely adds to the vibe of 'we’re just here doing this thing for now, we’re not together in it’. I guess YMMV as to whether that’s a good thing or not, but the closest contemporaneous analogue also running in '86 are the Dirty Pair, another 'girl mercenary’ group, and they’re written as bickering friends/sisters with a fairly close relationship.

D) Linna kind of gets the short end of the characterization stick, being mostly written as concerned about status (“I want to trade in my car and get new clothes”. “Who cares about art?”) although the Irene/Vision subplot does do a lot to lift her and give her some extra focus, and the show heavily implies she’s at least bi-curious. “If I were a guy I’d make a pass at you, no sweat.” She’s also bossy toward Priss in episodes 3 and 4 in a way that implies the group kind of tends to punch down at each other depending on who’s in the room. Though you could also call her exchanges with Priss the fond exasperation of someone who’s tired of their friend’s constant drama. For the record, Priss does the same thing to Nene right after Linna does it to her. “Girl, all you think about is eating.” They pull the same stuff on each other in ep 5 when they get together at Hot Legs and meet Sylvie.

I dunno, this is all just brain dump. I don’t expect an 80’s series to be up to modern ideas - that would be silly and ahistorical - but I definitely think about it in the context of what I wish to see more of now and want to see less of going forward. That’s where I think that Women Being Written by Men comes into play, because the focus is more on tearing each other down - catty behavior, a bad group dynamic.

Women CAN be our own worst enemies, too - there’s no doubt about that. We’re good at tearing each other down. But given the context of the team I’d want to see more internal coherency and more internal support. More recognition of oppression as being existent on multiple planes at once, and maybe not treating each other like crap in the off hours and then expecting a clean, cohesive fighting unit in a crisis.


Waiting until episode 8 to actually address the Nene 'combat problem’ (and then in some ways actually making it worse with the off-field bullying being explicitly called out) is low-key frustrating.

Now, I’m a Priss girl myself, the other characters are less on my mind most of the time, and Priss obviously gets the lion’s share of screentime as the 'face’ of the group. But yeah, if Mackie can operate very comfortably as a support character that comes in during pinches or does a good job of hacking himself, why isn’t Nene just stationed with him like, 99% of the time? Is Sylia worried her little brother is gonna get too handsy with Nene or something?

Also, yeah, if Nene’s presence on the field were expressed as her suit being a signal-jammer/scramble, that would immediately make her more useful, but her suit would need to be beefed up EVEN MORE to counter this since the 'white mage’ role needs stronger defense, and the other three are all too busy to protect her while being in aggressive combat roles. I mean, at minimum, Nene should be going out wrapped in a Motoslave, at least, on top of her normal suit, if she’s performing code functions.

Like, why was LINNA the one that was brought forward in ep 6 to wreck Largo’s beam satellite and Nene was in support mode? That should 100% have been reversed, unless they’re arguing Nene isn’t strong enough to hold the weapon in place while it fires - but that’s the Motoslave’s job, right? Nene’s suit wings opening up was super cool and why didn’t we see more of THAT? Anyway.

My initial thought of fixing this would have been to combine the Mackie and Nene characters into one: making Nene not only the group hacker but also the backup suit-fixer and support coder (which could make her VERY useful on the field when the others are constantly getting their suits crushed/mangled/damaged) - but then you kind of have to give up the ADP mole role, right?

By I dunno ep 6 you can argue that Leon could take over the 'mole’ role inside ADP since he’s fully onboard with the Sabers anyway. So there’s other ways to structure the existing characters for the same value or better.

This is the kind of thinking I would hope enters into a reboot process - says she who’s been waiting 30 goddamn years for someone to wake up and remember this franchise exists and not fuck it up. I am not a fan of Crash or 2040, LOL.

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I checked out the Legacy Collection manuals through videos online.

It’s interesting that they keep trying to sell that X is a pacifist throughout the early sections related to early games, but his actions in-game don’t support it - which of course leaves a big interesting hole to exploit for fanfic. Gradually, that language fades from his descriptions as they get terser, which is also interesting.

This is Sigma’s entry - there’s only one after this and it’s a shorter retread of this text.

image

 

Perhaps. One day. Suddenly. It’s the same noncommittal wording as we’ve been seeing everywhere else. Sigh. There’s nothing new here.
Also I find it quite curious that the things we KNOW are true - like his encounter with Wily (as a ghost? viral manifestation? ELF like a Light Capsule??) he speaks of in X5 - are still not spoken of. Nor is there any mention of his having received the Virus from Zero, which is the true reason for his ’sudden’ ’perhaps’ change. Half the game’s actual plot is buried in scattered flashbacks, vague hints in conversations, and other such miscellaneous scraps.

We really need a game from Sigma’s POV. Start to finish. Going at least through the first five uprisings. We got Vile Mode, they can do a Sigma Mode run too. Imagine: starting out as a new, young Reploid, full of promise, gradually falling into darkness by a combination of experience and outside manipulation. Wouldn’t that be a delicious tragedy to behold.

I wonder if it was ‘convenient’ to Sigma to let himself be played so hard by the ghost of a dead man from 100+ years ago to enact an unfinished vendetta. I wonder if he had the self-awareness to realize that’s what basically happened to him. Becoming another man’s pawn hardly seems like the independence Reploids seek to gain.

At least Lumine brought it back around to Reploids attempting to enact their own wills instead.

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Let’s also remember that there are actually, in reality, Mafia-adjacent scooter gangs in Naples - bambini del Diavolo  (lol!) that have active members as young as 12 years old. As recent as 2018. 

Spare me the ‘he’s an innocent caught up in a bad system’ stuff. Spare me that Giorno’s physical age somehow makes him some kind of tender child. Spare me that idea that he isn’t fully capable of controlling men by force to get what he wants. He’s a deeply grey-morals fusion of the righteous passions of Jonathan and the cold smouldering ambitions of DIO.

Also there was a great note in the tags in the original post that i want to elevate reminding everyone that Giorno took advantage of Koichi to steal and hawk his luggage and then helped himself to a nice cup of coffee afterward. Just because he ‘felt bad’ about it afterward doesn’t change the fact he did it. Actions speak louder than words. 

Now, I love Giorno; he’s my favorite Jojo, and part 5 is my favorite part. He’s self-sacrificing, and deeply committed to the causes HE believes in. At heart he’s not the kind of evil that ends up causing mothers to become vampires and devour their own children, or perverting good men into drooling, mindless monsters. He’s not the kind of evil that bites the faces off dogs and then goes looking for women to violate. He’s not an Angelo; he’s not an early-vampire-stage Dio. 

But he IS a criminal and a gangster, and his ‘ideals’ don’t change that his actions are murderous, occasionally paranoid (watch how he doesn’t eat and note what he says in episode 20) and ruthless to the point of savagery. 

He’s not going to sit there in the throne of Passione and shake and cry over the terrible things he’s done. He’s going to do more terrible things to enact his will, until His Goals are met. Which coincidentally happens to overlap with ‘maybe make Naples 20% less shitty, and continue to destabilize any power structure that I don’t control already until I do control it’. 

Is there peace for Giorno after becoming Don Giovanna? Absolutely not. He’ll face opposition on every level, on every front. It’ll be too much for him; he’ll do stupid things out of frustration or panic that make it worse; he’ll recover and continue on. And with the power he has, it’ll be incredibly hard (not impossible, just hard) to unseat him. Long may he reign, for all the discontent it will bring him.

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Basically: Vento Aureo is a near-Greek level tragedy FROM START TO FINISH and if Giorno becoming Passione’s Godfather is a moral victory, then it’s the blackest victory I’ve ever read in media. His ambition MAY be held in check by his ‘joestar justice’, but there’s no guarantee of it, and he’s now got the added firepower of a Stand that can basically fuck reality sideways to go with it. 

Jotaro was right to be concerned, but wrong to chicken out and hide from the very real threat that Giorno represents. I’m NOT saying Giorno is inevitably going to become Dio 2.0

What I AM saying is that by the end of VA there is next to nothing around Giorno to CHECK his behavior, impulses, ambition. Nothing except himself and that slender thread of ‘the gangster who did good somehow’ as a guiding light. That seems a thin thread to cling to. Do you really think POLNAREFF, and a GHOST version of himself at that, is going to be enough of an adult to counterbalance Giorno’s gravity? Do you really think MISTA can do it? Where are the adults? Because Giorno ISN’T ONE, and everyone who COULD have checked him - like Bruno -  is DEAD. And Giorno also now believes he operates FULLY under sanction thanks to Bruno basically giving him the Golden Blessing. After dying BECAUSE of him, what a true believer Bruno was. 

We need adults in this room and we need them FAST.
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okay now I’m thinking. I got curious about this.

What DO we know about Sigma, pre-Maverickism? What’s actually AVAILABLE in the text? Not conjecture or headcanon, or spinoff mangas or light novels or whatever, but just plain text? In the games and their manuals?

Now, I’m going to womanfully ignore that there are segments of the fanbase that STILL argue about whether “Dr. Cain’s Journal” in the US first manual for X1 is even canon and just look at what each manual says. Also whatever might come out of the X Official Complete Works, which is the best we have IN ENGLISH as far as staff commentary on the characters.

I am also IGNORING Maverick Hunter X because that was intended as a series-regenerating reboot, and as such, takes the original canon and throws it out the window in favor of an incomplete revision that alters the universe in some places. Since the line never continued, it’s basically a non-canon AU. So I’m not counting Day of Sigma or whatever the MHX in-game text or manual says either. Original games only, here.

X1 manual:
Feb 16th: the reploid named Sigma has assigned to lead the Hunters. Sigma is one of the most intelligent androids I’ve created and contains my latest circuit designs. His systems should be immune to any problems.“ (where have we heard THIS before geeeeeeee)

"May 16th: it’s been two months since Sigma took control of the Maverick Hunters and he and his hunters have been able to prevent any further injury to the populations. Everyone is starting to breathe a little easier…”

“June 4th: My worst nightmare has come true. Sigma went maverick today and took most of the other Hunters with him. His motives are unclear, but it seems that he ‘decided’ humans are inferior and limiting the growth of the Reploids. For that reason, he decided all humans should be eradicated…”

X1 in-game speech
(X fights through the rest of the fortress and finds Sigma in a tower with a large wolf Mechaniloid.)

Sigma: Welcome! I see you managed to get here by yourself. Very impressive! I could destroy you, but I would not rob my pet of that pleasure. He knows how to deal with betrayers. Should you live, I will be waiting for you. Don’t disappoint me X!

(Sigma orders Velguarder to destroy X, but X defeats it. Velguarder explodes as Sigma reappears.)

Sigma: Excellent job, X! I see why Zero counted on you. You are almost as good a hunter as I was. But, the time of your destruction has arrived! You shall regret ever having defied me!

Sigma: No!!! It’s not possible! I’m a Reploid! I can’t be destroyed by you! Why, X?! Why have you done this to us?! Without the humans, my Reploid brothers could have ushered in a new age…..

(Wolf Sigma explodes just as X teleports out of the room.)

Mega Man X Complete Works, page 9:
“The way we made Wily, there was a side to him that you couldn’t really hate. Sigma, however, we created to be an 'absolute evil” kind of character. His story goes along the line of 'he was manufactured to be pure good, but somehow turned out this way’, which lends a certain 'unforeseen error’ feel to his very existence.“ (inafune)

That’s seriously all the staff has to say about him in the entire book, except for a tiny blurb at the back of the book at page 90 where they echo ’suddenly, he led the Reploids into a rebellion’.

X2 manual: Sigma isn’t even mentioned in the enemies page.
X3 manual: Same again.
X4 manual: Same again.
X5 manual: Still nothing.
X6 manual: Nope.
X7 manual: Who’s Sigma again?
X8 manual: Not here either. (I had to download this one, too lazy to get out my physical copy; couldn’t find an easy accessible copy online)

Honestly. For a main series villain the amount we actually know about his character beyond RAR I AM EVIL GUY NOW is… comical.

Somehow, he became a Bad Guy’. Cripes. Love that 'we think the gamers should fill it in themselves’ 90’s Capcom mentality…

This is going to need a part 2, because I have to look at the scripts for X4 and X5, but I haven’t had time to do it yet and this thing is long enough already :)


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calling Jodio Giorno’s evil twin and all that is cute but look okay, hating drugs was BRUNO’S thing SPECIFICALLY, everyone always forgets that the panel CONVENIENTLY CUT FROM THE ADAPTATION has Giorno turning back to Bruno and going “Adults have the right to kill themselves with drugs if they want” (I’m paraphrasing, don’t have it right to hand at the moment.)

Giorno wanted to upheave the entire power structure in Naples - which meant becoming part of Passione and altering its impact on society at large from the inside. It’s a cute meme to shrink it down to ‘DRUG BAD’ but that wasn’t really his primary goal - or even a secondary one.

His goal was POWER, and people forget that ALL THE DAMN TIME, in favor of a heavily woobified or defanged characterization that makes him out to be much more forgiving/just than he actually WAS.

And then he got that power and it was a huge case of BE CAREFUL WHAT YOU WISH FOR, but that’s another debate

We only have one chapter under us, but I’m gonna say it, the ‘Mechanism’ that Jodio is talking about is the same thing: POWER. Social currency. The ability to fully control one’s own fate.

In this, BOTH of them are truly ‘sons of Dio’ in that Dio himself conflated Wealth and Influence, but what he ACTUALLY sought and finally obtained to his own satisfaction was POWER. Power enough to throw away his humanity; power enough to transcend and control his fate entirely.

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